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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #620348 it is the complementary color #9DFCB7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #620348. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #620348 shade: #670343, #781556, #892769, #9A397C and #AB4B8F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #620348. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #620348 shade: #620348, #510035, #400022, #2F000F and #1E0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #620348 shade: #620348, #62032E, #620314 and #620303

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #620348 shade: #620348, #620362, #490362, #2F0362 and #150362

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #620348 shade matches the following richer shades: #620348

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #620348 shade: #620348, #5A0B44, #521341, #4A1B3D and #412439

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #620348 shade: #490362, #620362, #620349, #62032F and #620316

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #620348 shade: #12000D, #3A012B, #620348, #8A0466 and #B20583

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #620348 shade: #620348, #622F03 and #036256

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #620348 shade: #620348, #496203 and #034962

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #620348 shade: #620348, #622F03, #03621C and #033662

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #620348 shade: #620348, #624C03, #03621C and #031962

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 97 / 27 / 62

HEX #620348

RGB 98 3 72

HSL 316.42, 0.94%, 0.2%

LAB 20.56, 44.13, -14.76

 

Complementary color

CMYK 38 / 0 / 27 / 1

HEX #9DFCB7

RGB 157 252 183

HSL 136.42, 0.94%, 0.8%

LAB 91.78, -42.27, 24.39

 

CMYK 0 / 97 / 35 / 60

HEX #670343

RGB 103 3 67

HSL 321.6, 0.94%, 0.21%

LAB 21.41, 44.67, -9.91

 

CMYK 0 / 83 / 28 / 53

HEX #781556

RGB 120 21 86

HSL 320.61, 0.7%, 0.28%

LAB 27.3, 46.97, -13.41

 

CMYK 0 / 72 / 23 / 46

HEX #892769

RGB 137 39 105

HSL 319.59, 0.56%, 0.35%

LAB 33.54, 47.93, -15.89

 

CMYK 0 / 63 / 19 / 40

HEX #9A397C

RGB 154 57 124

HSL 318.56, 0.46%, 0.41%

LAB 40, 48, -17.64

 

CMYK 0 / 56 / 16 / 33

HEX #AB4B8F

RGB 171 75 143

HSL 317.5, 0.39%, 0.48%

LAB 46.54, 47.62, -18.94

 

CMYK 0 / 97 / 27 / 62

HEX #620348

RGB 98 3 72

HSL 316.42, 0.94%, 0.2%

LAB 20.56, 44.13, -14.76

 

CMYK 0 / 100 / 35 / 68

HEX #510035

RGB 81 0 53

HSL 320.74, 1%, 0.16%

LAB 15.52, 38.57, -9.5

 

CMYK 0 / 100 / 47 / 75

HEX #400022

RGB 64 0 34

HSL 328.13, 1%, 0.13%

LAB 10.6, 32.11, -3.33

 

CMYK 0 / 100 / 68 / 82

HEX #2F000F

RGB 47 0 15

HSL 340.85, 1%, 0.09%

LAB 5.77, 24.45, 2.67

 

CMYK 0 / 100 / 100 / 88

HEX #1E0000

RGB 30 0 0

HSL 0, 1%, 0.06%

LAB 2.49, 11.19, 3.94

 

CMYK 0 / 97 / 27 / 62

HEX #620348

RGB 98 3 72

HSL 316.42, 0.94%, 0.2%

LAB 20.56, 44.13, -14.76

 

CMYK 0 / 97 / 53 / 62

HEX #62032E

RGB 98 3 46

HSL 332.84, 0.94%, 0.2%

LAB 19.47, 41.24, 1.82

 

CMYK 0 / 97 / 80 / 62

HEX #620314

RGB 98 3 20

HSL 349.26, 0.94%, 0.2%

LAB 18.85, 39.53, 19.47

 

CMYK 0 / 97 / 97 / 62

HEX #620303

RGB 98 3 3

HSL 0, 0.94%, 0.2%

LAB 18.66, 39, 27.41

 

CMYK 0 / 97 / 27 / 62

HEX #620348

RGB 98 3 72

HSL 316.42, 0.94%, 0.2%

LAB 20.56, 44.13, -14.76

 

CMYK 0 / 97 / 0 / 62

HEX #620362

RGB 98 3 98

HSL 300, 0.94%, 0.2%

LAB 22.1, 48.05, -29.81

 

CMYK 26 / 97 / 0 / 62

HEX #490362

RGB 73 3 98

HSL 284.21, 0.94%, 0.2%

LAB 17.29, 43.67, -37.82

 

CMYK 52 / 97 / 0 / 62

HEX #2F0362

RGB 47 3 98

HSL 267.79, 0.94%, 0.2%

LAB 12.93, 40.2, -45.14

 

CMYK 79 / 97 / 0 / 62

HEX #150362

RGB 21 3 98

HSL 251.37, 0.94%, 0.2%

LAB 9.85, 38.2, -50.34

 

CMYK 0 / 97 / 27 / 62

HEX #620348

RGB 98 3 72

HSL 316.42, 0.94%, 0.2%

LAB 20.56, 44.13, -14.76

 

CMYK 0 / 97 / 27 / 62

HEX #620348

RGB 98 3 72

HSL 316.42, 0.94%, 0.2%

LAB 20.56, 44.13, -14.76

 

CMYK 0 / 88 / 24 / 65

HEX #5A0B44

RGB 90 11 68

HSL 316.71, 0.78%, 0.2%

LAB 19.35, 39.6, -14

 

CMYK 0 / 77 / 21 / 68

HEX #521341

RGB 82 19 65

HSL 316.19, 0.62%, 0.2%

LAB 18.55, 34.18, -13.3

 

CMYK 0 / 64 / 18 / 71

HEX #4A1B3D

RGB 74 27 61

HSL 316.6, 0.47%, 0.2%

LAB 18.26, 27.08, -11.08

 

CMYK 0 / 45 / 12 / 75

HEX #412439

RGB 65 36 57

HSL 316.55, 0.29%, 0.2%

LAB 18.72, 17.48, -7.72

 

CMYK 26 / 97 / 0 / 62

HEX #490362

RGB 73 3 98

HSL 284.21, 0.94%, 0.2%

LAB 17.29, 43.67, -37.82

 

CMYK 0 / 97 / 0 / 62

HEX #620362

RGB 98 3 98

HSL 300, 0.94%, 0.2%

LAB 22.1, 48.05, -29.81

 

CMYK 0 / 97 / 26 / 62

HEX #620349

RGB 98 3 73

HSL 315.79, 0.94%, 0.2%

LAB 20.61, 44.26, -15.37

 

CMYK 0 / 97 / 52 / 62

HEX #62032F

RGB 98 3 47

HSL 332.21, 0.94%, 0.2%

LAB 19.5, 41.33, 1.15

 

CMYK 0 / 97 / 78 / 62

HEX #620316

RGB 98 3 22

HSL 348, 0.94%, 0.2%

LAB 18.88, 39.62, 18.13

 

CMYK 0 / 100 / 28 / 93

HEX #12000D

RGB 18 0 13

HSL 316.67, 1%, 0.04%

LAB 1.42, 7.06, -3.18

 

CMYK 0 / 98 / 26 / 77

HEX #3A012B

RGB 58 1 43

HSL 315.79, 0.97%, 0.12%

LAB 9.76, 31.26, -11.51

 

CMYK 0 / 97 / 27 / 62

HEX #620348

RGB 98 3 72

HSL 316.42, 0.94%, 0.2%

LAB 20.56, 44.13, -14.76

 

CMYK 0 / 97 / 26 / 46

HEX #8A0466

RGB 138 4 102

HSL 316.12, 0.94%, 0.28%

LAB 30.52, 56.59, -18.61

 

CMYK 0 / 97 / 26 / 30

HEX #B20583

RGB 178 5 131

HSL 316.3, 0.95%, 0.36%

LAB 39.94, 68.25, -21.71

 

CMYK 0 / 97 / 27 / 62

HEX #620348

RGB 98 3 72

HSL 316.42, 0.94%, 0.2%

LAB 20.56, 44.13, -14.76

 

CMYK 0 / 52 / 97 / 62

HEX #622F03

RGB 98 47 3

HSL 27.79, 0.94%, 0.2%

LAB 25.67, 20.23, 34.81

 

CMYK 97 / 0 / 12 / 62

HEX #036256

RGB 3 98 86

HSL 172.42, 0.94%, 0.2%

LAB 36.79, -27.53, -0.11

 

CMYK 0 / 97 / 27 / 62

HEX #620348

RGB 98 3 72

HSL 316.42, 0.94%, 0.2%

LAB 20.56, 44.13, -14.76

 

CMYK 26 / 0 / 97 / 62

HEX #496203

RGB 73 98 3

HSL 75.79, 0.94%, 0.2%

LAB 38.13, -22.41, 43.62

 

CMYK 97 / 26 / 0 / 62

HEX #034962

RGB 3 73 98

HSL 195.79, 0.94%, 0.2%

LAB 28.55, -9.51, -20.14

 

CMYK 0 / 97 / 27 / 62

HEX #620348

RGB 98 3 72

HSL 316.42, 0.94%, 0.2%

LAB 20.56, 44.13, -14.76

 

CMYK 0 / 52 / 97 / 62

HEX #622F03

RGB 98 47 3

HSL 27.79, 0.94%, 0.2%

LAB 25.67, 20.23, 34.81

 

CMYK 97 / 0 / 71 / 62

HEX #03621C

RGB 3 98 28

HSL 135.79, 0.94%, 0.2%

LAB 35.67, -40.31, 31.78

 

CMYK 97 / 45 / 0 / 62

HEX #033662

RGB 3 54 98

HSL 207.79, 0.94%, 0.2%

LAB 22.09, 3.15, -30.36

 

CMYK 0 / 97 / 27 / 62

HEX #620348

RGB 98 3 72

HSL 316.42, 0.94%, 0.2%

LAB 20.56, 44.13, -14.76

 

CMYK 0 / 22 / 97 / 62

HEX #624C03

RGB 98 76 3

HSL 46.11, 0.94%, 0.2%

LAB 33.5, 2.39, 41.05

 

CMYK 97 / 0 / 71 / 62

HEX #03621C

RGB 3 98 28

HSL 135.79, 0.94%, 0.2%

LAB 35.67, -40.31, 31.78

 

CMYK 97 / 74 / 0 / 62

HEX #031962

RGB 3 25 98

HSL 226.11, 0.94%, 0.2%

LAB 13.21, 24.56, -44.8

 

Description

Color code: HEX #620348 | qconv.com Color code: HEX #620348 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 3 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 3 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 97 magenta, 27 yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 97% 27% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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