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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #614C40 it is the complementary color #9EB3BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #614C40. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #614C40 shade: #664C3B, #775E4E, #887061, #998274 and #AA9487

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #614C40. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #614C40 shade: #614C40, #503A2D, #3F281A, #2E1607 and #1D0400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #614C40 shade: #614D41, #614441 and #614141

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #614C40 shade: #614D41, #615541, #615E41, #5C6141 and #536141

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #614C40 shade matches the following richer shades: #614D41, #6F4934, #7C4526, #894219 and #963E0C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #614C40 shade: #614D41, #54504E, #47545B, #3A5768 and #2D5B76

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #614C40 shade: #614147, #614441, #614C41, #615541 and #615E41

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #614C40 shade: #302620, #493930, #614D41, #7A6051 and #937462

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #614C40 shade: #614C40, #4F6141 and #414261

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #614C40 shade: #614C40, #41614C and #4C4161

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #614C40 shade: #614C40, #4F6141, #415661 and #534161

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #614C40 shade: #614C40, #466141, #415661 and #5D4161

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 34 / 62

HEX #614C40

RGB 97 76 64

HSL 21.82, 0.2%, 0.32%

LAB 34.15, 6.9, 10.5

 

Complementary color

CMYK 17 / 6 / 0 / 25

HEX #9EB3BF

RGB 158 179 191

HSL 201.82, 0.2%, 0.68%

LAB 71.74, -4.66, -8.54

 

CMYK 0 / 25 / 42 / 60

HEX #664C3B

RGB 102 76 59

HSL 23.72, 0.27%, 0.32%

LAB 34.62, 8.47, 14.37

 

CMYK 0 / 21 / 34 / 53

HEX #775E4E

RGB 119 94 78

HSL 23.41, 0.21%, 0.39%

LAB 41.97, 7.67, 13.04

 

CMYK 0 / 18 / 29 / 47

HEX #887061

RGB 136 112 97

HSL 23.08, 0.17%, 0.46%

LAB 49.11, 7.03, 11.88

 

CMYK 0 / 15 / 24 / 40

HEX #998274

RGB 153 130 116

HSL 22.7, 0.15%, 0.53%

LAB 56.09, 6.5, 10.83

 

CMYK 0 / 13 / 21 / 33

HEX #AA9487

RGB 170 148 135

HSL 22.29, 0.17%, 0.6%

LAB 62.91, 6.05, 9.88

 

CMYK 0 / 22 / 34 / 62

HEX #614C40

RGB 97 76 64

HSL 21.82, 0.2%, 0.32%

LAB 34.15, 6.9, 10.5

 

CMYK 0 / 28 / 44 / 69

HEX #503A2D

RGB 80 58 45

HSL 22.29, 0.28%, 0.25%

LAB 26.51, 7.73, 11.87

 

CMYK 0 / 37 / 59 / 75

HEX #3F281A

RGB 63 40 26

HSL 22.7, 0.42%, 0.17%

LAB 18.58, 8.88, 13.55

 

CMYK 0 / 52 / 85 / 82

HEX #2E1607

RGB 46 22 7

HSL 23.08, 0.74%, 0.1%

LAB 10.33, 10.55, 12.81

 

CMYK 0 / 86 / 100 / 89

HEX #1D0400

RGB 29 4 0

HSL 8.28, 1%, 0.06%

LAB 3.14, 8.98, 4.87

 

CMYK 0 / 21 / 33 / 62

HEX #614D41

RGB 97 77 65

HSL 22.5, 0.2%, 0.32%

LAB 34.46, 6.43, 10.3

 

CMYK 0 / 30 / 33 / 62

HEX #614441

RGB 97 68 65

HSL 5.63, 0.2%, 0.32%

LAB 31.94, 12.05, 6.78

 

CMYK 0 / 33 / 33 / 62

HEX #614141

RGB 97 65 65

HSL 0, 0.2%, 0.32%

LAB 31.12, 13.93, 5.63

 

CMYK 0 / 21 / 33 / 62

HEX #614D41

RGB 97 77 65

HSL 22.5, 0.2%, 0.32%

LAB 34.46, 6.43, 10.3

 

CMYK 0 / 12 / 33 / 62

HEX #615541

RGB 97 85 65

HSL 37.5, 0.2%, 0.32%

LAB 36.78, 1.51, 13.49

 

CMYK 0 / 3 / 33 / 62

HEX #615E41

RGB 97 94 65

HSL 54.38, 0.2%, 0.32%

LAB 39.46, -3.9, 17.1

 

CMYK 5 / 0 / 33 / 62

HEX #5C6141

RGB 92 97 65

HSL 69.38, 0.2%, 0.32%

LAB 39.93, -7.86, 17.64

 

CMYK 14 / 0 / 33 / 62

HEX #536141

RGB 83 97 65

HSL 86.25, 0.2%, 0.32%

LAB 39.19, -11.73, 16.53

 

CMYK 0 / 21 / 33 / 62

HEX #614D41

RGB 97 77 65

HSL 22.5, 0.2%, 0.32%

LAB 34.46, 6.43, 10.3

 

CMYK 0 / 34 / 53 / 56

HEX #6F4934

RGB 111 73 52

HSL 21.36, 0.36%, 0.32%

LAB 34.79, 13.6, 19.11

 

CMYK 0 / 44 / 69 / 51

HEX #7C4526

RGB 124 69 38

HSL 21.63, 0.53%, 0.32%

LAB 35.36, 20.71, 28.55

 

CMYK 0 / 52 / 82 / 46

HEX #894219

RGB 137 66 25

HSL 21.96, 0.69%, 0.32%

LAB 36.53, 27.45, 37.3

 

CMYK 0 / 59 / 92 / 41

HEX #963E0C

RGB 150 62 12

HSL 21.74, 0.85%, 0.32%

LAB 37.76, 34.61, 44.62

 

CMYK 0 / 21 / 33 / 62

HEX #614D41

RGB 97 77 65

HSL 22.5, 0.2%, 0.32%

LAB 34.46, 6.43, 10.3

 

CMYK 0 / 5 / 7 / 67

HEX #54504E

RGB 84 80 78

HSL 20, 0.04%, 0.32%

LAB 34.34, 1.23, 1.76

 

CMYK 22 / 8 / 0 / 64

HEX #47545B

RGB 71 84 91

HSL 201, 0.12%, 0.32%

LAB 34.87, -3.34, -5.78

 

CMYK 44 / 16 / 0 / 59

HEX #3A5768

RGB 58 87 104

HSL 202.17, 0.28%, 0.32%

LAB 35.43, -5.79, -13.17

 

CMYK 62 / 23 / 0 / 54

HEX #2D5B76

RGB 45 91 118

HSL 202.19, 0.45%, 0.32%

LAB 36.65, -6.95, -20.04

 

CMYK 0 / 33 / 27 / 62

HEX #614147

RGB 97 65 71

HSL 348.75, 0.2%, 0.32%

LAB 31.29, 14.88, 2

 

CMYK 0 / 30 / 33 / 62

HEX #614441

RGB 97 68 65

HSL 5.63, 0.2%, 0.32%

LAB 31.94, 12.05, 6.78

 

CMYK 0 / 22 / 33 / 62

HEX #614C41

RGB 97 76 65

HSL 20.63, 0.2%, 0.32%

LAB 34.17, 7.05, 9.91

 

CMYK 0 / 12 / 33 / 62

HEX #615541

RGB 97 85 65

HSL 37.5, 0.2%, 0.32%

LAB 36.78, 1.51, 13.49

 

CMYK 0 / 3 / 33 / 62

HEX #615E41

RGB 97 94 65

HSL 54.38, 0.2%, 0.32%

LAB 39.46, -3.9, 17.1

 

CMYK 0 / 21 / 33 / 81

HEX #302620

RGB 48 38 32

HSL 22.5, 0.2%, 0.16%

LAB 16.1, 3.55, 5.74

 

CMYK 0 / 22 / 34 / 71

HEX #493930

RGB 73 57 48

HSL 21.6, 0.21%, 0.24%

LAB 25.43, 5.52, 8.29

 

CMYK 0 / 21 / 33 / 62

HEX #614D41

RGB 97 77 65

HSL 22.5, 0.2%, 0.32%

LAB 34.46, 6.43, 10.3

 

CMYK 0 / 21 / 34 / 52

HEX #7A6051

RGB 122 96 81

HSL 21.95, 0.2%, 0.4%

LAB 42.91, 8.2, 12.58

 

CMYK 0 / 21 / 33 / 42

HEX #937462

RGB 147 116 98

HSL 22.04, 0.2%, 0.48%

LAB 51.35, 9.45, 14.58

 

CMYK 0 / 22 / 34 / 62

HEX #614C40

RGB 97 76 64

HSL 21.82, 0.2%, 0.32%

LAB 34.15, 6.9, 10.5

 

CMYK 19 / 0 / 33 / 62

HEX #4F6141

RGB 79 97 65

HSL 93.75, 0.2%, 0.32%

LAB 38.89, -13.4, 16.07

 

CMYK 33 / 32 / 0 / 62

HEX #414261

RGB 65 66 97

HSL 238.13, 0.2%, 0.32%

LAB 29.12, 7.73, -18.4

 

CMYK 0 / 22 / 34 / 62

HEX #614C40

RGB 97 76 64

HSL 21.82, 0.2%, 0.32%

LAB 34.15, 6.9, 10.5

 

CMYK 33 / 0 / 22 / 62

HEX #41614C

RGB 65 97 76

HSL 140.63, 0.2%, 0.32%

LAB 38.19, -16.68, 8.3

 

CMYK 22 / 33 / 0 / 62

HEX #4C4161

RGB 76 65 97

HSL 260.63, 0.2%, 0.32%

LAB 29.86, 12.18, -17.17

 

CMYK 0 / 22 / 34 / 62

HEX #614C40

RGB 97 76 64

HSL 21.82, 0.2%, 0.32%

LAB 34.15, 6.9, 10.5

 

CMYK 19 / 0 / 33 / 62

HEX #4F6141

RGB 79 97 65

HSL 93.75, 0.2%, 0.32%

LAB 38.89, -13.4, 16.07

 

CMYK 33 / 11 / 0 / 62

HEX #415661

RGB 65 86 97

HSL 200.63, 0.2%, 0.32%

LAB 35.29, -5.04, -8.97

 

CMYK 14 / 33 / 0 / 62

HEX #534161

RGB 83 65 97

HSL 273.75, 0.2%, 0.32%

LAB 30.6, 14.69, -15.97

 

CMYK 0 / 22 / 34 / 62

HEX #614C40

RGB 97 76 64

HSL 21.82, 0.2%, 0.32%

LAB 34.15, 6.9, 10.5

 

CMYK 28 / 0 / 33 / 62

HEX #466141

RGB 70 97 65

HSL 110.63, 0.2%, 0.32%

LAB 38.26, -17.01, 15.11

 

CMYK 33 / 11 / 0 / 62

HEX #415661

RGB 65 86 97

HSL 200.63, 0.2%, 0.32%

LAB 35.29, -5.04, -8.97

 

CMYK 4 / 33 / 0 / 62

HEX #5D4161

RGB 93 65 97

HSL 292.5, 0.2%, 0.32%

LAB 31.74, 18.36, -14.12

 

Description

Color code: HEX #614C40 | qconv.com Color code: HEX #614C40 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 76 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 76 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 34 yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 34% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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