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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #61E3CA it is the complementary color #9E1C35. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #61E3CA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #61E3CA shade: #66E3C5, #77F5D8, #88FFEB, #99FFFE and #AAFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #61E3CA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #61E3CA shade: #61E3CA, #50D1B7, #3FBFA4, #2EAD91 and #1D9B7E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #61E3CA shade: #62E3CA, #62E3A8, #62E385, #63E362 and #85E362

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #61E3CA shade: #62E3CA, #62D9E3, #62B6E3, #6294E3 and #6271E3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #61E3CA shade matches the following richer shades: #62E3CA and #54F2D3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #61E3CA shade: #62E3CA, #71D4C1, #80C5B8, #8FB6AF and #9EA8A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #61E3CA shade: #62E385, #62E3A7, #62E3C9, #62DAE3 and #62B8E3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #61E3CA shade: #24CFAE, #3FDDBE, #62E3CA, #86E9D6 and #A9EFE2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #61E3CA shade: #61E3CA, #6262E3 and #E39662

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #61E3CA shade: #61E3CA, #C962E3 and #E3C962

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #61E3CA shade: #61E3CA, #6262E3, #E3627C and #E3E362

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #61E3CA shade: #61E3CA, #8962E3, #E3627C and #BCE362

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 11 / 11

HEX #61E3CA

RGB 97 227 202

HSL 168.46, 0.7%, 0.64%

LAB 82.78, -41.75, 1.45

 

Complementary color

CMYK 0 / 82 / 66 / 38

HEX #9E1C35

RGB 158 28 53

HSL 348.46, 0.7%, 0.36%

LAB 34.71, 52.55, 19.96

 

CMYK 55 / 0 / 13 / 11

HEX #66E3C5

RGB 102 227 197

HSL 165.6, 0.69%, 0.65%

LAB 82.8, -41.96, 4.15

 

CMYK 51 / 0 / 12 / 4

HEX #77F5D8

RGB 119 245 216

HSL 166.19, 0.86%, 0.71%

LAB 89.01, -41.98, 3.24

 

CMYK 47 / 0 / 8 / 0

HEX #88FFEB

RGB 136 255 235

HSL 169.92, 1%, 0.77%

LAB 92.91, -38.35, -0.87

 

CMYK 40 / 0 / 0 / 0

HEX #99FFFE

RGB 153 255 254

HSL 179.41, 1%, 0.8%

LAB 94.08, -29.95, -8.89

 

CMYK 33 / 0 / 0 / 0

HEX #AAFFFF

RGB 170 255 255

HSL 180, 1%, 0.83%

LAB 94.86, -25.48, -8.16

 

CMYK 57 / 0 / 11 / 11

HEX #61E3CA

RGB 97 227 202

HSL 168.46, 0.7%, 0.64%

LAB 82.78, -41.75, 1.45

 

CMYK 62 / 0 / 12 / 18

HEX #50D1B7

RGB 80 209 183

HSL 167.91, 0.58%, 0.57%

LAB 76.51, -41.56, 2.41

 

CMYK 67 / 0 / 14 / 25

HEX #3FBFA4

RGB 63 191 164

HSL 167.34, 0.5%, 0.5%

LAB 70.18, -41.22, 3.46

 

CMYK 73 / 0 / 16 / 32

HEX #2EAD91

RGB 46 173 145

HSL 166.77, 0.58%, 0.43%

LAB 63.76, -40.67, 4.63

 

CMYK 81 / 0 / 19 / 39

HEX #1D9B7E

RGB 29 155 126

HSL 166.19, 0.68%, 0.36%

LAB 57.28, -39.82, 5.93

 

CMYK 57 / 0 / 11 / 11

HEX #62E3CA

RGB 98 227 202

HSL 168.37, 0.7%, 0.64%

LAB 82.81, -41.56, 1.5

 

CMYK 57 / 0 / 26 / 11

HEX #62E3A8

RGB 98 227 168

HSL 152.56, 0.7%, 0.64%

LAB 82.03, -49.2, 18.29

 

CMYK 57 / 0 / 41 / 11

HEX #62E385

RGB 98 227 133

HSL 136.28, 0.7%, 0.64%

LAB 81.42, -55.68, 35.42

 

CMYK 56 / 0 / 57 / 11

HEX #63E362

RGB 99 227 98

HSL 119.53, 0.7%, 0.64%

LAB 81, -60.34, 51.68

 

CMYK 41 / 0 / 57 / 11

HEX #85E362

RGB 133 227 98

HSL 103.72, 0.7%, 0.64%

LAB 82.27, -50.95, 53.49

 

CMYK 57 / 0 / 11 / 11

HEX #62E3CA

RGB 98 227 202

HSL 168.37, 0.7%, 0.64%

LAB 82.81, -41.56, 1.5

 

CMYK 57 / 4 / 0 / 11

HEX #62D9E3

RGB 98 217 227

HSL 184.65, 0.7%, 0.64%

LAB 80.61, -30.47, -15.04

 

CMYK 57 / 20 / 0 / 11

HEX #62B6E3

RGB 98 182 227

HSL 200.93, 0.7%, 0.64%

LAB 70.59, -12.73, -30.28

 

CMYK 57 / 35 / 0 / 11

HEX #6294E3

RGB 98 148 227

HSL 216.74, 0.7%, 0.64%

LAB 61.07, 6.32, -45.14

 

CMYK 57 / 50 / 0 / 11

HEX #6271E3

RGB 98 113 227

HSL 233.02, 0.7%, 0.64%

LAB 51.78, 27.36, -59.93

 

CMYK 57 / 0 / 11 / 11

HEX #62E3CA

RGB 98 227 202

HSL 168.37, 0.7%, 0.64%

LAB 82.81, -41.56, 1.5

 

CMYK 65 / 0 / 13 / 5

HEX #54F2D3

RGB 84 242 211

HSL 168.23, 0.86%, 0.64%

LAB 87.04, -48.29, 2.88

 

CMYK 57 / 0 / 11 / 11

HEX #62E3CA

RGB 98 227 202

HSL 168.37, 0.7%, 0.64%

LAB 82.81, -41.56, 1.5

 

CMYK 47 / 0 / 9 / 17

HEX #71D4C1

RGB 113 212 193

HSL 168.48, 0.54%, 0.64%

LAB 78.72, -33.66, 0.4

 

CMYK 35 / 0 / 7 / 23

HEX #80C5B8

RGB 128 197 184

HSL 168.7, 0.37%, 0.64%

LAB 74.81, -24.65, -0.39

 

CMYK 21 / 0 / 4 / 29

HEX #8FB6AF

RGB 143 182 175

HSL 169.23, 0.21%, 0.64%

LAB 71.14, -14.53, -0.75

 

CMYK 6 / 0 / 1 / 34

HEX #9EA8A6

RGB 158 168 166

HSL 168, 0.05%, 0.64%

LAB 68.04, -3.91, -0.19

 

CMYK 57 / 0 / 41 / 11

HEX #62E385

RGB 98 227 133

HSL 136.28, 0.7%, 0.64%

LAB 81.42, -55.68, 35.42

 

CMYK 57 / 0 / 26 / 11

HEX #62E3A7

RGB 98 227 167

HSL 152.09, 0.7%, 0.64%

LAB 82.01, -49.41, 18.79

 

CMYK 57 / 0 / 11 / 11

HEX #62E3C9

RGB 98 227 201

HSL 167.91, 0.7%, 0.64%

LAB 82.78, -41.8, 1.99

 

CMYK 57 / 4 / 0 / 11

HEX #62DAE3

RGB 98 218 227

HSL 184.19, 0.7%, 0.64%

LAB 80.9, -30.95, -14.61

 

CMYK 57 / 19 / 0 / 11

HEX #62B8E3

RGB 98 184 227

HSL 200, 0.7%, 0.64%

LAB 71.16, -13.79, -29.41

 

CMYK 83 / 0 / 16 / 19

HEX #24CFAE

RGB 36 207 174

HSL 168.42, 0.7%, 0.48%

LAB 74.86, -48.65, 4.76

 

CMYK 71 / 0 / 14 / 13

HEX #3FDDBE

RGB 63 221 190

HSL 168.23, 0.7%, 0.56%

LAB 79.89, -47.58, 3.52

 

CMYK 57 / 0 / 11 / 11

HEX #62E3CA

RGB 98 227 202

HSL 168.37, 0.7%, 0.64%

LAB 82.81, -41.56, 1.5

 

CMYK 42 / 0 / 8 / 9

HEX #86E9D6

RGB 134 233 214

HSL 168.48, 0.69%, 0.72%

LAB 86.11, -33.53, 0.14

 

CMYK 29 / 0 / 5 / 6

HEX #A9EFE2

RGB 169 239 226

HSL 168.86, 0.69%, 0.8%

LAB 89.7, -24.42, -0.71

 

CMYK 57 / 0 / 11 / 11

HEX #61E3CA

RGB 97 227 202

HSL 168.46, 0.7%, 0.64%

LAB 82.78, -41.75, 1.45

 

CMYK 57 / 57 / 0 / 11

HEX #6262E3

RGB 98 98 227

HSL 240, 0.7%, 0.64%

LAB 48.11, 36.47, -65.87

 

CMYK 0 / 34 / 57 / 11

HEX #E39662

RGB 227 150 98

HSL 24.19, 0.7%, 0.64%

LAB 68.77, 23.7, 39.04

 

CMYK 57 / 0 / 11 / 11

HEX #61E3CA

RGB 97 227 202

HSL 168.46, 0.7%, 0.64%

LAB 82.78, -41.75, 1.45

 

CMYK 11 / 57 / 0 / 11

HEX #C962E3

RGB 201 98 227

HSL 287.91, 0.7%, 0.64%

LAB 58.69, 59.84, -48.31

 

CMYK 0 / 11 / 57 / 11

HEX #E3C962

RGB 227 201 98

HSL 47.91, 0.7%, 0.64%

LAB 81.28, -3.25, 53.94

 

CMYK 57 / 0 / 11 / 11

HEX #61E3CA

RGB 97 227 202

HSL 168.46, 0.7%, 0.64%

LAB 82.78, -41.75, 1.45

 

CMYK 57 / 57 / 0 / 11

HEX #6262E3

RGB 98 98 227

HSL 240, 0.7%, 0.64%

LAB 48.11, 36.47, -65.87

 

CMYK 0 / 57 / 45 / 11

HEX #E3627C

RGB 227 98 124

HSL 347.91, 0.7%, 0.64%

LAB 58.53, 52.46, 10.97

 

CMYK 0 / 0 / 57 / 11

HEX #E3E362

RGB 227 227 98

HSL 60, 0.7%, 0.64%

LAB 88.04, -16.34, 61.58

 

CMYK 57 / 0 / 11 / 11

HEX #61E3CA

RGB 97 227 202

HSL 168.46, 0.7%, 0.64%

LAB 82.78, -41.75, 1.45

 

CMYK 40 / 57 / 0 / 11

HEX #8962E3

RGB 137 98 227

HSL 258.14, 0.7%, 0.64%

LAB 51.38, 44.42, -60.42

 

CMYK 0 / 57 / 45 / 11

HEX #E3627C

RGB 227 98 124

HSL 347.91, 0.7%, 0.64%

LAB 58.53, 52.46, 10.97

 

CMYK 17 / 0 / 57 / 11

HEX #BCE362

RGB 188 227 98

HSL 78.14, 0.7%, 0.64%

LAB 85.26, -31.72, 57.69

 

Description

Color code: HEX #61E3CA | qconv.com Color code: HEX #61E3CA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 227 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 227 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 11 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 11% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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