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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #626F2E it is the complementary color #9D90D1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #626F2E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #626F2E shade: #676F29, #78813C, #89934F, #9AA562 and #ABB775

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #626F2E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #626F2E shade: #626F2E, #515D1B, #404B08, #2F3900 and #1E2700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #626F2E shade: #626F2E, #6F6A2E, #6F592E, #6F472E and #6F362E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #626F2E shade: #626F2E, #516F2E, #3F6F2E, #2E6F2F and #2E6F40

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #626F2E shade matches the following richer shades: #626F2E, #6A7C21, #718915 and #799508

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #626F2E shade: #626F2E, #5A623B, #535548, #4B4955 and #433C61

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #626F2E shade: #6F592E, #6F6B2E, #626F2E, #516F2E and #3F6F2E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #626F2E shade: #2F3516, #485222, #626F2E, #7C8C3A and #95A946

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #626F2E shade: #626F2E, #2E6F48 and #622E6F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #626F2E shade: #626F2E, #2E626F and #6F2E62

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #626F2E shade: #626F2E, #2E6F48, #3B2E6F and #6F2E55

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #626F2E shade: #626F2E, #2E6F5C, #3B2E6F and #6F2E42

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 59 / 56

HEX #626F2E

RGB 98 111 46

HSL 72, 0.41%, 0.31%

LAB 44.47, -15.39, 33.96

 

Complementary color

CMYK 25 / 31 / 0 / 18

HEX #9D90D1

RGB 157 144 209

HSL 252, 0.41%, 0.69%

LAB 63.11, 18.71, -31.64

 

CMYK 7 / 0 / 63 / 56

HEX #676F29

RGB 103 111 41

HSL 66.86, 0.46%, 0.3%

LAB 44.82, -13.58, 36.94

 

CMYK 7 / 0 / 53 / 49

HEX #78813C

RGB 120 129 60

HSL 67.83, 0.37%, 0.37%

LAB 51.86, -14.07, 35.85

 

CMYK 7 / 0 / 46 / 42

HEX #89934F

RGB 137 147 79

HSL 68.82, 0.3%, 0.44%

LAB 58.74, -14.42, 34.62

 

CMYK 7 / 0 / 41 / 35

HEX #9AA562

RGB 154 165 98

HSL 69.85, 0.27%, 0.52%

LAB 65.48, -14.67, 33.4

 

CMYK 7 / 0 / 36 / 28

HEX #ABB775

RGB 171 183 117

HSL 70.91, 0.31%, 0.59%

LAB 72.1, -14.86, 32.2

 

CMYK 12 / 0 / 59 / 56

HEX #626F2E

RGB 98 111 46

HSL 72, 0.41%, 0.31%

LAB 44.47, -15.39, 33.96

 

CMYK 13 / 0 / 71 / 64

HEX #515D1B

RGB 81 93 27

HSL 70.91, 0.55%, 0.24%

LAB 37.22, -14.88, 34.87

 

CMYK 15 / 0 / 89 / 71

HEX #404B08

RGB 64 75 8

HSL 69.85, 0.81%, 0.16%

LAB 29.76, -14.06, 34.79

 

CMYK 18 / 0 / 100 / 78

HEX #2F3900

RGB 47 57 0

HSL 70.53, 1%, 0.11%

LAB 22.05, -12.69, 30.26

 

CMYK 23 / 0 / 100 / 85

HEX #1E2700

RGB 30 39 0

HSL 73.85, 1%, 0.08%

LAB 13.98, -10.88, 20.29

 

CMYK 12 / 0 / 59 / 56

HEX #626F2E

RGB 98 111 46

HSL 72, 0.41%, 0.31%

LAB 44.47, -15.39, 33.96

 

CMYK 0 / 5 / 59 / 56

HEX #6F6A2E

RGB 111 106 46

HSL 55.38, 0.41%, 0.31%

LAB 44.07, -6.67, 33.8

 

CMYK 0 / 20 / 59 / 56

HEX #6F592E

RGB 111 89 46

HSL 39.69, 0.41%, 0.31%

LAB 39.11, 3.3, 28.01

 

CMYK 0 / 36 / 59 / 56

HEX #6F472E

RGB 111 71 46

HSL 23.08, 0.41%, 0.31%

LAB 34.16, 14.23, 21.96

 

CMYK 0 / 51 / 59 / 56

HEX #6F362E

RGB 111 54 46

HSL 7.38, 0.41%, 0.31%

LAB 29.95, 24.38, 16.59

 

CMYK 12 / 0 / 59 / 56

HEX #626F2E

RGB 98 111 46

HSL 72, 0.41%, 0.31%

LAB 44.47, -15.39, 33.96

 

CMYK 27 / 0 / 59 / 56

HEX #516F2E

RGB 81 111 46

HSL 87.69, 0.41%, 0.31%

LAB 43.23, -22.71, 32.22

 

CMYK 43 / 0 / 59 / 56

HEX #3F6F2E

RGB 63 111 46

HSL 104.31, 0.41%, 0.31%

LAB 42.19, -29.64, 30.73

 

CMYK 59 / 0 / 58 / 56

HEX #2E6F2F

RGB 46 111 47

HSL 120.92, 0.41%, 0.31%

LAB 41.46, -34.91, 29.17

 

CMYK 59 / 0 / 42 / 56

HEX #2E6F40

RGB 46 111 64

HSL 136.62, 0.41%, 0.31%

LAB 41.72, -32.1, 20.09

 

CMYK 12 / 0 / 59 / 56

HEX #626F2E

RGB 98 111 46

HSL 72, 0.41%, 0.31%

LAB 44.47, -15.39, 33.96

 

CMYK 15 / 0 / 73 / 51

HEX #6A7C21

RGB 106 124 33

HSL 71.87, 0.58%, 0.31%

LAB 48.99, -19.75, 44.88

 

CMYK 18 / 0 / 85 / 46

HEX #718915

RGB 113 137 21

HSL 72.41, 0.73%, 0.31%

LAB 53.45, -23.88, 53.17

 

CMYK 19 / 0 / 95 / 42

HEX #799508

RGB 121 149 8

HSL 71.91, 0.9%, 0.31%

LAB 57.63, -26.7, 59.47

 

CMYK 12 / 0 / 59 / 56

HEX #626F2E

RGB 98 111 46

HSL 72, 0.41%, 0.31%

LAB 44.47, -15.39, 33.96

 

CMYK 8 / 0 / 40 / 62

HEX #5A623B

RGB 90 98 59

HSL 72.31, 0.25%, 0.31%

LAB 39.96, -10.18, 21.18

 

CMYK 2 / 0 / 15 / 67

HEX #535548

RGB 83 85 72

HSL 69.23, 0.08%, 0.31%

LAB 35.6, -3.44, 7.32

 

CMYK 12 / 14 / 0 / 67

HEX #4B4955

RGB 75 73 85

HSL 250, 0.08%, 0.31%

LAB 31.62, 3.58, -6.81

 

CMYK 31 / 38 / 0 / 62

HEX #433C61

RGB 67 60 97

HSL 251.35, 0.24%, 0.31%

LAB 27.54, 12.38, -20.84

 

CMYK 0 / 20 / 59 / 56

HEX #6F592E

RGB 111 89 46

HSL 39.69, 0.41%, 0.31%

LAB 39.11, 3.3, 28.01

 

CMYK 0 / 4 / 59 / 56

HEX #6F6B2E

RGB 111 107 46

HSL 56.31, 0.41%, 0.31%

LAB 44.36, -7.24, 34.14

 

CMYK 12 / 0 / 59 / 56

HEX #626F2E

RGB 98 111 46

HSL 72, 0.41%, 0.31%

LAB 44.47, -15.39, 33.96

 

CMYK 27 / 0 / 59 / 56

HEX #516F2E

RGB 81 111 46

HSL 87.69, 0.41%, 0.31%

LAB 43.23, -22.71, 32.22

 

CMYK 43 / 0 / 59 / 56

HEX #3F6F2E

RGB 63 111 46

HSL 104.31, 0.41%, 0.31%

LAB 42.19, -29.64, 30.73

 

CMYK 11 / 0 / 58 / 79

HEX #2F3516

RGB 47 53 22

HSL 71.61, 0.41%, 0.15%

LAB 20.86, -8.42, 18.53

 

CMYK 12 / 0 / 59 / 68

HEX #485222

RGB 72 82 34

HSL 72.5, 0.41%, 0.23%

LAB 32.98, -12.27, 26.48

 

CMYK 12 / 0 / 59 / 56

HEX #626F2E

RGB 98 111 46

HSL 72, 0.41%, 0.31%

LAB 44.47, -15.39, 33.96

 

CMYK 11 / 0 / 59 / 45

HEX #7C8C3A

RGB 124 140 58

HSL 71.71, 0.41%, 0.39%

LAB 55.43, -18.35, 41.03

 

CMYK 12 / 0 / 59 / 34

HEX #95A946

RGB 149 169 70

HSL 72.12, 0.41%, 0.47%

LAB 65.91, -21.61, 47.71

 

CMYK 12 / 0 / 59 / 56

HEX #626F2E

RGB 98 111 46

HSL 72, 0.41%, 0.31%

LAB 44.47, -15.39, 33.96

 

CMYK 59 / 0 / 35 / 56

HEX #2E6F48

RGB 46 111 72

HSL 144, 0.41%, 0.31%

LAB 41.87, -30.5, 15.64

 

CMYK 12 / 59 / 0 / 56

HEX #622E6F

RGB 98 46 111

HSL 288, 0.41%, 0.31%

LAB 28.64, 34.5, -27.85

 

CMYK 12 / 0 / 59 / 56

HEX #626F2E

RGB 98 111 46

HSL 72, 0.41%, 0.31%

LAB 44.47, -15.39, 33.96

 

CMYK 59 / 12 / 0 / 56

HEX #2E626F

RGB 46 98 111

HSL 192, 0.41%, 0.31%

LAB 38.66, -13.22, -12.64

 

CMYK 0 / 59 / 12 / 56

HEX #6F2E62

RGB 111 46 98

HSL 312, 0.41%, 0.31%

LAB 29.95, 35.9, -17.31

 

CMYK 12 / 0 / 59 / 56

HEX #626F2E

RGB 98 111 46

HSL 72, 0.41%, 0.31%

LAB 44.47, -15.39, 33.96

 

CMYK 59 / 0 / 35 / 56

HEX #2E6F48

RGB 46 111 72

HSL 144, 0.41%, 0.31%

LAB 41.87, -30.5, 15.64

 

CMYK 47 / 59 / 0 / 56

HEX #3B2E6F

RGB 59 46 111

HSL 252, 0.41%, 0.31%

LAB 23.78, 23.69, -35.89

 

CMYK 0 / 59 / 23 / 56

HEX #6F2E55

RGB 111 46 85

HSL 324, 0.41%, 0.31%

LAB 29.39, 33.71, -9.72

 

CMYK 12 / 0 / 59 / 56

HEX #626F2E

RGB 98 111 46

HSL 72, 0.41%, 0.31%

LAB 44.47, -15.39, 33.96

 

CMYK 59 / 0 / 17 / 56

HEX #2E6F5C

RGB 46 111 92

HSL 162.46, 0.41%, 0.31%

LAB 42.34, -25.77, 4.38

 

CMYK 47 / 59 / 0 / 56

HEX #3B2E6F

RGB 59 46 111

HSL 252, 0.41%, 0.31%

LAB 23.78, 23.69, -35.89

 

CMYK 0 / 59 / 41 / 56

HEX #6F2E42

RGB 111 46 66

HSL 341.54, 0.41%, 0.31%

LAB 28.71, 31.01, 1.79

 

Description

Color code: HEX #626F2E | qconv.com Color code: HEX #626F2E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 111 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 111 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 59 yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 59% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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