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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6260AE it is the complementary color #9D9F51. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6260AE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6260AE shade: #6760A9, #7872BC, #8984CF, #9A96E2 and #ABA8F5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6260AE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6260AE shade: #6260AE, #514E9B, #403C88, #2F2A75 and #1E1862

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6260AE shade: #615FAE, #765FAE, #8C5FAE, #A15FAE and #AE5FA6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6260AE shade: #615FAE and #5F5FAE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6260AE shade matches the following richer shades: #615FAE, #4F4CC2, #3C38D5, #2A25E8 and #1812FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6260AE shade: #615FAE, #74729B, #868687, #989974 and #ABAD61

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6260AE shade: #5F88AE, #5F73AE, #605FAE, #765FAE and #8B5FAE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6260AE shade: #403E7C, #4E4C98, #615FAE, #7C7BBC and #9796CA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6260AE shade: #6260AE, #AE5F9D and #7DAE5F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6260AE shade: #6260AE, #AE605F and #5FAE60

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6260AE shade: #6260AE, #AE5F9D, #ADAE5F and #5FAE70

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6260AE shade: #6260AE, #AE5F85, #ADAE5F and #5FAE88

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 45 / 0 / 32

HEX #6260AE

RGB 98 96 174

HSL 241.54, 0.33%, 0.53%

LAB 44.26, 21.2, -41.53

 

Complementary color

CMYK 1 / 0 / 49 / 38

HEX #9D9F51

RGB 157 159 81

HSL 61.54, 0.33%, 0.47%

LAB 63.8, -12.12, 40.12

 

CMYK 39 / 43 / 0 / 34

HEX #6760A9

RGB 103 96 169

HSL 245.75, 0.3%, 0.52%

LAB 44.4, 21.04, -38.35

 

CMYK 36 / 39 / 0 / 26

HEX #7872BC

RGB 120 114 188

HSL 244.86, 0.36%, 0.59%

LAB 51.45, 20.13, -38.18

 

CMYK 34 / 36 / 0 / 19

HEX #8984CF

RGB 137 132 207

HSL 244, 0.44%, 0.66%

LAB 58.35, 19.34, -38.07

 

CMYK 32 / 34 / 0 / 11

HEX #9A96E2

RGB 154 150 226

HSL 243.16, 0.57%, 0.74%

LAB 65.1, 18.64, -38.01

 

CMYK 30 / 31 / 0 / 4

HEX #ABA8F5

RGB 171 168 245

HSL 242.34, 0.79%, 0.81%

LAB 71.73, 18.03, -37.99

 

CMYK 44 / 45 / 0 / 32

HEX #6260AE

RGB 98 96 174

HSL 241.54, 0.33%, 0.53%

LAB 44.26, 21.2, -41.53

 

CMYK 48 / 50 / 0 / 39

HEX #514E9B

RGB 81 78 155

HSL 242.34, 0.33%, 0.46%

LAB 37.05, 22.41, -41.81

 

CMYK 53 / 56 / 0 / 47

HEX #403C88

RGB 64 60 136

HSL 243.16, 0.39%, 0.38%

LAB 29.66, 23.88, -42.15

 

CMYK 60 / 64 / 0 / 54

HEX #2F2A75

RGB 47 42 117

HSL 244, 0.47%, 0.31%

LAB 22.1, 25.7, -42.5

 

CMYK 69 / 76 / 0 / 62

HEX #1E1862

RGB 30 24 98

HSL 244.86, 0.61%, 0.24%

LAB 14.46, 27.87, -42.68

 

CMYK 44 / 45 / 0 / 32

HEX #615FAE

RGB 97 95 174

HSL 241.52, 0.33%, 0.53%

LAB 43.92, 21.56, -42.08

 

CMYK 32 / 45 / 0 / 32

HEX #765FAE

RGB 118 95 174

HSL 257.47, 0.33%, 0.53%

LAB 45.76, 27.19, -39.04

 

CMYK 20 / 45 / 0 / 32

HEX #8C5FAE

RGB 140 95 174

HSL 274.18, 0.33%, 0.53%

LAB 48.03, 33.54, -35.31

 

CMYK 7 / 45 / 0 / 32

HEX #A15FAE

RGB 161 95 174

HSL 290.13, 0.33%, 0.53%

LAB 50.47, 39.83, -31.31

 

CMYK 0 / 45 / 5 / 32

HEX #AE5FA6

RGB 174 95 166

HSL 306.08, 0.33%, 0.53%

LAB 51.77, 42.3, -24.5

 

CMYK 44 / 45 / 0 / 32

HEX #615FAE

RGB 97 95 174

HSL 241.52, 0.33%, 0.53%

LAB 43.92, 21.56, -42.08

 

CMYK 45 / 45 / 0 / 32

HEX #5F5FAE

RGB 95 95 174

HSL 240, 0.33%, 0.53%

LAB 43.76, 21.06, -42.34

 

CMYK 44 / 45 / 0 / 32

HEX #615FAE

RGB 97 95 174

HSL 241.52, 0.33%, 0.53%

LAB 43.92, 21.56, -42.08

 

CMYK 59 / 61 / 0 / 24

HEX #4F4CC2

RGB 79 76 194

HSL 241.53, 0.49%, 0.53%

LAB 39.12, 35.88, -61.59

 

CMYK 72 / 74 / 0 / 16

HEX #3C38D5

RGB 60 56 213

HSL 241.53, 0.65%, 0.53%

LAB 35.19, 51.28, -79.11

 

CMYK 82 / 84 / 0 / 9

HEX #2A25E8

RGB 42 37 232

HSL 241.54, 0.81%, 0.53%

LAB 33.22, 64.94, -93.29

 

CMYK 90 / 93 / 0 / 1

HEX #1812FC

RGB 24 18 252

HSL 241.54, 0.98%, 0.53%

LAB 33.25, 75.7, -104.58

 

CMYK 44 / 45 / 0 / 32

HEX #615FAE

RGB 97 95 174

HSL 241.52, 0.33%, 0.53%

LAB 43.92, 21.56, -42.08

 

CMYK 25 / 26 / 0 / 39

HEX #74729B

RGB 116 114 155

HSL 242.93, 0.17%, 0.53%

LAB 49.63, 10.14, -21.85

 

CMYK 1 / 1 / 0 / 47

HEX #868687

RGB 134 134 135

HSL 240, 0%, 0.53%

LAB 55.96, 0.2, -0.54

 

CMYK 1 / 0 / 24 / 40

HEX #989974

RGB 152 153 116

HSL 61.62, 0.15%, 0.53%

LAB 62.27, -6.7, 19.39

 

CMYK 1 / 0 / 44 / 32

HEX #ABAD61

RGB 171 173 97

HSL 61.58, 0.32%, 0.53%

LAB 69.05, -12, 38.66

 

CMYK 45 / 22 / 0 / 32

HEX #5F88AE

RGB 95 136 174

HSL 208.86, 0.33%, 0.53%

LAB 55.17, -3.72, -24.46

 

CMYK 45 / 34 / 0 / 32

HEX #5F73AE

RGB 95 115 174

HSL 224.81, 0.33%, 0.53%

LAB 49.19, 8.71, -33.76

 

CMYK 45 / 45 / 0 / 32

HEX #605FAE

RGB 96 95 174

HSL 240.76, 0.33%, 0.53%

LAB 43.84, 21.31, -42.21

 

CMYK 32 / 45 / 0 / 32

HEX #765FAE

RGB 118 95 174

HSL 257.47, 0.33%, 0.53%

LAB 45.76, 27.19, -39.04

 

CMYK 20 / 45 / 0 / 32

HEX #8B5FAE

RGB 139 95 174

HSL 273.42, 0.33%, 0.53%

LAB 47.92, 33.25, -35.49

 

CMYK 48 / 50 / 0 / 51

HEX #403E7C

RGB 64 62 124

HSL 241.94, 0.33%, 0.36%

LAB 29.39, 18.58, -35.11

 

CMYK 49 / 50 / 0 / 40

HEX #4E4C98

RGB 78 76 152

HSL 241.58, 0.33%, 0.45%

LAB 36.09, 22.01, -41.55

 

CMYK 44 / 45 / 0 / 32

HEX #615FAE

RGB 97 95 174

HSL 241.52, 0.33%, 0.53%

LAB 43.92, 21.56, -42.08

 

CMYK 34 / 35 / 0 / 26

HEX #7C7BBC

RGB 124 123 188

HSL 240.92, 0.33%, 0.61%

LAB 54.11, 15.87, -33.98

 

CMYK 25 / 26 / 0 / 21

HEX #9796CA

RGB 151 150 202

HSL 241.15, 0.33%, 0.69%

LAB 63.88, 11.76, -26.58

 

CMYK 44 / 45 / 0 / 32

HEX #6260AE

RGB 98 96 174

HSL 241.54, 0.33%, 0.53%

LAB 44.26, 21.2, -41.53

 

CMYK 0 / 45 / 10 / 32

HEX #AE5F9D

RGB 174 95 157

HSL 312.91, 0.33%, 0.53%

LAB 51.4, 40.71, -19.78

 

CMYK 28 / 0 / 45 / 32

HEX #7DAE5F

RGB 125 174 95

HSL 97.22, 0.33%, 0.53%

LAB 66.1, -30.75, 35.32

 

CMYK 44 / 45 / 0 / 32

HEX #6260AE

RGB 98 96 174

HSL 241.54, 0.33%, 0.53%

LAB 44.26, 21.2, -41.53

 

CMYK 0 / 45 / 45 / 32

HEX #AE605F

RGB 174 96 95

HSL 0.76, 0.33%, 0.53%

LAB 49.73, 31.42, 14.62

 

CMYK 45 / 0 / 45 / 32

HEX #5FAE60

RGB 95 174 96

HSL 120.76, 0.33%, 0.53%

LAB 64.6, -40.59, 32.59

 

CMYK 44 / 45 / 0 / 32

HEX #6260AE

RGB 98 96 174

HSL 241.54, 0.33%, 0.53%

LAB 44.26, 21.2, -41.53

 

CMYK 0 / 45 / 10 / 32

HEX #AE5F9D

RGB 174 95 157

HSL 312.91, 0.33%, 0.53%

LAB 51.4, 40.71, -19.78

 

CMYK 1 / 0 / 45 / 32

HEX #ADAE5F

RGB 173 174 95

HSL 60.76, 0.33%, 0.53%

LAB 69.46, -11.91, 40.22

 

CMYK 45 / 0 / 36 / 32

HEX #5FAE70

RGB 95 174 112

HSL 132.91, 0.33%, 0.53%

LAB 64.86, -37.97, 24.48

 

CMYK 44 / 45 / 0 / 32

HEX #6260AE

RGB 98 96 174

HSL 241.54, 0.33%, 0.53%

LAB 44.26, 21.2, -41.53

 

CMYK 0 / 45 / 24 / 32

HEX #AE5F85

RGB 174 95 133

HSL 331.14, 0.33%, 0.53%

LAB 50.54, 36.84, -6.88

 

CMYK 1 / 0 / 45 / 32

HEX #ADAE5F

RGB 173 174 95

HSL 60.76, 0.33%, 0.53%

LAB 69.46, -11.91, 40.22

 

CMYK 45 / 0 / 22 / 32

HEX #5FAE88

RGB 95 174 136

HSL 151.14, 0.33%, 0.53%

LAB 65.34, -33.28, 12.06

 

Description

Color code: HEX #6260AE | qconv.com Color code: HEX #6260AE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 96 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 96 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, 45 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 45% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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