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Color name
HEX #625058

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #625058 it is the complementary color #9DAFA7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #625058. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #625058 shade: #675053, #786266, #897479, #9A868C and #AB989F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #625058. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #625058 shade: #625058, #513E45, #402C32, #2F1A1F and #1E080C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #625058 shade: #625058, #625053 and #625050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #625058 shade: #625058, #62505D, #625061, #5D5062 and #585062

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #625058 shade matches the following richer shades: #625058, #704156, #7F3355, #8D2553 and #9B1651

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #625058 shade: #625058, #535E59, #456D5B, #367B5D and #288A5E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #625058 shade: #625061, #62505D, #625058, #625053 and #625150

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #625058 shade: #342B2F, #4B3D43, #625058, #78626C and #8E7681

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #625058 shade: #625058, #625D50 and #505F62

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #625058 shade: #625058, #586250 and #505862

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #625058 shade: #625058, #625D50, #50625A and #505462

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #625058 shade: #625058, #616250, #50625A and #515062

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 10 / 62

HEX #625058

RGB 98 80 88

HSL 333.33, 0.1%, 0.35%

LAB 36.06, 9, -1.86

 

Complementary color

CMYK 10 / 0 / 5 / 31

HEX #9DAFA7

RGB 157 175 167

HSL 153.33, 0.1%, 0.65%

LAB 69.91, -7.83, 1.96

 

CMYK 0 / 22 / 19 / 60

HEX #675053

RGB 103 80 83

HSL 352.17, 0.13%, 0.36%

LAB 36.45, 10.14, 1.92

 

CMYK 0 / 18 / 15 / 53

HEX #786266

RGB 120 98 102

HSL 349.09, 0.1%, 0.43%

LAB 43.78, 9.56, 1.06

 

CMYK 0 / 15 / 12 / 46

HEX #897479

RGB 137 116 121

HSL 345.71, 0.08%, 0.5%

LAB 50.91, 9.06, 0.29

 

CMYK 0 / 13 / 9 / 40

HEX #9A868C

RGB 154 134 140

HSL 342, 0.09%, 0.56%

LAB 57.86, 8.63, -0.43

 

CMYK 0 / 11 / 7 / 33

HEX #AB989F

RGB 171 152 159

HSL 337.89, 0.1%, 0.63%

LAB 64.66, 8.25, -1.1

 

CMYK 0 / 18 / 10 / 62

HEX #625058

RGB 98 80 88

HSL 333.33, 0.1%, 0.35%

LAB 36.06, 9, -1.86

 

CMYK 0 / 23 / 15 / 68

HEX #513E45

RGB 81 62 69

HSL 337.89, 0.13%, 0.28%

LAB 28.44, 9.6, -1.09

 

CMYK 0 / 31 / 22 / 75

HEX #402C32

RGB 64 44 50

HSL 342, 0.19%, 0.21%

LAB 20.52, 10.34, -0.2

 

CMYK 0 / 45 / 34 / 82

HEX #2F1A1F

RGB 47 26 31

HSL 345.71, 0.29%, 0.14%

LAB 12.23, 11.3, 0.95

 

CMYK 0 / 73 / 60 / 88

HEX #1E080C

RGB 30 8 12

HSL 349.09, 0.58%, 0.07%

LAB 4.3, 9.67, 1.65

 

CMYK 0 / 18 / 10 / 62

HEX #625058

RGB 98 80 88

HSL 333.33, 0.1%, 0.35%

LAB 36.06, 9, -1.86

 

CMYK 0 / 18 / 15 / 62

HEX #625053

RGB 98 80 83

HSL 350, 0.1%, 0.35%

LAB 35.9, 8.05, 1.05

 

CMYK 0 / 18 / 18 / 62

HEX #625050

RGB 98 80 80

HSL 0, 0.1%, 0.35%

LAB 35.82, 7.5, 2.81

 

CMYK 0 / 18 / 10 / 62

HEX #625058

RGB 98 80 88

HSL 333.33, 0.1%, 0.35%

LAB 36.06, 9, -1.86

 

CMYK 0 / 18 / 5 / 62

HEX #62505D

RGB 98 80 93

HSL 316.67, 0.1%, 0.35%

LAB 36.22, 10.01, -4.76

 

CMYK 0 / 18 / 1 / 62

HEX #625061

RGB 98 80 97

HSL 303.33, 0.1%, 0.35%

LAB 36.36, 10.85, -7.07

 

CMYK 5 / 18 / 0 / 62

HEX #5D5062

RGB 93 80 98

HSL 283.33, 0.1%, 0.35%

LAB 35.88, 9.13, -8.47

 

CMYK 10 / 18 / 0 / 62

HEX #585062

RGB 88 80 98

HSL 266.67, 0.1%, 0.35%

LAB 35.39, 7.22, -9.26

 

CMYK 0 / 18 / 10 / 62

HEX #625058

RGB 98 80 88

HSL 333.33, 0.1%, 0.35%

LAB 36.06, 9, -1.86

 

CMYK 0 / 42 / 23 / 56

HEX #704156

RGB 112 65 86

HSL 333.19, 0.27%, 0.35%

LAB 33.77, 23.49, -3.79

 

CMYK 0 / 60 / 33 / 50

HEX #7F3355

RGB 127 51 85

HSL 333.16, 0.43%, 0.35%

LAB 33, 36.65, -4.04

 

CMYK 0 / 74 / 41 / 45

HEX #8D2553

RGB 141 37 83

HSL 333.46, 0.58%, 0.35%

LAB 33.16, 47.09, -2.23

 

CMYK 0 / 86 / 48 / 39

HEX #9B1651

RGB 155 22 81

HSL 333.38, 0.75%, 0.35%

LAB 34.27, 55.27, 1.02

 

CMYK 0 / 18 / 10 / 62

HEX #625058

RGB 98 80 88

HSL 333.33, 0.1%, 0.35%

LAB 36.06, 9, -1.86

 

CMYK 12 / 0 / 5 / 63

HEX #535E59

RGB 83 94 89

HSL 152.73, 0.06%, 0.35%

LAB 38.84, -5.37, 1.41

 

CMYK 37 / 0 / 17 / 57

HEX #456D5B

RGB 69 109 91

HSL 153, 0.22%, 0.35%

LAB 42.7, -18.47, 5.63

 

CMYK 56 / 0 / 24 / 52

HEX #367B5D

RGB 54 123 93

HSL 153.91, 0.39%, 0.35%

LAB 46.63, -29.45, 9.92

 

CMYK 71 / 0 / 32 / 46

HEX #288A5E

RGB 40 138 94

HSL 153.06, 0.55%, 0.35%

LAB 51.19, -38.91, 15.61

 

CMYK 0 / 18 / 1 / 62

HEX #625061

RGB 98 80 97

HSL 303.33, 0.1%, 0.35%

LAB 36.36, 10.85, -7.07

 

CMYK 0 / 18 / 5 / 62

HEX #62505D

RGB 98 80 93

HSL 316.67, 0.1%, 0.35%

LAB 36.22, 10.01, -4.76

 

CMYK 0 / 18 / 10 / 62

HEX #625058

RGB 98 80 88

HSL 333.33, 0.1%, 0.35%

LAB 36.06, 9, -1.86

 

CMYK 0 / 18 / 15 / 62

HEX #625053

RGB 98 80 83

HSL 350, 0.1%, 0.35%

LAB 35.9, 8.05, 1.05

 

CMYK 0 / 17 / 18 / 62

HEX #625150

RGB 98 81 80

HSL 3.33, 0.1%, 0.35%

LAB 36.1, 6.88, 3.22

 

CMYK 0 / 17 / 10 / 80

HEX #342B2F

RGB 52 43 47

HSL 333.33, 0.09%, 0.19%

LAB 18.64, 4.98, -1.06

 

CMYK 0 / 19 / 11 / 71

HEX #4B3D43

RGB 75 61 67

HSL 334.29, 0.1%, 0.27%

LAB 27.4, 7.28, -1.39

 

CMYK 0 / 18 / 10 / 62

HEX #625058

RGB 98 80 88

HSL 333.33, 0.1%, 0.35%

LAB 36.06, 9, -1.86

 

CMYK 0 / 18 / 10 / 53

HEX #78626C

RGB 120 98 108

HSL 332.73, 0.1%, 0.43%

LAB 43.96, 10.67, -2.32

 

CMYK 0 / 17 / 9 / 44

HEX #8E7681

RGB 142 118 129

HSL 332.5, 0.1%, 0.51%

LAB 52.17, 11.28, -2.52

 

CMYK 0 / 18 / 10 / 62

HEX #625058

RGB 98 80 88

HSL 333.33, 0.1%, 0.35%

LAB 36.06, 9, -1.86

 

CMYK 0 / 5 / 18 / 62

HEX #625D50

RGB 98 93 80

HSL 43.33, 0.1%, 0.35%

LAB 39.59, -0.46, 8.19

 

CMYK 18 / 3 / 0 / 62

HEX #505F62

RGB 80 95 98

HSL 190, 0.1%, 0.35%

LAB 39.19, -5.01, -3.64

 

CMYK 0 / 18 / 10 / 62

HEX #625058

RGB 98 80 88

HSL 333.33, 0.1%, 0.35%

LAB 36.06, 9, -1.86

 

CMYK 10 / 0 / 18 / 62

HEX #586250

RGB 88 98 80

HSL 93.33, 0.1%, 0.35%

LAB 40.23, -7.59, 8.96

 

CMYK 18 / 10 / 0 / 62

HEX #505862

RGB 80 88 98

HSL 213.33, 0.1%, 0.35%

LAB 37.05, -0.76, -6.83

 

CMYK 0 / 18 / 10 / 62

HEX #625058

RGB 98 80 88

HSL 333.33, 0.1%, 0.35%

LAB 36.06, 9, -1.86

 

CMYK 0 / 5 / 18 / 62

HEX #625D50

RGB 98 93 80

HSL 43.33, 0.1%, 0.35%

LAB 39.59, -0.46, 8.19

 

CMYK 18 / 0 / 8 / 62

HEX #50625A

RGB 80 98 90

HSL 153.33, 0.1%, 0.35%

LAB 39.88, -8.65, 2.28

 

CMYK 18 / 14 / 0 / 62

HEX #505462

RGB 80 84 98

HSL 226.67, 0.1%, 0.35%

LAB 35.85, 1.72, -8.64

 

CMYK 0 / 18 / 10 / 62

HEX #625058

RGB 98 80 88

HSL 333.33, 0.1%, 0.35%

LAB 36.06, 9, -1.86

 

CMYK 1 / 0 / 18 / 62

HEX #616250

RGB 97 98 80

HSL 63.33, 0.1%, 0.35%

LAB 40.99, -3.86, 10.14

 

CMYK 18 / 0 / 8 / 62

HEX #50625A

RGB 80 98 90

HSL 153.33, 0.1%, 0.35%

LAB 39.88, -8.65, 2.28

 

CMYK 17 / 18 / 0 / 62

HEX #515062

RGB 81 80 98

HSL 243.33, 0.1%, 0.35%

LAB 34.74, 4.6, -10.3

 

Description

Color code: HEX #625058 | qconv.com Color code: HEX #625058 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 80 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 80 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 10 yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 10% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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