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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #627716 it is the complementary color #9D88E9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #627716. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #627716 shade: #677711, #788924, #899B37, #9AAD4A and #ABBF5D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #627716. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #627716 shade: #627716, #516503, #405300, #2F4100 and #1E2F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #627716 shade: #637816, #787316, #785816, #783E16 and #782316

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #627716 shade: #637816, #487816, #2E7816, #167818 and #167833

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #627716 shade matches the following richer shades: #637816 and #69840A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #627716 shade: #637816, #5C6D21, #56612D, #4F5638 and #494A44

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #627716 shade: #785716, #787216, #647816, #4A7816 and #307816

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #627716 shade: #293209, #46550F, #637816, #809B1C and #9CBE22

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #627716 shade: #627716, #16783D and #641678

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #627716 shade: #627716, #166478 and #781664

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #627716 shade: #627716, #16783D, #291678 and #781651

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #627716 shade: #627716, #16785B, #291678 and #781633

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 82 / 53

HEX #627716

RGB 98 119 22

HSL 72.99, 0.69%, 0.28%

LAB 46.77, -21.3, 46.53

 

Complementary color

CMYK 33 / 42 / 0 / 9

HEX #9D88E9

RGB 157 136 233

HSL 252.99, 0.69%, 0.72%

LAB 62.22, 29.3, -46.39

 

CMYK 13 / 0 / 86 / 53

HEX #677711

RGB 103 119 17

HSL 69.41, 0.75%, 0.27%

LAB 47.13, -19.26, 48.48

 

CMYK 12 / 0 / 74 / 46

HEX #788924

RGB 120 137 36

HSL 70.1, 0.58%, 0.34%

LAB 54.04, -20.13, 49.04

 

CMYK 12 / 0 / 65 / 39

HEX #899B37

RGB 137 155 55

HSL 70.8, 0.48%, 0.41%

LAB 60.81, -20.75, 48.6

 

CMYK 11 / 0 / 57 / 32

HEX #9AAD4A

RGB 154 173 74

HSL 71.52, 0.4%, 0.48%

LAB 67.47, -21.21, 47.71

 

CMYK 10 / 0 / 51 / 25

HEX #ABBF5D

RGB 171 191 93

HSL 72.24, 0.43%, 0.56%

LAB 74, -21.55, 46.65

 

CMYK 18 / 0 / 82 / 53

HEX #627716

RGB 98 119 22

HSL 72.99, 0.69%, 0.28%

LAB 46.77, -21.3, 46.53

 

CMYK 20 / 0 / 97 / 60

HEX #516503

RGB 81 101 3

HSL 72.24, 0.94%, 0.2%

LAB 39.69, -20.33, 45.1

 

CMYK 23 / 0 / 100 / 67

HEX #405300

RGB 64 83 0

HSL 73.73, 1%, 0.16%

LAB 32.43, -18.84, 39.87

 

CMYK 28 / 0 / 100 / 75

HEX #2F4100

RGB 47 65 0

HSL 76.62, 1%, 0.13%

LAB 24.91, -17.21, 33.14

 

CMYK 36 / 0 / 100 / 82

HEX #1E2F00

RGB 30 47 0

HSL 81.7, 1%, 0.09%

LAB 17.03, -15.53, 24.16

 

CMYK 18 / 0 / 82 / 53

HEX #637816

RGB 99 120 22

HSL 72.86, 0.69%, 0.28%

LAB 47.16, -21.37, 46.91

 

CMYK 0 / 4 / 82 / 53

HEX #787316

RGB 120 115 22

HSL 56.94, 0.69%, 0.28%

LAB 47.38, -9.01, 47.76

 

CMYK 0 / 27 / 82 / 53

HEX #785816

RGB 120 88 22

HSL 40.41, 0.69%, 0.28%

LAB 39.63, 6.65, 40.72

 

CMYK 0 / 48 / 82 / 53

HEX #783E16

RGB 120 62 22

HSL 24.49, 0.69%, 0.28%

LAB 32.91, 22.14, 34.35

 

CMYK 0 / 71 / 82 / 53

HEX #782316

RGB 120 35 22

HSL 7.96, 0.69%, 0.28%

LAB 27.44, 36.26, 28.9

 

CMYK 18 / 0 / 82 / 53

HEX #637816

RGB 99 120 22

HSL 72.86, 0.69%, 0.28%

LAB 47.16, -21.37, 46.91

 

CMYK 40 / 0 / 82 / 53

HEX #487816

RGB 72 120 22

HSL 89.39, 0.69%, 0.28%

LAB 45.45, -32.57, 44.71

 

CMYK 62 / 0 / 82 / 53

HEX #2E7816

RGB 46 120 22

HSL 105.31, 0.69%, 0.28%

LAB 44.34, -41.05, 43.26

 

CMYK 82 / 0 / 80 / 53

HEX #167818

RGB 22 120 24

HSL 121.22, 0.69%, 0.28%

LAB 43.76, -45.89, 41.81

 

CMYK 82 / 0 / 58 / 53

HEX #167833

RGB 22 120 51

HSL 137.76, 0.69%, 0.28%

LAB 44.01, -42.82, 29.97

 

CMYK 18 / 0 / 82 / 53

HEX #637816

RGB 99 120 22

HSL 72.86, 0.69%, 0.28%

LAB 47.16, -21.37, 46.91

 

CMYK 20 / 0 / 92 / 48

HEX #69840A

RGB 105 132 10

HSL 73.28, 0.86%, 0.28%

LAB 51.3, -25.2, 53.6

 

CMYK 18 / 0 / 82 / 53

HEX #637816

RGB 99 120 22

HSL 72.86, 0.69%, 0.28%

LAB 47.16, -21.37, 46.91

 

CMYK 16 / 0 / 70 / 57

HEX #5C6D21

RGB 92 109 33

HSL 73.42, 0.54%, 0.28%

LAB 43.25, -18.1, 38.71

 

CMYK 11 / 0 / 54 / 62

HEX #56612D

RGB 86 97 45

HSL 72.69, 0.37%, 0.28%

LAB 39.1, -13.15, 27.97

 

CMYK 8 / 0 / 35 / 66

HEX #4F5638

RGB 79 86 56

HSL 74, 0.21%, 0.28%

LAB 35.21, -8.52, 16.58

 

CMYK 1 / 0 / 8 / 71

HEX #494A44

RGB 73 74 68

HSL 70, 0.04%, 0.28%

LAB 31.19, -1.69, 3.44

 

CMYK 0 / 28 / 82 / 53

HEX #785716

RGB 120 87 22

HSL 39.8, 0.69%, 0.28%

LAB 39.36, 7.24, 40.47

 

CMYK 0 / 5 / 82 / 53

HEX #787216

RGB 120 114 22

HSL 56.33, 0.69%, 0.28%

LAB 47.09, -8.45, 47.5

 

CMYK 17 / 0 / 82 / 53

HEX #647816

RGB 100 120 22

HSL 72.24, 0.69%, 0.28%

LAB 47.24, -20.93, 47

 

CMYK 38 / 0 / 82 / 53

HEX #4A7816

RGB 74 120 22

HSL 88.16, 0.69%, 0.28%

LAB 45.56, -31.81, 44.85

 

CMYK 60 / 0 / 82 / 53

HEX #307816

RGB 48 120 22

HSL 104.08, 0.69%, 0.28%

LAB 44.4, -40.51, 43.35

 

CMYK 18 / 0 / 82 / 80

HEX #293209

RGB 41 50 9

HSL 73.17, 0.69%, 0.12%

LAB 19.11, -10.93, 23.18

 

CMYK 18 / 0 / 82 / 67

HEX #46550F

RGB 70 85 15

HSL 72.86, 0.7%, 0.2%

LAB 33.63, -16.41, 36.03

 

CMYK 18 / 0 / 82 / 53

HEX #637816

RGB 99 120 22

HSL 72.86, 0.69%, 0.28%

LAB 47.16, -21.37, 46.91

 

CMYK 17 / 0 / 82 / 39

HEX #809B1C

RGB 128 155 28

HSL 72.76, 0.69%, 0.36%

LAB 59.99, -26.09, 57.42

 

CMYK 18 / 0 / 82 / 25

HEX #9CBE22

RGB 156 190 34

HSL 73.08, 0.7%, 0.44%

LAB 72.24, -31, 67.33

 

CMYK 18 / 0 / 82 / 53

HEX #627716

RGB 98 119 22

HSL 72.99, 0.69%, 0.28%

LAB 46.77, -21.3, 46.53

 

CMYK 82 / 0 / 49 / 53

HEX #16783D

RGB 22 120 61

HSL 143.88, 0.69%, 0.28%

LAB 44.15, -41.15, 24.78

 

CMYK 17 / 82 / 0 / 53

HEX #641678

RGB 100 22 120

HSL 287.76, 0.69%, 0.28%

LAB 25.68, 47.67, -38.29

 

CMYK 18 / 0 / 82 / 53

HEX #627716

RGB 98 119 22

HSL 72.99, 0.69%, 0.28%

LAB 46.77, -21.3, 46.53

 

CMYK 82 / 17 / 0 / 53

HEX #166478

RGB 22 100 120

HSL 192.24, 0.69%, 0.28%

LAB 38.97, -15.3, -17.74

 

CMYK 0 / 82 / 17 / 53

HEX #781664

RGB 120 22 100

HSL 312.24, 0.69%, 0.28%

LAB 28.08, 48.64, -21.39

 

CMYK 18 / 0 / 82 / 53

HEX #627716

RGB 98 119 22

HSL 72.99, 0.69%, 0.28%

LAB 46.77, -21.3, 46.53

 

CMYK 82 / 0 / 49 / 53

HEX #16783D

RGB 22 120 61

HSL 143.88, 0.69%, 0.28%

LAB 44.15, -41.15, 24.78

 

CMYK 66 / 82 / 0 / 53

HEX #291678

RGB 41 22 120

HSL 251.63, 0.69%, 0.28%

LAB 17.47, 37.85, -52.05

 

CMYK 0 / 82 / 33 / 53

HEX #781651

RGB 120 22 81

HSL 323.88, 0.69%, 0.28%

LAB 27.19, 46.03, -10.27

 

CMYK 18 / 0 / 82 / 53

HEX #627716

RGB 98 119 22

HSL 72.99, 0.69%, 0.28%

LAB 46.77, -21.3, 46.53

 

CMYK 82 / 0 / 24 / 53

HEX #16785B

RGB 22 120 91

HSL 162.24, 0.69%, 0.28%

LAB 44.74, -34.47, 8.32

 

CMYK 66 / 82 / 0 / 53

HEX #291678

RGB 41 22 120

HSL 251.63, 0.69%, 0.28%

LAB 17.47, 37.85, -52.05

 

CMYK 0 / 82 / 58 / 53

HEX #781633

RGB 120 22 51

HSL 342.24, 0.69%, 0.28%

LAB 26.17, 42.94, 8.49

 

Description

Color code: HEX #627716 | qconv.com Color code: HEX #627716 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 119 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 119 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 82 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 82% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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