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Color name
HEX #6269A1

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6269A1 it is the complementary color #9D965E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6269A1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6269A1 shade: #67699C, #787BAF, #898DC2, #9A9FD5 and #ABB1E8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6269A1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6269A1 shade: #6269A1, #51578E, #40457B, #2F3368 and #1E2155

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6269A1 shade: #6269A1, #6C62A1, #7D62A1, #8E62A1 and #9F62A1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6269A1 shade: #6269A1 and #6262A1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6269A1 shade matches the following richer shades: #6269A1, #4E5AB5, #3A4AC9, #263ADD and #112AF2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6269A1 shade: #6269A1, #77798D, #8B8978, #9F9864 and #B3A850

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6269A1 shade: #628BA1, #627AA1, #626AA1, #6C62A1 and #7C62A1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6269A1 shade: #42476E, #525888, #6269A1, #7C82B0 and #969BC0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6269A1 shade: #6269A1, #A1629C and #83A162

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6269A1 shade: #6269A1, #A1626A and #6AA162

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6269A1 shade: #6269A1, #A1629C, #A19962 and #62A168

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6269A1 shade: #6269A1, #A16289, #A19962 and #62A17A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 35 / 0 / 37

HEX #6269A1

RGB 98 105 161

HSL 233.33, 0.25%, 0.51%

LAB 46.01, 11.78, -31.13

 

Complementary color

CMYK 0 / 4 / 40 / 38

HEX #9D965E

RGB 157 150 94

HSL 53.33, 0.25%, 0.49%

LAB 61.47, -5.93, 30.45

 

CMYK 34 / 33 / 0 / 39

HEX #67699C

RGB 103 105 156

HSL 237.74, 0.21%, 0.51%

LAB 46.16, 11.81, -27.91

 

CMYK 31 / 30 / 0 / 31

HEX #787BAF

RGB 120 123 175

HSL 236.73, 0.26%, 0.58%

LAB 53.23, 11.22, -27.91

 

CMYK 29 / 27 / 0 / 24

HEX #898DC2

RGB 137 141 194

HSL 235.79, 0.32%, 0.65%

LAB 60.13, 10.7, -27.97

 

CMYK 28 / 25 / 0 / 16

HEX #9A9FD5

RGB 154 159 213

HSL 234.92, 0.41%, 0.72%

LAB 66.88, 10.25, -28.06

 

CMYK 26 / 24 / 0 / 9

HEX #ABB1E8

RGB 171 177 232

HSL 234.1, 0.57%, 0.79%

LAB 73.5, 9.85, -28.19

 

CMYK 39 / 35 / 0 / 37

HEX #6269A1

RGB 98 105 161

HSL 233.33, 0.25%, 0.51%

LAB 46.01, 11.78, -31.13

 

CMYK 43 / 39 / 0 / 44

HEX #51578E

RGB 81 87 142

HSL 234.1, 0.27%, 0.44%

LAB 38.76, 12.59, -31.25

 

CMYK 48 / 44 / 0 / 52

HEX #40457B

RGB 64 69 123

HSL 234.92, 0.32%, 0.37%

LAB 31.29, 13.6, -31.46

 

CMYK 55 / 51 / 0 / 59

HEX #2F3368

RGB 47 51 104

HSL 235.79, 0.38%, 0.3%

LAB 23.58, 14.93, -31.76

 

CMYK 65 / 61 / 0 / 67

HEX #1E2155

RGB 30 33 85

HSL 236.73, 0.48%, 0.23%

LAB 15.59, 16.76, -32.14

 

CMYK 39 / 35 / 0 / 37

HEX #6269A1

RGB 98 105 161

HSL 233.33, 0.25%, 0.51%

LAB 46.01, 11.78, -31.13

 

CMYK 33 / 39 / 0 / 37

HEX #6C62A1

RGB 108 98 161

HSL 249.52, 0.25%, 0.51%

LAB 44.94, 18.97, -32.75

 

CMYK 22 / 39 / 0 / 37

HEX #7D62A1

RGB 125 98 161

HSL 265.71, 0.25%, 0.51%

LAB 46.54, 24.12, -30.12

 

CMYK 12 / 39 / 0 / 37

HEX #8E62A1

RGB 142 98 161

HSL 281.9, 0.25%, 0.51%

LAB 48.33, 29.49, -27.19

 

CMYK 1 / 39 / 0 / 37

HEX #9F62A1

RGB 159 98 161

HSL 298.1, 0.25%, 0.51%

LAB 50.31, 34.96, -23.97

 

CMYK 39 / 35 / 0 / 37

HEX #6269A1

RGB 98 105 161

HSL 233.33, 0.25%, 0.51%

LAB 46.01, 11.78, -31.13

 

CMYK 39 / 39 / 0 / 37

HEX #6262A1

RGB 98 98 161

HSL 240, 0.25%, 0.51%

LAB 44.1, 16.1, -34.13

 

CMYK 39 / 35 / 0 / 37

HEX #6269A1

RGB 98 105 161

HSL 233.33, 0.25%, 0.51%

LAB 46.01, 11.78, -31.13

 

CMYK 57 / 50 / 0 / 29

HEX #4E5AB5

RGB 78 90 181

HSL 233.01, 0.41%, 0.51%

LAB 41.64, 22.59, -49.91

 

CMYK 71 / 63 / 0 / 21

HEX #3A4AC9

RGB 58 74 201

HSL 233.29, 0.57%, 0.51%

LAB 37.87, 36.42, -67.76

 

CMYK 83 / 74 / 0 / 13

HEX #263ADD

RGB 38 58 221

HSL 233.44, 0.73%, 0.51%

LAB 35.32, 51.17, -83.53

 

CMYK 93 / 83 / 0 / 5

HEX #112AF2

RGB 17 42 242

HSL 233.33, 0.9%, 0.51%

LAB 34.37, 65.09, -97.09

 

CMYK 39 / 35 / 0 / 37

HEX #6269A1

RGB 98 105 161

HSL 233.33, 0.25%, 0.51%

LAB 46.01, 11.78, -31.13

 

CMYK 16 / 14 / 0 / 45

HEX #77798D

RGB 119 121 141

HSL 234.55, 0.09%, 0.51%

LAB 51.29, 3.6, -11.09

 

CMYK 0 / 1 / 14 / 45

HEX #8B8978

RGB 139 137 120

HSL 53.68, 0.08%, 0.51%

LAB 56.82, -2.37, 9.39

 

CMYK 0 / 4 / 37 / 38

HEX #9F9864

RGB 159 152 100

HSL 52.88, 0.24%, 0.51%

LAB 62.29, -5.47, 28.31

 

CMYK 0 / 6 / 55 / 30

HEX #B3A850

RGB 179 168 80

HSL 53.33, 0.39%, 0.51%

LAB 68.14, -7.61, 46.19

 

CMYK 39 / 14 / 0 / 37

HEX #628BA1

RGB 98 139 161

HSL 200.95, 0.25%, 0.51%

LAB 55.72, -8.3, -16.15

 

CMYK 39 / 24 / 0 / 37

HEX #627AA1

RGB 98 122 161

HSL 217.14, 0.25%, 0.51%

LAB 50.79, 1.51, -23.69

 

CMYK 39 / 34 / 0 / 37

HEX #626AA1

RGB 98 106 161

HSL 232.38, 0.25%, 0.51%

LAB 46.28, 11.16, -30.7

 

CMYK 33 / 39 / 0 / 37

HEX #6C62A1

RGB 108 98 161

HSL 249.52, 0.25%, 0.51%

LAB 44.94, 18.97, -32.75

 

CMYK 23 / 39 / 0 / 37

HEX #7C62A1

RGB 124 98 161

HSL 264.76, 0.25%, 0.51%

LAB 46.44, 23.81, -30.29

 

CMYK 40 / 35 / 0 / 57

HEX #42476E

RGB 66 71 110

HSL 233.18, 0.25%, 0.35%

LAB 31.33, 8.69, -23.23

 

CMYK 40 / 35 / 0 / 47

HEX #525888

RGB 82 88 136

HSL 233.33, 0.25%, 0.43%

LAB 38.81, 10.41, -27.52

 

CMYK 39 / 35 / 0 / 37

HEX #6269A1

RGB 98 105 161

HSL 233.33, 0.25%, 0.51%

LAB 46.01, 11.78, -31.13

 

CMYK 30 / 26 / 0 / 31

HEX #7C82B0

RGB 124 130 176

HSL 233.08, 0.25%, 0.59%

LAB 55.47, 8.56, -25

 

CMYK 22 / 19 / 0 / 25

HEX #969BC0

RGB 150 155 192

HSL 232.86, 0.25%, 0.67%

LAB 64.75, 6.23, -19.67

 

CMYK 39 / 35 / 0 / 37

HEX #6269A1

RGB 98 105 161

HSL 233.33, 0.25%, 0.51%

LAB 46.01, 11.78, -31.13

 

CMYK 0 / 39 / 3 / 37

HEX #A1629C

RGB 161 98 156

HSL 304.76, 0.25%, 0.51%

LAB 50.35, 34.65, -20.95

 

CMYK 19 / 0 / 39 / 37

HEX #83A162

RGB 131 161 98

HSL 88.57, 0.25%, 0.51%

LAB 62.67, -21.73, 29.46

 

CMYK 39 / 35 / 0 / 37

HEX #6269A1

RGB 98 105 161

HSL 233.33, 0.25%, 0.51%

LAB 46.01, 11.78, -31.13

 

CMYK 0 / 39 / 34 / 37

HEX #A1626A

RGB 161 98 106

HSL 352.38, 0.25%, 0.51%

LAB 48.7, 26.55, 6.36

 

CMYK 34 / 0 / 39 / 37

HEX #6AA162

RGB 106 161 98

HSL 112.38, 0.25%, 0.51%

LAB 61.16, -30.85, 27.2

 

CMYK 39 / 35 / 0 / 37

HEX #6269A1

RGB 98 105 161

HSL 233.33, 0.25%, 0.51%

LAB 46.01, 11.78, -31.13

 

CMYK 0 / 39 / 3 / 37

HEX #A1629C

RGB 161 98 156

HSL 304.76, 0.25%, 0.51%

LAB 50.35, 34.65, -20.95

 

CMYK 0 / 5 / 39 / 37

HEX #A19962

RGB 161 153 98

HSL 52.38, 0.25%, 0.51%

LAB 62.71, -5.42, 29.96

 

CMYK 39 / 0 / 35 / 37

HEX #62A168

RGB 98 161 104

HSL 125.71, 0.25%, 0.51%

LAB 60.86, -32.5, 23.48

 

CMYK 39 / 35 / 0 / 37

HEX #6269A1

RGB 98 105 161

HSL 233.33, 0.25%, 0.51%

LAB 46.01, 11.78, -31.13

 

CMYK 0 / 39 / 15 / 37

HEX #A16289

RGB 161 98 137

HSL 322.86, 0.25%, 0.51%

LAB 49.64, 31.25, -10.78

 

CMYK 0 / 5 / 39 / 37

HEX #A19962

RGB 161 153 98

HSL 52.38, 0.25%, 0.51%

LAB 62.71, -5.42, 29.96

 

CMYK 39 / 0 / 24 / 37

HEX #62A17A

RGB 98 161 122

HSL 142.86, 0.25%, 0.51%

LAB 61.21, -29.14, 14.05

 

Description

Color code: HEX #6269A1 | qconv.com Color code: HEX #6269A1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 105 green and 161 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 105 161 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 35 magenta, none yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 35% 0% 37% C M Y K

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Provide designers and agencies with accurate color values.

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