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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #620CAB it is the complementary color #9DF354. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #620CAB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #620CAB shade: #670CA6, #781EB9, #8930CC, #9A42DF and #AB54F2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #620CAB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #620CAB shade: #620CAB, #510098, #400085, #2F0072 and #1E005F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #620CAB shade: #620BAB, #8D0BAB, #AB0B9E, #AB0B73 and #AB0B48

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #620CAB shade: #620BAB, #370BAB, #0C0BAB and #0B0BAB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #620CAB shade matches the following richer shades: #620BAB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #620CAB shade: #620BAB, #611A9C, #5F298D, #5E387F and #5D4770

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #620CAB shade: #0B0BAB, #360BAB, #610BAB, #8B0BAB and #AB0BA1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #620CAB shade: #36065E, #4C0985, #620BAB, #780ED2 and #8D1AEF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #620CAB shade: #620CAB, #AB0B36 and #0BAB21

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #620CAB shade: #620CAB, #AB610B and #0BAB61

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #620CAB shade: #620CAB, #AB0B36, #56AB0B and #0BAB81

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #620CAB shade: #620CAB, #AB110B, #56AB0B and #0BA6AB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 93 / 0 / 33

HEX #620CAB

RGB 98 12 171

HSL 272.45, 0.87%, 0.36%

LAB 28.9, 60.86, -64.6

 

Complementary color

CMYK 35 / 0 / 65 / 5

HEX #9DF354

RGB 157 243 84

HSL 92.45, 0.87%, 0.64%

LAB 87.92, -51.01, 65.95

 

CMYK 38 / 93 / 0 / 35

HEX #670CA6

RGB 103 12 166

HSL 275.45, 0.87%, 0.35%

LAB 29.16, 60.35, -61.14

 

CMYK 35 / 84 / 0 / 27

HEX #781EB9

RGB 120 30 185

HSL 274.84, 0.72%, 0.42%

LAB 34.85, 62.34, -63.08

 

CMYK 33 / 76 / 0 / 20

HEX #8930CC

RGB 137 48 204

HSL 274.23, 0.62%, 0.49%

LAB 40.88, 63.07, -64.26

 

CMYK 31 / 70 / 0 / 13

HEX #9A42DF

RGB 154 66 223

HSL 273.63, 0.71%, 0.57%

LAB 47.1, 63.06, -64.98

 

CMYK 29 / 65 / 0 / 5

HEX #AB54F2

RGB 171 84 242

HSL 273.04, 0.86%, 0.64%

LAB 53.39, 62.62, -65.4

 

CMYK 43 / 93 / 0 / 33

HEX #620CAB

RGB 98 12 171

HSL 272.45, 0.87%, 0.36%

LAB 28.9, 60.86, -64.6

 

CMYK 47 / 100 / 0 / 40

HEX #510098

RGB 81 0 152

HSL 271.97, 1%, 0.3%

LAB 23.73, 57.18, -61.65

 

CMYK 52 / 100 / 0 / 48

HEX #400085

RGB 64 0 133

HSL 268.87, 1%, 0.26%

LAB 19.15, 51.33, -57.44

 

CMYK 59 / 100 / 0 / 55

HEX #2F0072

RGB 47 0 114

HSL 264.74, 1%, 0.22%

LAB 14.51, 45.4, -53.05

 

CMYK 68 / 100 / 0 / 63

HEX #1E005F

RGB 30 0 95

HSL 258.95, 1%, 0.19%

LAB 9.82, 39.4, -48.36

 

CMYK 43 / 94 / 0 / 33

HEX #620BAB

RGB 98 11 171

HSL 272.63, 0.88%, 0.36%

LAB 28.84, 61.04, -64.7

 

CMYK 18 / 94 / 0 / 33

HEX #8D0BAB

RGB 141 11 171

HSL 288.75, 0.88%, 0.36%

LAB 35.68, 66.78, -53.25

 

CMYK 0 / 94 / 8 / 33

HEX #AB0B9E

RGB 171 11 158

HSL 304.88, 0.88%, 0.36%

LAB 40.19, 69.77, -37.9

 

CMYK 0 / 94 / 33 / 33

HEX #AB0B73

RGB 171 11 115

HSL 321, 0.88%, 0.36%

LAB 38.08, 64.32, -14.7

 

CMYK 0 / 94 / 58 / 33

HEX #AB0B48

RGB 171 11 72

HSL 337.13, 0.88%, 0.36%

LAB 36.68, 60.52, 10.76

 

CMYK 43 / 94 / 0 / 33

HEX #620BAB

RGB 98 11 171

HSL 272.63, 0.88%, 0.36%

LAB 28.84, 61.04, -64.7

 

CMYK 68 / 94 / 0 / 33

HEX #370BAB

RGB 55 11 171

HSL 256.5, 0.88%, 0.36%

LAB 23.64, 57.4, -73.47

 

CMYK 93 / 94 / 0 / 33

HEX #0C0BAB

RGB 12 11 171

HSL 240.38, 0.88%, 0.36%

LAB 21.05, 55.93, -77.86

 

CMYK 94 / 94 / 0 / 33

HEX #0B0BAB

RGB 11 11 171

HSL 240, 0.88%, 0.36%

LAB 21.02, 55.91, -77.91

 

CMYK 43 / 94 / 0 / 33

HEX #620BAB

RGB 98 11 171

HSL 272.63, 0.88%, 0.36%

LAB 28.84, 61.04, -64.7

 

CMYK 43 / 94 / 0 / 33

HEX #620BAB

RGB 98 11 171

HSL 272.63, 0.88%, 0.36%

LAB 28.84, 61.04, -64.7

 

CMYK 38 / 83 / 0 / 39

HEX #611A9C

RGB 97 26 156

HSL 272.77, 0.71%, 0.36%

LAB 28.59, 53.65, -56.03

 

CMYK 33 / 71 / 0 / 45

HEX #5F298D

RGB 95 41 141

HSL 272.4, 0.55%, 0.36%

LAB 29.27, 43.42, -45.72

 

CMYK 26 / 56 / 0 / 50

HEX #5E387F

RGB 94 56 127

HSL 272.11, 0.39%, 0.36%

LAB 31.21, 31.46, -33.9

 

CMYK 17 / 37 / 0 / 56

HEX #5D4770

RGB 93 71 112

HSL 272.2, 0.22%, 0.36%

LAB 33.99, 18.12, -20.14

 

CMYK 94 / 94 / 0 / 33

HEX #0B0BAB

RGB 11 11 171

HSL 240, 0.88%, 0.36%

LAB 21.02, 55.91, -77.91

 

CMYK 68 / 94 / 0 / 33

HEX #360BAB

RGB 54 11 171

HSL 256.13, 0.88%, 0.36%

LAB 23.55, 57.34, -73.62

 

CMYK 43 / 94 / 0 / 33

HEX #610BAB

RGB 97 11 171

HSL 272.25, 0.88%, 0.36%

LAB 28.7, 60.93, -64.95

 

CMYK 19 / 94 / 0 / 33

HEX #8B0BAB

RGB 139 11 171

HSL 288, 0.88%, 0.36%

LAB 35.34, 66.47, -53.82

 

CMYK 0 / 94 / 6 / 33

HEX #AB0BA1

RGB 171 11 161

HSL 303.75, 0.88%, 0.36%

LAB 40.36, 70.2, -39.44

 

CMYK 43 / 94 / 0 / 63

HEX #36065E

RGB 54 6 94

HSL 272.73, 0.88%, 0.2%

LAB 13.96, 38.89, -40.73

 

CMYK 43 / 93 / 0 / 48

HEX #4C0985

RGB 76 9 133

HSL 272.42, 0.87%, 0.28%

LAB 21.67, 50.27, -53.23

 

CMYK 43 / 94 / 0 / 33

HEX #620BAB

RGB 98 11 171

HSL 272.63, 0.88%, 0.36%

LAB 28.84, 61.04, -64.7

 

CMYK 43 / 93 / 0 / 18

HEX #780ED2

RGB 120 14 210

HSL 272.45, 0.88%, 0.44%

LAB 35.91, 71.34, -75.98

 

CMYK 41 / 89 / 0 / 6

HEX #8D1AEF

RGB 141 26 239

HSL 272.39, 0.87%, 0.52%

LAB 42.21, 77.53, -82.11

 

CMYK 43 / 93 / 0 / 33

HEX #620CAB

RGB 98 12 171

HSL 272.45, 0.87%, 0.36%

LAB 28.9, 60.86, -64.6

 

CMYK 0 / 94 / 68 / 33

HEX #AB0B36

RGB 171 11 54

HSL 343.88, 0.88%, 0.36%

LAB 36.3, 59.46, 21.89

 

CMYK 94 / 0 / 81 / 33

HEX #0BAB21

RGB 11 171 33

HSL 128.25, 0.88%, 0.36%

LAB 61.05, -62.06, 55.47

 

CMYK 43 / 93 / 0 / 33

HEX #620CAB

RGB 98 12 171

HSL 272.45, 0.87%, 0.36%

LAB 28.9, 60.86, -64.6

 

CMYK 0 / 43 / 94 / 33

HEX #AB610B

RGB 171 97 11

HSL 32.25, 0.88%, 0.36%

LAB 48.55, 24.66, 54.23

 

CMYK 94 / 0 / 43 / 33

HEX #0BAB61

RGB 11 171 97

HSL 152.25, 0.88%, 0.36%

LAB 61.71, -54.01, 27.95

 

CMYK 43 / 93 / 0 / 33

HEX #620CAB

RGB 98 12 171

HSL 272.45, 0.87%, 0.36%

LAB 28.9, 60.86, -64.6

 

CMYK 0 / 94 / 68 / 33

HEX #AB0B36

RGB 171 11 54

HSL 343.88, 0.88%, 0.36%

LAB 36.3, 59.46, 21.89

 

CMYK 50 / 0 / 94 / 33

HEX #56AB0B

RGB 86 171 11

HSL 91.88, 0.88%, 0.36%

LAB 62.62, -49.3, 62.28

 

CMYK 94 / 0 / 25 / 33

HEX #0BAB81

RGB 11 171 129

HSL 164.25, 0.88%, 0.36%

LAB 62.32, -46.98, 11.4

 

CMYK 43 / 93 / 0 / 33

HEX #620CAB

RGB 98 12 171

HSL 272.45, 0.87%, 0.36%

LAB 28.9, 60.86, -64.6

 

CMYK 0 / 90 / 94 / 33

HEX #AB110B

RGB 171 17 11

HSL 2.25, 0.88%, 0.36%

LAB 36.14, 57.26, 45.76

 

CMYK 50 / 0 / 94 / 33

HEX #56AB0B

RGB 86 171 11

HSL 91.88, 0.88%, 0.36%

LAB 62.62, -49.3, 62.28

 

CMYK 94 / 3 / 0 / 33

HEX #0BA6AB

RGB 11 166 171

HSL 181.88, 0.88%, 0.36%

LAB 61.9, -32.9, -12.72

 

Description

Color code: HEX #620CAB | qconv.com Color code: HEX #620CAB | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 12 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 12 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 93 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 93% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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