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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #617485 it is the complementary color #9E8B7A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #617485. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #617485 shade: #667480, #778693, #8898A6, #99AAB9 and #AABCCC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #617485. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #617485 shade: #617485, #506272, #3F505F, #2E3E4C and #1D2C39

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #617485 shade: #607385, #606985, #606085, #6A6085 and #746085

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #617485 shade: #607385, #606985 and #606085

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #617485 shade matches the following richer shades: #607385, #4D7497, #3B75AA, #2876BC and #1677CF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #617485 shade: #607385, #727272, #85715F, #98704D and #AA6F3A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #617485 shade: #608582, #607D85, #607385, #606A85 and #606085

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #617485 shade: #3D4A55, #4F5E6D, #607385, #74889A and #8C9CAB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #617485 shade: #617485, #786085 and #828560

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #617485 shade: #617485, #856073 and #738560

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #617485 shade: #617485, #786085, #857160 and #6C8560

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #617485 shade: #617485, #836085, #857160 and #618560

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 13 / 0 / 48

HEX #617485

RGB 97 116 133

HSL 208.33, 0.16%, 0.45%

LAB 47.91, -2.85, -11.63

 

Complementary color

CMYK 0 / 12 / 23 / 38

HEX #9E8B7A

RGB 158 139 122

HSL 28.33, 0.16%, 0.55%

LAB 59.1, 4.34, 11.71

 

CMYK 20 / 9 / 0 / 50

HEX #667480

RGB 102 116 128

HSL 207.69, 0.11%, 0.45%

LAB 48.1, -2.42, -8.34

 

CMYK 19 / 9 / 0 / 42

HEX #778693

RGB 119 134 147

HSL 207.86, 0.11%, 0.52%

LAB 55.15, -2.52, -8.8

 

CMYK 18 / 8 / 0 / 35

HEX #8898A6

RGB 136 152 166

HSL 208, 0.14%, 0.59%

LAB 62.04, -2.62, -9.25

 

CMYK 17 / 8 / 0 / 27

HEX #99AAB9

RGB 153 170 185

HSL 208.13, 0.19%, 0.66%

LAB 68.77, -2.72, -9.69

 

CMYK 17 / 8 / 0 / 20

HEX #AABCCC

RGB 170 188 204

HSL 208.24, 0.25%, 0.73%

LAB 75.37, -2.82, -10.14

 

CMYK 27 / 13 / 0 / 48

HEX #617485

RGB 97 116 133

HSL 208.33, 0.16%, 0.45%

LAB 47.91, -2.85, -11.63

 

CMYK 30 / 14 / 0 / 55

HEX #506272

RGB 80 98 114

HSL 208.24, 0.18%, 0.38%

LAB 40.66, -2.71, -11.26

 

CMYK 34 / 16 / 0 / 63

HEX #3F505F

RGB 63 80 95

HSL 208.13, 0.2%, 0.31%

LAB 33.18, -2.56, -10.91

 

CMYK 39 / 18 / 0 / 70

HEX #2E3E4C

RGB 46 62 76

HSL 208, 0.25%, 0.24%

LAB 25.41, -2.35, -10.58

 

CMYK 49 / 23 / 0 / 78

HEX #1D2C39

RGB 29 44 57

HSL 207.86, 0.33%, 0.17%

LAB 17.26, -2.06, -10.29

 

CMYK 28 / 14 / 0 / 48

HEX #607385

RGB 96 115 133

HSL 209.19, 0.16%, 0.45%

LAB 47.55, -2.59, -12.18

 

CMYK 28 / 21 / 0 / 48

HEX #606985

RGB 96 105 133

HSL 225.41, 0.16%, 0.45%

LAB 44.64, 3.38, -16.61

 

CMYK 28 / 28 / 0 / 48

HEX #606085

RGB 96 96 133

HSL 240, 0.16%, 0.45%

LAB 42.07, 8.89, -20.55

 

CMYK 20 / 28 / 0 / 48

HEX #6A6085

RGB 106 96 133

HSL 256.22, 0.16%, 0.45%

LAB 42.95, 12.22, -19.12

 

CMYK 13 / 28 / 0 / 48

HEX #746085

RGB 116 96 133

HSL 272.43, 0.16%, 0.45%

LAB 43.9, 15.66, -17.57

 

CMYK 28 / 14 / 0 / 48

HEX #607385

RGB 96 115 133

HSL 209.19, 0.16%, 0.45%

LAB 47.55, -2.59, -12.18

 

CMYK 28 / 21 / 0 / 48

HEX #606985

RGB 96 105 133

HSL 225.41, 0.16%, 0.45%

LAB 44.64, 3.38, -16.61

 

CMYK 28 / 28 / 0 / 48

HEX #606085

RGB 96 96 133

HSL 240, 0.16%, 0.45%

LAB 42.07, 8.89, -20.55

 

CMYK 28 / 14 / 0 / 48

HEX #607385

RGB 96 115 133

HSL 209.19, 0.16%, 0.45%

LAB 47.55, -2.59, -12.18

 

CMYK 49 / 23 / 0 / 41

HEX #4D7497

RGB 77 116 151

HSL 208.38, 0.32%, 0.45%

LAB 47.37, -3.59, -23.21

 

CMYK 65 / 31 / 0 / 33

HEX #3B75AA

RGB 59 117 170

HSL 208.65, 0.48%, 0.45%

LAB 47.69, -1.84, -33.91

 

CMYK 79 / 37 / 0 / 26

HEX #2876BC

RGB 40 118 188

HSL 208.38, 0.65%, 0.45%

LAB 48.31, 1.34, -43.42

 

CMYK 89 / 43 / 0 / 19

HEX #1677CF

RGB 22 119 207

HSL 208.54, 0.81%, 0.45%

LAB 49.34, 6.51, -52.69

 

CMYK 28 / 14 / 0 / 48

HEX #607385

RGB 96 115 133

HSL 209.19, 0.16%, 0.45%

LAB 47.55, -2.59, -12.18

 

CMYK 0 / 0 / 0 / 55

HEX #727272

RGB 114 114 114

HSL 0, 0%, 0.45%

LAB 48.04, 0, -0.01

 

CMYK 0 / 15 / 29 / 48

HEX #85715F

RGB 133 113 95

HSL 28.42, 0.17%, 0.45%

LAB 49.04, 4.9, 12.9

 

CMYK 0 / 26 / 49 / 40

HEX #98704D

RGB 152 112 77

HSL 28, 0.33%, 0.45%

LAB 50.45, 11.37, 25.58

 

CMYK 0 / 35 / 66 / 33

HEX #AA6F3A

RGB 170 111 58

HSL 28.39, 0.49%, 0.45%

LAB 52.09, 18.22, 38.46

 

CMYK 28 / 0 / 2 / 48

HEX #608582

RGB 96 133 130

HSL 175.14, 0.16%, 0.45%

LAB 52.81, -13.56, -2.57

 

CMYK 28 / 6 / 0 / 48

HEX #607D85

RGB 96 125 133

HSL 192.97, 0.16%, 0.45%

LAB 50.51, -8.36, -7.74

 

CMYK 28 / 14 / 0 / 48

HEX #607385

RGB 96 115 133

HSL 209.19, 0.16%, 0.45%

LAB 47.55, -2.59, -12.18

 

CMYK 28 / 20 / 0 / 48

HEX #606A85

RGB 96 106 133

HSL 223.78, 0.16%, 0.45%

LAB 44.93, 2.77, -16.17

 

CMYK 28 / 28 / 0 / 48

HEX #606085

RGB 96 96 133

HSL 240, 0.16%, 0.45%

LAB 42.07, 8.89, -20.55

 

CMYK 28 / 13 / 0 / 67

HEX #3D4A55

RGB 61 74 85

HSL 207.5, 0.16%, 0.29%

LAB 30.75, -2.28, -8.23

 

CMYK 28 / 14 / 0 / 57

HEX #4F5E6D

RGB 79 94 109

HSL 210, 0.16%, 0.37%

LAB 39.19, -1.96, -10.42

 

CMYK 28 / 14 / 0 / 48

HEX #607385

RGB 96 115 133

HSL 209.19, 0.16%, 0.45%

LAB 47.55, -2.59, -12.18

 

CMYK 25 / 12 / 0 / 40

HEX #74889A

RGB 116 136 154

HSL 208.42, 0.16%, 0.53%

LAB 55.74, -2.98, -11.98

 

CMYK 18 / 9 / 0 / 33

HEX #8C9CAB

RGB 140 156 171

HSL 209.03, 0.16%, 0.61%

LAB 63.58, -2.4, -9.72

 

CMYK 27 / 13 / 0 / 48

HEX #617485

RGB 97 116 133

HSL 208.33, 0.16%, 0.45%

LAB 47.91, -2.85, -11.63

 

CMYK 10 / 28 / 0 / 48

HEX #786085

RGB 120 96 133

HSL 278.92, 0.16%, 0.45%

LAB 44.31, 17.06, -16.92

 

CMYK 2 / 0 / 28 / 48

HEX #828560

RGB 130 133 96

HSL 64.86, 0.16%, 0.45%

LAB 54.41, -7.58, 19.63

 

CMYK 27 / 13 / 0 / 48

HEX #617485

RGB 97 116 133

HSL 208.33, 0.16%, 0.45%

LAB 47.91, -2.85, -11.63

 

CMYK 0 / 28 / 14 / 48

HEX #856073

RGB 133 96 115

HSL 329.19, 0.16%, 0.45%

LAB 45.07, 18.22, -4.77

 

CMYK 14 / 0 / 28 / 48

HEX #738560

RGB 115 133 96

HSL 89.19, 0.16%, 0.45%

LAB 53.24, -13.62, 17.85

 

CMYK 27 / 13 / 0 / 48

HEX #617485

RGB 97 116 133

HSL 208.33, 0.16%, 0.45%

LAB 47.91, -2.85, -11.63

 

CMYK 10 / 28 / 0 / 48

HEX #786085

RGB 120 96 133

HSL 278.92, 0.16%, 0.45%

LAB 44.31, 17.06, -16.92

 

CMYK 0 / 15 / 28 / 48

HEX #857160

RGB 133 113 96

HSL 27.57, 0.16%, 0.45%

LAB 49.06, 5.05, 12.34

 

CMYK 19 / 0 / 28 / 48

HEX #6C8560

RGB 108 133 96

HSL 100.54, 0.16%, 0.45%

LAB 52.74, -16.33, 17.08

 

CMYK 27 / 13 / 0 / 48

HEX #617485

RGB 97 116 133

HSL 208.33, 0.16%, 0.45%

LAB 47.91, -2.85, -11.63

 

CMYK 2 / 28 / 0 / 48

HEX #836085

RGB 131 96 133

HSL 296.76, 0.16%, 0.45%

LAB 45.48, 20.96, -15.03

 

CMYK 0 / 15 / 28 / 48

HEX #857160

RGB 133 113 96

HSL 27.57, 0.16%, 0.45%

LAB 49.06, 5.05, 12.34

 

CMYK 27 / 0 / 28 / 48

HEX #618560

RGB 97 133 96

HSL 118.38, 0.16%, 0.45%

LAB 52.02, -20.43, 15.98

 

Description

Color code: HEX #617485 | qconv.com Color code: HEX #617485 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 116 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 116 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 13 magenta, none yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 13% 0% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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