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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #62DA52 it is the complementary color #9D25AD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #62DA52. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #62DA52 shade: #67DA4D, #78EC60, #89FE73, #9AFF86 and #ABFF99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #62DA52. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #62DA52 shade: #62DA52, #51C83F, #40B62C, #2FA419 and #1E9206

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #62DA52 shade: #62DA52, #87DA52, #ABDA52, #D0DA52 and #DABF52

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #62DA52 shade: #62DA52, #52DA67, #52DA8B, #52DAB0 and #52DAD5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #62DA52 shade matches the following richer shades: #62DA52, #55EB41 and #48FC30

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #62DA52 shade: #62DA52, #6FC963, #7CB874, #89A785 and #969696

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #62DA52 shade: #ADDA52, #88DA52, #64DA52, #52DA64 and #52DA88

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #62DA52 shade: #36B426, #43D330, #62DA52, #81E174 and #A0E896

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #62DA52 shade: #62DA52, #52D1DA and #DA529A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #62DA52 shade: #62DA52, #5264DA and #DA5264

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #62DA52 shade: #62DA52, #52D1DA, #C852DA and #DA5B52

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #62DA52 shade: #62DA52, #52A8DA, #C852DA and #DA8452

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 62 / 15

HEX #62DA52

RGB 98 218 82

HSL 112.94, 0.65%, 0.59%

LAB 78.08, -59.02, 55.34

 

Complementary color

CMYK 9 / 79 / 0 / 32

HEX #9D25AD

RGB 157 37 173

HSL 292.94, 0.65%, 0.41%

LAB 40.42, 64.3, -46.66

 

CMYK 53 / 0 / 65 / 15

HEX #67DA4D

RGB 103 218 77

HSL 108.94, 0.66%, 0.58%

LAB 78.21, -58.21, 57.61

 

CMYK 49 / 0 / 59 / 7

HEX #78EC60

RGB 120 236 96

HSL 109.71, 0.79%, 0.65%

LAB 84.4, -58.51, 56.67

 

CMYK 46 / 0 / 55 / 0

HEX #89FE73

RGB 137 254 115

HSL 110.5, 0.99%, 0.72%

LAB 90.52, -58.64, 55.59

 

CMYK 40 / 0 / 47 / 0

HEX #9AFF86

RGB 154 255 134

HSL 110.08, 1%, 0.76%

LAB 91.73, -51.82, 48.48

 

CMYK 33 / 0 / 40 / 0

HEX #ABFF99

RGB 171 255 153

HSL 109.41, 1%, 0.8%

LAB 92.79, -44.06, 40.84

 

CMYK 55 / 0 / 62 / 15

HEX #62DA52

RGB 98 218 82

HSL 112.94, 0.65%, 0.59%

LAB 78.08, -59.02, 55.34

 

CMYK 60 / 0 / 69 / 22

HEX #51C83F

RGB 81 200 63

HSL 112.12, 0.55%, 0.52%

LAB 71.84, -58.48, 56.18

 

CMYK 65 / 0 / 76 / 29

HEX #40B62C

RGB 64 182 44

HSL 111.3, 0.61%, 0.44%

LAB 65.54, -57.58, 56.57

 

CMYK 71 / 0 / 85 / 36

HEX #2FA419

RGB 47 164 25

HSL 110.5, 0.74%, 0.37%

LAB 59.18, -56.14, 56.13

 

CMYK 79 / 0 / 96 / 43

HEX #1E9206

RGB 30 146 6

HSL 109.71, 0.92%, 0.3%

LAB 52.78, -53.94, 54.25

 

CMYK 55 / 0 / 62 / 15

HEX #62DA52

RGB 98 218 82

HSL 112.94, 0.65%, 0.59%

LAB 78.08, -59.02, 55.34

 

CMYK 38 / 0 / 62 / 15

HEX #87DA52

RGB 135 218 82

HSL 96.62, 0.65%, 0.59%

LAB 79.56, -48.17, 57.39

 

CMYK 22 / 0 / 62 / 15

HEX #ABDA52

RGB 171 218 82

HSL 80.74, 0.65%, 0.59%

LAB 81.52, -35.34, 60.09

 

CMYK 5 / 0 / 62 / 15

HEX #D0DA52

RGB 208 218 82

HSL 64.41, 0.65%, 0.59%

LAB 84.05, -20.73, 63.56

 

CMYK 0 / 12 / 62 / 15

HEX #DABF52

RGB 218 191 82

HSL 48.09, 0.65%, 0.59%

LAB 77.74, -2.96, 57.01

 

CMYK 55 / 0 / 62 / 15

HEX #62DA52

RGB 98 218 82

HSL 112.94, 0.65%, 0.59%

LAB 78.08, -59.02, 55.34

 

CMYK 62 / 0 / 53 / 15

HEX #52DA67

RGB 82 218 103

HSL 129.26, 0.65%, 0.59%

LAB 77.83, -60.25, 45.46

 

CMYK 62 / 0 / 36 / 15

HEX #52DA8B

RGB 82 218 139

HSL 145.15, 0.65%, 0.59%

LAB 78.35, -54.49, 28.24

 

CMYK 62 / 0 / 19 / 15

HEX #52DAB0

RGB 82 218 176

HSL 161.47, 0.65%, 0.59%

LAB 79.08, -46.78, 9.85

 

CMYK 62 / 0 / 2 / 15

HEX #52DAD5

RGB 82 218 213

HSL 177.79, 0.65%, 0.59%

LAB 80.03, -37.5, -8.48

 

CMYK 55 / 0 / 62 / 15

HEX #62DA52

RGB 98 218 82

HSL 112.94, 0.65%, 0.59%

LAB 78.08, -59.02, 55.34

 

CMYK 64 / 0 / 72 / 8

HEX #55EB41

RGB 85 235 65

HSL 112.94, 0.81%, 0.59%

LAB 82.77, -69.38, 66.76

 

CMYK 71 / 0 / 81 / 1

HEX #48FC30

RGB 72 252 48

HSL 112.94, 0.97%, 0.59%

LAB 87.59, -78.1, 76.38

 

CMYK 55 / 0 / 62 / 15

HEX #62DA52

RGB 98 218 82

HSL 112.94, 0.65%, 0.59%

LAB 78.08, -59.02, 55.34

 

CMYK 45 / 0 / 51 / 21

HEX #6FC963

RGB 111 201 99

HSL 112.94, 0.49%, 0.59%

LAB 73.58, -46.85, 42.44

 

CMYK 33 / 0 / 37 / 28

HEX #7CB874

RGB 124 184 116

HSL 112.94, 0.32%, 0.59%

LAB 69.35, -32.8, 28.55

 

CMYK 18 / 0 / 20 / 35

HEX #89A785

RGB 137 167 133

HSL 112.94, 0.16%, 0.59%

LAB 65.47, -17.04, 14.23

 

CMYK 0 / 0 / 0 / 41

HEX #969696

RGB 150 150 150

HSL 0, 0%, 0.59%

LAB 62.08, 0, -0.01

 

CMYK 21 / 0 / 62 / 15

HEX #ADDA52

RGB 173 218 82

HSL 79.85, 0.65%, 0.59%

LAB 81.64, -34.58, 60.26

 

CMYK 38 / 0 / 62 / 15

HEX #88DA52

RGB 136 218 82

HSL 96.18, 0.65%, 0.59%

LAB 79.61, -47.84, 57.46

 

CMYK 54 / 0 / 62 / 15

HEX #64DA52

RGB 100 218 82

HSL 112.06, 0.65%, 0.59%

LAB 78.15, -58.51, 55.43

 

CMYK 62 / 0 / 54 / 15

HEX #52DA64

RGB 82 218 100

HSL 127.94, 0.65%, 0.59%

LAB 77.79, -60.65, 46.83

 

CMYK 62 / 0 / 38 / 15

HEX #52DA88

RGB 82 218 136

HSL 143.82, 0.65%, 0.59%

LAB 78.29, -55.04, 29.71

 

CMYK 70 / 0 / 79 / 29

HEX #36B426

RGB 54 180 38

HSL 113.24, 0.65%, 0.43%

LAB 64.62, -59.34, 57.55

 

CMYK 68 / 0 / 77 / 17

HEX #43D330

RGB 67 211 48

HSL 113.01, 0.65%, 0.51%

LAB 74.82, -66.31, 64.35

 

CMYK 55 / 0 / 62 / 15

HEX #62DA52

RGB 98 218 82

HSL 112.94, 0.65%, 0.59%

LAB 78.08, -59.02, 55.34

 

CMYK 43 / 0 / 48 / 12

HEX #81E174

RGB 129 225 116

HSL 112.84, 0.64%, 0.67%

LAB 81.72, -49.24, 44.4

 

CMYK 31 / 0 / 35 / 9

HEX #A0E896

RGB 160 232 150

HSL 112.68, 0.64%, 0.75%

LAB 85.7, -37.83, 32.96

 

CMYK 55 / 0 / 62 / 15

HEX #62DA52

RGB 98 218 82

HSL 112.94, 0.65%, 0.59%

LAB 78.08, -59.02, 55.34

 

CMYK 62 / 4 / 0 / 15

HEX #52D1DA

RGB 82 209 218

HSL 183.97, 0.65%, 0.59%

LAB 77.55, -31.91, -14.86

 

CMYK 0 / 62 / 29 / 15

HEX #DA529A

RGB 218 82 154

HSL 328.24, 0.65%, 0.59%

LAB 55.35, 60.02, -11.42

 

CMYK 55 / 0 / 62 / 15

HEX #62DA52

RGB 98 218 82

HSL 112.94, 0.65%, 0.59%

LAB 78.08, -59.02, 55.34

 

CMYK 62 / 54 / 0 / 15

HEX #5264DA

RGB 82 100 218

HSL 232.06, 0.65%, 0.59%

LAB 46.94, 29.51, -62.71

 

CMYK 0 / 62 / 54 / 15

HEX #DA5264

RGB 218 82 100

HSL 352.06, 0.65%, 0.59%

LAB 53.88, 54.54, 18.41

 

CMYK 55 / 0 / 62 / 15

HEX #62DA52

RGB 98 218 82

HSL 112.94, 0.65%, 0.59%

LAB 78.08, -59.02, 55.34

 

CMYK 62 / 4 / 0 / 15

HEX #52D1DA

RGB 82 209 218

HSL 183.97, 0.65%, 0.59%

LAB 77.55, -31.91, -14.86

 

CMYK 8 / 62 / 0 / 15

HEX #C852DA

RGB 200 82 218

HSL 292.06, 0.65%, 0.59%

LAB 55.46, 65.09, -48.39

 

CMYK 0 / 58 / 62 / 15

HEX #DA5B52

RGB 218 91 82

HSL 3.97, 0.65%, 0.59%

LAB 55.07, 49.22, 30.47

 

CMYK 55 / 0 / 62 / 15

HEX #62DA52

RGB 98 218 82

HSL 112.94, 0.65%, 0.59%

LAB 78.08, -59.02, 55.34

 

CMYK 62 / 23 / 0 / 15

HEX #52A8DA

RGB 82 168 218

HSL 202.06, 0.65%, 0.59%

LAB 65.64, -10.95, -33.05

 

CMYK 8 / 62 / 0 / 15

HEX #C852DA

RGB 200 82 218

HSL 292.06, 0.65%, 0.59%

LAB 55.46, 65.09, -48.39

 

CMYK 0 / 39 / 62 / 15

HEX #DA8452

RGB 218 132 82

HSL 22.06, 0.65%, 0.59%

LAB 63.36, 28.49, 40.61

 

Description

Color code: HEX #62DA52 | qconv.com Color code: HEX #62DA52 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 218 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 218 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 62 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 62% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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