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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #615FAA it is the complementary color #9EA055. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #615FAA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #615FAA shade: #665FA5, #7771B8, #8883CB, #9995DE and #AAA7F1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #615FAA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #615FAA shade: #615FAA, #504D97, #3F3B84, #2E2971 and #1D175E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #615FAA shade: #605EAA, #755EAA, #895EAA, #9E5EAA and #AA5EA2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #615FAA shade: #605EAA and #5E5EAA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #615FAA shade matches the following richer shades: #605EAA, #4D4ABE, #3B37D2, #2823E5 and #150FF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #615FAA shade: #605EAA, #737296, #868682, #989A6F and #ABAD5B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #615FAA shade: #5E85AA, #5E71AA, #5F5EAA, #745EAA and #885EAA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #615FAA shade: #403F77, #4F4D92, #605EAA, #7B79B8 and #9694C7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #615FAA shade: #615FAA, #AA5E9A and #7BAA5E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #615FAA shade: #615FAA, #AA5F5E and #5EAA5F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #615FAA shade: #615FAA, #AA5E9A, #A9AA5E and #5EAA6F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #615FAA shade: #615FAA, #AA5E83, #A9AA5E and #5EAA85

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 44 / 0 / 33

HEX #615FAA

RGB 97 95 170

HSL 241.6, 0.31%, 0.52%

LAB 43.69, 20.36, -40.08

 

Complementary color

CMYK 1 / 0 / 47 / 37

HEX #9EA055

RGB 158 160 85

HSL 61.6, 0.31%, 0.48%

LAB 64.21, -11.83, 38.61

 

CMYK 38 / 42 / 0 / 35

HEX #665FA5

RGB 102 95 165

HSL 246, 0.28%, 0.51%

LAB 43.84, 20.23, -36.88

 

CMYK 35 / 39 / 0 / 28

HEX #7771B8

RGB 119 113 184

HSL 245.07, 0.33%, 0.58%

LAB 50.91, 19.34, -36.73

 

CMYK 33 / 35 / 0 / 20

HEX #8883CB

RGB 136 131 203

HSL 244.17, 0.41%, 0.65%

LAB 57.83, 18.58, -36.63

 

CMYK 31 / 33 / 0 / 13

HEX #9995DE

RGB 153 149 222

HSL 243.29, 0.53%, 0.73%

LAB 64.6, 17.91, -36.59

 

CMYK 29 / 31 / 0 / 5

HEX #AAA7F1

RGB 170 167 241

HSL 242.43, 0.73%, 0.8%

LAB 71.24, 17.31, -36.58

 

CMYK 43 / 44 / 0 / 33

HEX #615FAA

RGB 97 95 170

HSL 241.6, 0.31%, 0.52%

LAB 43.69, 20.36, -40.08

 

CMYK 47 / 49 / 0 / 41

HEX #504D97

RGB 80 77 151

HSL 242.43, 0.32%, 0.45%

LAB 36.46, 21.54, -40.35

 

CMYK 52 / 55 / 0 / 48

HEX #3F3B84

RGB 63 59 132

HSL 243.29, 0.38%, 0.37%

LAB 29.03, 22.98, -40.69

 

CMYK 59 / 64 / 0 / 56

HEX #2E2971

RGB 46 41 113

HSL 244.17, 0.47%, 0.3%

LAB 21.43, 24.77, -41.04

 

CMYK 69 / 76 / 0 / 63

HEX #1D175E

RGB 29 23 94

HSL 245.07, 0.61%, 0.23%

LAB 13.72, 26.92, -41.24

 

CMYK 44 / 45 / 0 / 33

HEX #605EAA

RGB 96 94 170

HSL 241.58, 0.31%, 0.52%

LAB 43.35, 20.72, -40.63

 

CMYK 31 / 45 / 0 / 33

HEX #755EAA

RGB 117 94 170

HSL 258.16, 0.31%, 0.52%

LAB 45.21, 26.44, -37.58

 

CMYK 19 / 45 / 0 / 33

HEX #895EAA

RGB 137 94 170

HSL 273.95, 0.31%, 0.52%

LAB 47.27, 32.29, -34.18

 

CMYK 7 / 45 / 0 / 33

HEX #9E5EAA

RGB 158 94 170

HSL 290.53, 0.31%, 0.52%

LAB 49.71, 38.65, -30.19

 

CMYK 0 / 45 / 5 / 33

HEX #AA5EA2

RGB 170 94 162

HSL 306.32, 0.31%, 0.52%

LAB 50.87, 40.85, -23.57

 

CMYK 44 / 45 / 0 / 33

HEX #605EAA

RGB 96 94 170

HSL 241.58, 0.31%, 0.52%

LAB 43.35, 20.72, -40.63

 

CMYK 45 / 45 / 0 / 33

HEX #5E5EAA

RGB 94 94 170

HSL 240, 0.31%, 0.52%

LAB 43.19, 20.21, -40.89

 

CMYK 44 / 45 / 0 / 33

HEX #605EAA

RGB 96 94 170

HSL 241.58, 0.31%, 0.52%

LAB 43.35, 20.72, -40.63

 

CMYK 59 / 61 / 0 / 25

HEX #4D4ABE

RGB 77 74 190

HSL 241.55, 0.47%, 0.52%

LAB 38.19, 35.45, -60.77

 

CMYK 72 / 74 / 0 / 18

HEX #3B37D2

RGB 59 55 210

HSL 241.55, 0.63%, 0.52%

LAB 34.63, 50.77, -78.29

 

CMYK 83 / 85 / 0 / 10

HEX #2823E5

RGB 40 35 229

HSL 241.55, 0.79%, 0.52%

LAB 32.5, 64.8, -92.78

 

CMYK 92 / 94 / 0 / 2

HEX #150FF9

RGB 21 15 249

HSL 241.54, 0.95%, 0.52%

LAB 32.57, 75.52, -104.03

 

CMYK 44 / 45 / 0 / 33

HEX #605EAA

RGB 96 94 170

HSL 241.58, 0.31%, 0.52%

LAB 43.35, 20.72, -40.63

 

CMYK 23 / 24 / 0 / 41

HEX #737296

RGB 115 114 150

HSL 241.67, 0.15%, 0.52%

LAB 49.35, 8.56, -19.36

 

CMYK 0 / 0 / 3 / 47

HEX #868682

RGB 134 134 130

HSL 60, 0.02%, 0.52%

LAB 55.82, -0.78, 2.14

 

CMYK 1 / 0 / 28 / 40

HEX #989A6F

RGB 152 154 111

HSL 62.79, 0.18%, 0.52%

LAB 62.45, -7.96, 22.4

 

CMYK 1 / 0 / 47 / 32

HEX #ABAD5B

RGB 171 173 91

HSL 61.46, 0.33%, 0.52%

LAB 68.97, -12.61, 41.6

 

CMYK 45 / 22 / 0 / 33

HEX #5E85AA

RGB 94 133 170

HSL 209.21, 0.31%, 0.52%

LAB 54.09, -3.43, -23.84

 

CMYK 45 / 34 / 0 / 33

HEX #5E71AA

RGB 94 113 170

HSL 225, 0.31%, 0.52%

LAB 48.38, 8.46, -32.71

 

CMYK 44 / 45 / 0 / 33

HEX #5F5EAA

RGB 95 94 170

HSL 240.79, 0.31%, 0.52%

LAB 43.27, 20.47, -40.76

 

CMYK 32 / 45 / 0 / 33

HEX #745EAA

RGB 116 94 170

HSL 257.37, 0.31%, 0.52%

LAB 45.11, 26.16, -37.73

 

CMYK 20 / 45 / 0 / 33

HEX #885EAA

RGB 136 94 170

HSL 273.16, 0.31%, 0.52%

LAB 47.16, 31.99, -34.36

 

CMYK 46 / 47 / 0 / 53

HEX #403F77

RGB 64 63 119

HSL 241.07, 0.31%, 0.36%

LAB 29.35, 16.28, -32.03

 

CMYK 46 / 47 / 0 / 43

HEX #4F4D92

RGB 79 77 146

HSL 241.74, 0.31%, 0.44%

LAB 36.07, 19.71, -37.94

 

CMYK 44 / 45 / 0 / 33

HEX #605EAA

RGB 96 94 170

HSL 241.58, 0.31%, 0.52%

LAB 43.35, 20.72, -40.63

 

CMYK 33 / 34 / 0 / 28

HEX #7B79B8

RGB 123 121 184

HSL 241.9, 0.31%, 0.6%

LAB 53.33, 15.7, -32.92

 

CMYK 25 / 26 / 0 / 22

HEX #9694C7

RGB 150 148 199

HSL 242.35, 0.31%, 0.68%

LAB 63.17, 11.87, -26.01

 

CMYK 43 / 44 / 0 / 33

HEX #615FAA

RGB 97 95 170

HSL 241.6, 0.31%, 0.52%

LAB 43.69, 20.36, -40.08

 

CMYK 0 / 45 / 9 / 33

HEX #AA5E9A

RGB 170 94 154

HSL 312.63, 0.31%, 0.52%

LAB 50.55, 39.42, -19.36

 

CMYK 28 / 0 / 45 / 33

HEX #7BAA5E

RGB 123 170 94

HSL 97.11, 0.31%, 0.52%

LAB 64.78, -29.7, 34.15

 

CMYK 43 / 44 / 0 / 33

HEX #615FAA

RGB 97 95 170

HSL 241.6, 0.31%, 0.52%

LAB 43.69, 20.36, -40.08

 

CMYK 0 / 44 / 45 / 33

HEX #AA5F5E

RGB 170 95 94

HSL 0.79, 0.31%, 0.52%

LAB 48.93, 30.29, 14.03

 

CMYK 45 / 0 / 44 / 33

HEX #5EAA5F

RGB 94 170 95

HSL 120.79, 0.31%, 0.52%

LAB 63.31, -39.29, 31.45

 

CMYK 43 / 44 / 0 / 33

HEX #615FAA

RGB 97 95 170

HSL 241.6, 0.31%, 0.52%

LAB 43.69, 20.36, -40.08

 

CMYK 0 / 45 / 9 / 33

HEX #AA5E9A

RGB 170 94 154

HSL 312.63, 0.31%, 0.52%

LAB 50.55, 39.42, -19.36

 

CMYK 1 / 0 / 45 / 33

HEX #A9AA5E

RGB 169 170 94

HSL 60.79, 0.31%, 0.52%

LAB 68.02, -11.58, 38.88

 

CMYK 45 / 0 / 35 / 33

HEX #5EAA6F

RGB 94 170 111

HSL 133.42, 0.31%, 0.52%

LAB 63.57, -36.64, 23.28

 

CMYK 43 / 44 / 0 / 33

HEX #615FAA

RGB 97 95 170

HSL 241.6, 0.31%, 0.52%

LAB 43.69, 20.36, -40.08

 

CMYK 0 / 45 / 23 / 33

HEX #AA5E83

RGB 170 94 131

HSL 330.79, 0.31%, 0.52%

LAB 49.73, 35.67, -6.96

 

CMYK 1 / 0 / 45 / 33

HEX #A9AA5E

RGB 169 170 94

HSL 60.79, 0.31%, 0.52%

LAB 68.02, -11.58, 38.88

 

CMYK 45 / 0 / 22 / 33

HEX #5EAA85

RGB 94 170 133

HSL 150.79, 0.31%, 0.52%

LAB 64.02, -32.31, 11.84

 

Description

Color code: HEX #615FAA | qconv.com Color code: HEX #615FAA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 95 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 95 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 44 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 44% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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