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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #61D265 it is the complementary color #9E2D9A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #61D265. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #61D265 shade: #66D260, #77E473, #88F686, #99FF99 and #AAFFAC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #61D265. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #61D265 shade: #61D265, #50C052, #3FAE3F, #2E9C2C and #1D8A19

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #61D265 shade: #5FD263, #7AD25F, #99D25F, #B8D25F and #D2CD5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #61D265 shade: #5FD263, #5FD282, #5FD2A1, #5FD2C0 and #5FC5D2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #61D265 shade matches the following richer shades: #5FD263, #4FE254 and #3EF345

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #61D265 shade: #5FD263, #70C173, #80B182, #91A091 and #A190A1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #61D265 shade: #99D25F, #7AD25F, #5FD263, #5FD282 and #5FD2A0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #61D265 shade: #31AE35, #3FC944, #5FD263, #80DB83 and #A0E4A2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #61D265 shade: #61D265, #5FB7D2 and #D25F89

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #61D265 shade: #61D265, #635FD2 and #D2635F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #61D265 shade: #61D265, #5FB7D2, #D25FCE and #D27A5F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #61D265 shade: #61D265, #5F95D2, #D25FCE and #D29C5F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 52 / 18

HEX #61D265

RGB 97 210 101

HSL 122.12, 0.56%, 0.6%

LAB 75.81, -54.06, 44.07

 

Complementary color

CMYK 0 / 72 / 3 / 38

HEX #9E2D9A

RGB 158 45 154

HSL 302.12, 0.56%, 0.4%

LAB 40.38, 58.66, -35.34

 

CMYK 51 / 0 / 54 / 18

HEX #66D260

RGB 102 210 96

HSL 116.84, 0.56%, 0.6%

LAB 75.92, -53.39, 46.62

 

CMYK 48 / 0 / 50 / 11

HEX #77E473

RGB 119 228 115

HSL 117.88, 0.68%, 0.67%

LAB 82.19, -53.45, 45.37

 

CMYK 45 / 0 / 46 / 4

HEX #88F686

RGB 136 246 134

HSL 118.93, 0.86%, 0.75%

LAB 88.38, -53.39, 44.13

 

CMYK 40 / 0 / 40 / 0

HEX #99FF99

RGB 153 255 153

HSL 120, 1%, 0.8%

LAB 91.95, -49.54, 39.6

 

CMYK 33 / 0 / 33 / 0

HEX #AAFFAC

RGB 170 255 172

HSL 121.41, 1%, 0.83%

LAB 93.03, -41.57, 31.75

 

CMYK 54 / 0 / 52 / 18

HEX #61D265

RGB 97 210 101

HSL 122.12, 0.56%, 0.6%

LAB 75.81, -54.06, 44.07

 

CMYK 58 / 0 / 57 / 25

HEX #50C052

RGB 80 192 82

HSL 121.07, 0.47%, 0.53%

LAB 69.48, -53.82, 45.34

 

CMYK 64 / 0 / 64 / 32

HEX #3FAE3F

RGB 63 174 63

HSL 120, 0.47%, 0.46%

LAB 63.08, -53.31, 46.52

 

CMYK 71 / 0 / 72 / 39

HEX #2E9C2C

RGB 46 156 44

HSL 118.93, 0.56%, 0.39%

LAB 56.62, -52.35, 47.41

 

CMYK 79 / 0 / 82 / 46

HEX #1D8A19

RGB 29 138 25

HSL 117.88, 0.69%, 0.32%

LAB 50.11, -50.72, 47.62

 

CMYK 55 / 0 / 53 / 18

HEX #5FD263

RGB 95 210 99

HSL 122.09, 0.56%, 0.6%

LAB 75.72, -54.83, 44.89

 

CMYK 42 / 0 / 55 / 18

HEX #7AD25F

RGB 122 210 95

HSL 105.91, 0.56%, 0.6%

LAB 76.71, -47.72, 48.22

 

CMYK 27 / 0 / 55 / 18

HEX #99D25F

RGB 153 210 95

HSL 89.74, 0.56%, 0.6%

LAB 78.28, -37.24, 50.45

 

CMYK 12 / 0 / 55 / 18

HEX #B8D25F

RGB 184 210 95

HSL 73.57, 0.56%, 0.6%

LAB 80.24, -25.48, 53.23

 

CMYK 0 / 2 / 55 / 18

HEX #D2CD5F

RGB 210 205 95

HSL 57.39, 0.56%, 0.6%

LAB 80.84, -12.53, 54.44

 

CMYK 55 / 0 / 53 / 18

HEX #5FD263

RGB 95 210 99

HSL 122.09, 0.56%, 0.6%

LAB 75.72, -54.83, 44.89

 

CMYK 55 / 0 / 38 / 18

HEX #5FD282

RGB 95 210 130

HSL 138.26, 0.56%, 0.6%

LAB 76.15, -50.12, 30.03

 

CMYK 55 / 0 / 23 / 18

HEX #5FD2A1

RGB 95 210 161

HSL 154.43, 0.56%, 0.6%

LAB 76.74, -44.11, 14.56

 

CMYK 55 / 0 / 9 / 18

HEX #5FD2C0

RGB 95 210 192

HSL 170.61, 0.56%, 0.6%

LAB 77.48, -36.92, -0.96

 

CMYK 55 / 6 / 0 / 18

HEX #5FC5D2

RGB 95 197 210

HSL 186.78, 0.56%, 0.6%

LAB 74.2, -25.97, -15.55

 

CMYK 55 / 0 / 53 / 18

HEX #5FD263

RGB 95 210 99

HSL 122.09, 0.56%, 0.6%

LAB 75.72, -54.83, 44.89

 

CMYK 65 / 0 / 63 / 11

HEX #4FE254

RGB 79 226 84

HSL 122.04, 0.72%, 0.6%

LAB 80.01, -65.91, 56.5

 

CMYK 74 / 0 / 72 / 5

HEX #3EF345

RGB 62 243 69

HSL 122.32, 0.88%, 0.6%

LAB 84.77, -75.59, 67.26

 

CMYK 55 / 0 / 53 / 18

HEX #5FD263

RGB 95 210 99

HSL 122.09, 0.56%, 0.6%

LAB 75.72, -54.83, 44.89

 

CMYK 42 / 0 / 40 / 24

HEX #70C173

RGB 112 193 115

HSL 122.22, 0.4%, 0.6%

LAB 71.43, -40.86, 31.7

 

CMYK 28 / 0 / 27 / 31

HEX #80B182

RGB 128 177 130

HSL 122.45, 0.24%, 0.6%

LAB 67.76, -25.77, 18.95

 

CMYK 9 / 0 / 9 / 37

HEX #91A091

RGB 145 160 145

HSL 120, 0.07%, 0.6%

LAB 64.33, -8.25, 6.01

 

CMYK 0 / 11 / 0 / 37

HEX #A190A1

RGB 161 144 161

HSL 300, 0.08%, 0.6%

LAB 61.74, 9.48, -6.64

 

CMYK 27 / 0 / 55 / 18

HEX #99D25F

RGB 153 210 95

HSL 89.74, 0.56%, 0.6%

LAB 78.28, -37.24, 50.45

 

CMYK 42 / 0 / 55 / 18

HEX #7AD25F

RGB 122 210 95

HSL 105.91, 0.56%, 0.6%

LAB 76.71, -47.72, 48.22

 

CMYK 55 / 0 / 53 / 18

HEX #5FD263

RGB 95 210 99

HSL 122.09, 0.56%, 0.6%

LAB 75.72, -54.83, 44.89

 

CMYK 55 / 0 / 38 / 18

HEX #5FD282

RGB 95 210 130

HSL 138.26, 0.56%, 0.6%

LAB 76.15, -50.12, 30.03

 

CMYK 55 / 0 / 24 / 18

HEX #5FD2A0

RGB 95 210 160

HSL 153.91, 0.56%, 0.6%

LAB 76.72, -44.32, 15.06

 

CMYK 72 / 0 / 70 / 32

HEX #31AE35

RGB 49 174 53

HSL 121.92, 0.56%, 0.44%

LAB 62.66, -57.09, 50.18

 

CMYK 69 / 0 / 66 / 21

HEX #3FC944

RGB 63 201 68

HSL 122.17, 0.56%, 0.52%

LAB 71.72, -62.17, 53.91

 

CMYK 55 / 0 / 53 / 18

HEX #5FD263

RGB 95 210 99

HSL 122.09, 0.56%, 0.6%

LAB 75.72, -54.83, 44.89

 

CMYK 42 / 0 / 40 / 14

HEX #80DB83

RGB 128 219 131

HSL 121.98, 0.56%, 0.68%

LAB 80.12, -44.9, 34.96

 

CMYK 30 / 0 / 29 / 11

HEX #A0E4A2

RGB 160 228 162

HSL 121.76, 0.56%, 0.76%

LAB 84.78, -34.11, 25.59

 

CMYK 54 / 0 / 52 / 18

HEX #61D265

RGB 97 210 101

HSL 122.12, 0.56%, 0.6%

LAB 75.81, -54.06, 44.07

 

CMYK 55 / 13 / 0 / 18

HEX #5FB7D2

RGB 95 183 210

HSL 194.09, 0.56%, 0.6%

LAB 70.14, -18.87, -21.69

 

CMYK 0 / 55 / 35 / 18

HEX #D25F89

RGB 210 95 137

HSL 338.09, 0.56%, 0.6%

LAB 55.78, 49.63, -0.93

 

CMYK 54 / 0 / 52 / 18

HEX #61D265

RGB 97 210 101

HSL 122.12, 0.56%, 0.6%

LAB 75.81, -54.06, 44.07

 

CMYK 53 / 55 / 0 / 18

HEX #635FD2

RGB 99 95 210

HSL 242.09, 0.56%, 0.6%

LAB 46.3, 33.12, -59.12

 

CMYK 0 / 53 / 55 / 18

HEX #D2635F

RGB 210 99 95

HSL 2.09, 0.56%, 0.6%

LAB 55.53, 43.46, 23.34

 

CMYK 54 / 0 / 52 / 18

HEX #61D265

RGB 97 210 101

HSL 122.12, 0.56%, 0.6%

LAB 75.81, -54.06, 44.07

 

CMYK 55 / 13 / 0 / 18

HEX #5FB7D2

RGB 95 183 210

HSL 194.09, 0.56%, 0.6%

LAB 70.14, -18.87, -21.69

 

CMYK 0 / 55 / 2 / 18

HEX #D25FCE

RGB 210 95 206

HSL 302.09, 0.56%, 0.6%

LAB 58.36, 59.75, -36.91

 

CMYK 0 / 42 / 55 / 18

HEX #D27A5F

RGB 210 122 95

HSL 14.09, 0.56%, 0.6%

LAB 60.29, 31.59, 29.54

 

CMYK 54 / 0 / 52 / 18

HEX #61D265

RGB 97 210 101

HSL 122.12, 0.56%, 0.6%

LAB 75.81, -54.06, 44.07

 

CMYK 55 / 29 / 0 / 18

HEX #5F95D2

RGB 95 149 210

HSL 211.83, 0.56%, 0.6%

LAB 60.41, -0.27, -36.71

 

CMYK 0 / 55 / 2 / 18

HEX #D25FCE

RGB 210 95 206

HSL 302.09, 0.56%, 0.6%

LAB 58.36, 59.75, -36.91

 

CMYK 0 / 26 / 55 / 18

HEX #D29C5F

RGB 210 156 95

HSL 31.83, 0.56%, 0.6%

LAB 68.24, 13.23, 39.53

 

Description

Color code: HEX #61D265 | qconv.com Color code: HEX #61D265 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 210 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 210 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 52 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 52% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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