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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #615E9B it is the complementary color #9EA164. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #615E9B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #615E9B shade: #665E96, #7770A9, #8882BC, #9994CF and #AAA6E2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #615E9B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #615E9B shade: #615E9B, #504C88, #3F3A75, #2E2862 and #1D164F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #615E9B shade: #615E9A, #725E9A, #825E9A, #925E9A and #9A5E93

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #615E9B shade: #615E9A and #5E5E9A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #615E9B shade matches the following richer shades: #615E9A, #4F4AAF, #3D36C3, #2B22D7 and #180EEB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #615E9B shade: #615E9A, #747386, #868772, #989B5E and #AAAF4A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #615E9B shade: #5E7C9A, #5E6C9A, #605E9A, #705E9A and #805E9A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #615E9B shade: #413F67, #514F81, #615E9A, #7977AB and #9290BB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #615E9B shade: #615E9B, #9A5E8C and #749A5E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #615E9B shade: #615E9B, #9A605E and #5E9A60

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #615E9B shade: #615E9B, #9A5E8C, #989A5E and #5E9A6C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #615E9B shade: #615E9B, #9A5E7A, #989A5E and #5E9A7E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 39 / 0 / 39

HEX #615E9B

RGB 97 94 155

HSL 242.95, 0.24%, 0.49%

LAB 42.63, 16.57, -32.87

Complementary color

CMYK 2 / 0 / 38 / 37

HEX #9EA164

RGB 158 161 100

HSL 62.95, 0.24%, 0.51%

LAB 64.71, -10.7, 31.41

 

CMYK 32 / 37 / 0 / 41

HEX #665E96

RGB 102 94 150

HSL 248.57, 0.23%, 0.48%

LAB 42.81, 16.63, -29.58

 

CMYK 30 / 34 / 0 / 34

HEX #7770A9

RGB 119 112 169

HSL 247.37, 0.25%, 0.55%

LAB 49.95, 15.9, -29.54

 

CMYK 28 / 31 / 0 / 26

HEX #8882BC

RGB 136 130 188

HSL 246.21, 0.3%, 0.62%

LAB 56.91, 15.28, -29.55

 

CMYK 26 / 29 / 0 / 19

HEX #9994CF

RGB 153 148 207

HSL 245.08, 0.38%, 0.7%

LAB 63.72, 14.73, -29.61

 

CMYK 25 / 27 / 0 / 11

HEX #AAA6E2

RGB 170 166 226

HSL 244, 0.51%, 0.77%

LAB 70.39, 14.24, -29.7

 

CMYK 37 / 39 / 0 / 39

HEX #615E9B

RGB 97 94 155

HSL 242.95, 0.24%, 0.49%

LAB 42.63, 16.57, -32.87

HEX #615E9B

CMYK 41 / 44 / 0 / 47

HEX #504C88

RGB 80 76 136

HSL 244, 0.28%, 0.42%

LAB 35.31, 17.52, -33.05

HEX #504C88

CMYK 46 / 50 / 0 / 54

HEX #3F3A75

RGB 63 58 117

HSL 245.08, 0.34%, 0.34%

LAB 27.76, 18.7, -33.32

HEX #3F3A75

CMYK 53 / 59 / 0 / 62

HEX #2E2862

RGB 46 40 98

HSL 246.21, 0.42%, 0.27%

LAB 19.96, 20.19, -33.65

HEX #2E2862

CMYK 63 / 72 / 0 / 69

HEX #1D164F

RGB 29 22 79

HSL 247.37, 0.56%, 0.2%

LAB 11.95, 22.11, -33.97

HEX #1D164F

CMYK 37 / 39 / 0 / 40

HEX #615E9A

RGB 97 94 154

HSL 243, 0.24%, 0.49%

LAB 42.58, 16.28, -32.36

 

CMYK 26 / 39 / 0 / 40

HEX #725E9A

RGB 114 94 154

HSL 260, 0.24%, 0.49%

LAB 44.11, 21.36, -29.85

 

CMYK 16 / 39 / 0 / 40

HEX #825E9A

RGB 130 94 154

HSL 276, 0.24%, 0.49%

LAB 45.75, 26.4, -27.17

 

CMYK 5 / 39 / 0 / 40

HEX #925E9A

RGB 146 94 154

HSL 292, 0.24%, 0.49%

LAB 47.56, 31.58, -24.22

 

CMYK 0 / 39 / 5 / 40

HEX #9A5E93

RGB 154 94 147

HSL 307, 0.24%, 0.49%

LAB 48.24, 32.86, -18.94

 

CMYK 37 / 39 / 0 / 40

HEX #615E9A

RGB 97 94 154

HSL 243, 0.24%, 0.49%

LAB 42.58, 16.28, -32.36

 

CMYK 39 / 39 / 0 / 40

HEX #5E5E9A

RGB 94 94 154

HSL 240, 0.24%, 0.49%

LAB 42.34, 15.42, -32.76

 

CMYK 37 / 39 / 0 / 40

HEX #615E9A

RGB 97 94 154

HSL 243, 0.24%, 0.49%

LAB 42.58, 16.28, -32.36

 

CMYK 55 / 58 / 0 / 31

HEX #4F4AAF

RGB 79 74 175

HSL 242.97, 0.41%, 0.49%

LAB 37.22, 30.92, -53.51

 

CMYK 69 / 72 / 0 / 24

HEX #3D36C3

RGB 61 54 195

HSL 242.98, 0.57%, 0.49%

LAB 33.07, 46.72, -72.12

 

CMYK 80 / 84 / 0 / 16

HEX #2B22D7

RGB 43 34 215

HSL 242.98, 0.73%, 0.49%

LAB 30.79, 61.32, -87.58

 

CMYK 90 / 94 / 0 / 8

HEX #180EEB

RGB 24 14 235

HSL 242.71, 0.89%, 0.49%

LAB 30.66, 72.24, -99.3

 

CMYK 37 / 39 / 0 / 40

HEX #615E9A

RGB 97 94 154

HSL 243, 0.24%, 0.49%

LAB 42.58, 16.28, -32.36

 

CMYK 13 / 14 / 0 / 47

HEX #747386

RGB 116 115 134

HSL 243.16, 0.08%, 0.49%

LAB 49.12, 4.47, -10.25

 

CMYK 1 / 0 / 16 / 47

HEX #868772

RGB 134 135 114

HSL 62.86, 0.08%, 0.49%

LAB 55.7, -4.23, 11.19

 

CMYK 2 / 0 / 39 / 39

HEX #989B5E

RGB 152 155 94

HSL 62.95, 0.24%, 0.49%

LAB 62.45, -10.7, 31.61

 

CMYK 3 / 0 / 58 / 31

HEX #AAAF4A

RGB 170 175 74

HSL 62.97, 0.41%, 0.49%

LAB 69.26, -15.55, 50.06

 

CMYK 39 / 19 / 0 / 40

HEX #5E7C9A

RGB 94 124 154

HSL 210, 0.24%, 0.49%

LAB 50.84, -2.8, -19.56

 

CMYK 39 / 30 / 0 / 40

HEX #5E6C9A

RGB 94 108 154

HSL 226, 0.24%, 0.49%

LAB 46.23, 6.76, -26.67

 

CMYK 38 / 39 / 0 / 40

HEX #605E9A

RGB 96 94 154

HSL 242, 0.24%, 0.49%

LAB 42.5, 15.99, -32.49

 

CMYK 27 / 39 / 0 / 40

HEX #705E9A

RGB 112 94 154

HSL 258, 0.24%, 0.49%

LAB 43.92, 20.74, -30.16

 

CMYK 17 / 39 / 0 / 40

HEX #805E9A

RGB 128 94 154

HSL 274, 0.24%, 0.49%

LAB 45.54, 25.76, -27.52

 

CMYK 37 / 39 / 0 / 60

HEX #413F67

RGB 65 63 103

HSL 243, 0.24%, 0.33%

LAB 28.53, 11.52, -23.16

 

CMYK 37 / 39 / 0 / 49

HEX #514F81

RGB 81 79 129

HSL 242.4, 0.24%, 0.41%

LAB 35.84, 13.77, -27.9

 

CMYK 37 / 39 / 0 / 40

HEX #615E9A

RGB 97 94 154

HSL 243, 0.24%, 0.49%

LAB 42.58, 16.28, -32.36

 

CMYK 29 / 30 / 0 / 33

HEX #7977AB

RGB 121 119 171

HSL 242.31, 0.24%, 0.57%

LAB 52.06, 12.85, -27.4

 

CMYK 22 / 23 / 0 / 27

HEX #9290BB

RGB 146 144 187

HSL 242.79, 0.24%, 0.65%

LAB 61.35, 10.03, -22.08

 

CMYK 37 / 39 / 0 / 39

HEX #615E9B

RGB 97 94 155

HSL 242.95, 0.24%, 0.49%

LAB 42.63, 16.57, -32.87

HEX #615E9B

CMYK 0 / 39 / 9 / 40

HEX #9A5E8C

RGB 154 94 140

HSL 314, 0.24%, 0.49%

LAB 47.97, 31.56, -15.18

HEX #9A5E8C

CMYK 25 / 0 / 39 / 40

HEX #749A5E

RGB 116 154 94

HSL 98, 0.24%, 0.49%

LAB 59.56, -24.46, 27.37

HEX #749A5E

CMYK 37 / 39 / 0 / 39

HEX #615E9B

RGB 97 94 155

HSL 242.95, 0.24%, 0.49%

LAB 42.63, 16.57, -32.87

HEX #615E9B

CMYK 0 / 38 / 39 / 40

HEX #9A605E

RGB 154 96 94

HSL 2, 0.24%, 0.49%

LAB 47.03, 23.36, 11.07

HEX #9A605E

CMYK 39 / 0 / 38 / 40

HEX #5E9A60

RGB 94 154 96

HSL 122, 0.24%, 0.49%

LAB 58.35, -31.86, 24.48

HEX #5E9A60

CMYK 37 / 39 / 0 / 39

HEX #615E9B

RGB 97 94 155

HSL 242.95, 0.24%, 0.49%

LAB 42.63, 16.57, -32.87

HEX #615E9B

CMYK 0 / 39 / 9 / 40

HEX #9A5E8C

RGB 154 94 140

HSL 314, 0.24%, 0.49%

LAB 47.97, 31.56, -15.18

HEX #9A5E8C

CMYK 1 / 0 / 39 / 40

HEX #989A5E

RGB 152 154 94

HSL 62, 0.24%, 0.49%

LAB 62.16, -10.17, 31.25

HEX #989A5E

CMYK 39 / 0 / 30 / 40

HEX #5E9A6C

RGB 94 154 108

HSL 134, 0.24%, 0.49%

LAB 58.58, -29.73, 18.17

HEX #5E9A6C

CMYK 37 / 39 / 0 / 39

HEX #615E9B

RGB 97 94 155

HSL 242.95, 0.24%, 0.49%

LAB 42.63, 16.57, -32.87

HEX #615E9B

CMYK 0 / 39 / 21 / 40

HEX #9A5E7A

RGB 154 94 122

HSL 332, 0.24%, 0.49%

LAB 47.34, 28.49, -5.34

HEX #9A5E7A

CMYK 1 / 0 / 39 / 40

HEX #989A5E

RGB 152 154 94

HSL 62, 0.24%, 0.49%

LAB 62.16, -10.17, 31.25

HEX #989A5E

CMYK 39 / 0 / 18 / 40

HEX #5E9A7E

RGB 94 154 126

HSL 152, 0.24%, 0.49%

LAB 58.97, -26.07, 8.62

HEX #5E9A7E

Description

Color code: HEX #615E9B | qconv.com Color code: HEX #615E9B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 94 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 94 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 39 magenta, none yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 39% 0% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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