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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #61B0DF it is the complementary color #9E4F20. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #61B0DF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #61B0DF shade: #66B0DA, #77C2ED, #88D4FF, #99E6FF and #AAF8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #61B0DF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #61B0DF shade: #61B0DF, #509ECC, #3F8CB9, #2E7AA6 and #1D6893

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #61B0DF shade: #62B0DE, #628EDE, #626DDE, #7962DE and #9A62DE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #61B0DF shade: #62B0DE, #628EDE, #626DDE and #6262DE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #61B0DF shade matches the following richer shades: #62B0DE, #53B4EE and #43B8FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #61B0DF shade: #62B0DE, #71ACCF, #80A8C0, #90A4B1 and #9FA0A1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #61B0DF shade: #62DECA, #62D2DE, #62B1DE, #6290DE and #626EDE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #61B0DF shade: #288BC6, #409FD7, #62B0DE, #84C1E5 and #A6D2EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #61B0DF shade: #61B0DF, #A862DE and #DEDA62

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #61B0DF shade: #61B0DF, #DE62B1 and #B1DE62

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #61B0DF shade: #61B0DF, #A862DE, #DE9062 and #98DE62

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #61B0DF shade: #61B0DF, #CE62DE, #DE9062 and #72DE62

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 21 / 0 / 13

HEX #61B0DF

RGB 97 176 223

HSL 202.38, 0.66%, 0.63%

LAB 68.69, -10.91, -31.03

 

Complementary color

CMYK 0 / 50 / 80 / 38

HEX #9E4F20

RGB 158 79 32

HSL 22.38, 0.66%, 0.37%

LAB 42.71, 29.51, 41.06

 

CMYK 53 / 19 / 0 / 15

HEX #66B0DA

RGB 102 176 218

HSL 201.72, 0.61%, 0.63%

LAB 68.71, -11.36, -28.26

 

CMYK 50 / 18 / 0 / 7

HEX #77C2ED

RGB 119 194 237

HSL 201.86, 0.77%, 0.7%

LAB 75.21, -11.77, -28.52

 

CMYK 47 / 17 / 0 / 0

HEX #88D4FF

RGB 136 212 255

HSL 201.68, 1%, 0.77%

LAB 81.59, -12.36, -28.31

 

CMYK 40 / 10 / 0 / 0

HEX #99E6FF

RGB 153 230 255

HSL 194.71, 1%, 0.8%

LAB 87.28, -17.5, -19.58

 

CMYK 33 / 3 / 0 / 0

HEX #AAF8FF

RGB 170 248 255

HSL 184.94, 1%, 0.83%

LAB 92.97, -22.08, -10.97

 

CMYK 57 / 21 / 0 / 13

HEX #61B0DF

RGB 97 176 223

HSL 202.38, 0.66%, 0.63%

LAB 68.69, -10.91, -31.03

 

CMYK 61 / 23 / 0 / 20

HEX #509ECC

RGB 80 158 204

HSL 202.26, 0.55%, 0.56%

LAB 62.1, -10.26, -30.78

 

CMYK 66 / 24 / 0 / 27

HEX #3F8CB9

RGB 63 140 185

HSL 202.13, 0.49%, 0.49%

LAB 55.4, -9.43, -30.52

 

CMYK 72 / 27 / 0 / 35

HEX #2E7AA6

RGB 46 122 166

HSL 202, 0.57%, 0.42%

LAB 48.58, -8.33, -30.23

 

CMYK 80 / 29 / 0 / 42

HEX #1D6893

RGB 29 104 147

HSL 201.86, 0.67%, 0.35%

LAB 41.64, -6.84, -29.9

 

CMYK 56 / 21 / 0 / 13

HEX #62B0DE

RGB 98 176 222

HSL 202.26, 0.65%, 0.63%

LAB 68.69, -11.01, -30.48

 

CMYK 56 / 36 / 0 / 13

HEX #628EDE

RGB 98 142 222

HSL 218.71, 0.65%, 0.63%

LAB 59.17, 8.25, -45.35

 

CMYK 56 / 51 / 0 / 13

HEX #626DDE

RGB 98 109 222

HSL 234.68, 0.65%, 0.63%

LAB 50.46, 28.19, -59.24

 

CMYK 45 / 56 / 0 / 13

HEX #7962DE

RGB 121 98 222

HSL 251.13, 0.65%, 0.63%

LAB 49.59, 39.52, -60.56

 

CMYK 31 / 56 / 0 / 13

HEX #9A62DE

RGB 154 98 222

HSL 267.1, 0.65%, 0.63%

LAB 52.82, 47.1, -55.2

 

CMYK 56 / 21 / 0 / 13

HEX #62B0DE

RGB 98 176 222

HSL 202.26, 0.65%, 0.63%

LAB 68.69, -11.01, -30.48

 

CMYK 56 / 36 / 0 / 13

HEX #628EDE

RGB 98 142 222

HSL 218.71, 0.65%, 0.63%

LAB 59.17, 8.25, -45.35

 

CMYK 56 / 51 / 0 / 13

HEX #626DDE

RGB 98 109 222

HSL 234.68, 0.65%, 0.63%

LAB 50.46, 28.19, -59.24

 

CMYK 56 / 56 / 0 / 13

HEX #6262DE

RGB 98 98 222

HSL 240, 0.65%, 0.63%

LAB 47.76, 34.89, -63.6

 

CMYK 56 / 21 / 0 / 13

HEX #62B0DE

RGB 98 176 222

HSL 202.26, 0.65%, 0.63%

LAB 68.69, -11.01, -30.48

 

CMYK 65 / 24 / 0 / 7

HEX #53B4EE

RGB 83 180 238

HSL 202.45, 0.82%, 0.63%

LAB 69.93, -10.93, -37.34

 

CMYK 74 / 27 / 0 / 1

HEX #43B8FD

RGB 67 184 253

HSL 202.26, 0.98%, 0.63%

LAB 71.26, -10.43, -43.43

 

CMYK 56 / 21 / 0 / 13

HEX #62B0DE

RGB 98 176 222

HSL 202.26, 0.65%, 0.63%

LAB 68.69, -11.01, -30.48

 

CMYK 45 / 17 / 0 / 19

HEX #71ACCF

RGB 113 172 207

HSL 202.34, 0.49%, 0.63%

LAB 67.67, -9.83, -23.76

 

CMYK 33 / 13 / 0 / 25

HEX #80A8C0

RGB 128 168 192

HSL 202.5, 0.34%, 0.63%

LAB 66.82, -7.66, -16.66

 

CMYK 19 / 7 / 0 / 31

HEX #90A4B1

RGB 144 164 177

HSL 203.64, 0.17%, 0.63%

LAB 66.26, -4.15, -9.07

 

CMYK 1 / 1 / 0 / 37

HEX #9FA0A1

RGB 159 160 161

HSL 210, 0.01%, 0.63%

LAB 65.82, -0.16, -0.65

 

CMYK 56 / 0 / 9 / 13

HEX #62DECA

RGB 98 222 202

HSL 170.32, 0.65%, 0.63%

LAB 81.35, -39.32, -0.63

 

CMYK 56 / 5 / 0 / 13

HEX #62D2DE

RGB 98 210 222

HSL 185.81, 0.65%, 0.63%

LAB 78.44, -28.46, -15.63

 

CMYK 56 / 20 / 0 / 13

HEX #62B1DE

RGB 98 177 222

HSL 201.77, 0.65%, 0.63%

LAB 68.98, -11.55, -30.04

 

CMYK 56 / 35 / 0 / 13

HEX #6290DE

RGB 98 144 222

HSL 217.74, 0.65%, 0.63%

LAB 59.72, 7.07, -44.48

 

CMYK 56 / 50 / 0 / 13

HEX #626EDE

RGB 98 110 222

HSL 234.19, 0.65%, 0.63%

LAB 50.71, 27.58, -58.84

 

CMYK 80 / 30 / 0 / 22

HEX #288BC6

RGB 40 139 198

HSL 202.41, 0.66%, 0.47%

LAB 55.07, -7.44, -38.47

 

CMYK 70 / 26 / 0 / 16

HEX #409FD7

RGB 64 159 215

HSL 202.25, 0.65%, 0.55%

LAB 62.33, -9.86, -36.58

 

CMYK 56 / 21 / 0 / 13

HEX #62B0DE

RGB 98 176 222

HSL 202.26, 0.65%, 0.63%

LAB 68.69, -11.01, -30.48

 

CMYK 42 / 16 / 0 / 10

HEX #84C1E5

RGB 132 193 229

HSL 202.27, 0.65%, 0.71%

LAB 75.27, -10.36, -24.07

 

CMYK 30 / 11 / 0 / 7

HEX #A6D2EC

RGB 166 210 236

HSL 202.29, 0.65%, 0.79%

LAB 81.98, -8.42, -17.47

 

CMYK 57 / 21 / 0 / 13

HEX #61B0DF

RGB 97 176 223

HSL 202.38, 0.66%, 0.63%

LAB 68.69, -10.91, -31.03

 

CMYK 24 / 56 / 0 / 13

HEX #A862DE

RGB 168 98 222

HSL 273.87, 0.65%, 0.63%

LAB 54.38, 50.53, -52.61

 

CMYK 0 / 2 / 56 / 13

HEX #DEDA62

RGB 222 218 98

HSL 58.06, 0.65%, 0.63%

LAB 85.28, -13.91, 58.38

 

CMYK 57 / 21 / 0 / 13

HEX #61B0DF

RGB 97 176 223

HSL 202.38, 0.66%, 0.63%

LAB 68.69, -10.91, -31.03

 

CMYK 0 / 56 / 20 / 13

HEX #DE62B1

RGB 222 98 177

HSL 321.77, 0.65%, 0.63%

LAB 59.38, 57.22, -18.63

 

CMYK 20 / 0 / 56 / 13

HEX #B1DE62

RGB 177 222 98

HSL 81.77, 0.65%, 0.63%

LAB 83.16, -33.57, 55.12

 

CMYK 57 / 21 / 0 / 13

HEX #61B0DF

RGB 97 176 223

HSL 202.38, 0.66%, 0.63%

LAB 68.69, -10.91, -31.03

 

CMYK 24 / 56 / 0 / 13

HEX #A862DE

RGB 168 98 222

HSL 273.87, 0.65%, 0.63%

LAB 54.38, 50.53, -52.61

 

CMYK 0 / 35 / 56 / 13

HEX #DE9062

RGB 222 144 98

HSL 22.26, 0.65%, 0.63%

LAB 66.79, 24.88, 36.46

 

CMYK 32 / 0 / 56 / 13

HEX #98DE62

RGB 152 222 98

HSL 93.87, 0.65%, 0.63%

LAB 81.73, -42.61, 53.09

 

CMYK 57 / 21 / 0 / 13

HEX #61B0DF

RGB 97 176 223

HSL 202.38, 0.66%, 0.63%

LAB 68.69, -10.91, -31.03

 

CMYK 7 / 56 / 0 / 13

HEX #CE62DE

RGB 206 98 222

HSL 292.26, 0.65%, 0.63%

LAB 59.1, 60.17, -44.83

 

CMYK 0 / 35 / 56 / 13

HEX #DE9062

RGB 222 144 98

HSL 22.26, 0.65%, 0.63%

LAB 66.79, 24.88, 36.46

 

CMYK 49 / 0 / 56 / 13

HEX #72DE62

RGB 114 222 98

HSL 112.26, 0.65%, 0.63%

LAB 80.01, -54.56, 50.65

 

Description

Color code: HEX #61B0DF | qconv.com Color code: HEX #61B0DF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 176 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 176 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 21 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 21% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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