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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6281DD it is the complementary color #9D7E22. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6281DD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6281DD shade: #6781D8, #7893EB, #89A5FE, #9AB7FF and #ABC9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6281DD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6281DD shade: #6281DD, #516FCA, #405DB7, #2F4BA4 and #1E3991

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6281DD shade: #6482DD, #6664DD, #8664DD, #A764DD and #C864DD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6281DD shade: #6482DD and #6464DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6281DD shade matches the following richer shades: #6482DD, #557BEC and #4573FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6281DD shade: #6482DD, #738ACD, #8291BE, #9299AF and #A1A09F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6281DD shade: #64C4DD, #64A4DD, #6484DD, #6464DD and #8464DD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6281DD shade: #2A51C3, #4267D5, #6482DD, #869DE4 and #A7B9EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6281DD shade: #6281DD, #D464DD and #B4DD64

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6281DD shade: #6281DD, #DD6484 and #84DD64

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6281DD shade: #6281DD, #D464DD, #DDBC64 and #6CDD64

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6281DD shade: #6281DD, #DD64C0, #DDBC64 and #64DD80

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 42 / 0 / 13

HEX #6281DD

RGB 98 129 221

HSL 224.88, 0.64%, 0.63%

LAB 55.6, 15.69, -50.45

 

Complementary color

CMYK 0 / 20 / 78 / 38

HEX #9D7E22

RGB 157 126 34

HSL 44.88, 0.64%, 0.37%

LAB 54.24, 2.6, 51.16

 

CMYK 52 / 40 / 0 / 15

HEX #6781D8

RGB 103 129 216

HSL 226.19, 0.59%, 0.63%

LAB 55.63, 15.17, -47.58

 

CMYK 49 / 37 / 0 / 8

HEX #7893EB

RGB 120 147 235

HSL 225.91, 0.74%, 0.7%

LAB 62.39, 14.16, -47.4

 

CMYK 46 / 35 / 0 / 0

HEX #89A5FE

RGB 137 165 254

HSL 225.64, 0.98%, 0.77%

LAB 69.03, 13.31, -47.27

 

CMYK 40 / 28 / 0 / 0

HEX #9AB7FF

RGB 154 183 255

HSL 222.77, 1%, 0.8%

LAB 74.8, 7.66, -38.71

 

CMYK 33 / 21 / 0 / 0

HEX #ABC9FF

RGB 171 201 255

HSL 218.57, 1%, 0.84%

LAB 80.54, 2.35, -29.75

 

CMYK 56 / 42 / 0 / 13

HEX #6281DD

RGB 98 129 221

HSL 224.88, 0.64%, 0.63%

LAB 55.6, 15.69, -50.45

 

CMYK 60 / 45 / 0 / 21

HEX #516FCA

RGB 81 111 202

HSL 225.12, 0.53%, 0.55%

LAB 48.74, 17.05, -50.69

 

CMYK 65 / 49 / 0 / 28

HEX #405DB7

RGB 64 93 183

HSL 225.38, 0.48%, 0.48%

LAB 41.75, 18.72, -50.95

 

CMYK 71 / 54 / 0 / 36

HEX #2F4BA4

RGB 47 75 164

HSL 225.64, 0.55%, 0.41%

LAB 34.63, 20.82, -51.23

 

CMYK 79 / 61 / 0 / 43

HEX #1E3991

RGB 30 57 145

HSL 225.91, 0.66%, 0.34%

LAB 27.43, 23.49, -51.44

 

CMYK 55 / 41 / 0 / 13

HEX #6482DD

RGB 100 130 221

HSL 225.12, 0.64%, 0.63%

LAB 55.98, 15.5, -49.84

 

CMYK 54 / 55 / 0 / 13

HEX #6664DD

RGB 102 100 221

HSL 240.99, 0.64%, 0.63%

LAB 48.46, 34.13, -61.89

 

CMYK 39 / 55 / 0 / 13

HEX #8664DD

RGB 134 100 221

HSL 256.86, 0.64%, 0.63%

LAB 51.16, 41, -57.41

 

CMYK 24 / 55 / 0 / 13

HEX #A764DD

RGB 167 100 221

HSL 273.22, 0.64%, 0.63%

LAB 54.61, 49.01, -51.69

 

CMYK 10 / 55 / 0 / 13

HEX #C864DD

RGB 200 100 221

HSL 289.59, 0.64%, 0.63%

LAB 58.62, 57.48, -45.08

 

CMYK 55 / 41 / 0 / 13

HEX #6482DD

RGB 100 130 221

HSL 225.12, 0.64%, 0.63%

LAB 55.98, 15.5, -49.84

 

CMYK 55 / 55 / 0 / 13

HEX #6464DD

RGB 100 100 221

HSL 240, 0.64%, 0.63%

LAB 48.32, 33.74, -62.13

 

CMYK 55 / 41 / 0 / 13

HEX #6482DD

RGB 100 130 221

HSL 225.12, 0.64%, 0.63%

LAB 55.98, 15.5, -49.84

 

CMYK 64 / 48 / 0 / 7

HEX #557BEC

RGB 85 123 236

HSL 224.9, 0.8%, 0.63%

LAB 54.19, 21.91, -61.14

 

CMYK 73 / 54 / 0 / 2

HEX #4573FB

RGB 69 115 251

HSL 224.84, 0.96%, 0.63%

LAB 52.39, 29.79, -72.43

 

CMYK 55 / 41 / 0 / 13

HEX #6482DD

RGB 100 130 221

HSL 225.12, 0.64%, 0.63%

LAB 55.98, 15.5, -49.84

 

CMYK 44 / 33 / 0 / 20

HEX #738ACD

RGB 115 138 205

HSL 224.67, 0.47%, 0.63%

LAB 58.25, 9.34, -37.2

 

CMYK 32 / 24 / 0 / 25

HEX #8291BE

RGB 130 145 190

HSL 225, 0.32%, 0.63%

LAB 60.53, 5.29, -25.13

 

CMYK 17 / 13 / 0 / 31

HEX #9299AF

RGB 146 153 175

HSL 225.52, 0.15%, 0.63%

LAB 63.33, 2.16, -12.3

 

CMYK 0 / 1 / 1 / 37

HEX #A1A09F

RGB 161 160 159

HSL 30, 0.01%, 0.63%

LAB 65.92, 0.17, 0.64

 

CMYK 55 / 11 / 0 / 13

HEX #64C4DD

RGB 100 196 221

HSL 192.4, 0.64%, 0.63%

LAB 74.45, -21.38, -21.11

 

CMYK 55 / 26 / 0 / 13

HEX #64A4DD

RGB 100 164 221

HSL 208.26, 0.64%, 0.63%

LAB 65.34, -4.3, -35.12

 

CMYK 55 / 40 / 0 / 13

HEX #6484DD

RGB 100 132 221

HSL 224.13, 0.64%, 0.63%

LAB 56.52, 14.3, -48.99

 

CMYK 55 / 55 / 0 / 13

HEX #6464DD

RGB 100 100 221

HSL 240, 0.64%, 0.63%

LAB 48.32, 33.74, -62.13

 

CMYK 40 / 55 / 0 / 13

HEX #8464DD

RGB 132 100 221

HSL 255.87, 0.64%, 0.63%

LAB 50.97, 40.53, -57.72

 

CMYK 78 / 58 / 0 / 24

HEX #2A51C3

RGB 42 81 195

HSL 224.71, 0.65%, 0.46%

LAB 38.41, 27.95, -63.42

 

CMYK 69 / 52 / 0 / 16

HEX #4267D5

RGB 66 103 213

HSL 224.9, 0.64%, 0.55%

LAB 46.53, 23.38, -60.57

 

CMYK 55 / 41 / 0 / 13

HEX #6482DD

RGB 100 130 221

HSL 225.12, 0.64%, 0.63%

LAB 55.98, 15.5, -49.84

 

CMYK 41 / 31 / 0 / 11

HEX #869DE4

RGB 134 157 228

HSL 225.32, 0.64%, 0.71%

LAB 65.58, 9.76, -38.47

 

CMYK 29 / 21 / 0 / 8

HEX #A7B9EB

RGB 167 185 235

HSL 224.12, 0.63%, 0.79%

LAB 75.4, 5, -26.93

 

CMYK 56 / 42 / 0 / 13

HEX #6281DD

RGB 98 129 221

HSL 224.88, 0.64%, 0.63%

LAB 55.6, 15.69, -50.45

 

CMYK 4 / 55 / 0 / 13

HEX #D464DD

RGB 212 100 221

HSL 295.54, 0.64%, 0.63%

LAB 60.19, 60.61, -42.49

 

CMYK 19 / 0 / 55 / 13

HEX #B4DD64

RGB 180 221 100

HSL 80.33, 0.64%, 0.63%

LAB 83.09, -31.79, 54.18

 

CMYK 56 / 42 / 0 / 13

HEX #6281DD

RGB 98 129 221

HSL 224.88, 0.64%, 0.63%

LAB 55.6, 15.69, -50.45

 

CMYK 0 / 55 / 40 / 13

HEX #DD6484

RGB 221 100 132

HSL 344.13, 0.64%, 0.63%

LAB 58.18, 50.33, 5.68

 

CMYK 40 / 0 / 55 / 13

HEX #84DD64

RGB 132 221 100

HSL 104.13, 0.64%, 0.63%

LAB 80.48, -48.59, 50.47

 

CMYK 56 / 42 / 0 / 13

HEX #6281DD

RGB 98 129 221

HSL 224.88, 0.64%, 0.63%

LAB 55.6, 15.69, -50.45

 

CMYK 4 / 55 / 0 / 13

HEX #D464DD

RGB 212 100 221

HSL 295.54, 0.64%, 0.63%

LAB 60.19, 60.61, -42.49

 

CMYK 0 / 15 / 55 / 13

HEX #DDBC64

RGB 221 188 100

HSL 43.64, 0.64%, 0.63%

LAB 77.44, 1.16, 48.36

 

CMYK 51 / 0 / 55 / 13

HEX #6CDD64

RGB 108 221 100

HSL 116.03, 0.64%, 0.63%

LAB 79.51, -55.57, 49.08

 

CMYK 56 / 42 / 0 / 13

HEX #6281DD

RGB 98 129 221

HSL 224.88, 0.64%, 0.63%

LAB 55.6, 15.69, -50.45

 

CMYK 0 / 55 / 13 / 13

HEX #DD64C0

RGB 221 100 192

HSL 314.38, 0.64%, 0.63%

LAB 60.15, 58.23, -26.05

 

CMYK 0 / 15 / 55 / 13

HEX #DDBC64

RGB 221 188 100

HSL 43.64, 0.64%, 0.63%

LAB 77.44, 1.16, 48.36

 

CMYK 55 / 0 / 42 / 13

HEX #64DD80

RGB 100 221 128

HSL 133.88, 0.64%, 0.63%

LAB 79.6, -53.67, 35.59

 

Description

Color code: HEX #6281DD | qconv.com Color code: HEX #6281DD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 129 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 129 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 42 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 42% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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