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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #617F88 it is the complementary color #9E8077. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #617F88. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #617F88 shade: #667F83, #779196, #88A3A9, #99B5BC and #AAC7CF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #617F88. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #617F88 shade: #617F88, #506D75, #3F5B62, #2E494F and #1D373C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #617F88 shade: #618089, #617589, #616A89, #626189 and #6D6189

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #617F88 shade: #618089, #617589, #616A89 and #616189

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #617F88 shade matches the following richer shades: #618089, #4E8A9C, #3B94AF, #289EC2 and #15A8D5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #617F88 shade: #618089, #747576, #876B63, #9A6150 and #AD573D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #617F88 shade: #61897C, #618987, #618089, #617589 and #616B89

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #617F88 shade: #3F5358, #506971, #618089, #76949D and #8EA7AE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #617F88 shade: #617F88, #716189 and #898161

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #617F88 shade: #617F88, #896180 and #808961

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #617F88 shade: #617F88, #716189, #896A61 and #788961

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #617F88 shade: #617F88, #7D6189, #896A61 and #6C8961

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 7 / 0 / 47

HEX #617F88

RGB 97 127 136

HSL 193.85, 0.17%, 0.46%

LAB 51.26, -8.42, -8.36

 

Complementary color

CMYK 0 / 19 / 25 / 38

HEX #9E8077

RGB 158 128 119

HSL 13.85, 0.17%, 0.54%

LAB 56.13, 10.1, 9.23

 

CMYK 22 / 3 / 0 / 49

HEX #667F83

RGB 102 127 131

HSL 188.28, 0.12%, 0.46%

LAB 51.43, -8.02, -5.15

 

CMYK 21 / 3 / 0 / 41

HEX #779196

RGB 119 145 150

HSL 189.68, 0.13%, 0.53%

LAB 58.39, -8, -5.7

 

CMYK 20 / 4 / 0 / 34

HEX #88A3A9

RGB 136 163 169

HSL 190.91, 0.16%, 0.6%

LAB 65.19, -7.99, -6.23

 

CMYK 19 / 4 / 0 / 26

HEX #99B5BC

RGB 153 181 188

HSL 192, 0.21%, 0.67%

LAB 71.86, -8, -6.75

 

CMYK 18 / 4 / 0 / 19

HEX #AAC7CF

RGB 170 199 207

HSL 192.97, 0.28%, 0.74%

LAB 78.4, -8.01, -7.26

 

CMYK 29 / 7 / 0 / 47

HEX #617F88

RGB 97 127 136

HSL 193.85, 0.17%, 0.46%

LAB 51.26, -8.42, -8.36

 

CMYK 32 / 7 / 0 / 54

HEX #506D75

RGB 80 109 117

HSL 192.97, 0.19%, 0.39%

LAB 44.13, -8.43, -7.87

 

CMYK 36 / 7 / 0 / 62

HEX #3F5B62

RGB 63 91 98

HSL 192, 0.22%, 0.32%

LAB 36.78, -8.43, -7.36

 

CMYK 42 / 8 / 0 / 69

HEX #2E494F

RGB 46 73 79

HSL 190.91, 0.26%, 0.25%

LAB 29.19, -8.42, -6.82

 

CMYK 52 / 8 / 0 / 76

HEX #1D373C

RGB 29 55 60

HSL 189.68, 0.35%, 0.17%

LAB 21.28, -8.35, -6.25

 

CMYK 29 / 7 / 0 / 46

HEX #618089

RGB 97 128 137

HSL 193.5, 0.17%, 0.46%

LAB 51.59, -8.74, -8.46

 

CMYK 29 / 15 / 0 / 46

HEX #617589

RGB 97 117 137

HSL 210, 0.17%, 0.46%

LAB 48.35, -2.4, -13.34

 

CMYK 29 / 23 / 0 / 46

HEX #616A89

RGB 97 106 137

HSL 226.5, 0.17%, 0.46%

LAB 45.16, 4.16, -18.2

 

CMYK 28 / 29 / 0 / 46

HEX #626189

RGB 98 97 137

HSL 241.5, 0.17%, 0.46%

LAB 42.69, 9.99, -21.99

 

CMYK 20 / 29 / 0 / 46

HEX #6D6189

RGB 109 97 137

HSL 258, 0.17%, 0.46%

LAB 43.66, 13.61, -20.41

 

CMYK 29 / 7 / 0 / 46

HEX #618089

RGB 97 128 137

HSL 193.5, 0.17%, 0.46%

LAB 51.59, -8.74, -8.46

 

CMYK 29 / 15 / 0 / 46

HEX #617589

RGB 97 117 137

HSL 210, 0.17%, 0.46%

LAB 48.35, -2.4, -13.34

 

CMYK 29 / 23 / 0 / 46

HEX #616A89

RGB 97 106 137

HSL 226.5, 0.17%, 0.46%

LAB 45.16, 4.16, -18.2

 

CMYK 29 / 29 / 0 / 46

HEX #616189

RGB 97 97 137

HSL 240, 0.17%, 0.46%

LAB 42.61, 9.67, -22.12

 

CMYK 29 / 7 / 0 / 46

HEX #618089

RGB 97 128 137

HSL 193.5, 0.17%, 0.46%

LAB 51.59, -8.74, -8.46

 

CMYK 50 / 12 / 0 / 39

HEX #4E8A9C

RGB 78 138 156

HSL 193.85, 0.33%, 0.46%

LAB 54.24, -14.38, -15.62

 

CMYK 66 / 15 / 0 / 31

HEX #3B94AF

RGB 59 148 175

HSL 193.97, 0.5%, 0.46%

LAB 57.27, -17.79, -21.93

 

CMYK 79 / 19 / 0 / 24

HEX #289EC2

RGB 40 158 194

HSL 194.03, 0.66%, 0.46%

LAB 60.6, -19.34, -27.58

 

CMYK 90 / 21 / 0 / 16

HEX #15A8D5

RGB 21 168 213

HSL 194.06, 0.82%, 0.46%

LAB 64.14, -19.5, -32.73

 

CMYK 29 / 7 / 0 / 46

HEX #618089

RGB 97 128 137

HSL 193.5, 0.17%, 0.46%

LAB 51.59, -8.74, -8.46

 

CMYK 2 / 1 / 0 / 54

HEX #747576

RGB 116 117 118

HSL 210, 0.01%, 0.46%

LAB 49.18, -0.17, -0.69

 

CMYK 0 / 21 / 27 / 47

HEX #876B63

RGB 135 107 99

HSL 13.33, 0.15%, 0.46%

LAB 47.71, 9.84, 8.71

 

CMYK 0 / 37 / 48 / 40

HEX #9A6150

RGB 154 97 80

HSL 13.78, 0.32%, 0.46%

LAB 46.97, 21.17, 19.33

 

CMYK 0 / 50 / 65 / 32

HEX #AD573D

RGB 173 87 61

HSL 13.93, 0.48%, 0.46%

LAB 47.02, 32.92, 30.99

 

CMYK 29 / 0 / 9 / 46

HEX #61897C

RGB 97 137 124

HSL 160.5, 0.17%, 0.46%

LAB 53.91, -16.81, 2.52

 

CMYK 29 / 0 / 1 / 46

HEX #618987

RGB 97 137 135

HSL 177, 0.17%, 0.46%

LAB 54.22, -14.22, -3.39

 

CMYK 29 / 7 / 0 / 46

HEX #618089

RGB 97 128 137

HSL 193.5, 0.17%, 0.46%

LAB 51.59, -8.74, -8.46

 

CMYK 29 / 15 / 0 / 46

HEX #617589

RGB 97 117 137

HSL 210, 0.17%, 0.46%

LAB 48.35, -2.4, -13.34

 

CMYK 29 / 22 / 0 / 46

HEX #616B89

RGB 97 107 137

HSL 225, 0.17%, 0.46%

LAB 45.45, 3.55, -17.76

 

CMYK 28 / 6 / 0 / 65

HEX #3F5358

RGB 63 83 88

HSL 192, 0.17%, 0.3%

LAB 33.87, -6.35, -5.44

 

CMYK 29 / 7 / 0 / 56

HEX #506971

RGB 80 105 113

HSL 194.55, 0.17%, 0.38%

LAB 42.76, -7.14, -7.49

 

CMYK 29 / 7 / 0 / 46

HEX #618089

RGB 97 128 137

HSL 193.5, 0.17%, 0.46%

LAB 51.59, -8.74, -8.46

 

CMYK 25 / 6 / 0 / 38

HEX #76949D

RGB 118 148 157

HSL 193.85, 0.17%, 0.54%

LAB 59.4, -8.34, -8.2

 

CMYK 18 / 4 / 0 / 32

HEX #8EA7AE

RGB 142 167 174

HSL 193.13, 0.16%, 0.62%

LAB 66.86, -7.1, -6.51

 

CMYK 29 / 7 / 0 / 47

HEX #617F88

RGB 97 127 136

HSL 193.85, 0.17%, 0.46%

LAB 51.26, -8.42, -8.36

 

CMYK 18 / 29 / 0 / 46

HEX #716189

RGB 113 97 137

HSL 264, 0.17%, 0.46%

LAB 44.04, 14.96, -19.8

 

CMYK 0 / 6 / 29 / 46

HEX #898161

RGB 137 129 97

HSL 48, 0.17%, 0.46%

LAB 53.9, -2.3, 18.48

 

CMYK 29 / 7 / 0 / 47

HEX #617F88

RGB 97 127 136

HSL 193.85, 0.17%, 0.46%

LAB 51.26, -8.42, -8.36

 

CMYK 0 / 29 / 7 / 46

HEX #896180

RGB 137 97 128

HSL 313.5, 0.17%, 0.46%

LAB 46.21, 21.54, -10.85

 

CMYK 7 / 0 / 29 / 46

HEX #808961

RGB 128 137 97

HSL 73.5, 0.17%, 0.46%

LAB 55.42, -10.44, 20.4

 

CMYK 29 / 7 / 0 / 47

HEX #617F88

RGB 97 127 136

HSL 193.85, 0.17%, 0.46%

LAB 51.26, -8.42, -8.36

 

CMYK 18 / 29 / 0 / 46

HEX #716189

RGB 113 97 137

HSL 264, 0.17%, 0.46%

LAB 44.04, 14.96, -19.8

 

CMYK 0 / 23 / 29 / 46

HEX #896A61

RGB 137 106 97

HSL 13.5, 0.17%, 0.46%

LAB 47.61, 10.96, 9.79

 

CMYK 12 / 0 / 29 / 46

HEX #788961

RGB 120 137 97

HSL 85.5, 0.17%, 0.46%

LAB 54.81, -13.64, 19.47

 

CMYK 29 / 7 / 0 / 47

HEX #617F88

RGB 97 127 136

HSL 193.85, 0.17%, 0.46%

LAB 51.26, -8.42, -8.36

 

CMYK 9 / 29 / 0 / 46

HEX #7D6189

RGB 125 97 137

HSL 282, 0.17%, 0.46%

LAB 45.24, 19.1, -17.85

 

CMYK 0 / 23 / 29 / 46

HEX #896A61

RGB 137 106 97

HSL 13.5, 0.17%, 0.46%

LAB 47.61, 10.96, 9.79

 

CMYK 21 / 0 / 29 / 46

HEX #6C8961

RGB 108 137 97

HSL 103.5, 0.17%, 0.46%

LAB 53.97, -18.28, 18.19

 

Description

Color code: HEX #617F88 | qconv.com Color code: HEX #617F88 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 127 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 127 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 7 magenta, none yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 7% 0% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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