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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #61998F it is the complementary color #9E6670. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #61998F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #61998F shade: #66998A, #77AB9D, #88BDB0, #99CFC3 and #AAE1D6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #61998F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #61998F shade: #61998F, #50877C, #3F7569, #2E6356 and #1D5143

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #61998F shade: #61988E, #61987F, #619870, #619862 and #6F9861

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #61998F shade: #61988E, #619398, #618498, #617598 and #616698

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #61998F shade matches the following richer shades: #61988E, #4DAC9B, #39C0A8, #24D5B5 and #10E9C2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #61998F shade: #61988E, #758481, #897074, #9E5B67 and #B2475A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #61998F shade: #619871, #61987F, #61988E, #619398 and #618598

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #61998F shade: #41665F, #517F77, #61988E, #79A9A1 and #92B9B2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #61998F shade: #61998F, #626198 and #987861

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #61998F shade: #61998F, #8E6198 and #988E61

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #61998F shade: #61998F, #626198, #98616B and #979861

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #61998F shade: #61998F, #726198, #98616B and #879861

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 0 / 7 / 40

HEX #61998F

RGB 97 153 143

HSL 169.29, 0.22%, 0.49%

LAB 59.26, -20.78, -0.58

 

Complementary color

CMYK 0 / 35 / 29 / 38

HEX #9E6670

RGB 158 102 112

HSL 349.29, 0.22%, 0.51%

LAB 49.43, 23.95, 3.76

 

CMYK 33 / 0 / 10 / 40

HEX #66998A

RGB 102 153 138

HSL 162.35, 0.2%, 0.5%

LAB 59.38, -20.47, 2.47

 

CMYK 30 / 0 / 8 / 33

HEX #77AB9D

RGB 119 171 157

HSL 163.85, 0.24%, 0.57%

LAB 66.12, -20.27, 1.7

 

CMYK 28 / 0 / 7 / 26

HEX #88BDB0

RGB 136 189 176

HSL 165.28, 0.29%, 0.64%

LAB 72.74, -20.09, 0.98

 

CMYK 26 / 0 / 6 / 19

HEX #99CFC3

RGB 153 207 195

HSL 166.67, 0.36%, 0.71%

LAB 79.24, -19.94, 0.3

 

CMYK 24 / 0 / 5 / 12

HEX #AAE1D6

RGB 170 225 214

HSL 168, 0.48%, 0.77%

LAB 85.63, -19.8, -0.35

 

CMYK 37 / 0 / 7 / 40

HEX #61998F

RGB 97 153 143

HSL 169.29, 0.22%, 0.49%

LAB 59.26, -20.78, -0.58

 

CMYK 41 / 0 / 8 / 47

HEX #50877C

RGB 80 135 124

HSL 168, 0.26%, 0.42%

LAB 52.39, -20.95, 0.19

 

CMYK 46 / 0 / 10 / 54

HEX #3F7569

RGB 63 117 105

HSL 166.67, 0.3%, 0.35%

LAB 45.36, -21.1, 1.04

 

CMYK 54 / 0 / 13 / 61

HEX #2E6356

RGB 46 99 86

HSL 165.28, 0.37%, 0.28%

LAB 38.16, -21.21, 1.99

 

CMYK 64 / 0 / 17 / 68

HEX #1D5143

RGB 29 81 67

HSL 163.85, 0.47%, 0.22%

LAB 30.76, -21.19, 3.11

 

CMYK 36 / 0 / 7 / 40

HEX #61988E

RGB 97 152 142

HSL 169.09, 0.22%, 0.49%

LAB 58.93, -20.5, -0.5

 

CMYK 36 / 0 / 16 / 40

HEX #61987F

RGB 97 152 127

HSL 152.73, 0.22%, 0.49%

LAB 58.54, -23.94, 7.45

 

CMYK 36 / 0 / 26 / 40

HEX #619870

RGB 97 152 112

HSL 136.36, 0.22%, 0.49%

LAB 58.2, -27.03, 15.43

 

CMYK 36 / 0 / 36 / 40

HEX #619862

RGB 97 152 98

HSL 121.09, 0.22%, 0.49%

LAB 57.92, -29.59, 22.84

 

CMYK 27 / 0 / 36 / 40

HEX #6F9861

RGB 111 152 97

HSL 104.73, 0.22%, 0.49%

LAB 58.69, -24.86, 24.55

 

CMYK 36 / 0 / 7 / 40

HEX #61988E

RGB 97 152 142

HSL 169.09, 0.22%, 0.49%

LAB 58.93, -20.5, -0.5

 

CMYK 36 / 3 / 0 / 40

HEX #619398

RGB 97 147 152

HSL 185.45, 0.22%, 0.49%

LAB 57.73, -15.37, -7.97

 

CMYK 36 / 13 / 0 / 40

HEX #618498

RGB 97 132 152

HSL 201.82, 0.22%, 0.49%

LAB 53.29, -7.08, -14.64

 

CMYK 36 / 23 / 0 / 40

HEX #617598

RGB 97 117 152

HSL 218.18, 0.22%, 0.49%

LAB 48.92, 1.65, -21.31

 

CMYK 36 / 33 / 0 / 40

HEX #616698

RGB 97 102 152

HSL 234.55, 0.22%, 0.49%

LAB 44.68, 10.74, -27.88

 

CMYK 36 / 0 / 7 / 40

HEX #61988E

RGB 97 152 142

HSL 169.09, 0.22%, 0.49%

LAB 58.93, -20.5, -0.5

 

CMYK 55 / 0 / 10 / 33

HEX #4DAC9B

RGB 77 172 155

HSL 169.26, 0.38%, 0.49%

LAB 64.52, -32.24, 0.26

 

CMYK 70 / 0 / 13 / 25

HEX #39C0A8

RGB 57 192 168

HSL 169.33, 0.54%, 0.49%

LAB 70.45, -41.52, 1.66

 

CMYK 83 / 0 / 15 / 16

HEX #24D5B5

RGB 36 213 181

HSL 169.15, 0.71%, 0.49%

LAB 76.86, -49.33, 3.89

 

CMYK 93 / 0 / 17 / 9

HEX #10E9C2

RGB 16 233 194

HSL 169.22, 0.87%, 0.49%

LAB 83.06, -55.17, 5.92

 

CMYK 36 / 0 / 7 / 40

HEX #61988E

RGB 97 152 142

HSL 169.09, 0.22%, 0.49%

LAB 58.93, -20.5, -0.5

 

CMYK 11 / 0 / 2 / 48

HEX #758481

RGB 117 132 129

HSL 168, 0.06%, 0.49%

LAB 53.89, -6.1, -0.25

 

CMYK 0 / 18 / 15 / 46

HEX #897074

RGB 137 112 116

HSL 350.4, 0.1%, 0.49%

LAB 49.7, 10.51, 1.48

 

CMYK 0 / 42 / 35 / 38

HEX #9E5B67

RGB 158 91 103

HSL 349.25, 0.27%, 0.49%

LAB 46.62, 28.92, 5.13

 

CMYK 0 / 60 / 49 / 30

HEX #B2475A

RGB 178 71 90

HSL 349.35, 0.43%, 0.49%

LAB 45.23, 45.18, 11.51

 

CMYK 36 / 0 / 26 / 40

HEX #619871

RGB 97 152 113

HSL 137.45, 0.22%, 0.49%

LAB 58.22, -26.84, 14.9

 

CMYK 36 / 0 / 16 / 40

HEX #61987F

RGB 97 152 127

HSL 152.73, 0.22%, 0.49%

LAB 58.54, -23.94, 7.45

 

CMYK 36 / 0 / 7 / 40

HEX #61988E

RGB 97 152 142

HSL 169.09, 0.22%, 0.49%

LAB 58.93, -20.5, -0.5

 

CMYK 36 / 3 / 0 / 40

HEX #619398

RGB 97 147 152

HSL 185.45, 0.22%, 0.49%

LAB 57.73, -15.37, -7.97

 

CMYK 36 / 13 / 0 / 40

HEX #618598

RGB 97 133 152

HSL 200.73, 0.22%, 0.49%

LAB 53.58, -7.65, -14.2

 

CMYK 36 / 0 / 7 / 60

HEX #41665F

RGB 65 102 95

HSL 168.65, 0.22%, 0.33%

LAB 40.33, -14.94, -0.24

 

CMYK 36 / 0 / 6 / 50

HEX #517F77

RGB 81 127 119

HSL 169.57, 0.22%, 0.41%

LAB 49.81, -17.65, -0.64

 

CMYK 36 / 0 / 7 / 40

HEX #61988E

RGB 97 152 142

HSL 169.09, 0.22%, 0.49%

LAB 58.93, -20.5, -0.5

 

CMYK 28 / 0 / 5 / 34

HEX #79A9A1

RGB 121 169 161

HSL 170, 0.22%, 0.57%

LAB 65.76, -17.73, -1.04

 

CMYK 21 / 0 / 4 / 27

HEX #92B9B2

RGB 146 185 178

HSL 169.23, 0.22%, 0.65%

LAB 72.24, -14.5, -0.76

 

CMYK 37 / 0 / 7 / 40

HEX #61998F

RGB 97 153 143

HSL 169.29, 0.22%, 0.49%

LAB 59.26, -20.78, -0.58

 

CMYK 36 / 36 / 0 / 40

HEX #626198

RGB 98 97 152

HSL 241.09, 0.22%, 0.49%

LAB 43.38, 14.13, -29.91

 

CMYK 0 / 21 / 36 / 40

HEX #987861

RGB 152 120 97

HSL 25.09, 0.22%, 0.49%

LAB 52.92, 9.11, 17.38

 

CMYK 37 / 0 / 7 / 40

HEX #61998F

RGB 97 153 143

HSL 169.29, 0.22%, 0.49%

LAB 59.26, -20.78, -0.58

 

CMYK 7 / 36 / 0 / 40

HEX #8E6198

RGB 142 97 152

HSL 289.09, 0.22%, 0.49%

LAB 47.71, 28.13, -22.84

 

CMYK 0 / 7 / 36 / 40

HEX #988E61

RGB 152 142 97

HSL 49.09, 0.22%, 0.49%

LAB 58.87, -3.29, 25.35

 

CMYK 37 / 0 / 7 / 40

HEX #61998F

RGB 97 153 143

HSL 169.29, 0.22%, 0.49%

LAB 59.26, -20.78, -0.58

 

CMYK 36 / 36 / 0 / 40

HEX #626198

RGB 98 97 152

HSL 241.09, 0.22%, 0.49%

LAB 43.38, 14.13, -29.91

 

CMYK 0 / 36 / 30 / 40

HEX #98616B

RGB 152 97 107

HSL 349.09, 0.22%, 0.49%

LAB 47.35, 23.73, 3.67

 

CMYK 1 / 0 / 36 / 40

HEX #979861

RGB 151 152 97

HSL 61.09, 0.22%, 0.49%

LAB 61.57, -9.15, 28.86

 

CMYK 37 / 0 / 7 / 40

HEX #61998F

RGB 97 153 143

HSL 169.29, 0.22%, 0.49%

LAB 59.26, -20.78, -0.58

 

CMYK 25 / 36 / 0 / 40

HEX #726198

RGB 114 97 152

HSL 258.55, 0.22%, 0.49%

LAB 44.79, 19.02, -27.59

 

CMYK 0 / 36 / 30 / 40

HEX #98616B

RGB 152 97 107

HSL 349.09, 0.22%, 0.49%

LAB 47.35, 23.73, 3.67

 

CMYK 11 / 0 / 36 / 40

HEX #879861

RGB 135 152 97

HSL 78.55, 0.22%, 0.49%

LAB 60.31, -15.65, 26.98

 

Description

Color code: HEX #61998F | qconv.com Color code: HEX #61998F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 153 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 153 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, none magenta, 7 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 0% 7% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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