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Color name
HEX #625C12

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #625C12 it is the complementary color #9DA3ED. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #625C12. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #625C12 shade: #675C0D, #786E20, #898033, #9A9246 and #ABA459

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #625C12. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #625C12 shade: #625C12, #514A00, #403800, #2F2600 and #1E1400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #625C12 shade: #635D12, #634712, #633112, #631B12 and #631212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #625C12 shade: #635D12, #536312, #3D6312, #276312 and #126312

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #625C12 shade matches the following richer shades: #635D12 and #6C6508

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #625C12 shade: #635D12, #59541B, #504C25, #46442E and #3D3C38

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #625C12 shade: #633112, #634612, #635C12, #546312 and #3E6312

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #625C12 shade: #1D1B05, #403C0B, #635D12, #857D18 and #A89E1E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #625C12 shade: #625C12, #12631B and #3B1263

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #625C12 shade: #625C12, #12635C and #5C1263

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #625C12 shade: #625C12, #12631B, #121863 and #631259

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #625C12 shade: #625C12, #126333, #121863 and #631241

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 82 / 62

HEX #625C12

RGB 98 92 18

HSL 55.5, 0.69%, 0.23%

LAB 38.37, -6.67, 40.22

 

Complementary color

CMYK 34 / 31 / 0 / 7

HEX #9DA3ED

RGB 157 163 237

HSL 235.5, 0.69%, 0.77%

LAB 69.1, 14.92, -37.81

 

CMYK 0 / 11 / 87 / 60

HEX #675C0D

RGB 103 92 13

HSL 52.67, 0.78%, 0.23%

LAB 38.84, -4.4, 42.5

 

CMYK 0 / 8 / 73 / 53

HEX #786E20

RGB 120 110 32

HSL 53.18, 0.58%, 0.3%

LAB 45.97, -5.72, 42.7

 

CMYK 0 / 7 / 63 / 46

HEX #898033

RGB 137 128 51

HSL 53.72, 0.46%, 0.37%

LAB 52.94, -6.72, 41.92

 

CMYK 0 / 5 / 55 / 40

HEX #9A9246

RGB 154 146 70

HSL 54.29, 0.38%, 0.44%

LAB 59.77, -7.48, 40.79

 

CMYK 0 / 4 / 48 / 33

HEX #ABA459

RGB 171 164 89

HSL 54.88, 0.33%, 0.51%

LAB 66.47, -8.08, 39.57

 

CMYK 0 / 6 / 82 / 62

HEX #625C12

RGB 98 92 18

HSL 55.5, 0.69%, 0.23%

LAB 38.37, -6.67, 40.22

 

CMYK 0 / 9 / 100 / 68

HEX #514A00

RGB 81 74 0

HSL 54.81, 1%, 0.16%

LAB 30.99, -5.22, 39.48

 

CMYK 0 / 13 / 100 / 75

HEX #403800

RGB 64 56 0

HSL 52.5, 1%, 0.13%

LAB 23.4, -3.03, 32.19

 

CMYK 0 / 19 / 100 / 82

HEX #2F2600

RGB 47 38 0

HSL 48.51, 1%, 0.09%

LAB 15.44, -0.64, 22.53

 

CMYK 0 / 33 / 100 / 88

HEX #1E1400

RGB 30 20 0

HSL 40, 1%, 0.06%

LAB 7.01, 1.95, 10.54

 

CMYK 0 / 6 / 82 / 61

HEX #635D12

RGB 99 93 18

HSL 55.56, 0.69%, 0.23%

LAB 38.77, -6.76, 40.62

 

CMYK 0 / 28 / 82 / 61

HEX #634712

RGB 99 71 18

HSL 39.26, 0.69%, 0.23%

LAB 32.26, 6.5, 34.57

 

CMYK 0 / 51 / 82 / 61

HEX #633112

RGB 99 49 18

HSL 22.96, 0.69%, 0.23%

LAB 26.43, 20.04, 28.87

 

CMYK 0 / 73 / 82 / 61

HEX #631B12

RGB 99 27 18

HSL 6.67, 0.69%, 0.23%

LAB 21.87, 31.86, 24.17

 

CMYK 0 / 82 / 82 / 61

HEX #631212

RGB 99 18 18

HSL 0, 0.69%, 0.23%

LAB 20.55, 35.5, 22.74

 

CMYK 0 / 6 / 82 / 61

HEX #635D12

RGB 99 93 18

HSL 55.56, 0.69%, 0.23%

LAB 38.77, -6.76, 40.62

 

CMYK 16 / 0 / 82 / 61

HEX #536312

RGB 83 99 18

HSL 71.85, 0.69%, 0.23%

LAB 39.25, -17.78, 40.55

 

CMYK 38 / 0 / 82 / 61

HEX #3D6312

RGB 61 99 18

HSL 88.15, 0.69%, 0.23%

LAB 37.77, -27.34, 38.63

 

CMYK 61 / 0 / 82 / 61

HEX #276312

RGB 39 99 18

HSL 104.44, 0.69%, 0.23%

LAB 36.74, -35.02, 37.29

 

CMYK 82 / 0 / 82 / 61

HEX #126312

RGB 18 99 18

HSL 120, 0.69%, 0.23%

LAB 36.17, -39.79, 36.53

 

CMYK 0 / 6 / 82 / 61

HEX #635D12

RGB 99 93 18

HSL 55.56, 0.69%, 0.23%

LAB 38.77, -6.76, 40.62

 

CMYK 0 / 6 / 93 / 58

HEX #6C6508

RGB 108 101 8

HSL 55.8, 0.86%, 0.23%

LAB 42.02, -7.3, 46.64

 

CMYK 0 / 6 / 82 / 61

HEX #635D12

RGB 99 93 18

HSL 55.56, 0.69%, 0.23%

LAB 38.77, -6.76, 40.62

 

CMYK 0 / 6 / 70 / 65

HEX #59541B

RGB 89 84 27

HSL 55.16, 0.53%, 0.23%

LAB 35.09, -5.87, 32.87

 

CMYK 0 / 5 / 54 / 69

HEX #504C25

RGB 80 76 37

HSL 54.42, 0.37%, 0.23%

LAB 31.82, -4.58, 23.6

 

CMYK 0 / 3 / 34 / 73

HEX #46442E

RGB 70 68 46

HSL 55, 0.21%, 0.23%

LAB 28.47, -3.26, 13.66

 

CMYK 0 / 2 / 8 / 76

HEX #3D3C38

RGB 61 60 56

HSL 48, 0.04%, 0.23%

LAB 25.29, -0.44, 2.62

 

CMYK 0 / 51 / 82 / 61

HEX #633112

RGB 99 49 18

HSL 22.96, 0.69%, 0.23%

LAB 26.43, 20.04, 28.87

 

CMYK 0 / 29 / 82 / 61

HEX #634612

RGB 99 70 18

HSL 38.52, 0.69%, 0.23%

LAB 31.98, 7.12, 34.3

 

CMYK 0 / 7 / 82 / 61

HEX #635C12

RGB 99 92 18

HSL 54.81, 0.69%, 0.23%

LAB 38.46, -6.17, 40.34

 

CMYK 15 / 0 / 82 / 61

HEX #546312

RGB 84 99 18

HSL 71.11, 0.69%, 0.23%

LAB 39.33, -17.32, 40.65

 

CMYK 37 / 0 / 82 / 61

HEX #3E6312

RGB 62 99 18

HSL 87.41, 0.69%, 0.23%

LAB 37.83, -26.94, 38.7

 

CMYK 0 / 7 / 83 / 89

HEX #1D1B05

RGB 29 27 5

HSL 55, 0.71%, 0.07%

LAB 9.45, -2.91, 12.02

 

CMYK 0 / 6 / 83 / 75

HEX #403C0B

RGB 64 60 11

HSL 55.47, 0.71%, 0.15%

LAB 24.78, -4.96, 29.06

 

CMYK 0 / 6 / 82 / 61

HEX #635D12

RGB 99 93 18

HSL 55.56, 0.69%, 0.23%

LAB 38.77, -6.76, 40.62

 

CMYK 0 / 6 / 82 / 48

HEX #857D18

RGB 133 125 24

HSL 55.6, 0.69%, 0.31%

LAB 51.52, -8.37, 51.25

 

CMYK 0 / 6 / 82 / 34

HEX #A89E1E

RGB 168 158 30

HSL 55.65, 0.7%, 0.39%

LAB 64.06, -9.98, 61.65

 

CMYK 0 / 6 / 82 / 62

HEX #625C12

RGB 98 92 18

HSL 55.5, 0.69%, 0.23%

LAB 38.37, -6.67, 40.22

 

CMYK 82 / 0 / 73 / 61

HEX #12631B

RGB 18 99 27

HSL 126.67, 0.69%, 0.23%

LAB 36.24, -38.95, 32.91

 

CMYK 40 / 82 / 0 / 61

HEX #3B1263

RGB 59 18 99

HSL 270.37, 0.69%, 0.23%

LAB 16.81, 36.34, -39.36

 

CMYK 0 / 6 / 82 / 62

HEX #625C12

RGB 98 92 18

HSL 55.5, 0.69%, 0.23%

LAB 38.37, -6.67, 40.22

 

CMYK 82 / 0 / 7 / 61

HEX #12635C

RGB 18 99 92

HSL 174.81, 0.69%, 0.23%

LAB 37.53, -24.76, -2.72

 

CMYK 7 / 82 / 0 / 61

HEX #5C1263

RGB 92 18 99

HSL 294.81, 0.69%, 0.23%

LAB 22.33, 43.17, -30.16

 

CMYK 0 / 6 / 82 / 62

HEX #625C12

RGB 98 92 18

HSL 55.5, 0.69%, 0.23%

LAB 38.37, -6.67, 40.22

 

CMYK 82 / 0 / 73 / 61

HEX #12631B

RGB 18 99 27

HSL 126.67, 0.69%, 0.23%

LAB 36.24, -38.95, 32.91

 

CMYK 82 / 76 / 0 / 61

HEX #121863

RGB 18 24 99

HSL 235.56, 0.69%, 0.23%

LAB 13.73, 26.81, -44.59

 

CMYK 0 / 82 / 10 / 61

HEX #631259

RGB 99 18 89

HSL 307.41, 0.69%, 0.23%

LAB 23.02, 43.02, -22.38

 

CMYK 0 / 6 / 82 / 62

HEX #625C12

RGB 98 92 18

HSL 55.5, 0.69%, 0.23%

LAB 38.37, -6.67, 40.22

 

CMYK 82 / 0 / 48 / 61

HEX #126333

RGB 18 99 51

HSL 144.44, 0.69%, 0.23%

LAB 36.54, -35.33, 20.7

 

CMYK 82 / 76 / 0 / 61

HEX #121863

RGB 18 24 99

HSL 235.56, 0.69%, 0.23%

LAB 13.73, 26.81, -44.59

 

CMYK 0 / 82 / 34 / 61

HEX #631241

RGB 99 18 65

HSL 325.19, 0.69%, 0.23%

LAB 21.82, 39.49, -7.98

 

Description

Color code: HEX #625C12 | qconv.com Color code: HEX #625C12 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 92 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 92 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 82 yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 82% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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