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Color name
HEX #61B921

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #61B921 it is the complementary color #9E46DE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #61B921. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #61B921 shade: #66B91C, #77CB2F, #88DD42, #99EF55 and #AAFF68

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #61B921. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #61B921 shade: #61B921, #50A70E, #3F9500, #2E8300 and #1D7100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #61B921 shade: #61BA20, #8ABA20, #B4BA20, #BA9720 and #BA6D20

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #61B921 shade: #61BA20, #38BA20, #20BA33, #20BA5C and #20BA85

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #61B921 shade matches the following richer shades: #61BA20 and #5ECC0F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #61B921 shade: #61BA20, #64A832, #679644, #698556 and #6C7367

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #61B921 shade: #B5BA20, #8CBA20, #63BA20, #3ABA20 and #20BA30

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #61B921 shade: #3C7414, #4F971A, #61BA20, #74D92A and #8BDF4E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #61B921 shade: #61B921, #20BA96 and #BA20A0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #61B921 shade: #61B921, #2063BA and #BA2063

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #61B921 shade: #61B921, #20BA96, #7720BA and #BA2044

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #61B921 shade: #61B921, #20B0BA, #7720BA and #BA2B20

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 82 / 27

HEX #61B921

RGB 97 185 33

HSL 94.74, 0.7%, 0.43%

LAB 67.54, -50.53, 62.2

 

Complementary color

CMYK 29 / 68 / 0 / 13

HEX #9E46DE

RGB 158 70 222

HSL 274.74, 0.7%, 0.57%

LAB 48.16, 61.87, -62.66

 

CMYK 45 / 0 / 85 / 27

HEX #66B91C

RGB 102 185 28

HSL 91.72, 0.74%, 0.42%

LAB 67.73, -49.15, 63.7

 

CMYK 41 / 0 / 77 / 20

HEX #77CB2F

RGB 119 203 47

HSL 92.31, 0.62%, 0.49%

LAB 74.09, -49.86, 64.56

 

CMYK 38 / 0 / 70 / 13

HEX #88DD42

RGB 136 221 66

HSL 92.9, 0.7%, 0.56%

LAB 80.37, -50.33, 64.56

 

CMYK 36 / 0 / 64 / 6

HEX #99EF55

RGB 153 239 85

HSL 93.51, 0.83%, 0.64%

LAB 86.58, -50.63, 64.06

 

CMYK 33 / 0 / 59 / 0

HEX #AAFF68

RGB 170 255 104

HSL 93.77, 1%, 0.7%

LAB 92.16, -49.97, 62.64

 

CMYK 48 / 0 / 82 / 27

HEX #61B921

RGB 97 185 33

HSL 94.74, 0.7%, 0.43%

LAB 67.54, -50.53, 62.2

 

CMYK 52 / 0 / 92 / 35

HEX #50A70E

RGB 80 167 14

HSL 94.12, 0.85%, 0.35%

LAB 61.11, -49.53, 60.49

 

CMYK 58 / 0 / 100 / 42

HEX #3F9500

RGB 63 149 0

HSL 94.63, 1%, 0.29%

LAB 54.61, -48.07, 57.08

 

CMYK 65 / 0 / 100 / 49

HEX #2E8300

RGB 46 131 0

HSL 98.93, 1%, 0.26%

LAB 48.02, -46.04, 51.65

 

CMYK 74 / 0 / 100 / 56

HEX #1D7100

RGB 29 113 0

HSL 104.6, 1%, 0.22%

LAB 41.33, -43.57, 46.14

 

CMYK 48 / 0 / 83 / 27

HEX #61BA20

RGB 97 186 32

HSL 94.68, 0.71%, 0.43%

LAB 67.85, -50.96, 62.74

 

CMYK 26 / 0 / 83 / 27

HEX #8ABA20

RGB 138 186 32

HSL 78.7, 0.71%, 0.43%

LAB 69.91, -36.43, 65.36

 

CMYK 3 / 0 / 83 / 27

HEX #B4BA20

RGB 180 186 32

HSL 62.34, 0.71%, 0.43%

LAB 72.84, -19.04, 69.04

 

CMYK 0 / 19 / 83 / 27

HEX #BA9720

RGB 186 151 32

HSL 46.36, 0.71%, 0.43%

LAB 63.9, 1.91, 61.61

 

CMYK 0 / 41 / 83 / 27

HEX #BA6D20

RGB 186 109 32

HSL 30, 0.71%, 0.43%

LAB 53.47, 25.04, 52.51

 

CMYK 48 / 0 / 83 / 27

HEX #61BA20

RGB 97 186 32

HSL 94.68, 0.71%, 0.43%

LAB 67.85, -50.96, 62.74

 

CMYK 70 / 0 / 83 / 27

HEX #38BA20

RGB 56 186 32

HSL 110.65, 0.71%, 0.43%

LAB 66.57, -61.25, 61.1

 

CMYK 83 / 0 / 73 / 27

HEX #20BA33

RGB 32 186 51

HSL 127.4, 0.71%, 0.43%

LAB 66.26, -63.5, 54.62

 

CMYK 83 / 0 / 51 / 27

HEX #20BA5C

RGB 32 186 92

HSL 143.38, 0.71%, 0.43%

LAB 66.67, -58.52, 36.88

 

CMYK 83 / 0 / 28 / 27

HEX #20BA85

RGB 32 186 133

HSL 159.35, 0.71%, 0.43%

LAB 67.37, -50.54, 16.29

 

CMYK 48 / 0 / 83 / 27

HEX #61BA20

RGB 97 186 32

HSL 94.68, 0.71%, 0.43%

LAB 67.85, -50.96, 62.74

 

CMYK 54 / 0 / 93 / 20

HEX #5ECC0F

RGB 94 204 15

HSL 94.92, 0.86%, 0.43%

LAB 73.29, -59.05, 70.64

 

CMYK 48 / 0 / 83 / 27

HEX #61BA20

RGB 97 186 32

HSL 94.68, 0.71%, 0.43%

LAB 67.85, -50.96, 62.74

 

CMYK 40 / 0 / 70 / 34

HEX #64A832

RGB 100 168 50

HSL 94.58, 0.54%, 0.43%

LAB 62.46, -41.62, 51.7

 

CMYK 31 / 0 / 55 / 41

HEX #679644

RGB 103 150 68

HSL 94.39, 0.38%, 0.43%

LAB 57.19, -30.77, 37.82

 

CMYK 21 / 0 / 35 / 48

HEX #698556

RGB 105 133 86

HSL 95.74, 0.21%, 0.43%

LAB 52.34, -19.12, 22.17

 

CMYK 6 / 0 / 10 / 55

HEX #6C7367

RGB 108 115 103

HSL 95, 0.06%, 0.43%

LAB 47.53, -5.07, 5.73

 

CMYK 3 / 0 / 83 / 27

HEX #B5BA20

RGB 181 186 32

HSL 61.95, 0.71%, 0.43%

LAB 72.92, -18.61, 69.14

 

CMYK 25 / 0 / 83 / 27

HEX #8CBA20

RGB 140 186 32

HSL 77.92, 0.71%, 0.43%

LAB 70.03, -35.65, 65.51

 

CMYK 47 / 0 / 83 / 27

HEX #63BA20

RGB 99 186 32

HSL 93.9, 0.71%, 0.43%

LAB 67.93, -50.34, 62.84

 

CMYK 69 / 0 / 83 / 27

HEX #3ABA20

RGB 58 186 32

HSL 109.87, 0.71%, 0.43%

LAB 66.61, -60.87, 61.16

 

CMYK 83 / 0 / 74 / 27

HEX #20BA30

RGB 32 186 48

HSL 126.23, 0.71%, 0.43%

LAB 66.24, -63.75, 55.69

 

CMYK 48 / 0 / 83 / 55

HEX #3C7414

RGB 60 116 20

HSL 95, 0.71%, 0.27%

LAB 43.51, -35.26, 43.33

 

CMYK 48 / 0 / 83 / 41

HEX #4F971A

RGB 79 151 26

HSL 94.56, 0.71%, 0.35%

LAB 55.96, -43.13, 53.31

 

CMYK 48 / 0 / 83 / 27

HEX #61BA20

RGB 97 186 32

HSL 94.68, 0.71%, 0.43%

LAB 67.85, -50.96, 62.74

 

CMYK 47 / 0 / 81 / 15

HEX #74D92A

RGB 116 217 42

HSL 94.63, 0.7%, 0.51%

LAB 78.17, -56.52, 69.76

 

CMYK 38 / 0 / 65 / 13

HEX #8BDF4E

RGB 139 223 78

HSL 94.76, 0.69%, 0.59%

LAB 81.19, -49.26, 60.86

 

CMYK 48 / 0 / 82 / 27

HEX #61B921

RGB 97 185 33

HSL 94.74, 0.7%, 0.43%

LAB 67.54, -50.53, 62.2

 

CMYK 83 / 0 / 19 / 27

HEX #20BA96

RGB 32 186 150

HSL 165.97, 0.71%, 0.43%

LAB 67.74, -46.44, 7.55

 

CMYK 0 / 83 / 14 / 27

HEX #BA20A0

RGB 186 32 160

HSL 310.13, 0.71%, 0.43%

LAB 44.25, 69.45, -32.52

 

CMYK 48 / 0 / 82 / 27

HEX #61B921

RGB 97 185 33

HSL 94.74, 0.7%, 0.43%

LAB 67.54, -50.53, 62.2

 

CMYK 83 / 47 / 0 / 27

HEX #2063BA

RGB 32 99 186

HSL 213.9, 0.71%, 0.43%

LAB 42.42, 11.73, -51.68

 

CMYK 0 / 83 / 47 / 27

HEX #BA2063

RGB 186 32 99

HSL 333.9, 0.71%, 0.43%

LAB 41.8, 62.51, 1.23

 

CMYK 48 / 0 / 82 / 27

HEX #61B921

RGB 97 185 33

HSL 94.74, 0.7%, 0.43%

LAB 67.54, -50.53, 62.2

 

CMYK 83 / 0 / 19 / 27

HEX #20BA96

RGB 32 186 150

HSL 165.97, 0.71%, 0.43%

LAB 67.74, -46.44, 7.55

 

CMYK 36 / 83 / 0 / 27

HEX #7720BA

RGB 119 32 186

HSL 273.9, 0.71%, 0.43%

LAB 35, 61.8, -63.43

 

CMYK 0 / 83 / 63 / 27

HEX #BA2044

RGB 186 32 68

HSL 345.97, 0.71%, 0.43%

LAB 41.04, 60.25, 19.72

 

CMYK 48 / 0 / 82 / 27

HEX #61B921

RGB 97 185 33

HSL 94.74, 0.7%, 0.43%

LAB 67.54, -50.53, 62.2

 

CMYK 83 / 5 / 0 / 27

HEX #20B0BA

RGB 32 176 186

HSL 183.9, 0.71%, 0.43%

LAB 65.67, -31.75, -15.39

 

CMYK 36 / 83 / 0 / 27

HEX #7720BA

RGB 119 32 186

HSL 273.9, 0.71%, 0.43%

LAB 35, 61.8, -63.43

 

CMYK 0 / 77 / 83 / 27

HEX #BA2B20

RGB 186 43 32

HSL 4.29, 0.71%, 0.43%

LAB 41.64, 55.59, 41.73

 

Description

Color code: HEX #61B921 | qconv.com Color code: HEX #61B921 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 185 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 185 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 82 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 82% 27% C M Y K

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Provide designers and agencies with accurate color values.

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