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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #628A13 it is the complementary color #9D75EC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #628A13. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #628A13 shade: #678A0E, #789C21, #89AE34, #9AC047 and #ABD25A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #628A13. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #628A13 shade: #628A13, #517800, #406600, #2F5400 and #1E4200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #628A13 shade: #628B12, #838B12, #8B7212, #8B5212 and #8B3112

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #628A13 shade: #628B12, #428B12, #218B12, #128B24 and #128B44

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #628A13 shade matches the following richer shades: #628B12 and #669706

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #628A13 shade: #628B12, #5E7E1F, #5A712C, #566439 and #515746

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #628A13 shade: #8B7312, #838B12, #638B12, #438B12 and #228B12

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #628A13 shade: #2F4209, #48660E, #628B12, #7CAF17 and #96D31C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #628A13 shade: #628A13, #128B53 and #83128B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #628A13 shade: #628A13, #12638B and #8B1263

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #628A13 shade: #628A13, #128B53, #3B128B and #8B124B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #628A13 shade: #628A13, #128B77, #3B128B and #8B1226

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 0 / 86 / 46

HEX #628A13

RGB 98 138 19

HSL 80.17, 0.76%, 0.31%

LAB 52.75, -30.77, 52.7

 

Complementary color

CMYK 33 / 50 / 0 / 7

HEX #9D75EC

RGB 157 117 236

HSL 260.17, 0.76%, 0.69%

LAB 57.99, 40.86, -54.77

 

CMYK 25 / 0 / 90 / 46

HEX #678A0E

RGB 103 138 14

HSL 76.94, 0.82%, 0.3%

LAB 53.05, -28.87, 54.22

 

CMYK 23 / 0 / 79 / 39

HEX #789C21

RGB 120 156 33

HSL 77.56, 0.65%, 0.37%

LAB 59.78, -29.7, 55.53

 

CMYK 21 / 0 / 70 / 32

HEX #89AE34

RGB 137 174 52

HSL 78.2, 0.54%, 0.44%

LAB 66.4, -30.28, 55.62

 

CMYK 20 / 0 / 63 / 25

HEX #9AC047

RGB 154 192 71

HSL 78.84, 0.49%, 0.52%

LAB 72.91, -30.69, 55.07

 

CMYK 19 / 0 / 57 / 18

HEX #ABD25A

RGB 171 210 90

HSL 79.5, 0.57%, 0.59%

LAB 79.32, -30.98, 54.21

 

CMYK 29 / 0 / 86 / 46

HEX #628A13

RGB 98 138 19

HSL 80.17, 0.76%, 0.31%

LAB 52.75, -30.77, 52.7

 

CMYK 33 / 0 / 100 / 53

HEX #517800

RGB 81 120 0

HSL 79.5, 1%, 0.24%

LAB 45.88, -29.83, 50.64

 

CMYK 37 / 0 / 100 / 60

HEX #406600

RGB 64 102 0

HSL 82.35, 1%, 0.2%

LAB 38.89, -28.34, 44.81

 

CMYK 44 / 0 / 100 / 67

HEX #2F5400

RGB 47 84 0

HSL 86.43, 1%, 0.16%

LAB 31.68, -26.78, 38.82

 

CMYK 55 / 0 / 100 / 74

HEX #1E4200

RGB 30 66 0

HSL 92.73, 1%, 0.13%

LAB 24.23, -25.05, 32.13

 

CMYK 29 / 0 / 87 / 45

HEX #628B12

RGB 98 139 18

HSL 80.33, 0.77%, 0.31%

LAB 53.06, -31.27, 53.22

 

CMYK 6 / 0 / 87 / 45

HEX #838B12

RGB 131 139 18

HSL 63.97, 0.77%, 0.31%

LAB 55.41, -17.01, 56.15

 

CMYK 0 / 18 / 87 / 45

HEX #8B7212

RGB 139 114 18

HSL 47.6, 0.77%, 0.31%

LAB 48.97, 0.43, 51.08

 

CMYK 0 / 41 / 87 / 45

HEX #8B5212

RGB 139 82 18

HSL 31.74, 0.77%, 0.31%

LAB 40.52, 19.01, 43.99

 

CMYK 0 / 65 / 87 / 45

HEX #8B3112

RGB 139 49 18

HSL 15.37, 0.77%, 0.31%

LAB 33.41, 36.83, 37.9

 

CMYK 29 / 0 / 87 / 45

HEX #628B12

RGB 98 139 18

HSL 80.33, 0.77%, 0.31%

LAB 53.06, -31.27, 53.22

 

CMYK 53 / 0 / 87 / 45

HEX #428B12

RGB 66 139 18

HSL 96.2, 0.77%, 0.31%

LAB 51.46, -42.84, 51.19

 

CMYK 76 / 0 / 87 / 45

HEX #218B12

RGB 33 139 18

HSL 112.56, 0.77%, 0.31%

LAB 50.49, -50.8, 49.96

 

CMYK 87 / 0 / 74 / 45

HEX #128B24

RGB 18 139 36

HSL 128.93, 0.77%, 0.31%

LAB 50.36, -51.57, 43.93

 

CMYK 87 / 0 / 51 / 45

HEX #128B44

RGB 18 139 68

HSL 144.79, 0.77%, 0.31%

LAB 50.7, -47.39, 29.24

 

CMYK 29 / 0 / 87 / 45

HEX #628B12

RGB 98 139 18

HSL 80.33, 0.77%, 0.31%

LAB 53.06, -31.27, 53.22

 

CMYK 32 / 0 / 96 / 41

HEX #669706

RGB 102 151 6

HSL 80.28, 0.92%, 0.31%

LAB 57.05, -35.49, 58.81

 

CMYK 29 / 0 / 87 / 45

HEX #628B12

RGB 98 139 18

HSL 80.33, 0.77%, 0.31%

LAB 53.06, -31.27, 53.22

 

CMYK 25 / 0 / 75 / 51

HEX #5E7E1F

RGB 94 126 31

HSL 80.21, 0.61%, 0.31%

LAB 48.76, -26.07, 45.14

 

CMYK 20 / 0 / 61 / 56

HEX #5A712C

RGB 90 113 44

HSL 80, 0.44%, 0.31%

LAB 44.47, -20.15, 34.81

 

CMYK 14 / 0 / 43 / 61

HEX #566439

RGB 86 100 57

HSL 79.53, 0.27%, 0.31%

LAB 40.23, -13.34, 22.62

 

CMYK 7 / 0 / 20 / 66

HEX #515746

RGB 81 87 70

HSL 81.18, 0.11%, 0.31%

LAB 36, -5.87, 9.09

 

CMYK 0 / 17 / 87 / 45

HEX #8B7312

RGB 139 115 18

HSL 48.1, 0.77%, 0.31%

LAB 49.25, -0.14, 51.31

 

CMYK 6 / 0 / 87 / 45

HEX #838B12

RGB 131 139 18

HSL 63.97, 0.77%, 0.31%

LAB 55.41, -17.01, 56.15

 

CMYK 29 / 0 / 87 / 45

HEX #638B12

RGB 99 139 18

HSL 79.83, 0.77%, 0.31%

LAB 53.13, -30.87, 53.29

 

CMYK 52 / 0 / 87 / 45

HEX #438B12

RGB 67 139 18

HSL 95.7, 0.77%, 0.31%

LAB 51.5, -42.53, 51.24

 

CMYK 76 / 0 / 87 / 45

HEX #228B12

RGB 34 139 18

HSL 112.07, 0.77%, 0.31%

LAB 50.51, -50.63, 49.99

 

CMYK 29 / 0 / 86 / 74

HEX #2F4209

RGB 47 66 9

HSL 80, 0.76%, 0.15%

LAB 25.32, -17.17, 29.87

 

CMYK 29 / 0 / 86 / 60

HEX #48660E

RGB 72 102 14

HSL 80.45, 0.76%, 0.23%

LAB 39.43, -24.44, 41.71

 

CMYK 29 / 0 / 87 / 45

HEX #628B12

RGB 98 139 18

HSL 80.33, 0.77%, 0.31%

LAB 53.06, -31.27, 53.22

 

CMYK 29 / 0 / 87 / 31

HEX #7CAF17

RGB 124 175 23

HSL 80.13, 0.77%, 0.39%

LAB 65.75, -37.25, 63.55

 

CMYK 29 / 0 / 87 / 17

HEX #96D31C

RGB 150 211 28

HSL 80, 0.77%, 0.47%

LAB 77.97, -42.99, 73.44

 

CMYK 29 / 0 / 86 / 46

HEX #628A13

RGB 98 138 19

HSL 80.17, 0.76%, 0.31%

LAB 52.75, -30.77, 52.7

 

CMYK 87 / 0 / 40 / 45

HEX #128B53

RGB 18 139 83

HSL 152.23, 0.77%, 0.31%

LAB 50.94, -44.56, 21.4

 

CMYK 6 / 87 / 0 / 45

HEX #83128B

RGB 131 18 139

HSL 296.03, 0.77%, 0.31%

LAB 32.08, 58.28, -39.65

 

CMYK 29 / 0 / 86 / 46

HEX #628A13

RGB 98 138 19

HSL 80.17, 0.76%, 0.31%

LAB 52.75, -30.77, 52.7

 

CMYK 87 / 29 / 0 / 45

HEX #12638B

RGB 18 99 139

HSL 199.83, 0.77%, 0.31%

LAB 39.44, -7.97, -28.56

 

CMYK 0 / 87 / 29 / 45

HEX #8B1263

RGB 139 18 99

HSL 319.83, 0.77%, 0.31%

LAB 31.4, 54.07, -15.3

 

CMYK 29 / 0 / 86 / 46

HEX #628A13

RGB 98 138 19

HSL 80.17, 0.76%, 0.31%

LAB 52.75, -30.77, 52.7

 

CMYK 87 / 0 / 40 / 45

HEX #128B53

RGB 18 139 83

HSL 152.23, 0.77%, 0.31%

LAB 50.94, -44.56, 21.4

 

CMYK 58 / 87 / 0 / 45

HEX #3B128B

RGB 59 18 139

HSL 260.33, 0.77%, 0.31%

LAB 20.93, 47.16, -58.3

 

CMYK 0 / 87 / 46 / 45

HEX #8B124B

RGB 139 18 75

HSL 331.74, 0.77%, 0.31%

LAB 30.47, 51.45, -0.97

 

CMYK 29 / 0 / 86 / 46

HEX #628A13

RGB 98 138 19

HSL 80.17, 0.76%, 0.31%

LAB 52.75, -30.77, 52.7

 

CMYK 87 / 0 / 14 / 45

HEX #128B77

RGB 18 139 119

HSL 170.08, 0.77%, 0.31%

LAB 51.75, -35.67, 1.96

 

CMYK 58 / 87 / 0 / 45

HEX #3B128B

RGB 59 18 139

HSL 260.33, 0.77%, 0.31%

LAB 20.93, 47.16, -58.3

 

CMYK 0 / 87 / 73 / 45

HEX #8B1226

RGB 139 18 38

HSL 350.08, 0.77%, 0.31%

LAB 29.57, 48.82, 22.39

 

Description

Color code: HEX #628A13 | qconv.com Color code: HEX #628A13 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 138 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 138 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, none magenta, 86 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 0% 86% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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