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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #627C96 it is the complementary color #9D8369. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #627C96. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #627C96 shade: #677C91, #788EA4, #89A0B7, #9AB2CA and #ABC4DD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #627C96. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #627C96 shade: #627C96, #516A83, #405870, #2F465D and #1E344A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #627C96 shade: #627C97, #626E97, #646297, #726297 and #816297

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #627C96 shade: #627C97, #626E97 and #626297

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #627C96 shade matches the following richer shades: #627C97, #4E7CAB, #3A7CBF, #267CD3 and #117CE8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #627C96 shade: #627C97, #767C82, #8B7C6E, #9F7C5A and #B37C46

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #627C96 shade: #629795, #628A97, #627C97, #626E97 and #646297

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #627C96 shade: #425365, #52687E, #627C97, #7A91A8 and #93A6B8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #627C96 shade: #627C96, #876297 and #919762

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #627C96 shade: #627C96, #97627C and #7C9762

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #627C96 shade: #627C96, #876297, #977C62 and #729762

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #627C96 shade: #627C96, #976297, #977C62 and #629762

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 17 / 0 / 41

HEX #627C96

RGB 98 124 150

HSL 210, 0.21%, 0.49%

LAB 50.94, -2.73, -17.05

 

Complementary color

CMYK 0 / 17 / 33 / 38

HEX #9D8369

RGB 157 131 105

HSL 30, 0.21%, 0.51%

LAB 56.51, 5.99, 17.78

 

CMYK 29 / 14 / 0 / 43

HEX #677C91

RGB 103 124 145

HSL 210, 0.17%, 0.49%

LAB 51.09, -2.5, -13.86

 

CMYK 27 / 13 / 0 / 36

HEX #788EA4

RGB 120 142 164

HSL 210, 0.19%, 0.56%

LAB 58.06, -2.65, -14.2

 

CMYK 25 / 13 / 0 / 28

HEX #89A0B7

RGB 137 160 183

HSL 210, 0.24%, 0.63%

LAB 64.87, -2.79, -14.55

 

CMYK 24 / 12 / 0 / 21

HEX #9AB2CA

RGB 154 178 202

HSL 210, 0.31%, 0.7%

LAB 71.54, -2.91, -14.9

 

CMYK 23 / 11 / 0 / 13

HEX #ABC4DD

RGB 171 196 221

HSL 210, 0.42%, 0.77%

LAB 78.09, -3.03, -15.27

 

CMYK 35 / 17 / 0 / 41

HEX #627C96

RGB 98 124 150

HSL 210, 0.21%, 0.49%

LAB 50.94, -2.73, -17.05

 

CMYK 38 / 19 / 0 / 49

HEX #516A83

RGB 81 106 131

HSL 210, 0.24%, 0.42%

LAB 43.79, -2.49, -16.79

 

CMYK 43 / 21 / 0 / 56

HEX #405870

RGB 64 88 112

HSL 210, 0.27%, 0.35%

LAB 36.44, -2.19, -16.56

 

CMYK 49 / 25 / 0 / 64

HEX #2F465D

RGB 47 70 93

HSL 210, 0.33%, 0.27%

LAB 28.84, -1.79, -16.37

 

CMYK 59 / 30 / 0 / 71

HEX #1E344A

RGB 30 52 74

HSL 210, 0.42%, 0.2%

LAB 20.93, -1.17, -16.23

 

CMYK 35 / 18 / 0 / 41

HEX #627C97

RGB 98 124 151

HSL 210.57, 0.21%, 0.49%

LAB 50.97, -2.45, -17.57

 

CMYK 35 / 27 / 0 / 41

HEX #626E97

RGB 98 110 151

HSL 226.42, 0.21%, 0.49%

LAB 46.95, 5.87, -23.75

 

CMYK 34 / 35 / 0 / 41

HEX #646297

RGB 100 98 151

HSL 242.26, 0.21%, 0.49%

LAB 43.77, 13.83, -28.69

 

CMYK 25 / 35 / 0 / 41

HEX #726297

RGB 114 98 151

HSL 258.11, 0.21%, 0.49%

LAB 45.01, 18.16, -26.66

 

CMYK 15 / 35 / 0 / 41

HEX #816297

RGB 129 98 151

HSL 275.09, 0.21%, 0.49%

LAB 46.49, 23.02, -24.24

 

CMYK 35 / 18 / 0 / 41

HEX #627C97

RGB 98 124 151

HSL 210.57, 0.21%, 0.49%

LAB 50.97, -2.45, -17.57

 

CMYK 35 / 27 / 0 / 41

HEX #626E97

RGB 98 110 151

HSL 226.42, 0.21%, 0.49%

LAB 46.95, 5.87, -23.75

 

CMYK 35 / 35 / 0 / 41

HEX #626297

RGB 98 98 151

HSL 240, 0.21%, 0.49%

LAB 43.6, 13.23, -28.96

 

CMYK 35 / 18 / 0 / 41

HEX #627C97

RGB 98 124 151

HSL 210.57, 0.21%, 0.49%

LAB 50.97, -2.45, -17.57

 

CMYK 54 / 27 / 0 / 33

HEX #4E7CAB

RGB 78 124 171

HSL 210.32, 0.37%, 0.49%

LAB 50.66, -1.79, -29.8

 

CMYK 70 / 35 / 0 / 25

HEX #3A7CBF

RGB 58 124 191

HSL 210.23, 0.53%, 0.49%

LAB 50.78, 1.19, -41.2

 

CMYK 82 / 41 / 0 / 17

HEX #267CD3

RGB 38 124 211

HSL 210.17, 0.69%, 0.49%

LAB 51.3, 6.13, -51.81

 

CMYK 93 / 47 / 0 / 9

HEX #117CE8

RGB 17 124 232

HSL 210.14, 0.86%, 0.49%

LAB 52.24, 12.87, -62.14

 

CMYK 35 / 18 / 0 / 41

HEX #627C97

RGB 98 124 151

HSL 210.57, 0.21%, 0.49%

LAB 50.97, -2.45, -17.57

 

CMYK 9 / 5 / 0 / 49

HEX #767C82

RGB 118 124 130

HSL 210, 0.05%, 0.49%

LAB 51.7, -0.96, -4.04

 

CMYK 0 / 11 / 21 / 45

HEX #8B7C6E

RGB 139 124 110

HSL 28.97, 0.12%, 0.49%

LAB 52.98, 3.34, 9.74

 

CMYK 0 / 22 / 43 / 38

HEX #9F7C5A

RGB 159 124 90

HSL 29.57, 0.28%, 0.49%

LAB 54.58, 8.94, 23.74

 

CMYK 0 / 31 / 61 / 30

HEX #B37C46

RGB 179 124 70

HSL 29.72, 0.44%, 0.49%

LAB 56.53, 15.68, 37.62

 

CMYK 35 / 0 / 1 / 41

HEX #629795

RGB 98 151 149

HSL 177.74, 0.21%, 0.49%

LAB 58.88, -17.98, -4.54

 

CMYK 35 / 9 / 0 / 41

HEX #628A97

RGB 98 138 151

HSL 194.72, 0.21%, 0.49%

LAB 55.08, -10.42, -11.35

 

CMYK 35 / 18 / 0 / 41

HEX #627C97

RGB 98 124 151

HSL 210.57, 0.21%, 0.49%

LAB 50.97, -2.45, -17.57

 

CMYK 35 / 27 / 0 / 41

HEX #626E97

RGB 98 110 151

HSL 226.42, 0.21%, 0.49%

LAB 46.95, 5.87, -23.75

 

CMYK 34 / 35 / 0 / 41

HEX #646297

RGB 100 98 151

HSL 242.26, 0.21%, 0.49%

LAB 43.77, 13.83, -28.69

 

CMYK 35 / 18 / 0 / 60

HEX #425365

RGB 66 83 101

HSL 210.86, 0.21%, 0.33%

LAB 34.57, -1.72, -12.56

 

CMYK 35 / 17 / 0 / 51

HEX #52687E

RGB 82 104 126

HSL 210, 0.21%, 0.41%

LAB 43.06, -2.4, -14.89

 

CMYK 35 / 18 / 0 / 41

HEX #627C97

RGB 98 124 151

HSL 210.57, 0.21%, 0.49%

LAB 50.97, -2.45, -17.57

 

CMYK 27 / 14 / 0 / 34

HEX #7A91A8

RGB 122 145 168

HSL 210, 0.21%, 0.57%

LAB 59.17, -2.73, -14.78

 

CMYK 20 / 10 / 0 / 28

HEX #93A6B8

RGB 147 166 184

HSL 209.19, 0.21%, 0.65%

LAB 67.23, -2.7, -11.49

 

CMYK 35 / 17 / 0 / 41

HEX #627C96

RGB 98 124 150

HSL 210, 0.21%, 0.49%

LAB 50.94, -2.73, -17.05

 

CMYK 11 / 35 / 0 / 41

HEX #876297

RGB 135 98 151

HSL 281.89, 0.21%, 0.49%

LAB 47.13, 25, -23.2

 

CMYK 4 / 0 / 35 / 41

HEX #919762

RGB 145 151 98

HSL 66.79, 0.21%, 0.49%

LAB 60.81, -10.95, 27.24

 

CMYK 35 / 17 / 0 / 41

HEX #627C96

RGB 98 124 150

HSL 210, 0.21%, 0.49%

LAB 50.94, -2.73, -17.05

 

CMYK 0 / 35 / 18 / 41

HEX #97627C

RGB 151 98 124

HSL 330.57, 0.21%, 0.49%

LAB 47.97, 25.43, -5.65

 

CMYK 18 / 0 / 35 / 41

HEX #7C9762

RGB 124 151 98

HSL 90.57, 0.21%, 0.49%

LAB 59.25, -19.31, 24.9

 

CMYK 35 / 17 / 0 / 41

HEX #627C96

RGB 98 124 150

HSL 210, 0.21%, 0.49%

LAB 50.94, -2.73, -17.05

 

CMYK 11 / 35 / 0 / 41

HEX #876297

RGB 135 98 151

HSL 281.89, 0.21%, 0.49%

LAB 47.13, 25, -23.2

 

CMYK 0 / 18 / 35 / 41

HEX #977C62

RGB 151 124 98

HSL 29.43, 0.21%, 0.49%

LAB 53.9, 6.53, 18.12

 

CMYK 25 / 0 / 35 / 41

HEX #729762

RGB 114 151 98

HSL 101.89, 0.21%, 0.49%

LAB 58.6, -23.1, 23.91

 

CMYK 35 / 17 / 0 / 41

HEX #627C96

RGB 98 124 150

HSL 210, 0.21%, 0.49%

LAB 50.94, -2.73, -17.05

 

CMYK 0 / 35 / 0 / 41

HEX #976297

RGB 151 98 151

HSL 300, 0.21%, 0.49%

LAB 48.94, 30.36, -20.26

 

CMYK 0 / 18 / 35 / 41

HEX #977C62

RGB 151 124 98

HSL 29.43, 0.21%, 0.49%

LAB 53.9, 6.53, 18.12

 

CMYK 35 / 0 / 35 / 41

HEX #629762

RGB 98 151 98

HSL 120, 0.21%, 0.49%

LAB 57.67, -28.77, 22.51

 

Description

Color code: HEX #627C96 | qconv.com Color code: HEX #627C96 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 124 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 124 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 17 magenta, none yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 17% 0% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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