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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #61D5F9 it is the complementary color #9E2A06. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #61D5F9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #61D5F9 shade: #66D5F4, #77E7FF, #88F9FF, #99FFFF and #AAFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #61D5F9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #61D5F9 shade: #61D5F9, #50C3E6, #3FB1D3, #2E9FC0 and #1D8DAD

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #61D5F9 shade: #61D5F9, #61ACF9, #6183F9, #6861F9 and #9161F9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #61D5F9 shade: #61D5F9, #61ACF9, #6183F9 and #6161F9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #61D5F9 shade matches the following richer shades: #61D5F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #61D5F9 shade: #61D5F9, #6ECEEC, #7BC7DE, #89C0D1 and #96B9C4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #61D5F9 shade: #61F9CB, #61F9F4, #61D5F9, #61ADF9 and #6184F9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #61D5F9 shade: #11C0F6, #39CAF7, #61D5F9, #89DFFA and #B1EAFC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #61D5F9 shade: #61D5F9, #A361F9 and #F9DF61

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #61D5F9 shade: #61D5F9, #F961D5 and #D5F961

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #61D5F9 shade: #61D5F9, #A361F9, #F98461 and #B7F961

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #61D5F9 shade: #61D5F9, #D061F9, #F98461 and #89F961

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 14 / 0 / 2

HEX #61D5F9

RGB 97 213 249

HSL 194.21, 0.93%, 0.68%

LAB 80.16, -22.43, -27.44

 

Complementary color

CMYK 0 / 73 / 96 / 38

HEX #9E2A06

RGB 158 42 6

HSL 14.21, 0.93%, 0.32%

LAB 35.86, 46.41, 46.07

 

CMYK 58 / 13 / 0 / 4

HEX #66D5F4

RGB 102 213 244

HSL 193.1, 0.87%, 0.68%

LAB 80.15, -23, -24.78

 

CMYK 53 / 9 / 0 / 0

HEX #77E7FF

RGB 119 231 255

HSL 190.59, 1%, 0.73%

LAB 86.15, -25.6, -21.42

 

CMYK 47 / 2 / 0 / 0

HEX #88F9FF

RGB 136 249 255

HSL 183.03, 1%, 0.77%

LAB 91.78, -30.74, -12.9

 

CMYK 40 / 0 / 0 / 0

HEX #99FFFF

RGB 153 255 255

HSL 180, 1%, 0.8%

LAB 94.1, -29.71, -9.37

 

CMYK 33 / 0 / 0 / 0

HEX #AAFFFF

RGB 170 255 255

HSL 180, 1%, 0.83%

LAB 94.86, -25.48, -8.16

 

CMYK 61 / 14 / 0 / 2

HEX #61D5F9

RGB 97 213 249

HSL 194.21, 0.93%, 0.68%

LAB 80.16, -22.43, -27.44

 

CMYK 65 / 15 / 0 / 10

HEX #50C3E6

RGB 80 195 230

HSL 194, 0.75%, 0.61%

LAB 73.84, -21.79, -26.98

 

CMYK 70 / 16 / 0 / 17

HEX #3FB1D3

RGB 63 177 211

HSL 193.78, 0.63%, 0.54%

LAB 67.43, -20.97, -26.48

 

CMYK 76 / 17 / 0 / 25

HEX #2E9FC0

RGB 46 159 192

HSL 193.56, 0.61%, 0.47%

LAB 60.94, -19.89, -25.93

 

CMYK 83 / 18 / 0 / 32

HEX #1D8DAD

RGB 29 141 173

HSL 193.33, 0.71%, 0.4%

LAB 54.37, -18.48, -25.31

 

CMYK 61 / 14 / 0 / 2

HEX #61D5F9

RGB 97 213 249

HSL 194.21, 0.93%, 0.68%

LAB 80.16, -22.43, -27.44

 

CMYK 61 / 31 / 0 / 2

HEX #61ACF9

RGB 97 172 249

HSL 210.39, 0.93%, 0.68%

LAB 68.67, -0.59, -45.26

 

CMYK 61 / 47 / 0 / 2

HEX #6183F9

RGB 97 131 249

HSL 226.58, 0.93%, 0.68%

LAB 57.67, 23.44, -62.73

 

CMYK 58 / 61 / 0 / 2

HEX #6861F9

RGB 104 97 249

HSL 242.76, 0.93%, 0.68%

LAB 49.9, 44.98, -75.28

 

CMYK 42 / 61 / 0 / 2

HEX #9161F9

RGB 145 97 249

HSL 258.95, 0.93%, 0.68%

LAB 53.39, 52.49, -69.44

 

CMYK 61 / 14 / 0 / 2

HEX #61D5F9

RGB 97 213 249

HSL 194.21, 0.93%, 0.68%

LAB 80.16, -22.43, -27.44

 

CMYK 61 / 31 / 0 / 2

HEX #61ACF9

RGB 97 172 249

HSL 210.39, 0.93%, 0.68%

LAB 68.67, -0.59, -45.26

 

CMYK 61 / 47 / 0 / 2

HEX #6183F9

RGB 97 131 249

HSL 226.58, 0.93%, 0.68%

LAB 57.67, 23.44, -62.73

 

CMYK 61 / 61 / 0 / 2

HEX #6161F9

RGB 97 97 249

HSL 240, 0.93%, 0.68%

LAB 49.41, 43.89, -76.09

 

CMYK 61 / 14 / 0 / 2

HEX #61D5F9

RGB 97 213 249

HSL 194.21, 0.93%, 0.68%

LAB 80.16, -22.43, -27.44

 

CMYK 61 / 14 / 0 / 2

HEX #61D5F9

RGB 97 213 249

HSL 194.21, 0.93%, 0.68%

LAB 80.16, -22.43, -27.44

 

CMYK 53 / 13 / 0 / 7

HEX #6ECEEC

RGB 110 206 236

HSL 194.29, 0.77%, 0.68%

LAB 78.18, -20.2, -23.49

 

CMYK 45 / 10 / 0 / 13

HEX #7BC7DE

RGB 123 199 222

HSL 193.94, 0.6%, 0.68%

LAB 76.27, -17.56, -18.8

 

CMYK 34 / 8 / 0 / 18

HEX #89C0D1

RGB 137 192 209

HSL 194.17, 0.44%, 0.68%

LAB 74.59, -13.66, -14.24

 

CMYK 23 / 6 / 0 / 23

HEX #96B9C4

RGB 150 185 196

HSL 194.35, 0.28%, 0.68%

LAB 73, -9.28, -9.45

 

CMYK 61 / 0 / 18 / 2

HEX #61F9CB

RGB 97 249 203

HSL 161.84, 0.93%, 0.68%

LAB 89.21, -50.97, 10.2

 

CMYK 61 / 0 / 2 / 2

HEX #61F9F4

RGB 97 249 244

HSL 178.03, 0.93%, 0.68%

LAB 90.24, -40.94, -9.61

 

CMYK 61 / 14 / 0 / 2

HEX #61D5F9

RGB 97 213 249

HSL 194.21, 0.93%, 0.68%

LAB 80.16, -22.43, -27.44

 

CMYK 61 / 31 / 0 / 2

HEX #61ADF9

RGB 97 173 249

HSL 210, 0.93%, 0.68%

LAB 68.95, -1.15, -44.82

 

CMYK 61 / 47 / 0 / 2

HEX #6184F9

RGB 97 132 249

HSL 226.18, 0.93%, 0.68%

LAB 57.93, 22.84, -62.32

 

CMYK 93 / 22 / 0 / 4

HEX #11C0F6

RGB 17 192 246

HSL 194.15, 0.93%, 0.52%

LAB 72.54, -20.84, -37.7

 

CMYK 77 / 18 / 0 / 3

HEX #39CAF7

RGB 57 202 247

HSL 194.21, 0.92%, 0.6%

LAB 75.96, -22.96, -32.91

 

CMYK 61 / 14 / 0 / 2

HEX #61D5F9

RGB 97 213 249

HSL 194.21, 0.93%, 0.68%

LAB 80.16, -22.43, -27.44

 

CMYK 45 / 11 / 0 / 2

HEX #89DFFA

RGB 137 223 250

HSL 194.34, 0.92%, 0.76%

LAB 84.48, -19.1, -21.26

 

CMYK 30 / 7 / 0 / 1

HEX #B1EAFC

RGB 177 234 252

HSL 194.4, 0.93%, 0.84%

LAB 89.5, -13.93, -14.56

 

CMYK 61 / 14 / 0 / 2

HEX #61D5F9

RGB 97 213 249

HSL 194.21, 0.93%, 0.68%

LAB 80.16, -22.43, -27.44

 

CMYK 35 / 61 / 0 / 2

HEX #A361F9

RGB 163 97 249

HSL 266.05, 0.93%, 0.68%

LAB 55.25, 56.23, -66.35

 

CMYK 0 / 10 / 61 / 2

HEX #F9DF61

RGB 249 223 97

HSL 49.74, 0.93%, 0.68%

LAB 88.82, -5.46, 63.38

 

CMYK 61 / 14 / 0 / 2

HEX #61D5F9

RGB 97 213 249

HSL 194.21, 0.93%, 0.68%

LAB 80.16, -22.43, -27.44

 

CMYK 0 / 61 / 14 / 2

HEX #F961D5

RGB 249 97 213

HSL 314.21, 0.93%, 0.68%

LAB 64.56, 70.31, -30.79

 

CMYK 14 / 0 / 61 / 2

HEX #D5F961

RGB 213 249 97

HSL 74.21, 0.93%, 0.68%

LAB 92.91, -32.4, 67.07

 

CMYK 61 / 14 / 0 / 2

HEX #61D5F9

RGB 97 213 249

HSL 194.21, 0.93%, 0.68%

LAB 80.16, -22.43, -27.44

 

CMYK 35 / 61 / 0 / 2

HEX #A361F9

RGB 163 97 249

HSL 266.05, 0.93%, 0.68%

LAB 55.25, 56.23, -66.35

 

CMYK 0 / 47 / 61 / 2

HEX #F98461

RGB 249 132 97

HSL 13.82, 0.93%, 0.68%

LAB 67.65, 41.63, 38.82

 

CMYK 27 / 0 / 61 / 2

HEX #B7F961

RGB 183 249 97

HSL 86.05, 0.93%, 0.68%

LAB 91.09, -43.52, 64.55

 

CMYK 61 / 14 / 0 / 2

HEX #61D5F9

RGB 97 213 249

HSL 194.21, 0.93%, 0.68%

LAB 80.16, -22.43, -27.44

 

CMYK 16 / 61 / 0 / 2

HEX #D061F9

RGB 208 97 249

HSL 283.82, 0.93%, 0.68%

LAB 60.6, 66.28, -57.47

 

CMYK 0 / 47 / 61 / 2

HEX #F98461

RGB 249 132 97

HSL 13.82, 0.93%, 0.68%

LAB 67.65, 41.63, 38.82

 

CMYK 45 / 0 / 61 / 2

HEX #89F961

RGB 137 249 97

HSL 104.21, 0.93%, 0.68%

LAB 88.89, -58.56, 61.5

 

Description

Color code: HEX #61D5F9 | qconv.com Color code: HEX #61D5F9 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 213 green and 249 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 213 249 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 14 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 14% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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