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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #61BA30 it is the complementary color #9E45CF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #61BA30. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #61BA30 shade: #66BA2B, #77CC3E, #88DE51, #99F064 and #AAFF77

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #61BA30. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #61BA30 shade: #61BA30, #50A81D, #3F960A, #2E8400 and #1D7200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #61BA30 shade: #61BA30, #86BA30, #ABBA30, #BAA330 and #BA7E30

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #61BA30 shade: #61BA30, #3BBA30, #30BA49, #30BA6E and #30BA94

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #61BA30 shade matches the following richer shades: #61BA30, #5BCD1D and #56E00A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #61BA30 shade: #61BA30, #66A743, #6C9456, #718169 and #776E7C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #61BA30 shade: #ACBA30, #87BA30, #62BA30, #3DBA30 and #30BA47

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #61BA30 shade: #3F781F, #509927, #61BA30, #75CF44 and #8ED765

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #61BA30 shade: #61BA30, #30BAA3 and #BA309A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #61BA30 shade: #61BA30, #3062BA and #BA3062

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #61BA30 shade: #61BA30, #30BAA3, #8730BA and #BA3047

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #61BA30 shade: #61BA30, #30A8BA, #8730BA and #BA4230

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 74 / 27

HEX #61BA30

RGB 97 186 48

HSL 98.7, 0.59%, 0.46%

LAB 67.93, -50.07, 57.93

 

Complementary color

CMYK 24 / 67 / 0 / 19

HEX #9E45CF

RGB 158 69 207

HSL 278.7, 0.59%, 0.54%

LAB 47.01, 59.05, -55.94

 

CMYK 45 / 0 / 77 / 27

HEX #66BA2B

RGB 102 186 43

HSL 95.24, 0.62%, 0.45%

LAB 68.11, -48.82, 59.85

 

CMYK 42 / 0 / 70 / 20

HEX #77CC3E

RGB 119 204 62

HSL 95.92, 0.58%, 0.52%

LAB 74.48, -49.3, 59.76

 

CMYK 39 / 0 / 64 / 13

HEX #88DE51

RGB 136 222 81

HSL 96.6, 0.68%, 0.59%

LAB 80.78, -49.58, 59.16

 

CMYK 36 / 0 / 58 / 6

HEX #99F064

RGB 153 240 100

HSL 97.29, 0.82%, 0.67%

LAB 87, -49.72, 58.28

 

CMYK 33 / 0 / 53 / 0

HEX #AAFF77

RGB 170 255 119

HSL 97.5, 1%, 0.73%

LAB 92.31, -48.51, 56.26

 

CMYK 48 / 0 / 74 / 27

HEX #61BA30

RGB 97 186 48

HSL 98.7, 0.59%, 0.46%

LAB 67.93, -50.07, 57.93

 

CMYK 52 / 0 / 83 / 34

HEX #50A81D

RGB 80 168 29

HSL 97.99, 0.71%, 0.39%

LAB 61.48, -49.34, 57.52

 

CMYK 58 / 0 / 93 / 41

HEX #3F960A

RGB 63 150 10

HSL 97.29, 0.88%, 0.31%

LAB 54.96, -48.18, 55.75

 

CMYK 65 / 0 / 100 / 48

HEX #2E8400

RGB 46 132 0

HSL 99.09, 1%, 0.26%

LAB 48.36, -46.39, 51.92

 

CMYK 75 / 0 / 100 / 55

HEX #1D7200

RGB 29 114 0

HSL 104.74, 1%, 0.22%

LAB 41.68, -43.91, 46.42

 

CMYK 48 / 0 / 74 / 27

HEX #61BA30

RGB 97 186 48

HSL 98.7, 0.59%, 0.46%

LAB 67.93, -50.07, 57.93

 

CMYK 28 / 0 / 74 / 27

HEX #86BA30

RGB 134 186 48

HSL 82.61, 0.59%, 0.46%

LAB 69.75, -37.23, 60.34

 

CMYK 8 / 0 / 74 / 27

HEX #ABBA30

RGB 171 186 48

HSL 66.52, 0.59%, 0.46%

LAB 72.22, -22.27, 63.56

 

CMYK 0 / 12 / 74 / 27

HEX #BAA330

RGB 186 163 48

HSL 50, 0.59%, 0.46%

LAB 67.16, -3.94, 59.19

 

CMYK 0 / 32 / 74 / 27

HEX #BA7E30

RGB 186 126 48

HSL 33.91, 0.59%, 0.46%

LAB 57.63, 16.28, 49.82

 

CMYK 48 / 0 / 74 / 27

HEX #61BA30

RGB 97 186 48

HSL 98.7, 0.59%, 0.46%

LAB 67.93, -50.07, 57.93

 

CMYK 68 / 0 / 74 / 27

HEX #3BBA30

RGB 59 186 48

HSL 115.22, 0.59%, 0.46%

LAB 66.72, -59.67, 56.32

 

CMYK 74 / 0 / 61 / 27

HEX #30BA49

RGB 48 186 73

HSL 130.87, 0.59%, 0.46%

LAB 66.69, -59.14, 46.04

 

CMYK 74 / 0 / 41 / 27

HEX #30BA6E

RGB 48 186 110

HSL 146.96, 0.59%, 0.46%

LAB 67.18, -53.45, 28.36

 

CMYK 74 / 0 / 20 / 27

HEX #30BA94

RGB 48 186 148

HSL 163.48, 0.59%, 0.46%

LAB 67.94, -45.22, 8.95

 

CMYK 48 / 0 / 74 / 27

HEX #61BA30

RGB 97 186 48

HSL 98.7, 0.59%, 0.46%

LAB 67.93, -50.07, 57.93

 

CMYK 56 / 0 / 86 / 20

HEX #5BCD1D

RGB 91 205 29

HSL 98.86, 0.75%, 0.46%

LAB 73.53, -59.81, 68.39

 

CMYK 62 / 0 / 96 / 12

HEX #56E00A

RGB 86 224 10

HSL 98.69, 0.91%, 0.46%

LAB 79.22, -67.94, 75.93

 

CMYK 48 / 0 / 74 / 27

HEX #61BA30

RGB 97 186 48

HSL 98.7, 0.59%, 0.46%

LAB 67.93, -50.07, 57.93

 

CMYK 39 / 0 / 60 / 35

HEX #66A743

RGB 102 167 67

HSL 99, 0.43%, 0.46%

LAB 62.4, -38.98, 44.34

 

CMYK 27 / 0 / 42 / 42

HEX #6C9456

RGB 108 148 86

HSL 98.71, 0.26%, 0.46%

LAB 57.11, -25.62, 28.43

 

CMYK 12 / 0 / 19 / 49

HEX #718169

RGB 113 129 105

HSL 100, 0.1%, 0.46%

LAB 52.1, -10.66, 11.08

 

CMYK 4 / 11 / 0 / 51

HEX #776E7C

RGB 119 110 124

HSL 278.57, 0.06%, 0.46%

LAB 47.66, 6.32, -6.47

 

CMYK 8 / 0 / 74 / 27

HEX #ACBA30

RGB 172 186 48

HSL 66.09, 0.59%, 0.46%

LAB 72.3, -21.85, 63.66

 

CMYK 27 / 0 / 74 / 27

HEX #87BA30

RGB 135 186 48

HSL 82.17, 0.59%, 0.46%

LAB 69.81, -36.85, 60.41

 

CMYK 47 / 0 / 74 / 27

HEX #62BA30

RGB 98 186 48

HSL 98.26, 0.59%, 0.46%

LAB 67.97, -49.77, 57.98

 

CMYK 67 / 0 / 74 / 27

HEX #3DBA30

RGB 61 186 48

HSL 114.35, 0.59%, 0.46%

LAB 66.77, -59.27, 56.39

 

CMYK 74 / 0 / 62 / 27

HEX #30BA47

RGB 48 186 71

HSL 130, 0.59%, 0.46%

LAB 66.67, -59.38, 46.92

 

CMYK 48 / 0 / 74 / 53

HEX #3F781F

RGB 63 120 31

HSL 98.43, 0.59%, 0.3%

LAB 45.07, -35.2, 40.87

 

CMYK 48 / 0 / 75 / 40

HEX #509927

RGB 80 153 39

HSL 98.42, 0.59%, 0.38%

LAB 56.72, -42.84, 49.78

 

CMYK 48 / 0 / 74 / 27

HEX #61BA30

RGB 97 186 48

HSL 98.7, 0.59%, 0.46%

LAB 67.93, -50.07, 57.93

 

CMYK 43 / 0 / 67 / 19

HEX #75CF44

RGB 117 207 68

HSL 98.85, 0.59%, 0.54%

LAB 75.34, -50.69, 58.31

 

CMYK 34 / 0 / 53 / 16

HEX #8ED765

RGB 142 215 101

HSL 98.42, 0.59%, 0.62%

LAB 79.21, -42.67, 48.61

 

CMYK 48 / 0 / 74 / 27

HEX #61BA30

RGB 97 186 48

HSL 98.7, 0.59%, 0.46%

LAB 67.93, -50.07, 57.93

 

CMYK 74 / 0 / 12 / 27

HEX #30BAA3

RGB 48 186 163

HSL 170, 0.59%, 0.46%

LAB 68.31, -41.38, 1.26

 

CMYK 0 / 74 / 17 / 27

HEX #BA309A

RGB 186 48 154

HSL 313.91, 0.59%, 0.46%

LAB 45.48, 64.26, -27

 

CMYK 48 / 0 / 74 / 27

HEX #61BA30

RGB 97 186 48

HSL 98.7, 0.59%, 0.46%

LAB 67.93, -50.07, 57.93

 

CMYK 74 / 47 / 0 / 27

HEX #3062BA

RGB 48 98 186

HSL 218.26, 0.59%, 0.46%

LAB 42.63, 14.16, -51.33

 

CMYK 0 / 74 / 47 / 27

HEX #BA3062

RGB 186 48 98

HSL 338.26, 0.59%, 0.46%

LAB 43.41, 57.79, 4.18

 

CMYK 48 / 0 / 74 / 27

HEX #61BA30

RGB 97 186 48

HSL 98.7, 0.59%, 0.46%

LAB 67.93, -50.07, 57.93

 

CMYK 74 / 0 / 12 / 27

HEX #30BAA3

RGB 48 186 163

HSL 170, 0.59%, 0.46%

LAB 68.31, -41.38, 1.26

 

CMYK 27 / 74 / 0 / 27

HEX #8730BA

RGB 135 48 186

HSL 277.83, 0.59%, 0.46%

LAB 39.26, 58.77, -56.4

 

CMYK 0 / 74 / 62 / 27

HEX #BA3047

RGB 186 48 71

HSL 350, 0.59%, 0.46%

LAB 42.78, 55.71, 20.13

 

CMYK 48 / 0 / 74 / 27

HEX #61BA30

RGB 97 186 48

HSL 98.7, 0.59%, 0.46%

LAB 67.93, -50.07, 57.93

 

CMYK 74 / 10 / 0 / 27

HEX #30A8BA

RGB 48 168 186

HSL 187.83, 0.59%, 0.46%

LAB 63.49, -26.23, -18.67

 

CMYK 27 / 74 / 0 / 27

HEX #8730BA

RGB 135 48 186

HSL 277.83, 0.59%, 0.46%

LAB 39.26, 58.77, -56.4

 

CMYK 0 / 65 / 74 / 27

HEX #BA4230

RGB 186 66 48

HSL 7.83, 0.59%, 0.46%

LAB 45.01, 47.39, 36.52

 

Description

Color code: HEX #61BA30 | qconv.com Color code: HEX #61BA30 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 186 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 186 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 74 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 74% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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