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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6282D0 it is the complementary color #9D7D2F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6282D0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6282D0 shade: #6782CB, #7894DE, #89A6F1, #9AB8FF and #ABCAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6282D0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6282D0 shade: #6282D0, #5170BD, #405EAA, #2F4C97 and #1E3A84

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6282D0 shade: #6181D0, #6164D0, #7D61D0, #9B61D0 and #B861D0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6282D0 shade: #6181D0, #6164D0 and #6161D0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6282D0 shade matches the following richer shades: #6181D0, #517BE0 and #4074F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6282D0 shade: #6181D0, #7288BF, #828FAF, #93969E and #A39D8E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6282D0 shade: #61BDD0, #61A0D0, #6182D0, #6165D0 and #7B61D0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6282D0 shade: #3356AC, #4268C6, #6181D0, #819BD9 and #A1B4E3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6282D0 shade: #6282D0, #C561D0 and #AFD061

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6282D0 shade: #6282D0, #D06182 and #82D061

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6282D0 shade: #6282D0, #C561D0, #D0AF61 and #6CD061

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6282D0 shade: #6282D0, #D061BA, #D0AF61 and #61D077

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 38 / 0 / 18

HEX #6282D0

RGB 98 130 208

HSL 222.55, 0.54%, 0.6%

LAB 55.19, 10.94, -43.78

 

Complementary color

CMYK 0 / 20 / 70 / 38

HEX #9D7D2F

RGB 157 125 47

HSL 42.55, 0.54%, 0.4%

LAB 54.07, 3.81, 45.57

 

CMYK 49 / 36 / 0 / 20

HEX #6782CB

RGB 103 130 203

HSL 223.8, 0.49%, 0.6%

LAB 55.24, 10.53, -40.86

 

CMYK 46 / 33 / 0 / 13

HEX #7894DE

RGB 120 148 222

HSL 223.53, 0.61%, 0.67%

LAB 62.04, 9.72, -40.76

 

CMYK 43 / 31 / 0 / 5

HEX #89A6F1

RGB 137 166 241

HSL 223.27, 0.79%, 0.74%

LAB 68.71, 9.04, -40.69

 

CMYK 40 / 28 / 0 / 0

HEX #9AB8FF

RGB 154 184 255

HSL 222.18, 1%, 0.8%

LAB 75.06, 7.1, -38.3

 

CMYK 33 / 21 / 0 / 0

HEX #ABCAFF

RGB 171 202 255

HSL 217.86, 1%, 0.84%

LAB 80.8, 1.82, -29.35

 

CMYK 53 / 38 / 0 / 18

HEX #6282D0

RGB 98 130 208

HSL 222.55, 0.54%, 0.6%

LAB 55.19, 10.94, -43.78

 

CMYK 57 / 41 / 0 / 26

HEX #5170BD

RGB 81 112 189

HSL 222.78, 0.45%, 0.53%

LAB 48.27, 12.05, -43.95

 

CMYK 62 / 45 / 0 / 33

HEX #405EAA

RGB 64 94 170

HSL 223.02, 0.45%, 0.46%

LAB 41.21, 13.45, -44.17

 

CMYK 69 / 50 / 0 / 41

HEX #2F4C97

RGB 47 76 151

HSL 223.27, 0.53%, 0.39%

LAB 34, 15.24, -44.41

 

CMYK 77 / 56 / 0 / 48

HEX #1E3A84

RGB 30 58 132

HSL 223.53, 0.63%, 0.32%

LAB 26.64, 17.61, -44.65

 

CMYK 53 / 38 / 0 / 18

HEX #6181D0

RGB 97 129 208

HSL 222.7, 0.54%, 0.6%

LAB 54.86, 11.32, -44.31

 

CMYK 53 / 52 / 0 / 18

HEX #6164D0

RGB 97 100 208

HSL 238.38, 0.54%, 0.6%

LAB 47.25, 29.03, -56.46

 

CMYK 40 / 53 / 0 / 18

HEX #7D61D0

RGB 125 97 208

HSL 255.14, 0.54%, 0.6%

LAB 48.84, 37.07, -53.78

 

CMYK 25 / 53 / 0 / 18

HEX #9B61D0

RGB 155 97 208

HSL 271.35, 0.54%, 0.6%

LAB 51.92, 44.54, -48.68

 

CMYK 12 / 53 / 0 / 18

HEX #B861D0

RGB 184 97 208

HSL 287.03, 0.54%, 0.6%

LAB 55.37, 52.19, -42.98

 

CMYK 53 / 38 / 0 / 18

HEX #6181D0

RGB 97 129 208

HSL 222.7, 0.54%, 0.6%

LAB 54.86, 11.32, -44.31

 

CMYK 53 / 52 / 0 / 18

HEX #6164D0

RGB 97 100 208

HSL 238.38, 0.54%, 0.6%

LAB 47.25, 29.03, -56.46

 

CMYK 53 / 53 / 0 / 18

HEX #6161D0

RGB 97 97 208

HSL 240, 0.54%, 0.6%

LAB 46.51, 30.87, -57.65

 

CMYK 53 / 38 / 0 / 18

HEX #6181D0

RGB 97 129 208

HSL 222.7, 0.54%, 0.6%

LAB 54.86, 11.32, -44.31

 

CMYK 64 / 45 / 0 / 12

HEX #517BE0

RGB 81 123 224

HSL 222.38, 0.7%, 0.6%

LAB 53.27, 17.13, -55.9

 

CMYK 73 / 52 / 0 / 5

HEX #4074F1

RGB 64 116 241

HSL 222.37, 0.86%, 0.6%

LAB 51.76, 25, -67.9

 

CMYK 53 / 38 / 0 / 18

HEX #6181D0

RGB 97 129 208

HSL 222.7, 0.54%, 0.6%

LAB 54.86, 11.32, -44.31

 

CMYK 40 / 29 / 0 / 25

HEX #7288BF

RGB 114 136 191

HSL 222.86, 0.38%, 0.6%

LAB 57.02, 6.23, -31.21

 

CMYK 26 / 18 / 0 / 31

HEX #828FAF

RGB 130 143 175

HSL 222.67, 0.22%, 0.6%

LAB 59.42, 2.64, -18.33

 

CMYK 7 / 5 / 0 / 38

HEX #93969E

RGB 147 150 158

HSL 223.64, 0.05%, 0.6%

LAB 62.07, 0.53, -4.58

 

CMYK 0 / 4 / 13 / 36

HEX #A39D8E

RGB 163 157 142

HSL 42.86, 0.1%, 0.6%

LAB 64.85, -0.48, 8.62

 

CMYK 53 / 9 / 0 / 18

HEX #61BDD0

RGB 97 189 208

HSL 190.27, 0.54%, 0.6%

LAB 71.89, -22.11, -17.95

 

CMYK 53 / 23 / 0 / 18

HEX #61A0D0

RGB 97 160 208

HSL 205.95, 0.54%, 0.6%

LAB 63.54, -6.67, -30.73

 

CMYK 53 / 38 / 0 / 18

HEX #6182D0

RGB 97 130 208

HSL 222.16, 0.54%, 0.6%

LAB 55.13, 10.71, -43.87

 

CMYK 53 / 51 / 0 / 18

HEX #6165D0

RGB 97 101 208

HSL 237.84, 0.54%, 0.6%

LAB 47.5, 28.42, -56.05

 

CMYK 41 / 53 / 0 / 18

HEX #7B61D0

RGB 123 97 208

HSL 254.05, 0.54%, 0.6%

LAB 48.65, 36.59, -54.08

 

CMYK 70 / 50 / 0 / 33

HEX #3356AC

RGB 51 86 172

HSL 222.64, 0.54%, 0.44%

LAB 38.44, 17.14, -49.83

 

CMYK 67 / 47 / 0 / 22

HEX #4268C6

RGB 66 104 198

HSL 222.73, 0.54%, 0.52%

LAB 45.82, 17.39, -53.11

 

CMYK 53 / 38 / 0 / 18

HEX #6181D0

RGB 97 129 208

HSL 222.7, 0.54%, 0.6%

LAB 54.86, 11.32, -44.31

 

CMYK 41 / 29 / 0 / 15

HEX #819BD9

RGB 129 155 217

HSL 222.27, 0.54%, 0.68%

LAB 64.26, 6.54, -34.47

 

CMYK 29 / 21 / 0 / 11

HEX #A1B4E3

RGB 161 180 227

HSL 222.73, 0.54%, 0.76%

LAB 73.39, 4.05, -25.7

 

CMYK 53 / 38 / 0 / 18

HEX #6282D0

RGB 98 130 208

HSL 222.55, 0.54%, 0.6%

LAB 55.19, 10.94, -43.78

 

CMYK 5 / 53 / 0 / 18

HEX #C561D0

RGB 197 97 208

HSL 294.05, 0.54%, 0.6%

LAB 57.05, 55.68, -40.23

 

CMYK 16 / 0 / 53 / 18

HEX #AFD061

RGB 175 208 97

HSL 77.84, 0.54%, 0.6%

LAB 79.09, -27.86, 50.82

 

CMYK 53 / 38 / 0 / 18

HEX #6282D0

RGB 98 130 208

HSL 222.55, 0.54%, 0.6%

LAB 55.19, 10.94, -43.78

 

CMYK 0 / 53 / 38 / 18

HEX #D06182

RGB 208 97 130

HSL 342.16, 0.54%, 0.6%

LAB 55.66, 47.17, 2.97

 

CMYK 38 / 0 / 53 / 18

HEX #82D061

RGB 130 208 97

HSL 102.16, 0.54%, 0.6%

LAB 76.51, -44.09, 47.13

 

CMYK 53 / 38 / 0 / 18

HEX #6282D0

RGB 98 130 208

HSL 222.55, 0.54%, 0.6%

LAB 55.19, 10.94, -43.78

 

CMYK 5 / 53 / 0 / 18

HEX #C561D0

RGB 197 97 208

HSL 294.05, 0.54%, 0.6%

LAB 57.05, 55.68, -40.23

 

CMYK 0 / 16 / 53 / 18

HEX #D0AF61

RGB 208 175 97

HSL 42.16, 0.54%, 0.6%

LAB 72.85, 2.35, 44.05

 

CMYK 48 / 0 / 53 / 18

HEX #6CD061

RGB 108 208 97

HSL 114.05, 0.54%, 0.6%

LAB 75.55, -50.83, 45.75

 

CMYK 53 / 38 / 0 / 18

HEX #6282D0

RGB 98 130 208

HSL 222.55, 0.54%, 0.6%

LAB 55.19, 10.94, -43.78

 

CMYK 0 / 53 / 11 / 18

HEX #D061BA

RGB 208 97 186

HSL 311.89, 0.54%, 0.6%

LAB 57.56, 54.94, -26.76

 

CMYK 0 / 16 / 53 / 18

HEX #D0AF61

RGB 208 175 97

HSL 42.16, 0.54%, 0.6%

LAB 72.85, 2.35, 44.05

 

CMYK 53 / 0 / 43 / 18

HEX #61D077

RGB 97 208 119

HSL 131.89, 0.54%, 0.6%

LAB 75.44, -50.66, 34.73

 

Description

Color code: HEX #6282D0 | qconv.com Color code: HEX #6282D0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 130 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 130 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 38 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 38% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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