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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #627AA6 it is the complementary color #9D8559. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #627AA6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #627AA6 shade: #677AA1, #788CB4, #899EC7, #9AB0DA and #ABC2ED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #627AA6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #627AA6 shade: #627AA6, #516893, #405680, #2F446D and #1E325A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #627AA6 shade: #627AA6, #6268A6, #6F62A6, #8162A6 and #9462A6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #627AA6 shade: #627AA6, #6268A6 and #6262A6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #627AA6 shade matches the following richer shades: #627AA6, #4E74BA, #3A6ECE, #2669E2 and #1363F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #627AA6 shade: #627AA6, #768093, #89867F, #9D8B6B and #B19157

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #627AA6 shade: #62A0A6, #628DA6, #627BA6, #6269A6 and #6D62A6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #627AA6 shade: #415374, #50668F, #627AA6, #7C90B5 and #97A7C4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #627AA6 shade: #627AA6, #9B62A6 and #96A662

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #627AA6 shade: #627AA6, #A6627B and #7BA662

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #627AA6 shade: #627AA6, #9B62A6, #A68D62 and #6DA662

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #627AA6 shade: #627AA6, #A6629D, #A68D62 and #62A66B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 27 / 0 / 35

HEX #627AA6

RGB 98 122 166

HSL 218.82, 0.28%, 0.52%

LAB 51, 2.94, -26.28

 

Complementary color

CMYK 0 / 15 / 43 / 38

HEX #9D8559

RGB 157 133 89

HSL 38.82, 0.28%, 0.48%

LAB 56.75, 2.88, 27.09

 

CMYK 36 / 24 / 0 / 37

HEX #677AA1

RGB 103 122 161

HSL 220.34, 0.24%, 0.52%

LAB 51.12, 2.95, -23.15

 

CMYK 33 / 22 / 0 / 29

HEX #788CB4

RGB 120 140 180

HSL 220, 0.29%, 0.59%

LAB 58.08, 2.59, -23.29

 

CMYK 31 / 21 / 0 / 22

HEX #899EC7

RGB 137 158 199

HSL 219.68, 0.36%, 0.66%

LAB 64.88, 2.28, -23.46

 

CMYK 29 / 19 / 0 / 15

HEX #9AB0DA

RGB 154 176 218

HSL 219.38, 0.46%, 0.73%

LAB 71.54, 2, -23.66

 

CMYK 28 / 18 / 0 / 7

HEX #ABC2ED

RGB 171 194 237

HSL 219.09, 0.65%, 0.8%

LAB 78.08, 1.75, -23.88

 

CMYK 41 / 27 / 0 / 35

HEX #627AA6

RGB 98 122 166

HSL 218.82, 0.28%, 0.52%

LAB 51, 2.94, -26.28

 

CMYK 45 / 29 / 0 / 42

HEX #516893

RGB 81 104 147

HSL 219.09, 0.29%, 0.45%

LAB 43.88, 3.47, -26.23

 

CMYK 50 / 33 / 0 / 50

HEX #405680

RGB 64 86 128

HSL 219.38, 0.33%, 0.38%

LAB 36.56, 4.15, -26.24

 

CMYK 57 / 38 / 0 / 57

HEX #2F446D

RGB 47 68 109

HSL 219.68, 0.4%, 0.31%

LAB 29.01, 5.07, -26.32

 

CMYK 67 / 44 / 0 / 65

HEX #1E325A

RGB 30 50 90

HSL 220, 0.5%, 0.24%

LAB 21.19, 6.38, -26.48

 

CMYK 41 / 27 / 0 / 35

HEX #627AA6

RGB 98 122 166

HSL 218.82, 0.28%, 0.52%

LAB 51, 2.94, -26.28

 

CMYK 41 / 37 / 0 / 35

HEX #6268A6

RGB 98 104 166

HSL 234.71, 0.28%, 0.52%

LAB 45.98, 13.86, -34.12

 

CMYK 33 / 41 / 0 / 35

HEX #6F62A6

RGB 111 98 166

HSL 251.47, 0.28%, 0.52%

LAB 45.45, 21.21, -34.87

 

CMYK 22 / 41 / 0 / 35

HEX #8162A6

RGB 129 98 166

HSL 267.35, 0.28%, 0.52%

LAB 47.18, 26.57, -32.04

 

CMYK 11 / 41 / 0 / 35

HEX #9462A6

RGB 148 98 166

HSL 284.12, 0.28%, 0.52%

LAB 49.23, 32.48, -28.68

 

CMYK 41 / 27 / 0 / 35

HEX #627AA6

RGB 98 122 166

HSL 218.82, 0.28%, 0.52%

LAB 51, 2.94, -26.28

 

CMYK 41 / 37 / 0 / 35

HEX #6268A6

RGB 98 104 166

HSL 234.71, 0.28%, 0.52%

LAB 45.98, 13.86, -34.12

 

CMYK 41 / 41 / 0 / 35

HEX #6262A6

RGB 98 98 166

HSL 240, 0.28%, 0.52%

LAB 44.35, 17.57, -36.67

 

CMYK 41 / 27 / 0 / 35

HEX #627AA6

RGB 98 122 166

HSL 218.82, 0.28%, 0.52%

LAB 51, 2.94, -26.28

 

CMYK 58 / 38 / 0 / 27

HEX #4E74BA

RGB 78 116 186

HSL 218.89, 0.44%, 0.52%

LAB 49.08, 7.96, -40.96

 

CMYK 72 / 47 / 0 / 19

HEX #3A6ECE

RGB 58 110 206

HSL 218.92, 0.6%, 0.52%

LAB 47.63, 15.28, -54.81

 

CMYK 83 / 54 / 0 / 11

HEX #2669E2

RGB 38 105 226

HSL 218.62, 0.76%, 0.52%

LAB 46.98, 23.81, -67.26

 

CMYK 92 / 60 / 0 / 4

HEX #1363F6

RGB 19 99 246

HSL 218.85, 0.93%, 0.52%

LAB 46.6, 34.19, -79.14

 

CMYK 41 / 27 / 0 / 35

HEX #627AA6

RGB 98 122 166

HSL 218.82, 0.28%, 0.52%

LAB 51, 2.94, -26.28

 

CMYK 20 / 13 / 0 / 42

HEX #768093

RGB 118 128 147

HSL 219.31, 0.12%, 0.52%

LAB 53.38, 0.59, -11.46

 

CMYK 0 / 2 / 7 / 46

HEX #89867F

RGB 137 134 127

HSL 42, 0.04%, 0.52%

LAB 55.99, -0.2, 4.15

 

CMYK 0 / 11 / 32 / 38

HEX #9D8B6B

RGB 157 139 107

HSL 38.4, 0.2%, 0.52%

LAB 58.69, 1.76, 19.62

 

CMYK 0 / 18 / 51 / 31

HEX #B19157

RGB 177 145 87

HSL 38.67, 0.37%, 0.52%

LAB 61.9, 4.57, 35.12

 

CMYK 41 / 4 / 0 / 35

HEX #62A0A6

RGB 98 160 166

HSL 185.29, 0.28%, 0.52%

LAB 62.08, -18.37, -9.42

 

CMYK 41 / 15 / 0 / 35

HEX #628DA6

RGB 98 141 166

HSL 202.06, 0.28%, 0.52%

LAB 56.49, -8.05, -17.85

 

CMYK 41 / 26 / 0 / 35

HEX #627BA6

RGB 98 123 166

HSL 217.94, 0.28%, 0.52%

LAB 51.29, 2.35, -25.83

 

CMYK 41 / 37 / 0 / 35

HEX #6269A6

RGB 98 105 166

HSL 233.82, 0.28%, 0.52%

LAB 46.25, 13.24, -33.69

 

CMYK 34 / 41 / 0 / 35

HEX #6D62A6

RGB 109 98 166

HSL 249.71, 0.28%, 0.52%

LAB 45.28, 20.64, -35.16

 

CMYK 44 / 28 / 0 / 55

HEX #415374

RGB 65 83 116

HSL 218.82, 0.28%, 0.35%

LAB 35.15, 2.49, -21.04

 

CMYK 44 / 29 / 0 / 44

HEX #50668F

RGB 80 102 143

HSL 219.05, 0.28%, 0.44%

LAB 43.05, 3.2, -25.14

 

CMYK 41 / 27 / 0 / 35

HEX #627AA6

RGB 98 122 166

HSL 218.82, 0.28%, 0.52%

LAB 51, 2.94, -26.28

 

CMYK 31 / 20 / 0 / 29

HEX #7C90B5

RGB 124 144 181

HSL 218.95, 0.28%, 0.6%

LAB 59.5, 1.74, -21.66

 

CMYK 23 / 15 / 0 / 23

HEX #97A7C4

RGB 151 167 196

HSL 218.67, 0.28%, 0.68%

LAB 68.17, 0.78, -16.7

 

CMYK 41 / 27 / 0 / 35

HEX #627AA6

RGB 98 122 166

HSL 218.82, 0.28%, 0.52%

LAB 51, 2.94, -26.28

 

CMYK 7 / 41 / 0 / 35

HEX #9B62A6

RGB 155 98 166

HSL 290.29, 0.28%, 0.52%

LAB 50.05, 34.69, -27.35

 

CMYK 10 / 0 / 41 / 35

HEX #96A662

RGB 150 166 98

HSL 74.12, 0.28%, 0.52%

LAB 65.47, -16.8, 33.31

 

CMYK 41 / 27 / 0 / 35

HEX #627AA6

RGB 98 122 166

HSL 218.82, 0.28%, 0.52%

LAB 51, 2.94, -26.28

 

CMYK 0 / 41 / 26 / 35

HEX #A6627B

RGB 166 98 123

HSL 337.94, 0.28%, 0.52%

LAB 49.82, 30.84, -2.1

 

CMYK 26 / 0 / 41 / 35

HEX #7BA662

RGB 123 166 98

HSL 97.94, 0.28%, 0.52%

LAB 63.64, -27.22, 30.61

 

CMYK 41 / 27 / 0 / 35

HEX #627AA6

RGB 98 122 166

HSL 218.82, 0.28%, 0.52%

LAB 51, 2.94, -26.28

 

CMYK 7 / 41 / 0 / 35

HEX #9B62A6

RGB 155 98 166

HSL 290.29, 0.28%, 0.52%

LAB 50.05, 34.69, -27.35

 

CMYK 0 / 15 / 41 / 35

HEX #A68D62

RGB 166 141 98

HSL 37.94, 0.28%, 0.52%

LAB 59.92, 3.26, 26.43

 

CMYK 34 / 0 / 41 / 35

HEX #6DA662

RGB 109 166 98

HSL 110.29, 0.28%, 0.52%

LAB 62.85, -32.18, 29.43

 

CMYK 41 / 27 / 0 / 35

HEX #627AA6

RGB 98 122 166

HSL 218.82, 0.28%, 0.52%

LAB 51, 2.94, -26.28

 

CMYK 0 / 41 / 5 / 35

HEX #A6629D

RGB 166 98 157

HSL 307.94, 0.28%, 0.52%

LAB 51.01, 36.49, -20.47

 

CMYK 0 / 15 / 41 / 35

HEX #A68D62

RGB 166 141 98

HSL 37.94, 0.28%, 0.52%

LAB 59.92, 3.26, 26.43

 

CMYK 41 / 0 / 36 / 35

HEX #62A66B

RGB 98 166 107

HSL 127.94, 0.28%, 0.52%

LAB 62.45, -34.31, 23.98

 

Description

Color code: HEX #627AA6 | qconv.com Color code: HEX #627AA6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 122 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 122 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 27 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 27% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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