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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6190B1 it is the complementary color #9E6F4E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6190B1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6190B1 shade: #6690AC, #77A2BF, #88B4D2, #99C6E5 and #AAD8F8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6190B1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6190B1 shade: #6190B1, #507E9E, #3F6C8B, #2E5A78 and #1D4865

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6190B1 shade: #6190B1, #617BB1, #6165B1, #7361B1 and #8861B1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6190B1 shade: #6190B1, #617BB1, #6165B1 and #6161B1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6190B1 shade matches the following richer shades: #6190B1, #4E94C4, #3B97D7, #289AEA and #159DFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6190B1 shade: #6190B1, #748D9E, #878A8B, #9A8678 and #AD8365

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6190B1 shade: #61B1A6, #61A6B1, #6191B1, #617CB1 and #6167B1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6190B1 shade: #3F6681, #4D7C9C, #6190B1, #7DA4BF and #99B7CC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6190B1 shade: #6190B1, #9161B1 and #B1B161

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6190B1 shade: #6190B1, #B16191 and #91B161

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6190B1 shade: #6190B1, #9161B1, #B18161 and #81B161

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6190B1 shade: #6190B1, #A961B1, #B18161 and #69B161

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 19 / 0 / 31

HEX #6190B1

RGB 97 144 177

HSL 204.75, 0.34%, 0.54%

LAB 57.72, -6.89, -22.26

 

Complementary color

CMYK 0 / 30 / 51 / 38

HEX #9E6F4E

RGB 158 111 78

HSL 24.75, 0.34%, 0.46%

LAB 50.91, 14.65, 25.74

 

CMYK 41 / 16 / 0 / 33

HEX #6690AC

RGB 102 144 172

HSL 204, 0.3%, 0.54%

LAB 57.8, -6.98, -19.26

 

CMYK 38 / 15 / 0 / 25

HEX #77A2BF

RGB 119 162 191

HSL 204.17, 0.36%, 0.61%

LAB 64.58, -7.17, -19.55

 

CMYK 35 / 14 / 0 / 18

HEX #88B4D2

RGB 136 180 210

HSL 204.32, 0.45%, 0.68%

LAB 71.23, -7.32, -19.85

 

CMYK 33 / 14 / 0 / 10

HEX #99C6E5

RGB 153 198 229

HSL 204.47, 0.59%, 0.75%

LAB 77.77, -7.46, -20.16

 

CMYK 31 / 13 / 0 / 3

HEX #AAD8F8

RGB 170 216 248

HSL 204.62, 0.85%, 0.82%

LAB 84.19, -7.58, -20.48

 

CMYK 45 / 19 / 0 / 31

HEX #6190B1

RGB 97 144 177

HSL 204.75, 0.34%, 0.54%

LAB 57.72, -6.89, -22.26

 

CMYK 49 / 20 / 0 / 38

HEX #507E9E

RGB 80 126 158

HSL 204.62, 0.33%, 0.47%

LAB 50.8, -6.54, -22.02

 

CMYK 55 / 22 / 0 / 45

HEX #3F6C8B

RGB 63 108 139

HSL 204.47, 0.38%, 0.4%

LAB 43.72, -6.08, -21.78

 

CMYK 62 / 25 / 0 / 53

HEX #2E5A78

RGB 46 90 120

HSL 204.32, 0.45%, 0.33%

LAB 36.46, -5.43, -21.56

 

CMYK 71 / 29 / 0 / 60

HEX #1D4865

RGB 29 72 101

HSL 204.17, 0.55%, 0.25%

LAB 28.99, -4.45, -21.32

 

CMYK 45 / 19 / 0 / 31

HEX #6190B1

RGB 97 144 177

HSL 204.75, 0.34%, 0.54%

LAB 57.72, -6.89, -22.26

 

CMYK 45 / 31 / 0 / 31

HEX #617BB1

RGB 97 123 177

HSL 220.5, 0.34%, 0.54%

LAB 51.7, 5.32, -31.56

 

CMYK 45 / 43 / 0 / 31

HEX #6165B1

RGB 97 101 177

HSL 237, 0.34%, 0.54%

LAB 45.67, 18.75, -41.06

 

CMYK 35 / 45 / 0 / 31

HEX #7361B1

RGB 115 97 177

HSL 253.5, 0.34%, 0.54%

LAB 46.13, 25.96, -40.22

 

CMYK 23 / 45 / 0 / 31

HEX #8861B1

RGB 136 97 177

HSL 269.25, 0.34%, 0.54%

LAB 48.21, 31.92, -36.81

 

CMYK 45 / 19 / 0 / 31

HEX #6190B1

RGB 97 144 177

HSL 204.75, 0.34%, 0.54%

LAB 57.72, -6.89, -22.26

 

CMYK 45 / 31 / 0 / 31

HEX #617BB1

RGB 97 123 177

HSL 220.5, 0.34%, 0.54%

LAB 51.7, 5.32, -31.56

 

CMYK 45 / 43 / 0 / 31

HEX #6165B1

RGB 97 101 177

HSL 237, 0.34%, 0.54%

LAB 45.67, 18.75, -41.06

 

CMYK 45 / 45 / 0 / 31

HEX #6161B1

RGB 97 97 177

HSL 240, 0.34%, 0.54%

LAB 44.61, 21.23, -42.74

 

CMYK 45 / 19 / 0 / 31

HEX #6190B1

RGB 97 144 177

HSL 204.75, 0.34%, 0.54%

LAB 57.72, -6.89, -22.26

 

CMYK 60 / 24 / 0 / 23

HEX #4E94C4

RGB 78 148 196

HSL 204.41, 0.5%, 0.54%

LAB 58.77, -7.62, -31.46

 

CMYK 73 / 30 / 0 / 16

HEX #3B97D7

RGB 59 151 215

HSL 204.62, 0.66%, 0.54%

LAB 59.86, -6.05, -40.46

 

CMYK 83 / 34 / 0 / 8

HEX #289AEA

RGB 40 154 234

HSL 204.74, 0.82%, 0.54%

LAB 61.22, -3.03, -48.89

 

CMYK 92 / 38 / 0 / 1

HEX #159DFD

RGB 21 157 253

HSL 204.83, 0.98%, 0.54%

LAB 62.81, 1.08, -56.82

 

CMYK 45 / 19 / 0 / 31

HEX #6190B1

RGB 97 144 177

HSL 204.75, 0.34%, 0.54%

LAB 57.72, -6.89, -22.26

 

CMYK 27 / 11 / 0 / 38

HEX #748D9E

RGB 116 141 158

HSL 204.29, 0.18%, 0.54%

LAB 57.3, -4.83, -11.93

 

CMYK 3 / 1 / 0 / 45

HEX #878A8B

RGB 135 138 139

HSL 195, 0.02%, 0.54%

LAB 57.26, -0.9, -0.93

 

CMYK 0 / 13 / 22 / 40

HEX #9A8678

RGB 154 134 120

HSL 24.71, 0.14%, 0.54%

LAB 57.34, 5.25, 10.32

 

CMYK 0 / 24 / 42 / 32

HEX #AD8365

RGB 173 131 101

HSL 25, 0.31%, 0.54%

LAB 58.09, 12.14, 22.46

 

CMYK 45 / 0 / 6 / 31

HEX #61B1A6

RGB 97 177 166

HSL 171.75, 0.34%, 0.54%

LAB 67.08, -27.27, -2.02

 

CMYK 45 / 6 / 0 / 31

HEX #61A6B1

RGB 97 166 177

HSL 188.25, 0.34%, 0.54%

LAB 64.15, -18.83, -12.49

 

CMYK 45 / 18 / 0 / 31

HEX #6191B1

RGB 97 145 177

HSL 204, 0.34%, 0.54%

LAB 58.01, -7.45, -21.81

 

CMYK 45 / 30 / 0 / 31

HEX #617CB1

RGB 97 124 177

HSL 219.75, 0.34%, 0.54%

LAB 51.99, 4.72, -31.12

 

CMYK 45 / 42 / 0 / 31

HEX #6167B1

RGB 97 103 177

HSL 235.5, 0.34%, 0.54%

LAB 46.2, 17.51, -40.22

 

CMYK 51 / 21 / 0 / 49

HEX #3F6681

RGB 63 102 129

HSL 204.55, 0.34%, 0.38%

LAB 41.44, -5.7, -19.28

 

CMYK 51 / 21 / 0 / 39

HEX #4D7C9C

RGB 77 124 156

HSL 204.3, 0.34%, 0.46%

LAB 49.97, -6.74, -22.14

 

CMYK 45 / 19 / 0 / 31

HEX #6190B1

RGB 97 144 177

HSL 204.75, 0.34%, 0.54%

LAB 57.72, -6.89, -22.26

 

CMYK 35 / 14 / 0 / 25

HEX #7DA4BF

RGB 125 164 191

HSL 204.55, 0.34%, 0.62%

LAB 65.49, -6.58, -18.14

 

CMYK 25 / 10 / 0 / 20

HEX #99B7CC

RGB 153 183 204

HSL 204.71, 0.33%, 0.7%

LAB 72.89, -5.45, -13.97

 

CMYK 45 / 19 / 0 / 31

HEX #6190B1

RGB 97 144 177

HSL 204.75, 0.34%, 0.54%

LAB 57.72, -6.89, -22.26

 

CMYK 18 / 45 / 0 / 31

HEX #9161B1

RGB 145 97 177

HSL 276, 0.34%, 0.54%

LAB 49.18, 34.57, -35.21

 

CMYK 0 / 0 / 45 / 31

HEX #B1B161

RGB 177 177 97

HSL 60, 0.34%, 0.54%

LAB 70.63, -11.61, 40.73

 

CMYK 45 / 19 / 0 / 31

HEX #6190B1

RGB 97 144 177

HSL 204.75, 0.34%, 0.54%

LAB 57.72, -6.89, -22.26

 

CMYK 0 / 45 / 18 / 31

HEX #B16191

RGB 177 97 145

HSL 324, 0.34%, 0.54%

LAB 51.77, 38.66, -12.11

 

CMYK 18 / 0 / 45 / 31

HEX #91B161

RGB 145 177 97

HSL 84, 0.34%, 0.54%

LAB 68.26, -24.45, 37.27

 

CMYK 45 / 19 / 0 / 31

HEX #6190B1

RGB 97 144 177

HSL 204.75, 0.34%, 0.54%

LAB 57.72, -6.89, -22.26

 

CMYK 18 / 45 / 0 / 31

HEX #9161B1

RGB 145 97 177

HSL 276, 0.34%, 0.54%

LAB 49.18, 34.57, -35.21

 

CMYK 0 / 27 / 45 / 31

HEX #B18161

RGB 177 129 97

HSL 24, 0.34%, 0.54%

LAB 57.95, 14.48, 24.61

 

CMYK 27 / 0 / 45 / 31

HEX #81B161

RGB 129 177 97

HSL 96, 0.34%, 0.54%

LAB 67.26, -30.46, 35.8

 

CMYK 45 / 19 / 0 / 31

HEX #6190B1

RGB 97 144 177

HSL 204.75, 0.34%, 0.54%

LAB 57.72, -6.89, -22.26

 

CMYK 5 / 45 / 0 / 31

HEX #A961B1

RGB 169 97 177

HSL 294, 0.34%, 0.54%

LAB 52.02, 41.77, -30.57

 

CMYK 0 / 27 / 45 / 31

HEX #B18161

RGB 177 129 97

HSL 24, 0.34%, 0.54%

LAB 57.95, 14.48, 24.61

 

CMYK 41 / 0 / 45 / 31

HEX #69B161

RGB 105 177 97

HSL 114, 0.34%, 0.54%

LAB 65.99, -38.67, 33.93

 

Description

Color code: HEX #6190B1 | qconv.com Color code: HEX #6190B1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 144 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 144 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 19 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 19% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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