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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #615F32 it is the complementary color #9EA0CD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #615F32. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #615F32 shade: #665F2D, #777140, #888353, #999566 and #AAA779

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #615F32. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #615F32 shade: #615F32, #504D1F, #3F3B0C, #2E2900 and #1D1700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #615F32 shade: #615F32, #615232, #614632, #613932 and #613232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #615F32 shade: #615F32, #566132, #4A6132, #3D6132 and #326133

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #615F32 shade matches the following richer shades: #615F32, #6D6A26, #79751A, #85800E and #918B02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #615F32 shade: #615F32, #55543E, #49494A, #3D3E56 and #313362

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #615F32 shade: #614632, #615232, #615F32, #576132 and #4A6132

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #615F32 shade: #2B2A16, #464424, #615F32, #7C7A40 and #98944E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #615F32 shade: #615F32, #326139 and #4C3261

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #615F32 shade: #615F32, #32615F and #5F3261

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #615F32 shade: #615F32, #326139, #323461 and #61325A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #615F32 shade: #615F32, #326147, #323461 and #61324C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 48 / 62

HEX #615F32

RGB 97 95 50

HSL 57.45, 0.32%, 0.29%

LAB 39.51, -6.42, 25.91

 

Complementary color

CMYK 23 / 22 / 0 / 20

HEX #9EA0CD

RGB 158 160 205

HSL 237.45, 0.32%, 0.71%

LAB 67.14, 8.98, -23.2

 

CMYK 0 / 7 / 56 / 60

HEX #665F2D

RGB 102 95 45

HSL 52.63, 0.39%, 0.29%

LAB 39.91, -4.61, 29.29

 

CMYK 0 / 5 / 46 / 53

HEX #777140

RGB 119 113 64

HSL 53.45, 0.3%, 0.36%

LAB 47.11, -5.23, 27.94

 

CMYK 0 / 4 / 39 / 47

HEX #888353

RGB 136 131 83

HSL 54.34, 0.24%, 0.43%

LAB 54.12, -5.7, 26.63

 

CMYK 0 / 3 / 33 / 40

HEX #999566

RGB 153 149 102

HSL 55.29, 0.2%, 0.5%

LAB 60.98, -6.07, 25.4

 

CMYK 0 / 2 / 29 / 33

HEX #AAA779

RGB 170 167 121

HSL 56.33, 0.22%, 0.57%

LAB 67.7, -6.36, 24.24

 

CMYK 0 / 2 / 48 / 62

HEX #615F32

RGB 97 95 50

HSL 57.45, 0.32%, 0.29%

LAB 39.51, -6.42, 25.91

 

CMYK 0 / 4 / 61 / 69

HEX #504D1F

RGB 80 77 31

HSL 56.33, 0.44%, 0.22%

LAB 32.06, -5.78, 27.24

 

CMYK 0 / 6 / 81 / 75

HEX #3F3B0C

RGB 63 59 12

HSL 55.29, 0.68%, 0.15%

LAB 24.36, -4.8, 28.17

 

CMYK 0 / 11 / 100 / 82

HEX #2E2900

RGB 46 41 0

HSL 53.48, 1%, 0.09%

LAB 16.34, -3.23, 23.64

 

CMYK 0 / 21 / 100 / 89

HEX #1D1700

RGB 29 23 0

HSL 47.59, 1%, 0.06%

LAB 7.89, -0.72, 11.81

 

CMYK 0 / 2 / 48 / 62

HEX #615F32

RGB 97 95 50

HSL 57.45, 0.32%, 0.29%

LAB 39.51, -6.42, 25.91

 

CMYK 0 / 15 / 48 / 62

HEX #615232

RGB 97 82 50

HSL 40.85, 0.32%, 0.29%

LAB 35.61, 1.34, 21.04

 

CMYK 0 / 28 / 48 / 62

HEX #614632

RGB 97 70 50

HSL 25.53, 0.32%, 0.29%

LAB 32.15, 8.76, 16.57

 

CMYK 0 / 41 / 48 / 62

HEX #613932

RGB 97 57 50

HSL 8.94, 0.32%, 0.29%

LAB 28.64, 16.87, 11.89

 

CMYK 0 / 48 / 48 / 62

HEX #613232

RGB 97 50 50

HSL 0, 0.32%, 0.29%

LAB 26.88, 21.14, 9.5

 

CMYK 0 / 2 / 48 / 62

HEX #615F32

RGB 97 95 50

HSL 57.45, 0.32%, 0.29%

LAB 39.51, -6.42, 25.91

 

CMYK 11 / 0 / 48 / 62

HEX #566132

RGB 86 97 50

HSL 74.04, 0.32%, 0.29%

LAB 39.17, -12.57, 25.28

 

CMYK 24 / 0 / 48 / 62

HEX #4A6132

RGB 74 97 50

HSL 89.36, 0.32%, 0.29%

LAB 38.26, -17.78, 23.95

 

CMYK 37 / 0 / 48 / 62

HEX #3D6132

RGB 61 97 50

HSL 105.96, 0.32%, 0.29%

LAB 37.43, -22.99, 22.73

 

CMYK 48 / 0 / 47 / 62

HEX #326133

RGB 50 97 51

HSL 121.28, 0.32%, 0.29%

LAB 36.87, -26.74, 21.33

 

CMYK 0 / 2 / 48 / 62

HEX #615F32

RGB 97 95 50

HSL 57.45, 0.32%, 0.29%

LAB 39.51, -6.42, 25.91

 

CMYK 0 / 3 / 65 / 57

HEX #6D6A26

RGB 109 106 38

HSL 57.46, 0.48%, 0.29%

LAB 43.8, -8.25, 37.43

 

CMYK 0 / 3 / 79 / 53

HEX #79751A

RGB 121 117 26

HSL 57.47, 0.65%, 0.29%

LAB 48.09, -9.48, 47.08

 

CMYK 0 / 4 / 89 / 48

HEX #85800E

RGB 133 128 14

HSL 57.48, 0.81%, 0.29%

LAB 52.35, -10.32, 54.6

 

CMYK 0 / 4 / 99 / 43

HEX #918B02

RGB 145 139 2

HSL 57.48, 0.97%, 0.29%

LAB 56.57, -10.93, 60.45

 

CMYK 0 / 2 / 48 / 62

HEX #615F32

RGB 97 95 50

HSL 57.45, 0.32%, 0.29%

LAB 39.51, -6.42, 25.91

 

CMYK 0 / 1 / 27 / 67

HEX #55543E

RGB 85 84 62

HSL 57.39, 0.16%, 0.29%

LAB 35.24, -3.72, 13.05

 

CMYK 1 / 1 / 0 / 71

HEX #49494A

RGB 73 73 74

HSL 240, 0.01%, 0.29%

LAB 31.06, 0.22, -0.6

 

CMYK 29 / 28 / 0 / 66

HEX #3D3E56

RGB 61 62 86

HSL 237.6, 0.17%, 0.29%

LAB 27.04, 5.81, -14.52

 

CMYK 50 / 48 / 0 / 62

HEX #313362

RGB 49 51 98

HSL 237.55, 0.33%, 0.29%

LAB 23.35, 13.34, -28.22

 

CMYK 0 / 28 / 48 / 62

HEX #614632

RGB 97 70 50

HSL 25.53, 0.32%, 0.29%

LAB 32.15, 8.76, 16.57

 

CMYK 0 / 15 / 48 / 62

HEX #615232

RGB 97 82 50

HSL 40.85, 0.32%, 0.29%

LAB 35.61, 1.34, 21.04

 

CMYK 0 / 2 / 48 / 62

HEX #615F32

RGB 97 95 50

HSL 57.45, 0.32%, 0.29%

LAB 39.51, -6.42, 25.91

 

CMYK 10 / 0 / 48 / 62

HEX #576132

RGB 87 97 50

HSL 72.77, 0.32%, 0.29%

LAB 39.25, -12.12, 25.4

 

CMYK 24 / 0 / 48 / 62

HEX #4A6132

RGB 74 97 50

HSL 89.36, 0.32%, 0.29%

LAB 38.26, -17.78, 23.95

 

CMYK 0 / 2 / 49 / 83

HEX #2B2A16

RGB 43 42 22

HSL 57.14, 0.32%, 0.13%

LAB 16.64, -3.36, 13.23

 

CMYK 0 / 3 / 49 / 73

HEX #464424

RGB 70 68 36

HSL 56.47, 0.32%, 0.21%

LAB 28.28, -4.65, 19.63

 

CMYK 0 / 2 / 48 / 62

HEX #615F32

RGB 97 95 50

HSL 57.45, 0.32%, 0.29%

LAB 39.51, -6.42, 25.91

 

CMYK 0 / 2 / 48 / 51

HEX #7C7A40

RGB 124 122 64

HSL 58, 0.32%, 0.37%

LAB 50.19, -8.08, 31.83

 

CMYK 0 / 3 / 49 / 40

HEX #98944E

RGB 152 148 78

HSL 56.76, 0.32%, 0.45%

LAB 60.25, -8.69, 37.27

 

CMYK 0 / 2 / 48 / 62

HEX #615F32

RGB 97 95 50

HSL 57.45, 0.32%, 0.29%

LAB 39.51, -6.42, 25.91

 

CMYK 48 / 0 / 41 / 62

HEX #326139

RGB 50 97 57

HSL 128.94, 0.32%, 0.29%

LAB 36.97, -25.67, 17.96

 

CMYK 22 / 48 / 0 / 62

HEX #4C3261

RGB 76 50 97

HSL 273.19, 0.32%, 0.29%

LAB 25.81, 21.93, -23.5

 

CMYK 0 / 2 / 48 / 62

HEX #615F32

RGB 97 95 50

HSL 57.45, 0.32%, 0.29%

LAB 39.51, -6.42, 25.91

 

CMYK 48 / 0 / 2 / 62

HEX #32615F

RGB 50 97 95

HSL 177.45, 0.32%, 0.29%

LAB 37.94, -16.56, -3.85

 

CMYK 2 / 48 / 0 / 62

HEX #5F3261

RGB 95 50 97

HSL 297.45, 0.32%, 0.29%

LAB 28.32, 28.25, -19.38

 

CMYK 0 / 2 / 48 / 62

HEX #615F32

RGB 97 95 50

HSL 57.45, 0.32%, 0.29%

LAB 39.51, -6.42, 25.91

 

CMYK 48 / 0 / 41 / 62

HEX #326139

RGB 50 97 57

HSL 128.94, 0.32%, 0.29%

LAB 36.97, -25.67, 17.96

 

CMYK 48 / 46 / 0 / 62

HEX #323461

RGB 50 52 97

HSL 237.45, 0.32%, 0.29%

LAB 23.66, 12.58, -27.06

 

CMYK 0 / 48 / 7 / 62

HEX #61325A

RGB 97 50 90

HSL 308.94, 0.32%, 0.29%

LAB 28.28, 27.51, -14.88

 

CMYK 0 / 2 / 48 / 62

HEX #615F32

RGB 97 95 50

HSL 57.45, 0.32%, 0.29%

LAB 39.51, -6.42, 25.91

 

CMYK 48 / 0 / 27 / 62

HEX #326147

RGB 50 97 71

HSL 146.81, 0.32%, 0.29%

LAB 37.27, -22.77, 9.94

 

CMYK 48 / 46 / 0 / 62

HEX #323461

RGB 50 52 97

HSL 237.45, 0.32%, 0.29%

LAB 23.66, 12.58, -27.06

 

CMYK 0 / 48 / 22 / 62

HEX #61324C

RGB 97 50 76

HSL 326.81, 0.32%, 0.29%

LAB 27.69, 24.92, -6.58

 

Description

Color code: HEX #615F32 | qconv.com Color code: HEX #615F32 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 95 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 95 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 48 yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 48% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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