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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #625146 it is the complementary color #9DAEB9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #625146. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #625146 shade: #675141, #786354, #897567, #9A877A and #AB998D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #625146. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #625146 shade: #625146, #513F33, #402D20, #2F1B0D and #1E0900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #625146 shade: #625145, #624945 and #624545

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #625146 shade: #625145, #625845, #626045, #5C6245 and #546245

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #625146 shade matches the following richer shades: #625145, #704E38, #7D4B2A, #8B481C and #98450F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #625146 shade: #625145, #545453, #475661, #39596E and #2B5C7C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #625146 shade: #62454A, #624945, #625045, #625845 and #626045

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #625146 shade: #322923, #4A3D34, #625145, #7A6456 and #927868

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #625146 shade: #625146, #516245 and #454662

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #625146 shade: #625146, #456250 and #504562

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #625146 shade: #625146, #516245, #455762 and #564562

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #625146 shade: #625146, #496245, #455762 and #5F4562

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 29 / 62

HEX #625146

RGB 98 81 70

HSL 23.57, 0.17%, 0.33%

LAB 35.84, 5.18, 9.11

 

Complementary color

CMYK 15 / 6 / 0 / 27

HEX #9DAEB9

RGB 157 174 185

HSL 203.57, 0.17%, 0.67%

LAB 70.14, -3.59, -7.63

 

CMYK 0 / 21 / 37 / 60

HEX #675141

RGB 103 81 65

HSL 25.26, 0.23%, 0.33%

LAB 36.27, 6.65, 12.9

 

CMYK 0 / 18 / 30 / 53

HEX #786354

RGB 120 99 84

HSL 25, 0.18%, 0.4%

LAB 43.59, 5.99, 11.68

 

CMYK 0 / 15 / 25 / 46

HEX #897567

RGB 137 117 103

HSL 24.71, 0.14%, 0.47%

LAB 50.71, 5.45, 10.6

 

CMYK 0 / 12 / 21 / 40

HEX #9A877A

RGB 154 135 122

HSL 24.38, 0.14%, 0.54%

LAB 57.66, 5, 9.62

 

CMYK 0 / 11 / 18 / 33

HEX #AB998D

RGB 171 153 141

HSL 24, 0.15%, 0.61%

LAB 64.45, 4.61, 8.72

 

CMYK 0 / 17 / 29 / 62

HEX #625146

RGB 98 81 70

HSL 23.57, 0.17%, 0.33%

LAB 35.84, 5.18, 9.11

 

CMYK 0 / 22 / 37 / 68

HEX #513F33

RGB 81 63 51

HSL 24, 0.23%, 0.26%

LAB 28.23, 5.84, 10.34

 

CMYK 0 / 30 / 50 / 75

HEX #402D20

RGB 64 45 32

HSL 24.38, 0.33%, 0.19%

LAB 20.33, 6.76, 11.83

 

CMYK 0 / 43 / 72 / 82

HEX #2F1B0D

RGB 47 27 13

HSL 24.71, 0.57%, 0.12%

LAB 12.07, 8.12, 12.69

 

CMYK 0 / 70 / 100 / 88

HEX #1E0900

RGB 30 9 0

HSL 18, 1%, 0.06%

LAB 4.26, 7.58, 6.52

 

CMYK 0 / 17 / 30 / 62

HEX #625145

RGB 98 81 69

HSL 24.83, 0.17%, 0.33%

LAB 35.81, 5.02, 9.7

 

CMYK 0 / 26 / 30 / 62

HEX #624945

RGB 98 73 69

HSL 8.28, 0.17%, 0.33%

LAB 33.54, 9.99, 6.52

 

CMYK 0 / 30 / 30 / 62

HEX #624545

RGB 98 69 69

HSL 0, 0.17%, 0.33%

LAB 32.44, 12.49, 4.95

 

CMYK 0 / 17 / 30 / 62

HEX #625145

RGB 98 81 69

HSL 24.83, 0.17%, 0.33%

LAB 35.81, 5.02, 9.7

 

CMYK 0 / 10 / 30 / 62

HEX #625845

RGB 98 88 69

HSL 39.31, 0.17%, 0.33%

LAB 37.85, 0.74, 12.52

 

CMYK 0 / 2 / 30 / 62

HEX #626045

RGB 98 96 69

HSL 55.86, 0.17%, 0.33%

LAB 40.23, -4.05, 15.75

 

CMYK 6 / 0 / 30 / 62

HEX #5C6245

RGB 92 98 69

HSL 72.41, 0.17%, 0.33%

LAB 40.31, -7.83, 15.77

 

CMYK 14 / 0 / 30 / 62

HEX #546245

RGB 84 98 69

HSL 88.97, 0.17%, 0.33%

LAB 39.66, -11.21, 14.79

 

CMYK 0 / 17 / 30 / 62

HEX #625145

RGB 98 81 69

HSL 24.83, 0.17%, 0.33%

LAB 35.81, 5.02, 9.7

 

CMYK 0 / 30 / 50 / 56

HEX #704E38

RGB 112 78 56

HSL 23.57, 0.33%, 0.33%

LAB 36.33, 11.44, 18.7

 

CMYK 0 / 40 / 66 / 51

HEX #7D4B2A

RGB 125 75 42

HSL 23.86, 0.5%, 0.33%

LAB 37.04, 17.9, 28.25

 

CMYK 0 / 48 / 80 / 45

HEX #8B481C

RGB 139 72 28

HSL 23.78, 0.66%, 0.33%

LAB 38.21, 25.09, 37.59

 

CMYK 0 / 55 / 90 / 40

HEX #98450F

RGB 152 69 15

HSL 23.65, 0.82%, 0.33%

LAB 39.52, 31.85, 45.07

 

CMYK 0 / 17 / 30 / 62

HEX #625145

RGB 98 81 69

HSL 24.83, 0.17%, 0.33%

LAB 35.81, 5.02, 9.7

 

CMYK 0 / 0 / 1 / 67

HEX #545453

RGB 84 84 83

HSL 60, 0.01%, 0.33%

LAB 35.69, -0.21, 0.58

 

CMYK 27 / 11 / 0 / 62

HEX #475661

RGB 71 86 97

HSL 205.38, 0.15%, 0.33%

LAB 35.71, -3, -8.29

 

CMYK 48 / 19 / 0 / 57

HEX #39596E

RGB 57 89 110

HSL 203.77, 0.32%, 0.33%

LAB 36.25, -5.43, -15.65

 

CMYK 65 / 26 / 0 / 51

HEX #2B5C7C

RGB 43 92 124

HSL 203.7, 0.49%, 0.33%

LAB 37.16, -5.87, -22.94

 

CMYK 0 / 30 / 24 / 62

HEX #62454A

RGB 98 69 74

HSL 349.66, 0.17%, 0.33%

LAB 32.58, 13.31, 1.95

 

CMYK 0 / 26 / 30 / 62

HEX #624945

RGB 98 73 69

HSL 8.28, 0.17%, 0.33%

LAB 33.54, 9.99, 6.52

 

CMYK 0 / 18 / 30 / 62

HEX #625045

RGB 98 80 69

HSL 22.76, 0.17%, 0.33%

LAB 35.53, 5.63, 9.3

 

CMYK 0 / 10 / 30 / 62

HEX #625845

RGB 98 88 69

HSL 39.31, 0.17%, 0.33%

LAB 37.85, 0.74, 12.52

 

CMYK 0 / 2 / 30 / 62

HEX #626045

RGB 98 96 69

HSL 55.86, 0.17%, 0.33%

LAB 40.23, -4.05, 15.75

 

CMYK 0 / 18 / 30 / 80

HEX #322923

RGB 50 41 35

HSL 24, 0.18%, 0.17%

LAB 17.39, 3, 5.48

 

CMYK 0 / 18 / 30 / 71

HEX #4A3D34

RGB 74 61 52

HSL 24.55, 0.17%, 0.25%

LAB 26.85, 4.04, 7.66

 

CMYK 0 / 17 / 30 / 62

HEX #625145

RGB 98 81 69

HSL 24.83, 0.17%, 0.33%

LAB 35.81, 5.02, 9.7

 

CMYK 0 / 18 / 30 / 52

HEX #7A6456

RGB 122 100 86

HSL 23.33, 0.17%, 0.41%

LAB 44.12, 6.55, 11.25

 

CMYK 0 / 18 / 29 / 43

HEX #927868

RGB 146 120 104

HSL 22.86, 0.17%, 0.49%

LAB 52.45, 7.58, 12.58

 

CMYK 0 / 17 / 29 / 62

HEX #625146

RGB 98 81 70

HSL 23.57, 0.17%, 0.33%

LAB 35.84, 5.18, 9.11

 

CMYK 17 / 0 / 30 / 62

HEX #516245

RGB 81 98 69

HSL 95.17, 0.17%, 0.33%

LAB 39.44, -12.45, 14.44

 

CMYK 30 / 29 / 0 / 62

HEX #454662

RGB 69 70 98

HSL 237.93, 0.17%, 0.33%

LAB 30.71, 6.75, -16.56

 

CMYK 0 / 17 / 29 / 62

HEX #625146

RGB 98 81 70

HSL 23.57, 0.17%, 0.33%

LAB 35.84, 5.18, 9.11

 

CMYK 30 / 0 / 18 / 62

HEX #456250

RGB 69 98 80

HSL 142.76, 0.17%, 0.33%

LAB 38.86, -14.92, 6.84

 

CMYK 18 / 30 / 0 / 62

HEX #504562

RGB 80 69 98

HSL 262.76, 0.17%, 0.33%

LAB 31.45, 11.28, -15.33

 

CMYK 0 / 17 / 29 / 62

HEX #625146

RGB 98 81 70

HSL 23.57, 0.17%, 0.33%

LAB 35.84, 5.18, 9.11

 

CMYK 17 / 0 / 30 / 62

HEX #516245

RGB 81 98 69

HSL 95.17, 0.17%, 0.33%

LAB 39.44, -12.45, 14.44

 

CMYK 30 / 11 / 0 / 62

HEX #455762

RGB 69 87 98

HSL 202.76, 0.17%, 0.33%

LAB 35.91, -4.03, -8.62

 

CMYK 12 / 30 / 0 / 62

HEX #564562

RGB 86 69 98

HSL 275.17, 0.17%, 0.33%

LAB 32.07, 13.47, -14.32

 

CMYK 0 / 17 / 29 / 62

HEX #625146

RGB 98 81 70

HSL 23.57, 0.17%, 0.33%

LAB 35.84, 5.18, 9.11

 

CMYK 26 / 0 / 30 / 62

HEX #496245

RGB 73 98 69

HSL 111.72, 0.17%, 0.33%

LAB 38.87, -15.65, 13.57

 

CMYK 30 / 11 / 0 / 62

HEX #455762

RGB 69 87 98

HSL 202.76, 0.17%, 0.33%

LAB 35.91, -4.03, -8.62

 

CMYK 3 / 30 / 0 / 62

HEX #5F4562

RGB 95 69 98

HSL 293.79, 0.17%, 0.33%

LAB 33.07, 16.81, -12.7

 

Description

Color code: HEX #625146 | qconv.com Color code: HEX #625146 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 81 green and 70 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 81 70 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 29 yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 29% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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