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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #61413C it is the complementary color #9EBEC3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #61413C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #61413C shade: #664137, #77534A, #88655D, #997770 and #AA8983

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #61413C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #61413C shade: #61413C, #502F29, #3F1D16, #2E0B03 and #1D0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #61413C shade: #62413C and #623C3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #61413C shade: #62413C, #624B3C, #62553C, #625F3C and #59623C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #61413C shade matches the following richer shades: #62413C, #6E372F, #7B2E22, #882515 and #951B08

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #61413C shade: #62413C, #554A48, #485355, #3B5D62 and #2E666F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #61413C shade: #623C4B, #623C41, #62413C, #624B3C and #62553C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #61413C shade: #2E1F1C, #48302C, #62413C, #7B524B and #95635B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #61413C shade: #61413C, #55623C and #3C4662

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #61413C shade: #61413C, #3C6241 and #413C62

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #61413C shade: #61413C, #55623C, #3C5C62 and #483C62

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #61413C shade: #61413C, #49623C, #3C5C62 and #543C62

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 38 / 62

HEX #61413C

RGB 97 65 60

HSL 8.11, 0.24%, 0.31%

LAB 30.99, 13.19, 8.67

 

Complementary color

CMYK 19 / 3 / 0 / 24

HEX #9EBEC3

RGB 158 190 195

HSL 188.11, 0.24%, 0.69%

LAB 74.85, -9.65, -6.11

 

CMYK 0 / 36 / 46 / 60

HEX #664137

RGB 102 65 55

HSL 12.77, 0.3%, 0.31%

LAB 31.53, 14.77, 12.72

 

CMYK 0 / 30 / 38 / 53

HEX #77534A

RGB 119 83 74

HSL 12, 0.23%, 0.38%

LAB 38.9, 13.74, 11.26

 

CMYK 0 / 26 / 32 / 47

HEX #88655D

RGB 136 101 93

HSL 11.16, 0.19%, 0.45%

LAB 46.09, 12.9, 10.02

 

CMYK 0 / 22 / 27 / 40

HEX #997770

RGB 153 119 112

HSL 10.24, 0.17%, 0.52%

LAB 53.1, 12.19, 8.93

 

CMYK 0 / 19 / 23 / 33

HEX #AA8983

RGB 170 137 131

HSL 9.23, 0.19%, 0.59%

LAB 59.96, 11.59, 7.96

 

CMYK 0 / 33 / 38 / 62

HEX #61413C

RGB 97 65 60

HSL 8.11, 0.24%, 0.31%

LAB 30.99, 13.19, 8.67

 

CMYK 0 / 41 / 49 / 69

HEX #502F29

RGB 80 47 41

HSL 9.23, 0.32%, 0.24%

LAB 23.33, 14.31, 10.21

 

CMYK 0 / 54 / 65 / 75

HEX #3F1D16

RGB 63 29 22

HSL 10.24, 0.48%, 0.17%

LAB 15.45, 15.74, 12.28

 

CMYK 0 / 76 / 93 / 82

HEX #2E0B03

RGB 46 11 3

HSL 11.16, 0.88%, 0.1%

LAB 7.47, 17.27, 10.31

 

CMYK 0 / 100 / 100 / 89

HEX #1D0000

RGB 29 0 0

HSL 0, 1%, 0.06%

LAB 2.36, 10.59, 3.73

 

CMYK 0 / 34 / 39 / 62

HEX #62413C

RGB 98 65 60

HSL 7.89, 0.24%, 0.31%

LAB 31.12, 13.64, 8.87

 

CMYK 0 / 39 / 39 / 62

HEX #623C3C

RGB 98 60 60

HSL 0, 0.24%, 0.31%

LAB 29.8, 16.75, 7.02

 

CMYK 0 / 34 / 39 / 62

HEX #62413C

RGB 98 65 60

HSL 7.89, 0.24%, 0.31%

LAB 31.12, 13.64, 8.87

 

CMYK 0 / 23 / 39 / 62

HEX #624B3C

RGB 98 75 60

HSL 23.68, 0.24%, 0.31%

LAB 33.89, 7.4, 12.67

 

CMYK 0 / 13 / 39 / 62

HEX #62553C

RGB 98 85 60

HSL 39.47, 0.24%, 0.31%

LAB 36.78, 1.24, 16.56

 

CMYK 0 / 3 / 39 / 62

HEX #625F3C

RGB 98 95 60

HSL 55.26, 0.24%, 0.31%

LAB 39.76, -4.74, 20.48

 

CMYK 9 / 0 / 39 / 62

HEX #59623C

RGB 89 98 60

HSL 74.21, 0.24%, 0.31%

LAB 39.89, -10.48, 20.5

 

CMYK 0 / 34 / 39 / 62

HEX #62413C

RGB 98 65 60

HSL 7.89, 0.24%, 0.31%

LAB 31.12, 13.64, 8.87

 

CMYK 0 / 50 / 57 / 57

HEX #6E372F

RGB 110 55 47

HSL 7.62, 0.4%, 0.31%

LAB 30.04, 23.46, 16.04

 

CMYK 0 / 63 / 72 / 52

HEX #7B2E22

RGB 123 46 34

HSL 8.09, 0.57%, 0.31%

LAB 30.11, 32.76, 24.79

 

CMYK 0 / 73 / 85 / 47

HEX #882515

RGB 136 37 21

HSL 8.35, 0.73%, 0.31%

LAB 30.91, 41.11, 33.92

 

CMYK 0 / 82 / 95 / 42

HEX #951B08

RGB 149 27 8

HSL 8.09, 0.9%, 0.31%

LAB 32.24, 48.57, 42.12

 

CMYK 0 / 34 / 39 / 62

HEX #62413C

RGB 98 65 60

HSL 7.89, 0.24%, 0.31%

LAB 31.12, 13.64, 8.87

 

CMYK 0 / 13 / 15 / 67

HEX #554A48

RGB 85 74 72

HSL 9.23, 0.08%, 0.31%

LAB 32.47, 4.23, 2.88

 

CMYK 15 / 2 / 0 / 67

HEX #485355

RGB 72 83 85

HSL 189.23, 0.08%, 0.31%

LAB 34.44, -3.85, -2.64

 

CMYK 40 / 5 / 0 / 62

HEX #3B5D62

RGB 59 93 98

HSL 187.69, 0.25%, 0.31%

LAB 37.19, -10.85, -6.77

 

CMYK 59 / 8 / 0 / 56

HEX #2E666F

RGB 46 102 111

HSL 188.31, 0.41%, 0.31%

LAB 39.97, -15.49, -10.66

 

CMYK 0 / 39 / 23 / 62

HEX #623C4B

RGB 98 60 75

HSL 336.32, 0.24%, 0.31%

LAB 30.25, 19.08, -2.11

 

CMYK 0 / 39 / 34 / 62

HEX #623C41

RGB 98 60 65

HSL 352.11, 0.24%, 0.31%

LAB 29.94, 17.47, 3.95

 

CMYK 0 / 34 / 39 / 62

HEX #62413C

RGB 98 65 60

HSL 7.89, 0.24%, 0.31%

LAB 31.12, 13.64, 8.87

 

CMYK 0 / 23 / 39 / 62

HEX #624B3C

RGB 98 75 60

HSL 23.68, 0.24%, 0.31%

LAB 33.89, 7.4, 12.67

 

CMYK 0 / 13 / 39 / 62

HEX #62553C

RGB 98 85 60

HSL 39.47, 0.24%, 0.31%

LAB 36.78, 1.24, 16.56

 

CMYK 0 / 33 / 39 / 82

HEX #2E1F1C

RGB 46 31 28

HSL 10, 0.24%, 0.15%

LAB 13.5, 6.77, 4.92

 

CMYK 0 / 33 / 39 / 72

HEX #48302C

RGB 72 48 44

HSL 8.57, 0.24%, 0.23%

LAB 22.56, 10.33, 6.95

 

CMYK 0 / 34 / 39 / 62

HEX #62413C

RGB 98 65 60

HSL 7.89, 0.24%, 0.31%

LAB 31.12, 13.64, 8.87

 

CMYK 0 / 33 / 39 / 52

HEX #7B524B

RGB 123 82 75

HSL 8.75, 0.24%, 0.39%

LAB 39.16, 16.2, 11.08

 

CMYK 0 / 34 / 39 / 42

HEX #95635B

RGB 149 99 91

HSL 8.28, 0.24%, 0.47%

LAB 47.06, 19.21, 12.81

 

CMYK 0 / 33 / 38 / 62

HEX #61413C

RGB 97 65 60

HSL 8.11, 0.24%, 0.31%

LAB 30.99, 13.19, 8.67

 

CMYK 13 / 0 / 39 / 62

HEX #55623C

RGB 85 98 60

HSL 80.53, 0.24%, 0.31%

LAB 39.57, -12.22, 20.01

 

CMYK 39 / 29 / 0 / 62

HEX #3C4662

RGB 60 70 98

HSL 224.21, 0.24%, 0.31%

LAB 29.97, 3.77, -17.76

 

CMYK 0 / 33 / 38 / 62

HEX #61413C

RGB 97 65 60

HSL 8.11, 0.24%, 0.31%

LAB 30.99, 13.19, 8.67

 

CMYK 39 / 0 / 34 / 62

HEX #3C6241

RGB 60 98 65

HSL 127.89, 0.24%, 0.31%

LAB 37.98, -21.26, 14.64

 

CMYK 34 / 39 / 0 / 62

HEX #413C62

RGB 65 60 98

HSL 247.89, 0.24%, 0.31%

LAB 27.4, 12.02, -21.72

 

CMYK 0 / 33 / 38 / 62

HEX #61413C

RGB 97 65 60

HSL 8.11, 0.24%, 0.31%

LAB 30.99, 13.19, 8.67

 

CMYK 13 / 0 / 39 / 62

HEX #55623C

RGB 85 98 60

HSL 80.53, 0.24%, 0.31%

LAB 39.57, -12.22, 20.01

 

CMYK 39 / 6 / 0 / 62

HEX #3C5C62

RGB 60 92 98

HSL 189.47, 0.24%, 0.31%

LAB 36.92, -9.96, -7.16

 

CMYK 27 / 39 / 0 / 62

HEX #483C62

RGB 72 60 98

HSL 258.95, 0.24%, 0.31%

LAB 28.09, 14.35, -20.59

 

CMYK 0 / 33 / 38 / 62

HEX #61413C

RGB 97 65 60

HSL 8.11, 0.24%, 0.31%

LAB 30.99, 13.19, 8.67

 

CMYK 26 / 0 / 39 / 62

HEX #49623C

RGB 73 98 60

HSL 99.47, 0.24%, 0.31%

LAB 38.69, -17.23, 18.69

 

CMYK 39 / 6 / 0 / 62

HEX #3C5C62

RGB 60 92 98

HSL 189.47, 0.24%, 0.31%

LAB 36.92, -9.96, -7.16

 

CMYK 14 / 39 / 0 / 62

HEX #543C62

RGB 84 60 98

HSL 277.89, 0.24%, 0.31%

LAB 29.41, 18.51, -18.44

 

Description

Color code: HEX #61413C | qconv.com Color code: HEX #61413C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 65 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 65 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 38 yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 38% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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