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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #61B138 it is the complementary color #9E4EC7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #61B138. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #61B138 shade: #66B133, #77C346, #88D559, #99E76C and #AAF97F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #61B138. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #61B138 shade: #61B138, #509F25, #3F8D12, #2E7B00 and #1D6900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #61B138 shade: #61B238, #82B238, #A3B238, #B2A038 and #B27F38

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #61B138 shade: #61B238, #40B238, #38B250, #38B271 and #38B292

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #61B138 shade matches the following richer shades: #61B238, #5BC525 and #55D812

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #61B138 shade: #61B238, #679F4B, #6D8C5E, #737971 and #7A6684

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #61B138 shade: #A4B238, #83B238, #63B238, #42B238 and #38B24E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #61B138 shade: #3F7324, #50922E, #61B238, #76C64D and #8ED06C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #61B138 shade: #61B138, #38B29F and #B23893

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #61B138 shade: #61B138, #3863B2 and #B23863

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #61B138 shade: #61B138, #38B29F, #8738B2 and #B2384A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #61B138 shade: #61B138, #389FB2, #8738B2 and #B24A38

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 0 / 68 / 31

HEX #61B138

RGB 97 177 56

HSL 99.67, 0.52%, 0.46%

LAB 65.18, -45.89, 52.1

 

Complementary color

CMYK 21 / 61 / 0 / 22

HEX #9E4EC7

RGB 158 78 199

HSL 279.67, 0.52%, 0.54%

LAB 48.06, 53.11, -49.65

 

CMYK 42 / 0 / 71 / 31

HEX #66B133

RGB 102 177 51

HSL 95.71, 0.55%, 0.45%

LAB 65.36, -44.65, 54.33

 

CMYK 39 / 0 / 64 / 24

HEX #77C346

RGB 119 195 70

HSL 96.48, 0.51%, 0.52%

LAB 71.82, -44.95, 53.74

 

CMYK 36 / 0 / 58 / 16

HEX #88D559

RGB 136 213 89

HSL 97.26, 0.6%, 0.59%

LAB 78.2, -45.09, 52.84

 

CMYK 34 / 0 / 53 / 9

HEX #99E76C

RGB 153 231 108

HSL 98.05, 0.72%, 0.66%

LAB 84.49, -45.12, 51.78

 

CMYK 32 / 0 / 49 / 2

HEX #AAF97F

RGB 170 249 127

HSL 98.85, 0.91%, 0.74%

LAB 90.7, -45.08, 50.67

 

CMYK 45 / 0 / 68 / 31

HEX #61B138

RGB 97 177 56

HSL 99.67, 0.52%, 0.46%

LAB 65.18, -45.89, 52.1

 

CMYK 50 / 0 / 77 / 38

HEX #509F25

RGB 80 159 37

HSL 98.85, 0.62%, 0.38%

LAB 58.64, -45.39, 52.38

 

CMYK 55 / 0 / 87 / 45

HEX #3F8D12

RGB 63 141 18

HSL 98.05, 0.77%, 0.31%

LAB 52.01, -44.52, 51.63

 

CMYK 63 / 0 / 100 / 52

HEX #2E7B00

RGB 46 123 0

HSL 97.56, 1%, 0.24%

LAB 45.29, -43.14, 49.48

 

CMYK 72 / 0 / 100 / 59

HEX #1D6900

RGB 29 105 0

HSL 103.43, 1%, 0.21%

LAB 38.49, -40.79, 43.88

 

CMYK 46 / 0 / 69 / 30

HEX #61B238

RGB 97 178 56

HSL 99.84, 0.52%, 0.46%

LAB 65.49, -46.29, 52.43

 

CMYK 27 / 0 / 69 / 30

HEX #82B238

RGB 130 178 56

HSL 83.61, 0.52%, 0.46%

LAB 67.18, -34.63, 54.72

 

CMYK 8 / 0 / 69 / 30

HEX #A3B238

RGB 163 178 56

HSL 67.38, 0.52%, 0.46%

LAB 69.41, -21.25, 57.71

 

CMYK 0 / 10 / 69 / 30

HEX #B2A038

RGB 178 160 56

HSL 51.15, 0.52%, 0.46%

LAB 65.66, -5.46, 54.3

 

CMYK 0 / 29 / 69 / 30

HEX #B27F38

RGB 178 127 56

HSL 34.92, 0.52%, 0.46%

LAB 57.01, 12.63, 45.19

 

CMYK 46 / 0 / 69 / 30

HEX #61B238

RGB 97 178 56

HSL 99.84, 0.52%, 0.46%

LAB 65.49, -46.29, 52.43

 

CMYK 64 / 0 / 69 / 30

HEX #40B238

RGB 64 178 56

HSL 116.07, 0.52%, 0.46%

LAB 64.34, -55.22, 50.86

 

CMYK 69 / 0 / 55 / 30

HEX #38B250

RGB 56 178 80

HSL 131.8, 0.52%, 0.46%

LAB 64.37, -54.08, 40.07

 

CMYK 69 / 0 / 37 / 30

HEX #38B271

RGB 56 178 113

HSL 148.03, 0.52%, 0.46%

LAB 64.86, -48.54, 23.72

 

CMYK 69 / 0 / 18 / 30

HEX #38B292

RGB 56 178 146

HSL 164.26, 0.52%, 0.46%

LAB 65.56, -41.15, 6.68

 

CMYK 46 / 0 / 69 / 30

HEX #61B238

RGB 97 178 56

HSL 99.84, 0.52%, 0.46%

LAB 65.49, -46.29, 52.43

 

CMYK 54 / 0 / 81 / 23

HEX #5BC525

RGB 91 197 37

HSL 99.75, 0.68%, 0.46%

LAB 71.07, -56.6, 64.26

 

CMYK 61 / 0 / 92 / 15

HEX #55D812

RGB 85 216 18

HSL 99.7, 0.85%, 0.46%

LAB 76.73, -65.39, 72.97

 

CMYK 46 / 0 / 69 / 30

HEX #61B238

RGB 97 178 56

HSL 99.84, 0.52%, 0.46%

LAB 65.49, -46.29, 52.43

 

CMYK 35 / 0 / 53 / 38

HEX #679F4B

RGB 103 159 75

HSL 100, 0.36%, 0.46%

LAB 60.06, -34.15, 37.75

 

CMYK 22 / 0 / 33 / 45

HEX #6D8C5E

RGB 109 140 94

HSL 100.43, 0.2%, 0.46%

LAB 54.88, -19.97, 21.12

 

CMYK 5 / 0 / 7 / 53

HEX #737971

RGB 115 121 113

HSL 105, 0.03%, 0.46%

LAB 50.11, -3.87, 3.6

 

CMYK 8 / 23 / 0 / 48

HEX #7A6684

RGB 122 102 132

HSL 280, 0.13%, 0.46%

LAB 46.05, 13.93, -13.65

 

CMYK 8 / 0 / 69 / 30

HEX #A4B238

RGB 164 178 56

HSL 66.89, 0.52%, 0.46%

LAB 69.48, -20.83, 57.81

 

CMYK 26 / 0 / 69 / 30

HEX #83B238

RGB 131 178 56

HSL 83.11, 0.52%, 0.46%

LAB 67.24, -34.25, 54.8

 

CMYK 44 / 0 / 69 / 30

HEX #63B238

RGB 99 178 56

HSL 98.85, 0.52%, 0.46%

LAB 65.58, -45.65, 52.55

 

CMYK 63 / 0 / 69 / 30

HEX #42B238

RGB 66 178 56

HSL 115.08, 0.52%, 0.46%

LAB 64.39, -54.77, 50.94

 

CMYK 69 / 0 / 56 / 30

HEX #38B24E

RGB 56 178 78

HSL 130.82, 0.52%, 0.46%

LAB 64.35, -54.35, 41.01

 

CMYK 45 / 0 / 69 / 55

HEX #3F7324

RGB 63 115 36

HSL 99.49, 0.52%, 0.3%

LAB 43.43, -32.56, 37.01

 

CMYK 45 / 0 / 68 / 43

HEX #50922E

RGB 80 146 46

HSL 99.6, 0.52%, 0.38%

LAB 54.51, -39.37, 44.72

 

CMYK 46 / 0 / 69 / 30

HEX #61B238

RGB 97 178 56

HSL 99.84, 0.52%, 0.46%

LAB 65.49, -46.29, 52.43

 

CMYK 40 / 0 / 61 / 22

HEX #76C64D

RGB 118 198 77

HSL 99.67, 0.51%, 0.54%

LAB 72.74, -45.89, 51.74

 

CMYK 32 / 0 / 48 / 18

HEX #8ED06C

RGB 142 208 108

HSL 99.6, 0.52%, 0.62%

LAB 77.25, -38.77, 42.89

 

CMYK 45 / 0 / 68 / 31

HEX #61B138

RGB 97 177 56

HSL 99.67, 0.52%, 0.46%

LAB 65.18, -45.89, 52.1

 

CMYK 69 / 0 / 11 / 30

HEX #38B29F

RGB 56 178 159

HSL 170.66, 0.52%, 0.46%

LAB 65.89, -37.79, -0.03

 

CMYK 0 / 69 / 17 / 30

HEX #B23893

RGB 178 56 147

HSL 315.25, 0.52%, 0.46%

LAB 44.8, 58.46, -23.94

 

CMYK 45 / 0 / 68 / 31

HEX #61B138

RGB 97 177 56

HSL 99.67, 0.52%, 0.46%

LAB 65.18, -45.89, 52.1

 

CMYK 69 / 44 / 0 / 30

HEX #3863B2

RGB 56 99 178

HSL 218.85, 0.52%, 0.46%

LAB 42.73, 11.71, -46.47

 

CMYK 0 / 69 / 44 / 30

HEX #B23863

RGB 178 56 99

HSL 338.85, 0.52%, 0.46%

LAB 43.05, 52.57, 2.86

 

CMYK 45 / 0 / 68 / 31

HEX #61B138

RGB 97 177 56

HSL 99.67, 0.52%, 0.46%

LAB 65.18, -45.89, 52.1

 

CMYK 69 / 0 / 11 / 30

HEX #38B29F

RGB 56 178 159

HSL 170.66, 0.52%, 0.46%

LAB 65.89, -37.79, -0.03

 

CMYK 24 / 69 / 0 / 30

HEX #8738B2

RGB 135 56 178

HSL 278.85, 0.52%, 0.46%

LAB 39.9, 53.63, -50.64

 

CMYK 0 / 69 / 58 / 30

HEX #B2384A

RGB 178 56 74

HSL 351.15, 0.52%, 0.46%

LAB 42.44, 50.42, 17.56

 

CMYK 45 / 0 / 68 / 31

HEX #61B138

RGB 97 177 56

HSL 99.67, 0.52%, 0.46%

LAB 65.18, -45.89, 52.1

 

CMYK 69 / 11 / 0 / 30

HEX #389FB2

RGB 56 159 178

HSL 189.34, 0.52%, 0.46%

LAB 60.65, -23.09, -18.48

 

CMYK 24 / 69 / 0 / 30

HEX #8738B2

RGB 135 56 178

HSL 278.85, 0.52%, 0.46%

LAB 39.9, 53.63, -50.64

 

CMYK 0 / 58 / 69 / 30

HEX #B24A38

RGB 178 74 56

HSL 8.85, 0.52%, 0.46%

LAB 45.15, 41.19, 31.79

 

Description

Color code: HEX #61B138 | qconv.com Color code: HEX #61B138 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 177 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 177 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, none magenta, 68 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 0% 68% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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