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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #62C064 it is the complementary color #9D3F9B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #62C064. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #62C064 shade: #67C05F, #78D272, #89E485, #9AF698 and #ABFFAB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #62C064. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #62C064 shade: #62C064, #51AE51, #409C3E, #2F8A2B and #1E7818

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #62C064 shade: #62C064, #79C062, #93C062, #ACC062 and #C0BB62

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #62C064 shade: #62C064, #62C07D, #62C097, #62C0B0 and #62B7C0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #62C064 shade matches the following richer shades: #62C064, #50D253, #3EE342 and #2CF531

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #62C064 shade: #62C064, #73AE75, #859D86, #978B97 and #A979A8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #62C064 shade: #92C062, #79C062, #62C063, #62C07C and #62C096

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #62C064 shade: #3B943D, #47B249, #62C064, #7FCC81 and #9DD89E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #62C064 shade: #62C064, #62ACC0 and #C06286

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #62C064 shade: #62C064, #6362C0 and #C06362

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #62C064 shade: #62C064, #62ACC0, #C062BE and #C07662

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #62C064 shade: #62C064, #628FC0, #C062BE and #C09262

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 48 / 25

HEX #62C064

RGB 98 192 100

HSL 121.28, 0.43%, 0.57%

LAB 70.33, -46.75, 37.8

 

Complementary color

CMYK 0 / 60 / 1 / 38

HEX #9D3F9B

RGB 157 63 155

HSL 301.28, 0.43%, 0.43%

LAB 42.9, 51.25, -31.97

 

CMYK 46 / 0 / 51 / 25

HEX #67C05F

RGB 103 192 95

HSL 115.05, 0.43%, 0.56%

LAB 70.46, -46, 40.49

 

CMYK 43 / 0 / 46 / 18

HEX #78D272

RGB 120 210 114

HSL 116.25, 0.52%, 0.64%

LAB 76.86, -45.92, 39.23

 

CMYK 40 / 0 / 42 / 11

HEX #89E485

RGB 137 228 133

HSL 117.47, 0.64%, 0.71%

LAB 83.18, -45.77, 37.99

 

CMYK 37 / 0 / 38 / 4

HEX #9AF698

RGB 154 246 152

HSL 118.72, 0.84%, 0.78%

LAB 89.42, -45.57, 36.8

 

CMYK 33 / 0 / 33 / 0

HEX #ABFFAB

RGB 171 255 171

HSL 120, 1%, 0.84%

LAB 93.07, -41.42, 32.3

 

CMYK 49 / 0 / 48 / 25

HEX #62C064

RGB 98 192 100

HSL 121.28, 0.43%, 0.57%

LAB 70.33, -46.75, 37.8

 

CMYK 53 / 0 / 53 / 32

HEX #51AE51

RGB 81 174 81

HSL 120, 0.36%, 0.5%

LAB 63.85, -46.71, 39.12

 

CMYK 59 / 0 / 60 / 39

HEX #409C3E

RGB 64 156 62

HSL 118.72, 0.43%, 0.43%

LAB 57.28, -46.45, 40.41

 

CMYK 66 / 0 / 69 / 46

HEX #2F8A2B

RGB 47 138 43

HSL 117.47, 0.52%, 0.35%

LAB 50.64, -45.82, 41.5

 

CMYK 75 / 0 / 80 / 53

HEX #1E7818

RGB 30 120 24

HSL 116.25, 0.67%, 0.28%

LAB 43.91, -44.56, 42.01

 

CMYK 49 / 0 / 48 / 25

HEX #62C064

RGB 98 192 100

HSL 121.28, 0.43%, 0.57%

LAB 70.33, -46.75, 37.8

 

CMYK 37 / 0 / 49 / 25

HEX #79C062

RGB 121 192 98

HSL 105.32, 0.43%, 0.57%

LAB 71.31, -39.98, 40.25

 

CMYK 23 / 0 / 49 / 25

HEX #93C062

RGB 147 192 98

HSL 88.72, 0.43%, 0.57%

LAB 72.75, -30.81, 42.33

 

CMYK 10 / 0 / 49 / 25

HEX #ACC062

RGB 172 192 98

HSL 72.77, 0.43%, 0.57%

LAB 74.41, -21.16, 44.74

 

CMYK 0 / 3 / 49 / 25

HEX #C0BB62

RGB 192 187 98

HSL 56.81, 0.43%, 0.57%

LAB 74.59, -10.51, 45.32

 

CMYK 49 / 0 / 48 / 25

HEX #62C064

RGB 98 192 100

HSL 121.28, 0.43%, 0.57%

LAB 70.33, -46.75, 37.8

 

CMYK 49 / 0 / 35 / 25

HEX #62C07D

RGB 98 192 125

HSL 137.23, 0.43%, 0.57%

LAB 70.72, -42.72, 25.41

 

CMYK 49 / 0 / 21 / 25

HEX #62C097

RGB 98 192 151

HSL 153.83, 0.43%, 0.57%

LAB 71.24, -37.59, 12.19

 

CMYK 49 / 0 / 8 / 25

HEX #62C0B0

RGB 98 192 176

HSL 169.79, 0.43%, 0.57%

LAB 71.85, -31.82, -0.53

 

CMYK 49 / 5 / 0 / 25

HEX #62B7C0

RGB 98 183 192

HSL 185.74, 0.43%, 0.57%

LAB 69.66, -23.27, -12.53

 

CMYK 49 / 0 / 48 / 25

HEX #62C064

RGB 98 192 100

HSL 121.28, 0.43%, 0.57%

LAB 70.33, -46.75, 37.8

 

CMYK 62 / 0 / 60 / 18

HEX #50D253

RGB 80 210 83

HSL 121.38, 0.59%, 0.57%

LAB 75.09, -60.27, 51.38

 

CMYK 73 / 0 / 71 / 11

HEX #3EE342

RGB 62 227 66

HSL 121.45, 0.75%, 0.57%

LAB 79.82, -70.91, 63.24

 

CMYK 82 / 0 / 80 / 4

HEX #2CF531

RGB 44 245 49

HSL 121.49, 0.91%, 0.57%

LAB 85.03, -79.68, 73.6

 

CMYK 49 / 0 / 48 / 25

HEX #62C064

RGB 98 192 100

HSL 121.28, 0.43%, 0.57%

LAB 70.33, -46.75, 37.8

 

CMYK 34 / 0 / 33 / 32

HEX #73AE75

RGB 115 174 117

HSL 122.03, 0.27%, 0.57%

LAB 65.91, -30.91, 23.35

 

CMYK 15 / 0 / 15 / 38

HEX #859D86

RGB 133 157 134

HSL 122.5, 0.11%, 0.57%

LAB 62.36, -13.03, 9.24

 

CMYK 0 / 8 / 0 / 41

HEX #978B97

RGB 151 139 151

HSL 300, 0.05%, 0.57%

LAB 59.23, 6.75, -4.75

 

CMYK 0 / 28 / 1 / 34

HEX #A979A8

RGB 169 121 168

HSL 301.25, 0.22%, 0.57%

LAB 57.01, 26.73, -17.67

 

CMYK 24 / 0 / 49 / 25

HEX #92C062

RGB 146 192 98

HSL 89.36, 0.43%, 0.57%

LAB 72.69, -31.18, 42.24

 

CMYK 37 / 0 / 49 / 25

HEX #79C062

RGB 121 192 98

HSL 105.32, 0.43%, 0.57%

LAB 71.31, -39.98, 40.25

 

CMYK 49 / 0 / 48 / 25

HEX #62C063

RGB 98 192 99

HSL 120.64, 0.43%, 0.57%

LAB 70.31, -46.89, 38.29

 

CMYK 49 / 0 / 35 / 25

HEX #62C07C

RGB 98 192 124

HSL 136.6, 0.43%, 0.57%

LAB 70.7, -42.9, 25.92

 

CMYK 49 / 0 / 22 / 25

HEX #62C096

RGB 98 192 150

HSL 153.19, 0.43%, 0.57%

LAB 71.21, -37.8, 12.7

 

CMYK 60 / 0 / 59 / 42

HEX #3B943D

RGB 59 148 61

HSL 121.35, 0.43%, 0.41%

LAB 54.5, -44.71, 37.61

 

CMYK 60 / 0 / 59 / 30

HEX #47B249

RGB 71 178 73

HSL 121.12, 0.43%, 0.49%

LAB 64.69, -51.81, 43.88

 

CMYK 49 / 0 / 48 / 25

HEX #62C064

RGB 98 192 100

HSL 121.28, 0.43%, 0.57%

LAB 70.33, -46.75, 37.8

 

CMYK 38 / 0 / 37 / 20

HEX #7FCC81

RGB 127 204 129

HSL 121.56, 0.43%, 0.65%

LAB 75.63, -38.94, 30.08

 

CMYK 27 / 0 / 27 / 15

HEX #9DD89E

RGB 157 216 158

HSL 121.02, 0.43%, 0.73%

LAB 81.15, -30.13, 22.69

 

CMYK 49 / 0 / 48 / 25

HEX #62C064

RGB 98 192 100

HSL 121.28, 0.43%, 0.57%

LAB 70.33, -46.75, 37.8

 

CMYK 49 / 10 / 0 / 25

HEX #62ACC0

RGB 98 172 192

HSL 192.77, 0.43%, 0.57%

LAB 66.45, -17.61, -17.37

 

CMYK 0 / 49 / 30 / 25

HEX #C06286

RGB 192 98 134

HSL 337.02, 0.43%, 0.57%

LAB 53.67, 41.68, -2.57

 

CMYK 49 / 0 / 48 / 25

HEX #62C064

RGB 98 192 100

HSL 121.28, 0.43%, 0.57%

LAB 70.33, -46.75, 37.8

 

CMYK 48 / 49 / 0 / 25

HEX #6362C0

RGB 99 98 192

HSL 240.64, 0.43%, 0.57%

LAB 45.9, 25.69, -49.41

 

CMYK 0 / 48 / 49 / 25

HEX #C06362

RGB 192 99 98

HSL 0.64, 0.43%, 0.57%

LAB 52.96, 37.04, 17.68

 

CMYK 49 / 0 / 48 / 25

HEX #62C064

RGB 98 192 100

HSL 121.28, 0.43%, 0.57%

LAB 70.33, -46.75, 37.8

 

CMYK 49 / 10 / 0 / 25

HEX #62ACC0

RGB 98 172 192

HSL 192.77, 0.43%, 0.57%

LAB 66.45, -17.61, -17.37

 

CMYK 0 / 49 / 1 / 25

HEX #C062BE

RGB 192 98 190

HSL 301.28, 0.43%, 0.57%

LAB 55.75, 50.5, -32.04

 

CMYK 0 / 39 / 49 / 25

HEX #C07662

RGB 192 118 98

HSL 12.77, 0.43%, 0.57%

LAB 57.12, 26.85, 23.27

 

CMYK 49 / 0 / 48 / 25

HEX #62C064

RGB 98 192 100

HSL 121.28, 0.43%, 0.57%

LAB 70.33, -46.75, 37.8

 

CMYK 49 / 26 / 0 / 25

HEX #628FC0

RGB 98 143 192

HSL 211.28, 0.43%, 0.57%

LAB 58.08, -1.66, -30.2

 

CMYK 0 / 49 / 1 / 25

HEX #C062BE

RGB 192 98 190

HSL 301.28, 0.43%, 0.57%

LAB 55.75, 50.5, -32.04

 

CMYK 0 / 24 / 49 / 25

HEX #C09262

RGB 192 146 98

HSL 30.64, 0.43%, 0.57%

LAB 63.87, 11.42, 32.06

 

Description

Color code: HEX #62C064 | qconv.com Color code: HEX #62C064 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 192 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 192 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 48 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 48% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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