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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #62ADE3 it is the complementary color #9D521C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #62ADE3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #62ADE3 shade: #67ADDE, #78BFF1, #89D1FF, #9AE3FF and #ABF5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #62ADE3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #62ADE3 shade: #62ADE3, #519BD0, #4089BD, #2F77AA and #1E6597

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #62ADE3 shade: #62ADE3, #628AE3, #6268E3, #8062E3 and #A262E3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #62ADE3 shade: #62ADE3, #628AE3, #6268E3 and #6262E3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #62ADE3 shade matches the following richer shades: #62ADE3 and #54B0F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #62ADE3 shade: #62ADE3, #71ABD4, #80A8C5, #8FA6B6 and #9EA3A8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #62ADE3 shade: #62E3D4, #62D0E3, #62ADE3, #628BE3 and #6269E3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #62ADE3 shade: #2487CF, #3F9BDD, #62ADE3, #86BFE9 and #A9D2EF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #62ADE3 shade: #62ADE3, #B262E3 and #E1E362

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #62ADE3 shade: #62ADE3, #E362AD and #ADE362

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #62ADE3 shade: #62ADE3, #B262E3, #E39862 and #94E362

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #62ADE3 shade: #62ADE3, #D862E3, #E39862 and #6DE362

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 24 / 0 / 11

HEX #62ADE3

RGB 98 173 227

HSL 205.12, 0.7%, 0.64%

LAB 68.04, -7.85, -34.23

 

Complementary color

CMYK 0 / 48 / 82 / 38

HEX #9D521C

RGB 157 82 28

HSL 25.12, 0.7%, 0.36%

LAB 43.19, 27.3, 43.3

 

CMYK 54 / 22 / 0 / 13

HEX #67ADDE

RGB 103 173 222

HSL 204.71, 0.64%, 0.64%

LAB 68.05, -8.33, -31.45

 

CMYK 50 / 21 / 0 / 5

HEX #78BFF1

RGB 120 191 241

HSL 204.79, 0.81%, 0.71%

LAB 74.58, -8.81, -31.66

 

CMYK 46 / 18 / 0 / 0

HEX #89D1FF

RGB 137 209 255

HSL 203.39, 1%, 0.77%

LAB 80.82, -10.57, -29.49

 

CMYK 40 / 11 / 0 / 0

HEX #9AE3FF

RGB 154 227 255

HSL 196.63, 1%, 0.8%

LAB 86.52, -15.74, -20.73

 

CMYK 33 / 4 / 0 / 0

HEX #ABF5FF

RGB 171 245 255

HSL 187.14, 1%, 0.84%

LAB 92.21, -20.35, -12.09

 

CMYK 57 / 24 / 0 / 11

HEX #62ADE3

RGB 98 173 227

HSL 205.12, 0.7%, 0.64%

LAB 68.04, -7.85, -34.23

 

CMYK 61 / 25 / 0 / 18

HEX #519BD0

RGB 81 155 208

HSL 205.04, 0.57%, 0.57%

LAB 61.43, -7.13, -34.04

 

CMYK 66 / 28 / 0 / 26

HEX #4089BD

RGB 64 137 189

HSL 204.96, 0.49%, 0.5%

LAB 54.72, -6.2, -33.85

 

CMYK 72 / 30 / 0 / 33

HEX #2F77AA

RGB 47 119 170

HSL 204.88, 0.57%, 0.43%

LAB 47.88, -5, -33.65

 

CMYK 80 / 33 / 0 / 41

HEX #1E6597

RGB 30 101 151

HSL 204.79, 0.67%, 0.35%

LAB 40.92, -3.38, -33.41

 

CMYK 57 / 24 / 0 / 11

HEX #62ADE3

RGB 98 173 227

HSL 205.12, 0.7%, 0.64%

LAB 68.04, -7.85, -34.23

 

CMYK 57 / 39 / 0 / 11

HEX #628AE3

RGB 98 138 227

HSL 221.4, 0.7%, 0.64%

LAB 58.34, 12.23, -49.46

 

CMYK 57 / 54 / 0 / 11

HEX #6268E3

RGB 98 104 227

HSL 237.21, 0.7%, 0.64%

LAB 49.55, 32.84, -63.54

 

CMYK 44 / 57 / 0 / 11

HEX #8062E3

RGB 128 98 227

HSL 253.95, 0.7%, 0.64%

LAB 50.54, 42.44, -61.82

 

CMYK 29 / 57 / 0 / 11

HEX #A262E3

RGB 162 98 227

HSL 269.77, 0.7%, 0.64%

LAB 53.99, 50.22, -56.09

 

CMYK 57 / 24 / 0 / 11

HEX #62ADE3

RGB 98 173 227

HSL 205.12, 0.7%, 0.64%

LAB 68.04, -7.85, -34.23

 

CMYK 57 / 39 / 0 / 11

HEX #628AE3

RGB 98 138 227

HSL 221.4, 0.7%, 0.64%

LAB 58.34, 12.23, -49.46

 

CMYK 57 / 54 / 0 / 11

HEX #6268E3

RGB 98 104 227

HSL 237.21, 0.7%, 0.64%

LAB 49.55, 32.84, -63.54

 

CMYK 57 / 57 / 0 / 11

HEX #6262E3

RGB 98 98 227

HSL 240, 0.7%, 0.64%

LAB 48.11, 36.47, -65.87

 

CMYK 57 / 24 / 0 / 11

HEX #62ADE3

RGB 98 173 227

HSL 205.12, 0.7%, 0.64%

LAB 68.04, -7.85, -34.23

 

CMYK 65 / 27 / 0 / 5

HEX #54B0F2

RGB 84 176 242

HSL 205.06, 0.86%, 0.64%

LAB 69, -7.29, -40.96

 

CMYK 57 / 24 / 0 / 11

HEX #62ADE3

RGB 98 173 227

HSL 205.12, 0.7%, 0.64%

LAB 68.04, -7.85, -34.23

 

CMYK 47 / 19 / 0 / 17

HEX #71ABD4

RGB 113 171 212

HSL 204.85, 0.54%, 0.64%

LAB 67.57, -7.88, -26.66

 

CMYK 35 / 15 / 0 / 23

HEX #80A8C5

RGB 128 168 197

HSL 205.22, 0.37%, 0.64%

LAB 67, -6.38, -19.17

 

CMYK 21 / 9 / 0 / 29

HEX #8FA6B6

RGB 143 166 182

HSL 204.62, 0.21%, 0.64%

LAB 66.89, -4.43, -10.91

 

CMYK 6 / 3 / 0 / 34

HEX #9EA3A8

RGB 158 163 168

HSL 210, 0.05%, 0.64%

LAB 66.74, -0.79, -3.21

 

CMYK 57 / 0 / 7 / 11

HEX #62E3D4

RGB 98 227 212

HSL 173.02, 0.7%, 0.64%

LAB 83.07, -39.08, -3.41

 

CMYK 57 / 8 / 0 / 11

HEX #62D0E3

RGB 98 208 227

HSL 188.84, 0.7%, 0.64%

LAB 78.03, -26.09, -18.93

 

CMYK 57 / 24 / 0 / 11

HEX #62ADE3

RGB 98 173 227

HSL 205.12, 0.7%, 0.64%

LAB 68.04, -7.85, -34.23

 

CMYK 57 / 39 / 0 / 11

HEX #628BE3

RGB 98 139 227

HSL 220.93, 0.7%, 0.64%

LAB 58.61, 11.63, -49.03

 

CMYK 57 / 54 / 0 / 11

HEX #6269E3

RGB 98 105 227

HSL 236.74, 0.7%, 0.64%

LAB 49.79, 32.24, -63.14

 

CMYK 83 / 35 / 0 / 19

HEX #2487CF

RGB 36 135 207

HSL 205.26, 0.7%, 0.48%

LAB 54.25, -2.19, -44.86

 

CMYK 71 / 30 / 0 / 13

HEX #3F9BDD

RGB 63 155 221

HSL 205.06, 0.7%, 0.56%

LAB 61.41, -5.71, -41.36

 

CMYK 57 / 24 / 0 / 11

HEX #62ADE3

RGB 98 173 227

HSL 205.12, 0.7%, 0.64%

LAB 68.04, -7.85, -34.23

 

CMYK 42 / 18 / 0 / 9

HEX #86BFE9

RGB 134 191 233

HSL 205.45, 0.69%, 0.72%

LAB 74.96, -7.72, -26.69

 

CMYK 29 / 12 / 0 / 6

HEX #A9D2EF

RGB 169 210 239

HSL 204.86, 0.69%, 0.8%

LAB 82.25, -6.86, -18.64

 

CMYK 57 / 24 / 0 / 11

HEX #62ADE3

RGB 98 173 227

HSL 205.12, 0.7%, 0.64%

LAB 68.04, -7.85, -34.23

 

CMYK 22 / 57 / 0 / 11

HEX #B262E3

RGB 178 98 227

HSL 277.21, 0.7%, 0.64%

LAB 55.83, 54.11, -53.04

 

CMYK 1 / 0 / 57 / 11

HEX #E1E362

RGB 225 227 98

HSL 60.93, 0.7%, 0.64%

LAB 87.89, -17.14, 61.37

 

CMYK 57 / 24 / 0 / 11

HEX #62ADE3

RGB 98 173 227

HSL 205.12, 0.7%, 0.64%

LAB 68.04, -7.85, -34.23

 

CMYK 0 / 57 / 24 / 11

HEX #E362AD

RGB 227 98 173

HSL 325.12, 0.7%, 0.64%

LAB 59.96, 58.15, -15.37

 

CMYK 24 / 0 / 57 / 11

HEX #ADE362

RGB 173 227 98

HSL 85.12, 0.7%, 0.64%

LAB 84.33, -37.33, 56.39

 

CMYK 57 / 24 / 0 / 11

HEX #62ADE3

RGB 98 173 227

HSL 205.12, 0.7%, 0.64%

LAB 68.04, -7.85, -34.23

 

CMYK 22 / 57 / 0 / 11

HEX #B262E3

RGB 178 98 227

HSL 277.21, 0.7%, 0.64%

LAB 55.83, 54.11, -53.04

 

CMYK 0 / 33 / 57 / 11

HEX #E39862

RGB 227 152 98

HSL 25.12, 0.7%, 0.64%

LAB 69.23, 22.63, 39.61

 

CMYK 35 / 0 / 57 / 11

HEX #94E362

RGB 148 227 98

HSL 96.74, 0.7%, 0.64%

LAB 82.98, -46.12, 54.48

 

CMYK 57 / 24 / 0 / 11

HEX #62ADE3

RGB 98 173 227

HSL 205.12, 0.7%, 0.64%

LAB 68.04, -7.85, -34.23

 

CMYK 5 / 57 / 0 / 11

HEX #D862E3

RGB 216 98 227

HSL 294.88, 0.7%, 0.64%

LAB 60.68, 63.63, -45.05

 

CMYK 0 / 33 / 57 / 11

HEX #E39862

RGB 227 152 98

HSL 25.12, 0.7%, 0.64%

LAB 69.23, 22.63, 39.61

 

CMYK 52 / 0 / 57 / 11

HEX #6DE362

RGB 109 227 98

HSL 114.88, 0.7%, 0.64%

LAB 81.33, -57.83, 52.15

 

Description

Color code: HEX #62ADE3 | qconv.com Color code: HEX #62ADE3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 173 green and 227 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 173 227 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 24 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 24% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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