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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #615FB6 it is the complementary color #9EA049. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #615FB6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #615FB6 shade: #665FB1, #7771C4, #8883D7, #9995EA and #AAA7FD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #615FB6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #615FB6 shade: #615FB6, #504DA3, #3F3B90, #2E297D and #1D176A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #615FB6 shade: #605EB5, #775EB5, #8F5EB5, #A65EB5 and #B55EAC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #615FB6 shade: #605EB5 and #5E5EB5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #615FB6 shade matches the following richer shades: #605EB5, #4E4BC8, #3C38DB and #2925EE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #615FB6 shade: #605EB5, #7271A2, #84848F, #96977C and #A8AA69

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #615FB6 shade: #5E8BB5, #5E73B5, #5F5EB5, #765EB5 and #8E5EB5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #615FB6 shade: #3E3C84, #4B49A0, #605EB5, #7C7AC2 and #9896CF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #615FB6 shade: #615FB6, #B55EA2 and #7FB55E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #615FB6 shade: #615FB6, #B55F5E and #5EB55F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #615FB6 shade: #615FB6, #B55EA2, #B3B55E and #5EB571

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #615FB6 shade: #615FB6, #B55E88, #B3B55E and #5EB58B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 48 / 0 / 29

HEX #615FB6

RGB 97 95 182

HSL 241.38, 0.37%, 0.54%

LAB 44.38, 24, -46.03

 

Complementary color

CMYK 1 / 0 / 54 / 37

HEX #9EA049

RGB 158 160 73

HSL 61.38, 0.37%, 0.46%

LAB 64.07, -12.95, 44.4

 

CMYK 42 / 46 / 0 / 31

HEX #665FB1

RGB 102 95 177

HSL 245.12, 0.34%, 0.53%

LAB 44.49, 23.73, -42.9

 

CMYK 39 / 42 / 0 / 23

HEX #7771C4

RGB 119 113 196

HSL 244.34, 0.41%, 0.61%

LAB 51.52, 22.7, -42.67

 

CMYK 37 / 39 / 0 / 16

HEX #8883D7

RGB 136 131 215

HSL 243.57, 0.51%, 0.68%

LAB 58.39, 21.8, -42.5

 

CMYK 35 / 36 / 0 / 8

HEX #9995EA

RGB 153 149 234

HSL 242.82, 0.67%, 0.75%

LAB 65.13, 21.02, -42.39

 

CMYK 33 / 34 / 0 / 1

HEX #AAA7FD

RGB 170 167 253

HSL 242.09, 0.96%, 0.82%

LAB 71.74, 20.32, -42.31

 

CMYK 47 / 48 / 0 / 29

HEX #615FB6

RGB 97 95 182

HSL 241.38, 0.37%, 0.54%

LAB 44.38, 24, -46.03

 

CMYK 51 / 53 / 0 / 36

HEX #504DA3

RGB 80 77 163

HSL 242.09, 0.36%, 0.47%

LAB 37.22, 25.36, -46.35

 

CMYK 56 / 59 / 0 / 44

HEX #3F3B90

RGB 63 59 144

HSL 242.82, 0.42%, 0.4%

LAB 29.91, 27.01, -46.7

 

CMYK 63 / 67 / 0 / 51

HEX #2E297D

RGB 46 41 125

HSL 243.57, 0.51%, 0.33%

LAB 22.47, 28.99, -47

 

CMYK 73 / 78 / 0 / 58

HEX #1D176A

RGB 29 23 106

HSL 244.34, 0.64%, 0.25%

LAB 15.03, 31.22, -47.02

 

CMYK 47 / 48 / 0 / 29

HEX #605EB5

RGB 96 94 181

HSL 241.38, 0.37%, 0.54%

LAB 43.99, 24.07, -46.08

 

CMYK 34 / 48 / 0 / 29

HEX #775EB5

RGB 119 94 181

HSL 257.24, 0.37%, 0.54%

LAB 45.99, 29.94, -42.76

 

CMYK 21 / 48 / 0 / 29

HEX #8F5EB5

RGB 143 94 181

HSL 273.79, 0.37%, 0.54%

LAB 48.49, 36.61, -38.65

 

CMYK 8 / 48 / 0 / 29

HEX #A65EB5

RGB 166 94 181

HSL 289.66, 0.37%, 0.54%

LAB 51.21, 43.28, -34.18

 

CMYK 0 / 48 / 5 / 29

HEX #B55EAC

RGB 181 94 172

HSL 306.21, 0.37%, 0.54%

LAB 52.74, 46.05, -26.42

 

CMYK 47 / 48 / 0 / 29

HEX #605EB5

RGB 96 94 181

HSL 241.38, 0.37%, 0.54%

LAB 43.99, 24.07, -46.08

 

CMYK 48 / 48 / 0 / 29

HEX #5E5EB5

RGB 94 94 181

HSL 240, 0.37%, 0.54%

LAB 43.83, 23.6, -46.34

 

CMYK 47 / 48 / 0 / 29

HEX #605EB5

RGB 96 94 181

HSL 241.38, 0.37%, 0.54%

LAB 43.99, 24.07, -46.08

 

CMYK 61 / 63 / 0 / 22

HEX #4E4BC8

RGB 78 75 200

HSL 241.44, 0.53%, 0.54%

LAB 39.28, 38.28, -64.82

 

CMYK 73 / 74 / 0 / 14

HEX #3C38DB

RGB 60 56 219

HSL 241.47, 0.69%, 0.54%

LAB 35.8, 53.18, -81.56

 

CMYK 83 / 84 / 0 / 7

HEX #2925EE

RGB 41 37 238

HSL 241.19, 0.86%, 0.54%

LAB 33.92, 66.61, -95.55

 

CMYK 47 / 48 / 0 / 29

HEX #605EB5

RGB 96 94 181

HSL 241.38, 0.37%, 0.54%

LAB 43.99, 24.07, -46.08

 

CMYK 30 / 30 / 0 / 36

HEX #7271A2

RGB 114 113 162

HSL 241.22, 0.21%, 0.54%

LAB 49.49, 11.93, -26.19

 

CMYK 8 / 8 / 0 / 44

HEX #84848F

RGB 132 132 143

HSL 240, 0.05%, 0.54%

LAB 55.47, 2.26, -5.9

 

CMYK 1 / 0 / 18 / 41

HEX #96977C

RGB 150 151 124

HSL 62.22, 0.11%, 0.54%

LAB 61.72, -5.16, 14.14

 

CMYK 1 / 0 / 38 / 33

HEX #A8AA69

RGB 168 170 105

HSL 61.85, 0.28%, 0.54%

LAB 68.09, -10.78, 33.27

 

CMYK 48 / 23 / 0 / 29

HEX #5E8BB5

RGB 94 139 181

HSL 208.97, 0.37%, 0.54%

LAB 56.27, -3.63, -26.78

 

CMYK 48 / 36 / 0 / 29

HEX #5E73B5

RGB 94 115 181

HSL 225.52, 0.37%, 0.54%

LAB 49.47, 10.61, -37.39

 

CMYK 48 / 48 / 0 / 29

HEX #5F5EB5

RGB 95 94 181

HSL 240.69, 0.37%, 0.54%

LAB 43.91, 23.83, -46.21

 

CMYK 35 / 48 / 0 / 29

HEX #765EB5

RGB 118 94 181

HSL 256.55, 0.37%, 0.54%

LAB 45.9, 29.67, -42.92

 

CMYK 22 / 48 / 0 / 29

HEX #8E5EB5

RGB 142 94 181

HSL 273.1, 0.37%, 0.54%

LAB 48.38, 36.33, -38.83

 

CMYK 53 / 55 / 0 / 48

HEX #3E3C84

RGB 62 60 132

HSL 241.67, 0.38%, 0.38%

LAB 29.21, 22.09, -40.4

 

CMYK 53 / 54 / 0 / 37

HEX #4B49A0

RGB 75 73 160

HSL 241.38, 0.37%, 0.46%

LAB 35.59, 25.83, -47.19

 

CMYK 47 / 48 / 0 / 29

HEX #605EB5

RGB 96 94 181

HSL 241.38, 0.37%, 0.54%

LAB 43.99, 24.07, -46.08

 

CMYK 36 / 37 / 0 / 24

HEX #7C7AC2

RGB 124 122 194

HSL 241.67, 0.37%, 0.62%

LAB 54.13, 18.11, -37.38

 

CMYK 27 / 28 / 0 / 19

HEX #9896CF

RGB 152 150 207

HSL 242.11, 0.37%, 0.7%

LAB 64.16, 13.29, -28.94

 

CMYK 47 / 48 / 0 / 29

HEX #615FB6

RGB 97 95 182

HSL 241.38, 0.37%, 0.54%

LAB 44.38, 24, -46.03

 

CMYK 0 / 48 / 10 / 29

HEX #B55EA2

RGB 181 94 162

HSL 313.1, 0.37%, 0.54%

LAB 52.33, 44.32, -21.21

 

CMYK 30 / 0 / 48 / 29

HEX #7FB55E

RGB 127 181 94

HSL 97.24, 0.37%, 0.54%

LAB 68.29, -33.44, 38.58

 

CMYK 47 / 48 / 0 / 29

HEX #615FB6

RGB 97 95 182

HSL 241.38, 0.37%, 0.54%

LAB 44.38, 24, -46.03

 

CMYK 0 / 48 / 48 / 29

HEX #B55F5E

RGB 181 95 94

HSL 0.69, 0.37%, 0.54%

LAB 50.47, 34.56, 16.39

 

CMYK 48 / 0 / 48 / 29

HEX #5EB55F

RGB 94 181 95

HSL 120.69, 0.37%, 0.54%

LAB 66.71, -44.02, 35.76

 

CMYK 47 / 48 / 0 / 29

HEX #615FB6

RGB 97 95 182

HSL 241.38, 0.37%, 0.54%

LAB 44.38, 24, -46.03

 

CMYK 0 / 48 / 10 / 29

HEX #B55EA2

RGB 181 94 162

HSL 313.1, 0.37%, 0.54%

LAB 52.33, 44.32, -21.21

 

CMYK 1 / 0 / 48 / 29

HEX #B3B55E

RGB 179 181 94

HSL 61.38, 0.37%, 0.54%

LAB 71.85, -13.15, 43.74

 

CMYK 48 / 0 / 38 / 29

HEX #5EB571

RGB 94 181 113

HSL 133.1, 0.37%, 0.54%

LAB 66.99, -41.16, 26.77

 

CMYK 47 / 48 / 0 / 29

HEX #615FB6

RGB 97 95 182

HSL 241.38, 0.37%, 0.54%

LAB 44.38, 24, -46.03

 

CMYK 0 / 48 / 25 / 29

HEX #B55E88

RGB 181 94 136

HSL 331.03, 0.37%, 0.54%

LAB 51.39, 40.24, -7.3

 

CMYK 1 / 0 / 48 / 29

HEX #B3B55E

RGB 179 181 94

HSL 61.38, 0.37%, 0.54%

LAB 71.85, -13.15, 43.74

 

CMYK 48 / 0 / 23 / 29

HEX #5EB58B

RGB 94 181 139

HSL 151.03, 0.37%, 0.54%

LAB 67.5, -36.15, 13.43

 

Description

Color code: HEX #615FB6 | qconv.com Color code: HEX #615FB6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 95 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 95 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, 48 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 48% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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