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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #627DC0 it is the complementary color #9D823F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #627DC0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #627DC0 shade: #677DBB, #788FCE, #89A1E1, #9AB3F4 and #ABC5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #627DC0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #627DC0 shade: #627DC0, #516BAD, #40599A, #2F4787 and #1E3574

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #627DC0 shade: #627DC0, #6263C0, #7962C0, #9362C0 and #AC62C0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #627DC0 shade: #627DC0, #6263C0 and #6262C0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #627DC0 shade matches the following richer shades: #627DC0, #5075D2, #3E6EE3 and #2C66F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #627DC0 shade: #627DC0, #7384AE, #858C9D, #97938B and #A99B79

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #627DC0 shade: #62B0C0, #6297C0, #627EC0, #6265C0 and #7862C0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #627DC0 shade: #3B5594, #4765B2, #627DC0, #7F95CC and #9DAED8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #627DC0 shade: #627DC0, #B762C0 and #A4C062

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #627DC0 shade: #627DC0, #C0627E and #7EC062

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #627DC0 shade: #627DC0, #B762C0, #C0A462 and #6BC062

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #627DC0 shade: #627DC0, #C062AD, #C0A462 and #62C075

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 35 / 0 / 25

HEX #627DC0

RGB 98 125 192

HSL 222.77, 0.43%, 0.57%

LAB 53.03, 8.94, -38.1

 

Complementary color

CMYK 0 / 17 / 60 / 38

HEX #9D823F

RGB 157 130 63

HSL 42.77, 0.43%, 0.43%

LAB 55.58, 2.09, 39.51

 

CMYK 45 / 33 / 0 / 27

HEX #677DBB

RGB 103 125 187

HSL 224.29, 0.38%, 0.57%

LAB 53.1, 8.67, -35.1

 

CMYK 42 / 31 / 0 / 19

HEX #788FCE

RGB 120 143 206

HSL 223.95, 0.47%, 0.64%

LAB 59.97, 8, -35.05

 

CMYK 39 / 28 / 0 / 12

HEX #89A1E1

RGB 137 161 225

HSL 223.64, 0.59%, 0.71%

LAB 66.71, 7.44, -35.05

 

CMYK 37 / 27 / 0 / 4

HEX #9AB3F4

RGB 154 179 244

HSL 223.33, 0.8%, 0.78%

LAB 73.31, 6.96, -35.08

 

CMYK 33 / 23 / 0 / 0

HEX #ABC5FF

RGB 171 197 255

HSL 221.43, 1%, 0.84%

LAB 79.51, 4.52, -31.34

 

CMYK 49 / 35 / 0 / 25

HEX #627DC0

RGB 98 125 192

HSL 222.77, 0.43%, 0.57%

LAB 53.03, 8.94, -38.1

 

CMYK 53 / 38 / 0 / 32

HEX #516BAD

RGB 81 107 173

HSL 223.04, 0.36%, 0.5%

LAB 46.02, 9.87, -38.23

 

CMYK 58 / 42 / 0 / 40

HEX #40599A

RGB 64 89 154

HSL 223.33, 0.41%, 0.43%

LAB 38.84, 11.05, -38.42

 

CMYK 65 / 47 / 0 / 47

HEX #2F4787

RGB 47 71 135

HSL 223.64, 0.48%, 0.36%

LAB 31.49, 12.59, -38.66

 

CMYK 74 / 54 / 0 / 55

HEX #1E3574

RGB 30 53 116

HSL 223.95, 0.59%, 0.29%

LAB 23.94, 14.68, -38.93

 

CMYK 49 / 35 / 0 / 25

HEX #627DC0

RGB 98 125 192

HSL 222.77, 0.43%, 0.57%

LAB 53.03, 8.94, -38.1

 

CMYK 49 / 48 / 0 / 25

HEX #6263C0

RGB 98 99 192

HSL 239.36, 0.43%, 0.57%

LAB 46.08, 24.85, -49.13

 

CMYK 37 / 49 / 0 / 25

HEX #7962C0

RGB 121 98 192

HSL 254.68, 0.43%, 0.57%

LAB 47.76, 31.08, -46.33

 

CMYK 23 / 49 / 0 / 25

HEX #9362C0

RGB 147 98 192

HSL 271.28, 0.43%, 0.57%

LAB 50.39, 38.07, -41.99

 

CMYK 10 / 49 / 0 / 25

HEX #AC62C0

RGB 172 98 192

HSL 287.23, 0.43%, 0.57%

LAB 53.29, 45.13, -37.22

 

CMYK 49 / 35 / 0 / 25

HEX #627DC0

RGB 98 125 192

HSL 222.77, 0.43%, 0.57%

LAB 53.03, 8.94, -38.1

 

CMYK 49 / 48 / 0 / 25

HEX #6263C0

RGB 98 99 192

HSL 239.36, 0.43%, 0.57%

LAB 46.08, 24.85, -49.13

 

CMYK 49 / 49 / 0 / 25

HEX #6262C0

RGB 98 98 192

HSL 240, 0.43%, 0.57%

LAB 45.82, 25.46, -49.53

 

CMYK 49 / 35 / 0 / 25

HEX #627DC0

RGB 98 125 192

HSL 222.77, 0.43%, 0.57%

LAB 53.03, 8.94, -38.1

 

CMYK 62 / 44 / 0 / 18

HEX #5075D2

RGB 80 117 210

HSL 222.92, 0.59%, 0.57%

LAB 50.78, 15.86, -51.98

 

CMYK 73 / 52 / 0 / 11

HEX #3E6EE3

RGB 62 110 227

HSL 222.55, 0.75%, 0.57%

LAB 49.16, 23.46, -64.26

 

CMYK 82 / 58 / 0 / 4

HEX #2C66F5

RGB 44 102 245

HSL 222.69, 0.91%, 0.57%

LAB 47.79, 33.29, -76.61

 

CMYK 49 / 35 / 0 / 25

HEX #627DC0

RGB 98 125 192

HSL 222.77, 0.43%, 0.57%

LAB 53.03, 8.94, -38.1

 

CMYK 34 / 24 / 0 / 32

HEX #7384AE

RGB 115 132 174

HSL 222.71, 0.27%, 0.57%

LAB 55.28, 4.16, -24.19

 

CMYK 15 / 11 / 0 / 38

HEX #858C9D

RGB 133 140 157

HSL 222.5, 0.11%, 0.57%

LAB 58.2, 1.09, -9.88

 

CMYK 0 / 3 / 8 / 41

HEX #97938B

RGB 151 147 139

HSL 40, 0.05%, 0.57%

LAB 61.05, -0.01, 4.75

 

CMYK 0 / 8 / 28 / 34

HEX #A99B79

RGB 169 155 121

HSL 42.5, 0.22%, 0.57%

LAB 64.37, -0.28, 19.72

 

CMYK 49 / 8 / 0 / 25

HEX #62B0C0

RGB 98 176 192

HSL 190.21, 0.43%, 0.57%

LAB 67.62, -19.69, -15.61

 

CMYK 49 / 21 / 0 / 25

HEX #6297C0

RGB 98 151 192

HSL 206.17, 0.43%, 0.57%

LAB 60.37, -6.2, -26.66

 

CMYK 49 / 34 / 0 / 25

HEX #627EC0

RGB 98 126 192

HSL 222.13, 0.43%, 0.57%

LAB 53.3, 8.33, -37.67

 

CMYK 49 / 47 / 0 / 25

HEX #6265C0

RGB 98 101 192

HSL 238.09, 0.43%, 0.57%

LAB 46.59, 23.61, -48.3

 

CMYK 38 / 49 / 0 / 25

HEX #7862C0

RGB 120 98 192

HSL 254.04, 0.43%, 0.57%

LAB 47.67, 30.82, -46.48

 

CMYK 60 / 43 / 0 / 42

HEX #3B5594

RGB 59 85 148

HSL 222.47, 0.43%, 0.41%

LAB 37.05, 10.47, -37.68

 

CMYK 60 / 43 / 0 / 30

HEX #4765B2

RGB 71 101 178

HSL 223.18, 0.43%, 0.49%

LAB 44.03, 13.16, -44.35

 

CMYK 49 / 35 / 0 / 25

HEX #627DC0

RGB 98 125 192

HSL 222.77, 0.43%, 0.57%

LAB 53.03, 8.94, -38.1

 

CMYK 38 / 27 / 0 / 20

HEX #7F95CC

RGB 127 149 204

HSL 222.86, 0.43%, 0.65%

LAB 61.97, 5.86, -30.79

 

CMYK 27 / 19 / 0 / 15

HEX #9DAED8

RGB 157 174 216

HSL 222.71, 0.43%, 0.73%

LAB 71.14, 3.5, -23.15

 

CMYK 49 / 35 / 0 / 25

HEX #627DC0

RGB 98 125 192

HSL 222.77, 0.43%, 0.57%

LAB 53.03, 8.94, -38.1

 

CMYK 5 / 49 / 0 / 25

HEX #B762C0

RGB 183 98 192

HSL 294.26, 0.43%, 0.57%

LAB 54.67, 48.28, -34.96

 

CMYK 15 / 0 / 49 / 25

HEX #A4C062

RGB 164 192 98

HSL 77.87, 0.43%, 0.57%

LAB 73.85, -24.31, 43.93

 

CMYK 49 / 35 / 0 / 25

HEX #627DC0

RGB 98 125 192

HSL 222.77, 0.43%, 0.57%

LAB 53.03, 8.94, -38.1

 

CMYK 0 / 49 / 34 / 25

HEX #C0627E

RGB 192 98 126

HSL 342.13, 0.43%, 0.57%

LAB 53.44, 40.65, 1.82

 

CMYK 34 / 0 / 49 / 25

HEX #7EC062

RGB 126 192 98

HSL 102.13, 0.43%, 0.57%

LAB 71.57, -38.31, 40.61

 

CMYK 49 / 35 / 0 / 25

HEX #627DC0

RGB 98 125 192

HSL 222.77, 0.43%, 0.57%

LAB 53.03, 8.94, -38.1

 

CMYK 5 / 49 / 0 / 25

HEX #B762C0

RGB 183 98 192

HSL 294.26, 0.43%, 0.57%

LAB 54.67, 48.28, -34.96

 

CMYK 0 / 15 / 49 / 25

HEX #C0A462

RGB 192 164 98

HSL 42.13, 0.43%, 0.57%

LAB 68.49, 1.62, 37.87

 

CMYK 44 / 0 / 49 / 25

HEX #6BC062

RGB 107 192 98

HSL 114.26, 0.43%, 0.57%

LAB 70.67, -44.41, 39.31

 

CMYK 49 / 35 / 0 / 25

HEX #627DC0

RGB 98 125 192

HSL 222.77, 0.43%, 0.57%

LAB 53.03, 8.94, -38.1

 

CMYK 0 / 49 / 10 / 25

HEX #C062AD

RGB 192 98 173

HSL 312.13, 0.43%, 0.57%

LAB 55.03, 47.55, -23.35

 

CMYK 0 / 15 / 49 / 25

HEX #C0A462

RGB 192 164 98

HSL 42.13, 0.43%, 0.57%

LAB 68.49, 1.62, 37.87

 

CMYK 49 / 0 / 39 / 25

HEX #62C075

RGB 98 192 117

HSL 132.13, 0.43%, 0.57%

LAB 70.58, -44.11, 29.43

 

Description

Color code: HEX #627DC0 | qconv.com Color code: HEX #627DC0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 125 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 125 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 35 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 35% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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