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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #625DB1 it is the complementary color #9DA24E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #625DB1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #625DB1 shade: #675DAC, #786FBF, #8981D2, #9A93E5 and #ABA5F8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #625DB1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #625DB1 shade: #625DB1, #514B9E, #40398B, #2F2778 and #1E1565

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #625DB1 shade: #625DB1, #785DB1, #8F5DB1, #A65DB1 and #B15DA5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #625DB1 shade: #625DB1 and #5D5DB1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #625DB1 shade matches the following richer shades: #625DB1, #5149C4, #4036D7, #2E23EB and #1D0FFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #625DB1 shade: #625DB1, #73709D, #84838A, #959776 and #A6AA63

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #625DB1 shade: #5D85B1, #5D6FB1, #615DB1, #775DB1 and #8E5DB1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #625DB1 shade: #403D7E, #4F4A9A, #625DB1, #7D79BE and #9894CB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #625DB1 shade: #625DB1, #B15D9C and #7AB15D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #625DB1 shade: #625DB1, #B1615D and #5DB161

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #625DB1 shade: #625DB1, #B15D9C, #ACB15D and #5DB172

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #625DB1 shade: #625DB1, #B15D82, #ACB15D and #5DB18B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 47 / 0 / 31

HEX #625DB1

RGB 98 93 177

HSL 243.57, 0.35%, 0.53%

LAB 43.65, 23.96, -44.26

 

Complementary color

CMYK 3 / 0 / 52 / 36

HEX #9DA24E

RGB 157 162 78

HSL 63.57, 0.35%, 0.47%

LAB 64.61, -13.98, 42.57

 

CMYK 40 / 46 / 0 / 33

HEX #675DAC

RGB 103 93 172

HSL 247.59, 0.32%, 0.52%

LAB 43.79, 23.76, -41.08

 

CMYK 37 / 42 / 0 / 25

HEX #786FBF

RGB 120 111 191

HSL 246.75, 0.38%, 0.59%

LAB 50.83, 22.76, -40.88

 

CMYK 35 / 39 / 0 / 18

HEX #8981D2

RGB 137 129 210

HSL 245.93, 0.47%, 0.66%

LAB 57.72, 21.9, -40.73

 

CMYK 33 / 36 / 0 / 10

HEX #9A93E5

RGB 154 147 229

HSL 245.12, 0.61%, 0.74%

LAB 64.48, 21.14, -40.64

 

CMYK 31 / 33 / 0 / 3

HEX #ABA5F8

RGB 171 165 248

HSL 244.34, 0.86%, 0.81%

LAB 71.11, 20.46, -40.58

 

CMYK 45 / 47 / 0 / 31

HEX #625DB1

RGB 98 93 177

HSL 243.57, 0.35%, 0.53%

LAB 43.65, 23.96, -44.26

 

CMYK 49 / 53 / 0 / 38

HEX #514B9E

RGB 81 75 158

HSL 244.34, 0.36%, 0.46%

LAB 36.46, 25.27, -44.56

 

CMYK 54 / 59 / 0 / 45

HEX #40398B

RGB 64 57 139

HSL 245.12, 0.42%, 0.38%

LAB 29.11, 26.84, -44.9

 

CMYK 61 / 68 / 0 / 53

HEX #2F2778

RGB 47 39 120

HSL 245.93, 0.51%, 0.31%

LAB 21.62, 28.71, -45.2

 

CMYK 70 / 79 / 0 / 60

HEX #1E1565

RGB 30 21 101

HSL 246.75, 0.66%, 0.24%

LAB 14.13, 30.79, -45.22

 

CMYK 45 / 47 / 0 / 31

HEX #625DB1

RGB 98 93 177

HSL 243.57, 0.35%, 0.53%

LAB 43.65, 23.96, -44.26

 

CMYK 32 / 47 / 0 / 31

HEX #785DB1

RGB 120 93 177

HSL 259.29, 0.35%, 0.53%

LAB 45.63, 29.74, -41

 

CMYK 19 / 47 / 0 / 31

HEX #8F5DB1

RGB 143 93 177

HSL 275.71, 0.35%, 0.53%

LAB 48.06, 36.25, -36.99

 

CMYK 6 / 47 / 0 / 31

HEX #A65DB1

RGB 166 93 177

HSL 292.14, 0.35%, 0.53%

LAB 50.82, 43.01, -32.47

 

CMYK 0 / 47 / 7 / 31

HEX #B15DA5

RGB 177 93 165

HSL 308.57, 0.35%, 0.53%

LAB 51.72, 44.1, -23.96

 

CMYK 45 / 47 / 0 / 31

HEX #625DB1

RGB 98 93 177

HSL 243.57, 0.35%, 0.53%

LAB 43.65, 23.96, -44.26

 

CMYK 47 / 47 / 0 / 31

HEX #5D5DB1

RGB 93 93 177

HSL 240, 0.35%, 0.53%

LAB 43.26, 22.74, -44.91

 

CMYK 45 / 47 / 0 / 31

HEX #625DB1

RGB 98 93 177

HSL 243.57, 0.35%, 0.53%

LAB 43.65, 23.96, -44.26

 

CMYK 59 / 63 / 0 / 23

HEX #5149C4

RGB 81 73 196

HSL 243.9, 0.51%, 0.53%

LAB 38.73, 38.69, -63.39

 

CMYK 70 / 75 / 0 / 16

HEX #4036D7

RGB 64 54 215

HSL 243.73, 0.67%, 0.53%

LAB 35.27, 53.34, -80.12

 

CMYK 80 / 85 / 0 / 8

HEX #2E23EB

RGB 46 35 235

HSL 243.3, 0.83%, 0.53%

LAB 33.52, 66.72, -94.5

 

CMYK 89 / 94 / 0 / 0

HEX #1D0FFE

RGB 29 15 254

HSL 243.51, 0.99%, 0.53%

LAB 33.48, 76.86, -105.33

 

CMYK 45 / 47 / 0 / 31

HEX #625DB1

RGB 98 93 177

HSL 243.57, 0.35%, 0.53%

LAB 43.65, 23.96, -44.26

 

CMYK 27 / 29 / 0 / 38

HEX #73709D

RGB 115 112 157

HSL 244, 0.19%, 0.53%

LAB 49.09, 11.54, -23.87

 

CMYK 4 / 5 / 0 / 46

HEX #84838A

RGB 132 131 138

HSL 248.57, 0.03%, 0.53%

LAB 55.04, 1.79, -3.64

 

CMYK 1 / 0 / 22 / 41

HEX #959776

RGB 149 151 118

HSL 63.64, 0.14%, 0.53%

LAB 61.51, -6.5, 17.19

 

CMYK 2 / 0 / 42 / 33

HEX #A6AA63

RGB 166 170 99

HSL 63.38, 0.29%, 0.53%

LAB 67.84, -12.28, 36.05

 

CMYK 47 / 25 / 0 / 31

HEX #5D85B1

RGB 93 133 177

HSL 211.43, 0.35%, 0.53%

LAB 54.32, -1.61, -27.51

 

CMYK 47 / 37 / 0 / 31

HEX #5D6FB1

RGB 93 111 177

HSL 227.14, 0.35%, 0.53%

LAB 48.1, 11.57, -37.24

 

CMYK 45 / 47 / 0 / 31

HEX #615DB1

RGB 97 93 177

HSL 242.86, 0.35%, 0.53%

LAB 43.57, 23.71, -44.39

 

CMYK 33 / 47 / 0 / 31

HEX #775DB1

RGB 119 93 177

HSL 258.57, 0.35%, 0.53%

LAB 45.53, 29.46, -41.16

 

CMYK 20 / 47 / 0 / 31

HEX #8E5DB1

RGB 142 93 177

HSL 275, 0.35%, 0.53%

LAB 47.95, 35.96, -37.18

 

CMYK 49 / 52 / 0 / 51

HEX #403D7E

RGB 64 61 126

HSL 242.77, 0.35%, 0.37%

LAB 29.24, 19.9, -36.59

 

CMYK 49 / 52 / 0 / 40

HEX #4F4A9A

RGB 79 74 154

HSL 243.75, 0.35%, 0.45%

LAB 35.78, 24.16, -43.26

 

CMYK 45 / 47 / 0 / 31

HEX #625DB1

RGB 98 93 177

HSL 243.57, 0.35%, 0.53%

LAB 43.65, 23.96, -44.26

 

CMYK 34 / 36 / 0 / 25

HEX #7D79BE

RGB 125 121 190

HSL 243.48, 0.35%, 0.61%

LAB 53.76, 17.89, -35.67

 

CMYK 25 / 27 / 0 / 20

HEX #9894CB

RGB 152 148 203

HSL 244.36, 0.35%, 0.69%

LAB 63.48, 13.45, -27.75

 

CMYK 45 / 47 / 0 / 31

HEX #625DB1

RGB 98 93 177

HSL 243.57, 0.35%, 0.53%

LAB 43.65, 23.96, -44.26

 

CMYK 0 / 47 / 12 / 31

HEX #B15D9C

RGB 177 93 156

HSL 315, 0.35%, 0.53%

LAB 51.35, 42.56, -19.23

 

CMYK 31 / 0 / 47 / 31

HEX #7AB15D

RGB 122 177 93

HSL 99.29, 0.35%, 0.53%

LAB 66.8, -33.49, 37.18

 

CMYK 45 / 47 / 0 / 31

HEX #625DB1

RGB 98 93 177

HSL 243.57, 0.35%, 0.53%

LAB 43.65, 23.96, -44.26

 

CMYK 0 / 45 / 47 / 31

HEX #B1615D

RGB 177 97 93

HSL 2.86, 0.35%, 0.53%

LAB 50.32, 31.84, 16.68

 

CMYK 47 / 0 / 45 / 31

HEX #5DB161

RGB 93 177 97

HSL 122.86, 0.35%, 0.53%

LAB 65.46, -42.32, 33.15

 

CMYK 45 / 47 / 0 / 31

HEX #625DB1

RGB 98 93 177

HSL 243.57, 0.35%, 0.53%

LAB 43.65, 23.96, -44.26

 

CMYK 0 / 47 / 12 / 31

HEX #B15D9C

RGB 177 93 156

HSL 315, 0.35%, 0.53%

LAB 51.35, 42.56, -19.23

 

CMYK 3 / 0 / 47 / 31

HEX #ACB15D

RGB 172 177 93

HSL 63.57, 0.35%, 0.53%

LAB 70.18, -14.07, 42.08

 

CMYK 47 / 0 / 36 / 31

HEX #5DB172

RGB 93 177 114

HSL 135, 0.35%, 0.53%

LAB 65.74, -39.51, 24.56

 

CMYK 45 / 47 / 0 / 31

HEX #625DB1

RGB 98 93 177

HSL 243.57, 0.35%, 0.53%

LAB 43.65, 23.96, -44.26

 

CMYK 0 / 47 / 27 / 31

HEX #B15D82

RGB 177 93 130

HSL 333.57, 0.35%, 0.53%

LAB 50.44, 38.52, -5.2

 

CMYK 3 / 0 / 47 / 31

HEX #ACB15D

RGB 172 177 93

HSL 63.57, 0.35%, 0.53%

LAB 70.18, -14.07, 42.08

 

CMYK 47 / 0 / 21 / 31

HEX #5DB18B

RGB 93 177 139

HSL 152.86, 0.35%, 0.53%

LAB 66.24, -34.57, 11.66

 

Description

Color code: HEX #625DB1 | qconv.com Color code: HEX #625DB1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 93 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 93 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 47 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 47% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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