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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6278A7 it is the complementary color #9D8758. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6278A7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6278A7 shade: #6778A2, #788AB5, #899CC8, #9AAEDB and #ABC0EE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6278A7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6278A7 shade: #6278A7, #516694, #405481, #2F426E and #1E305B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6278A7 shade: #6278A6, #6265A6, #7162A6, #8362A6 and #9662A6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6278A7 shade: #6278A6, #6265A6 and #6262A6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6278A7 shade matches the following richer shades: #6278A6, #4E71BA, #3A69CE, #2662E2 and #135BF6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6278A7 shade: #6278A6, #767F93, #89867F, #9D8D6B and #B19457

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6278A7 shade: #629DA6, #628BA6, #6279A6, #6266A6 and #7062A6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6278A7 shade: #415274, #50648F, #6278A6, #7C8EB5 and #97A5C4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6278A7 shade: #6278A7, #9D62A6 and #94A662

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6278A7 shade: #6278A7, #A66279 and #79A662

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6278A7 shade: #6278A7, #9D62A6, #A69062 and #6BA662

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6278A7 shade: #6278A7, #A6629B, #A69062 and #62A66D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 28 / 0 / 35

HEX #6278A7

RGB 98 120 167

HSL 220.87, 0.28%, 0.52%

LAB 50.48, 4.42, -27.67

 

Complementary color

CMYK 0 / 14 / 44 / 38

HEX #9D8758

RGB 157 135 88

HSL 40.87, 0.28%, 0.48%

LAB 57.27, 1.65, 28.32

 

CMYK 36 / 26 / 0 / 36

HEX #6778A2

RGB 103 120 162

HSL 222.71, 0.24%, 0.52%

LAB 50.6, 4.42, -24.54

 

CMYK 34 / 24 / 0 / 29

HEX #788AB5

RGB 120 138 181

HSL 222.3, 0.29%, 0.59%

LAB 57.57, 4.01, -24.65

 

CMYK 32 / 22 / 0 / 22

HEX #899CC8

RGB 137 156 200

HSL 221.9, 0.36%, 0.66%

LAB 64.38, 3.66, -24.79

 

CMYK 30 / 21 / 0 / 14

HEX #9AAEDB

RGB 154 174 219

HSL 221.54, 0.47%, 0.73%

LAB 71.05, 3.35, -24.96

 

CMYK 28 / 19 / 0 / 7

HEX #ABC0EE

RGB 171 192 238

HSL 221.19, 0.66%, 0.8%

LAB 77.6, 3.07, -25.16

 

CMYK 41 / 28 / 0 / 35

HEX #6278A7

RGB 98 120 167

HSL 220.87, 0.28%, 0.52%

LAB 50.48, 4.42, -27.67

 

CMYK 45 / 31 / 0 / 42

HEX #516694

RGB 81 102 148

HSL 221.19, 0.29%, 0.45%

LAB 43.35, 5.01, -27.66

 

CMYK 50 / 35 / 0 / 49

HEX #405481

RGB 64 84 129

HSL 221.54, 0.34%, 0.38%

LAB 36.01, 5.76, -27.72

 

CMYK 57 / 40 / 0 / 57

HEX #2F426E

RGB 47 66 110

HSL 221.9, 0.4%, 0.31%

LAB 28.45, 6.77, -27.85

 

CMYK 67 / 47 / 0 / 64

HEX #1E305B

RGB 30 48 91

HSL 222.3, 0.5%, 0.24%

LAB 20.62, 8.21, -28.06

 

CMYK 41 / 28 / 0 / 35

HEX #6278A6

RGB 98 120 166

HSL 220.59, 0.28%, 0.52%

LAB 50.43, 4.13, -27.16

 

CMYK 41 / 39 / 0 / 35

HEX #6265A6

RGB 98 101 166

HSL 237.35, 0.28%, 0.52%

LAB 45.16, 15.71, -35.4

 

CMYK 32 / 41 / 0 / 35

HEX #7162A6

RGB 113 98 166

HSL 253.24, 0.28%, 0.52%

LAB 45.63, 21.79, -34.57

 

CMYK 21 / 41 / 0 / 35

HEX #8362A6

RGB 131 98 166

HSL 269.12, 0.28%, 0.52%

LAB 47.38, 27.19, -31.7

 

CMYK 10 / 41 / 0 / 35

HEX #9662A6

RGB 150 98 166

HSL 285.88, 0.28%, 0.52%

LAB 49.46, 33.11, -28.3

 

CMYK 41 / 28 / 0 / 35

HEX #6278A6

RGB 98 120 166

HSL 220.59, 0.28%, 0.52%

LAB 50.43, 4.13, -27.16

 

CMYK 41 / 39 / 0 / 35

HEX #6265A6

RGB 98 101 166

HSL 237.35, 0.28%, 0.52%

LAB 45.16, 15.71, -35.4

 

CMYK 41 / 41 / 0 / 35

HEX #6262A6

RGB 98 98 166

HSL 240, 0.28%, 0.52%

LAB 44.35, 17.57, -36.67

 

CMYK 41 / 28 / 0 / 35

HEX #6278A6

RGB 98 120 166

HSL 220.59, 0.28%, 0.52%

LAB 50.43, 4.13, -27.16

 

CMYK 58 / 39 / 0 / 27

HEX #4E71BA

RGB 78 113 186

HSL 220.56, 0.44%, 0.52%

LAB 48.23, 9.8, -42.3

 

CMYK 72 / 49 / 0 / 19

HEX #3A69CE

RGB 58 105 206

HSL 220.95, 0.6%, 0.52%

LAB 46.26, 18.45, -57.02

 

CMYK 83 / 57 / 0 / 11

HEX #2662E2

RGB 38 98 226

HSL 220.85, 0.76%, 0.52%

LAB 45.13, 28.3, -70.26

 

CMYK 92 / 63 / 0 / 4

HEX #135BF6

RGB 19 91 246

HSL 220.97, 0.93%, 0.52%

LAB 44.62, 39.24, -82.37

 

CMYK 41 / 28 / 0 / 35

HEX #6278A6

RGB 98 120 166

HSL 220.59, 0.28%, 0.52%

LAB 50.43, 4.13, -27.16

 

CMYK 20 / 14 / 0 / 42

HEX #767F93

RGB 118 127 147

HSL 221.38, 0.12%, 0.52%

LAB 53.1, 1.17, -11.89

 

CMYK 0 / 2 / 7 / 46

HEX #89867F

RGB 137 134 127

HSL 42, 0.04%, 0.52%

LAB 55.99, -0.2, 4.15

 

CMYK 0 / 10 / 32 / 38

HEX #9D8D6B

RGB 157 141 107

HSL 40.8, 0.2%, 0.52%

LAB 59.23, 0.65, 20.35

 

CMYK 0 / 16 / 51 / 31

HEX #B19457

RGB 177 148 87

HSL 40.67, 0.37%, 0.52%

LAB 62.69, 2.92, 36.1

 

CMYK 41 / 5 / 0 / 35

HEX #629DA6

RGB 98 157 166

HSL 187.94, 0.28%, 0.52%

LAB 61.19, -16.78, -10.75

 

CMYK 41 / 16 / 0 / 35

HEX #628BA6

RGB 98 139 166

HSL 203.82, 0.28%, 0.52%

LAB 55.9, -6.92, -18.74

 

CMYK 41 / 27 / 0 / 35

HEX #6279A6

RGB 98 121 166

HSL 219.71, 0.28%, 0.52%

LAB 50.72, 3.53, -26.72

 

CMYK 41 / 39 / 0 / 35

HEX #6266A6

RGB 98 102 166

HSL 236.47, 0.28%, 0.52%

LAB 45.43, 15.09, -34.97

 

CMYK 33 / 41 / 0 / 35

HEX #7062A6

RGB 112 98 166

HSL 252.35, 0.28%, 0.52%

LAB 45.54, 21.5, -34.72

 

CMYK 44 / 29 / 0 / 55

HEX #415274

RGB 65 82 116

HSL 220, 0.28%, 0.35%

LAB 34.84, 3.13, -21.51

 

CMYK 44 / 30 / 0 / 44

HEX #50648F

RGB 80 100 143

HSL 220.95, 0.28%, 0.44%

LAB 42.46, 4.44, -26.05

 

CMYK 41 / 28 / 0 / 35

HEX #6278A6

RGB 98 120 166

HSL 220.59, 0.28%, 0.52%

LAB 50.43, 4.13, -27.16

 

CMYK 31 / 22 / 0 / 29

HEX #7C8EB5

RGB 124 142 181

HSL 221.05, 0.28%, 0.6%

LAB 58.94, 2.89, -22.51

 

CMYK 23 / 16 / 0 / 23

HEX #97A5C4

RGB 151 165 196

HSL 221.33, 0.28%, 0.68%

LAB 67.63, 1.89, -17.51

 

CMYK 41 / 28 / 0 / 35

HEX #6278A7

RGB 98 120 167

HSL 220.87, 0.28%, 0.52%

LAB 50.48, 4.42, -27.67

 

CMYK 5 / 41 / 0 / 35

HEX #9D62A6

RGB 157 98 166

HSL 292.06, 0.28%, 0.52%

LAB 50.28, 35.32, -26.96

 

CMYK 11 / 0 / 41 / 35

HEX #94A662

RGB 148 166 98

HSL 75.88, 0.28%, 0.52%

LAB 65.32, -17.61, 33.09

 

CMYK 41 / 28 / 0 / 35

HEX #6278A7

RGB 98 120 167

HSL 220.87, 0.28%, 0.52%

LAB 50.48, 4.42, -27.67

 

CMYK 0 / 41 / 27 / 35

HEX #A66279

RGB 166 98 121

HSL 339.71, 0.28%, 0.52%

LAB 49.77, 30.55, -0.99

 

CMYK 27 / 0 / 41 / 35

HEX #79A662

RGB 121 166 98

HSL 99.71, 0.28%, 0.52%

LAB 63.52, -27.95, 30.43

 

CMYK 41 / 28 / 0 / 35

HEX #6278A7

RGB 98 120 167

HSL 220.87, 0.28%, 0.52%

LAB 50.48, 4.42, -27.67

 

CMYK 5 / 41 / 0 / 35

HEX #9D62A6

RGB 157 98 166

HSL 292.06, 0.28%, 0.52%

LAB 50.28, 35.32, -26.96

 

CMYK 0 / 13 / 41 / 35

HEX #A69062

RGB 166 144 98

HSL 40.59, 0.28%, 0.52%

LAB 60.72, 1.6, 27.48

 

CMYK 36 / 0 / 41 / 35

HEX #6BA662

RGB 107 166 98

HSL 112.06, 0.28%, 0.52%

LAB 62.74, -32.86, 29.27

 

CMYK 41 / 28 / 0 / 35

HEX #6278A7

RGB 98 120 167

HSL 220.87, 0.28%, 0.52%

LAB 50.48, 4.42, -27.67

 

CMYK 0 / 41 / 7 / 35

HEX #A6629B

RGB 166 98 155

HSL 309.71, 0.28%, 0.52%

LAB 50.93, 36.12, -19.41

 

CMYK 0 / 13 / 41 / 35

HEX #A69062

RGB 166 144 98

HSL 40.59, 0.28%, 0.52%

LAB 60.72, 1.6, 27.48

 

CMYK 41 / 0 / 34 / 35

HEX #62A66D

RGB 98 166 109

HSL 129.71, 0.28%, 0.52%

LAB 62.49, -33.96, 22.94

 

Description

Color code: HEX #6278A7 | qconv.com Color code: HEX #6278A7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 120 green and 167 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 120 167 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 28 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 28% 0% 35% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

56% - NCCER Bookstore: NCC...
Link: http://nccer.pearsonconstructionbooks.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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