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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6271B8 it is the complementary color #9D8E47. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6271B8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6271B8 shade: #6771B3, #7883C6, #8995D9, #9AA7EC and #ABB9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6271B8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6271B8 shade: #6271B8, #515FA5, #404D92, #2F3B7F and #1E296C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6271B8 shade: #606FB7, #6860B7, #8060B7, #9760B7 and #AF60B7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6271B8 shade: #606FB7 and #6060B7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6271B8 shade matches the following richer shades: #606FB7, #4E63CA, #3B57DC and #284BEF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6271B8 shade: #606FB7, #737BA5, #858892, #989480 and #AAA06D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6271B8 shade: #609FB7, #6087B7, #6070B7, #6760B7 and #7F60B7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6271B8 shade: #3D4A88, #4A5AA5, #606FB7, #7D89C4 and #99A3D1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6271B8 shade: #6271B8, #B760B6 and #93B760

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6271B8 shade: #6271B8, #B76070 and #70B760

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6271B8 shade: #6271B8, #B760B6, #B7A760 and #60B762

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6271B8 shade: #6271B8, #B7609C, #B7A760 and #60B77C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 39 / 0 / 28

HEX #6271B8

RGB 98 113 184

HSL 229.53, 0.38%, 0.55%

LAB 49.34, 13.75, -39.32

 

Complementary color

CMYK 0 / 10 / 55 / 38

HEX #9D8E47

RGB 157 142 71

HSL 49.53, 0.38%, 0.45%

LAB 58.95, -3.9, 39.39

 

CMYK 42 / 37 / 0 / 30

HEX #6771B3

RGB 103 113 179

HSL 232.11, 0.33%, 0.55%

LAB 49.43, 13.54, -36.24

 

CMYK 39 / 34 / 0 / 22

HEX #7883C6

RGB 120 131 198

HSL 231.54, 0.41%, 0.62%

LAB 56.39, 12.78, -36.14

 

CMYK 37 / 31 / 0 / 15

HEX #8995D9

RGB 137 149 217

HSL 231, 0.51%, 0.69%

LAB 63.2, 12.13, -36.08

 

CMYK 35 / 29 / 0 / 7

HEX #9AA7EC

RGB 154 167 236

HSL 230.49, 0.68%, 0.76%

LAB 69.87, 11.57, -36.07

 

CMYK 33 / 27 / 0 / 0

HEX #ABB9FF

RGB 171 185 255

HSL 230, 1%, 0.84%

LAB 76.42, 11.08, -36.1

 

CMYK 47 / 39 / 0 / 28

HEX #6271B8

RGB 98 113 184

HSL 229.53, 0.38%, 0.55%

LAB 49.34, 13.75, -39.32

 

CMYK 51 / 42 / 0 / 35

HEX #515FA5

RGB 81 95 165

HSL 230, 0.34%, 0.48%

LAB 42.23, 14.79, -39.53

 

CMYK 56 / 47 / 0 / 43

HEX #404D92

RGB 64 77 146

HSL 230.49, 0.39%, 0.41%

LAB 34.95, 16.09, -39.8

 

CMYK 63 / 54 / 0 / 50

HEX #2F3B7F

RGB 47 59 127

HSL 231, 0.46%, 0.34%

LAB 27.48, 17.77, -40.13

 

CMYK 72 / 62 / 0 / 58

HEX #1E296C

RGB 30 41 108

HSL 231.54, 0.57%, 0.27%

LAB 19.82, 20.03, -40.47

 

CMYK 48 / 39 / 0 / 28

HEX #606FB7

RGB 96 111 183

HSL 229.66, 0.38%, 0.55%

LAB 48.6, 14.17, -39.9

 

CMYK 43 / 48 / 0 / 28

HEX #6860B7

RGB 104 96 183

HSL 245.52, 0.38%, 0.55%

LAB 45.26, 25.4, -45.18

 

CMYK 30 / 48 / 0 / 28

HEX #8060B7

RGB 128 96 183

HSL 262.07, 0.38%, 0.55%

LAB 47.46, 31.74, -41.54

 

CMYK 17 / 48 / 0 / 28

HEX #9760B7

RGB 151 96 183

HSL 277.93, 0.38%, 0.55%

LAB 49.93, 38.25, -37.47

 

CMYK 4 / 48 / 0 / 28

HEX #AF60B7

RGB 175 96 183

HSL 294.48, 0.38%, 0.55%

LAB 52.84, 45.26, -32.71

 

CMYK 48 / 39 / 0 / 28

HEX #606FB7

RGB 96 111 183

HSL 229.66, 0.38%, 0.55%

LAB 48.6, 14.17, -39.9

 

CMYK 48 / 48 / 0 / 28

HEX #6060B7

RGB 96 96 183

HSL 240, 0.38%, 0.55%

LAB 44.62, 23.45, -46.24

 

CMYK 48 / 39 / 0 / 28

HEX #606FB7

RGB 96 111 183

HSL 229.66, 0.38%, 0.55%

LAB 48.6, 14.17, -39.9

 

CMYK 61 / 51 / 0 / 21

HEX #4E63CA

RGB 78 99 202

HSL 229.84, 0.54%, 0.55%

LAB 45.37, 24.01, -56.1

 

CMYK 73 / 60 / 0 / 14

HEX #3B57DC

RGB 59 87 220

HSL 229.57, 0.7%, 0.55%

LAB 42.63, 35.1, -70.9

 

CMYK 83 / 69 / 0 / 6

HEX #284BEF

RGB 40 75 239

HSL 229.45, 0.86%, 0.55%

LAB 40.76, 47.55, -84.78

 

CMYK 48 / 39 / 0 / 28

HEX #606FB7

RGB 96 111 183

HSL 229.66, 0.38%, 0.55%

LAB 48.6, 14.17, -39.9

 

CMYK 30 / 25 / 0 / 35

HEX #737BA5

RGB 115 123 165

HSL 230.4, 0.22%, 0.55%

LAB 52.43, 7.06, -23.39

 

CMYK 9 / 7 / 0 / 43

HEX #858892

RGB 133 136 146

HSL 226.15, 0.06%, 0.55%

LAB 56.75, 0.96, -5.72

 

CMYK 0 / 3 / 16 / 40

HEX #989480

RGB 152 148 128

HSL 50, 0.1%, 0.55%

LAB 61.15, -2.08, 11.11

 

CMYK 0 / 6 / 36 / 33

HEX #AAA06D

RGB 170 160 109

HSL 50.16, 0.26%, 0.55%

LAB 65.59, -4.16, 27.93

 

CMYK 48 / 13 / 0 / 28

HEX #609FB7

RGB 96 159 183

HSL 196.55, 0.38%, 0.55%

LAB 62.26, -13.7, -18.72

 

CMYK 48 / 26 / 0 / 28

HEX #6087B7

RGB 96 135 183

HSL 213.1, 0.38%, 0.55%

LAB 55.31, -0.22, -29.39

 

CMYK 48 / 39 / 0 / 28

HEX #6070B7

RGB 96 112 183

HSL 228.97, 0.38%, 0.55%

LAB 48.88, 13.56, -39.47

 

CMYK 44 / 48 / 0 / 28

HEX #6760B7

RGB 103 96 183

HSL 244.83, 0.38%, 0.55%

LAB 45.18, 25.15, -45.31

 

CMYK 31 / 48 / 0 / 28

HEX #7F60B7

RGB 127 96 183

HSL 261.38, 0.38%, 0.55%

LAB 47.36, 31.46, -41.71

 

CMYK 55 / 46 / 0 / 47

HEX #3D4A88

RGB 61 74 136

HSL 229.6, 0.38%, 0.39%

LAB 33.28, 13.93, -36.36

 

CMYK 55 / 45 / 0 / 35

HEX #4A5AA5

RGB 74 90 165

HSL 229.45, 0.38%, 0.47%

LAB 40.39, 16.36, -42.49

 

CMYK 48 / 39 / 0 / 28

HEX #606FB7

RGB 96 111 183

HSL 229.66, 0.38%, 0.55%

LAB 48.6, 14.17, -39.9

 

CMYK 36 / 30 / 0 / 23

HEX #7D89C4

RGB 125 137 196

HSL 229.86, 0.38%, 0.63%

LAB 58.26, 10.07, -32.06

 

CMYK 27 / 22 / 0 / 18

HEX #99A3D1

RGB 153 163 209

HSL 229.29, 0.38%, 0.71%

LAB 67.7, 6.72, -24.59

 

CMYK 47 / 39 / 0 / 28

HEX #6271B8

RGB 98 113 184

HSL 229.53, 0.38%, 0.55%

LAB 49.34, 13.75, -39.32

 

CMYK 0 / 48 / 1 / 28

HEX #B760B6

RGB 183 96 182

HSL 300.69, 0.38%, 0.55%

LAB 53.83, 47.42, -30.52

 

CMYK 20 / 0 / 48 / 28

HEX #93B760

RGB 147 183 96

HSL 84.83, 0.38%, 0.55%

LAB 70.12, -26.73, 40.1

 

CMYK 47 / 39 / 0 / 28

HEX #6271B8

RGB 98 113 184

HSL 229.53, 0.38%, 0.55%

LAB 49.34, 13.75, -39.32

 

CMYK 0 / 48 / 39 / 28

HEX #B76070

RGB 183 96 112

HSL 348.97, 0.38%, 0.55%

LAB 51.39, 36.75, 7.01

 

CMYK 39 / 0 / 48 / 28

HEX #70B760

RGB 112 183 96

HSL 108.97, 0.38%, 0.55%

LAB 68.14, -39.22, 37.21

 

CMYK 47 / 39 / 0 / 28

HEX #6271B8

RGB 98 113 184

HSL 229.53, 0.38%, 0.55%

LAB 49.34, 13.75, -39.32

 

CMYK 0 / 48 / 1 / 28

HEX #B760B6

RGB 183 96 182

HSL 300.69, 0.38%, 0.55%

LAB 53.83, 47.42, -30.52

 

CMYK 0 / 9 / 48 / 28

HEX #B7A760

RGB 183 167 96

HSL 48.97, 0.38%, 0.55%

LAB 68.42, -3.95, 38.63

 

CMYK 48 / 0 / 46 / 28

HEX #60B762

RGB 96 183 98

HSL 121.38, 0.38%, 0.55%

LAB 67.45, -43.85, 35.19

 

CMYK 47 / 39 / 0 / 28

HEX #6271B8

RGB 98 113 184

HSL 229.53, 0.38%, 0.55%

LAB 49.34, 13.75, -39.32

 

CMYK 0 / 48 / 15 / 28

HEX #B7609C

RGB 183 96 156

HSL 318.62, 0.38%, 0.55%

LAB 52.77, 42.93, -17

 

CMYK 0 / 9 / 48 / 28

HEX #B7A760

RGB 183 167 96

HSL 48.97, 0.38%, 0.55%

LAB 68.42, -3.95, 38.63

 

CMYK 48 / 0 / 32 / 28

HEX #60B77C

RGB 96 183 124

HSL 139.31, 0.38%, 0.55%

LAB 67.88, -39.51, 22.11

 

Description

Color code: HEX #6271B8 | qconv.com Color code: HEX #6271B8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 113 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 113 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, 39 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 39% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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