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Color name
HEX #62DC28

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #62DC28 it is the complementary color #9D23D7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #62DC28. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #62DC28 shade: #67DC23, #78EE36, #89FF49, #9AFF5C and #ABFF6F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #62DC28. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #62DC28 shade: #62DC28, #51CA15, #40B802, #2FA600 and #1E9400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #62DC28 shade: #62DC28, #92DC28, #C3DC28, #DCC428 and #DC9328

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #62DC28 shade: #62DC28, #31DC28, #28DC4F, #28DC7F and #28DCB0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #62DC28 shade matches the following richer shades: #62DC28 and #5AF013

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #62DC28 shade: #62DC28, #69C73C, #70B350, #779F64 and #7E8B78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #62DC28 shade: #C4DC28, #94DC28, #64DC28, #34DC28 and #28DC4C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #62DC28 shade: #429818, #51BC1E, #62DC28, #7BE14B and #95E76F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #62DC28 shade: #62DC28, #28DCC4 and #DC28AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #62DC28 shade: #62DC28, #2864DC and #DC2864

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #62DC28 shade: #62DC28, #28DCC4, #A028DC and #DC2840

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #62DC28 shade: #62DC28, #28BEDC, #A028DC and #DC4628

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 82 / 14

HEX #62DC28

RGB 98 220 40

HSL 100.67, 0.72%, 0.51%

LAB 78.42, -62.78, 70.27

 

Complementary color

CMYK 27 / 84 / 0 / 16

HEX #9D23D7

RGB 157 35 215

HSL 280.67, 0.72%, 0.49%

LAB 43.18, 72.68, -66.75

 

CMYK 53 / 0 / 84 / 14

HEX #67DC23

RGB 103 220 35

HSL 97.95, 0.73%, 0.5%

LAB 78.57, -61.66, 71.66

 

CMYK 50 / 0 / 77 / 7

HEX #78EE36

RGB 120 238 54

HSL 98.48, 0.84%, 0.57%

LAB 84.69, -62.52, 72.52

 

CMYK 46 / 0 / 71 / 0

HEX #89FF49

RGB 137 255 73

HSL 98.9, 1%, 0.64%

LAB 90.47, -62.75, 72.33

 

CMYK 40 / 0 / 64 / 0

HEX #9AFF5C

RGB 154 255 92

HSL 97.18, 1%, 0.68%

LAB 91.31, -56.19, 66.39

 

CMYK 33 / 0 / 56 / 0

HEX #ABFF6F

RGB 171 255 111

HSL 95, 1%, 0.72%

LAB 92.28, -48.98, 59.78

 

CMYK 55 / 0 / 82 / 14

HEX #62DC28

RGB 98 220 40

HSL 100.67, 0.72%, 0.51%

LAB 78.42, -62.78, 70.27

 

CMYK 60 / 0 / 90 / 21

HEX #51CA15

RGB 81 202 21

HSL 100.11, 0.81%, 0.44%

LAB 72.26, -61.57, 68.71

 

CMYK 65 / 0 / 99 / 28

HEX #40B802

RGB 64 184 2

HSL 99.56, 0.98%, 0.36%

LAB 66.04, -59.91, 65.89

 

CMYK 72 / 0 / 100 / 35

HEX #2FA600

RGB 47 166 0

HSL 103.01, 1%, 0.33%

LAB 59.78, -57.58, 60.99

 

CMYK 80 / 0 / 100 / 42

HEX #1E9400

RGB 30 148 0

HSL 107.84, 1%, 0.29%

LAB 53.44, -54.75, 55.81

 

CMYK 55 / 0 / 82 / 14

HEX #62DC28

RGB 98 220 40

HSL 100.67, 0.72%, 0.51%

LAB 78.42, -62.78, 70.27

 

CMYK 34 / 0 / 82 / 14

HEX #92DC28

RGB 146 220 40

HSL 84.67, 0.72%, 0.51%

LAB 80.43, -47.86, 72.83

 

CMYK 11 / 0 / 82 / 14

HEX #C3DC28

RGB 195 220 40

HSL 68.33, 0.72%, 0.51%

LAB 83.41, -29, 76.58

 

CMYK 0 / 11 / 82 / 14

HEX #DCC428

RGB 220 196 40

HSL 52, 0.72%, 0.51%

LAB 78.95, -6.63, 73.54

 

CMYK 0 / 33 / 82 / 14

HEX #DC9328

RGB 220 147 40

HSL 35.67, 0.72%, 0.51%

LAB 66.7, 19.26, 62.94

 

CMYK 55 / 0 / 82 / 14

HEX #62DC28

RGB 98 220 40

HSL 100.67, 0.72%, 0.51%

LAB 78.42, -62.78, 70.27

 

CMYK 78 / 0 / 82 / 14

HEX #31DC28

RGB 49 220 40

HSL 117, 0.72%, 0.51%

LAB 77.28, -72.39, 68.8

 

CMYK 82 / 0 / 64 / 14

HEX #28DC4F

RGB 40 220 79

HSL 133, 0.72%, 0.51%

LAB 77.4, -70.38, 55.49

 

CMYK 82 / 0 / 42 / 14

HEX #28DC7F

RGB 40 220 127

HSL 149, 0.72%, 0.51%

LAB 77.98, -63.51, 33.73

 

CMYK 82 / 0 / 20 / 14

HEX #28DCB0

RGB 40 220 176

HSL 165.33, 0.72%, 0.51%

LAB 78.91, -53.1, 9.5

 

CMYK 55 / 0 / 82 / 14

HEX #62DC28

RGB 98 220 40

HSL 100.67, 0.72%, 0.51%

LAB 78.42, -62.78, 70.27

 

CMYK 63 / 0 / 92 / 6

HEX #5AF013

RGB 90 240 19

HSL 100.72, 0.88%, 0.51%

LAB 84.25, -72.04, 79.12

 

CMYK 55 / 0 / 82 / 14

HEX #62DC28

RGB 98 220 40

HSL 100.67, 0.72%, 0.51%

LAB 78.42, -62.78, 70.27

 

CMYK 47 / 0 / 70 / 22

HEX #69C73C

RGB 105 199 60

HSL 100.58, 0.55%, 0.51%

LAB 72.35, -51.86, 58.13

 

CMYK 37 / 0 / 55 / 30

HEX #70B350

RGB 112 179 80

HSL 100.61, 0.39%, 0.51%

LAB 66.72, -39.43, 43.36

 

CMYK 25 / 0 / 37 / 38

HEX #779F64

RGB 119 159 100

HSL 100.68, 0.24%, 0.51%

LAB 61.34, -24.95, 26.5

 

CMYK 9 / 0 / 14 / 45

HEX #7E8B78

RGB 126 139 120

HSL 101.05, 0.08%, 0.51%

LAB 56.34, -8.47, 8.57

 

CMYK 11 / 0 / 82 / 14

HEX #C4DC28

RGB 196 220 40

HSL 68, 0.72%, 0.51%

LAB 83.48, -28.59, 76.67

 

CMYK 33 / 0 / 82 / 14

HEX #94DC28

RGB 148 220 40

HSL 84, 0.72%, 0.51%

LAB 80.54, -47.15, 72.96

 

CMYK 55 / 0 / 82 / 14

HEX #64DC28

RGB 100 220 40

HSL 100, 0.72%, 0.51%

LAB 78.49, -62.26, 70.35

 

CMYK 76 / 0 / 82 / 14

HEX #34DC28

RGB 52 220 40

HSL 116, 0.72%, 0.51%

LAB 77.32, -71.98, 68.85

 

CMYK 82 / 0 / 65 / 14

HEX #28DC4C

RGB 40 220 76

HSL 132, 0.72%, 0.51%

LAB 77.38, -70.69, 56.7

 

CMYK 57 / 0 / 84 / 40

HEX #429818

RGB 66 152 24

HSL 100.31, 0.73%, 0.35%

LAB 55.77, -47.56, 53.5

 

CMYK 57 / 0 / 84 / 26

HEX #51BC1E

RGB 81 188 30

HSL 100.63, 0.72%, 0.43%

LAB 67.88, -56.38, 63.05

 

CMYK 55 / 0 / 82 / 14

HEX #62DC28

RGB 98 220 40

HSL 100.67, 0.72%, 0.51%

LAB 78.42, -62.78, 70.27

 

CMYK 45 / 0 / 67 / 12

HEX #7BE14B

RGB 123 225 75

HSL 100.8, 0.71%, 0.59%

LAB 81.05, -55.36, 61.7

 

CMYK 35 / 0 / 52 / 9

HEX #95E76F

RGB 149 231 111

HSL 101, 0.71%, 0.67%

LAB 84.32, -46.11, 50.15

 

CMYK 55 / 0 / 82 / 14

HEX #62DC28

RGB 98 220 40

HSL 100.67, 0.72%, 0.51%

LAB 78.42, -62.78, 70.27

 

CMYK 82 / 0 / 11 / 14

HEX #28DCC4

RGB 40 220 196

HSL 172, 0.72%, 0.51%

LAB 79.4, -48, -0.43

 

CMYK 0 / 82 / 22 / 14

HEX #DC28AC

RGB 220 40 172

HSL 316, 0.72%, 0.51%

LAB 51.51, 76.45, -27.85

 

CMYK 55 / 0 / 82 / 14

HEX #62DC28

RGB 98 220 40

HSL 100.67, 0.72%, 0.51%

LAB 78.42, -62.78, 70.27

 

CMYK 82 / 55 / 0 / 14

HEX #2864DC

RGB 40 100 220

HSL 220, 0.72%, 0.51%

LAB 45.27, 24.91, -66.64

 

CMYK 0 / 82 / 55 / 14

HEX #DC2864

RGB 220 40 100

HSL 340, 0.72%, 0.51%

LAB 49.07, 69.42, 11.86

 

CMYK 55 / 0 / 82 / 14

HEX #62DC28

RGB 98 220 40

HSL 100.67, 0.72%, 0.51%

LAB 78.42, -62.78, 70.27

 

CMYK 82 / 0 / 11 / 14

HEX #28DCC4

RGB 40 220 196

HSL 172, 0.72%, 0.51%

LAB 79.4, -48, -0.43

 

CMYK 27 / 82 / 0 / 14

HEX #A028DC

RGB 160 40 220

HSL 280, 0.72%, 0.51%

LAB 44.46, 72.78, -67.51

 

CMYK 0 / 82 / 71 / 14

HEX #DC2840

RGB 220 40 64

HSL 352, 0.72%, 0.51%

LAB 48.39, 67.37, 32.82

 

CMYK 55 / 0 / 82 / 14

HEX #62DC28

RGB 98 220 40

HSL 100.67, 0.72%, 0.51%

LAB 78.42, -62.78, 70.27

 

CMYK 82 / 14 / 0 / 14

HEX #28BEDC

RGB 40 190 220

HSL 190, 0.72%, 0.51%

LAB 71.18, -27.18, -25.7

 

CMYK 27 / 82 / 0 / 14

HEX #A028DC

RGB 160 40 220

HSL 280, 0.72%, 0.51%

LAB 44.46, 72.78, -67.51

 

CMYK 0 / 68 / 82 / 14

HEX #DC4628

RGB 220 70 40

HSL 10, 0.72%, 0.51%

LAB 51.55, 56.98, 49.28

 

Description

Color code: HEX #62DC28 | qconv.com Color code: HEX #62DC28 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 220 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 220 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 82 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 82% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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