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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #62DC36 it is the complementary color #9D23C9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #62DC36. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #62DC36 shade: #67DC31, #78EE44, #89FF57, #9AFF6A and #ABFF7D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #62DC36. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #62DC36 shade: #62DC36, #51CA23, #40B810, #2FA600 and #1E9400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #62DC36 shade: #63DB37, #8FDB37, #BBDB37, #DBCF37 and #DBA337

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #62DC36 shade: #63DB37, #37DB38, #37DB64, #37DB90 and #37DBBD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #62DC36 shade matches the following richer shades: #63DB37 and #5AEE24

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #62DC36 shade: #63DB37, #6CC84A, #74B55D, #7DA270 and #868F83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #62DC36 shade: #BADB37, #8FDB37, #63DB37, #37DB37 and #37DB63

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #62DC36 shade: #40A31C, #4EC723, #63DB37, #7EE15A and #99E87D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #62DC36 shade: #62DC36, #37DBD0 and #DB37A5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #62DC36 shade: #62DC36, #3763DB and #DB3763

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #62DC36 shade: #62DC36, #37DBD0, #B037DB and #DB3742

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #62DC36 shade: #62DC36, #37B5DB, #B037DB and #DB5D37

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 75 / 14

HEX #62DC36

RGB 98 220 54

HSL 104.1, 0.7%, 0.54%

LAB 78.49, -62.02, 66.3

 

Complementary color

CMYK 22 / 83 / 0 / 21

HEX #9D23C9

RGB 157 35 201

HSL 284.1, 0.7%, 0.46%

LAB 42.13, 69.99, -60.36

 

CMYK 53 / 0 / 78 / 14

HEX #67DC31

RGB 103 220 49

HSL 101.05, 0.71%, 0.53%

LAB 78.63, -61, 68.04

 

CMYK 50 / 0 / 71 / 7

HEX #78EE44

RGB 120 238 68

HSL 101.65, 0.83%, 0.6%

LAB 84.77, -61.66, 68.1

 

CMYK 46 / 0 / 66 / 0

HEX #89FF57

RGB 137 255 87

HSL 102.14, 1%, 0.67%

LAB 90.56, -61.72, 67.34

 

CMYK 40 / 0 / 58 / 0

HEX #9AFF6A

RGB 154 255 106

HSL 100.67, 1%, 0.71%

LAB 91.43, -54.94, 60.76

 

CMYK 33 / 0 / 51 / 0

HEX #ABFF7D

RGB 171 255 125

HSL 98.77, 1%, 0.75%

LAB 92.42, -47.54, 53.69

 

CMYK 55 / 0 / 75 / 14

HEX #62DC36

RGB 98 220 54

HSL 104.1, 0.7%, 0.54%

LAB 78.49, -62.02, 66.3

 

CMYK 60 / 0 / 83 / 21

HEX #51CA23

RGB 81 202 35

HSL 103.47, 0.7%, 0.46%

LAB 72.3, -61.04, 65.79

 

CMYK 65 / 0 / 91 / 28

HEX #40B810

RGB 64 184 16

HSL 102.86, 0.84%, 0.39%

LAB 66.07, -59.6, 64.12

 

CMYK 72 / 0 / 100 / 35

HEX #2FA600

RGB 47 166 0

HSL 103.01, 1%, 0.33%

LAB 59.78, -57.58, 60.99

 

CMYK 80 / 0 / 100 / 42

HEX #1E9400

RGB 30 148 0

HSL 107.84, 1%, 0.29%

LAB 53.44, -54.75, 55.81

 

CMYK 55 / 0 / 75 / 14

HEX #63DB37

RGB 99 219 55

HSL 103.9, 0.69%, 0.54%

LAB 78.22, -61.34, 65.73

 

CMYK 35 / 0 / 75 / 14

HEX #8FDB37

RGB 143 219 55

HSL 87.8, 0.69%, 0.54%

LAB 80.05, -47.8, 68.14

 

CMYK 15 / 0 / 75 / 14

HEX #BBDB37

RGB 187 219 55

HSL 71.71, 0.69%, 0.54%

LAB 82.65, -31.19, 71.52

 

CMYK 0 / 5 / 75 / 14

HEX #DBCF37

RGB 219 207 55

HSL 55.61, 0.69%, 0.54%

LAB 81.82, -12.12, 71.61

 

CMYK 0 / 26 / 75 / 14

HEX #DBA337

RGB 219 163 55

HSL 39.51, 0.69%, 0.54%

LAB 70.55, 10.79, 60.94

 

CMYK 55 / 0 / 75 / 14

HEX #63DB37

RGB 99 219 55

HSL 103.9, 0.69%, 0.54%

LAB 78.22, -61.34, 65.73

 

CMYK 75 / 0 / 74 / 14

HEX #37DB38

RGB 55 219 56

HSL 120.37, 0.69%, 0.54%

LAB 77.14, -70.27, 63.96

 

CMYK 75 / 0 / 54 / 14

HEX #37DB64

RGB 55 219 100

HSL 136.46, 0.69%, 0.54%

LAB 77.52, -65.68, 46.36

 

CMYK 75 / 0 / 34 / 14

HEX #37DB90

RGB 55 219 144

HSL 152.56, 0.69%, 0.54%

LAB 78.16, -58.25, 25.31

 

CMYK 75 / 0 / 14 / 14

HEX #37DBBD

RGB 55 219 189

HSL 169.02, 0.69%, 0.54%

LAB 79.13, -47.96, 2.93

 

CMYK 55 / 0 / 75 / 14

HEX #63DB37

RGB 99 219 55

HSL 103.9, 0.69%, 0.54%

LAB 78.22, -61.34, 65.73

 

CMYK 62 / 0 / 85 / 7

HEX #5AEE24

RGB 90 238 36

HSL 103.96, 0.86%, 0.54%

LAB 83.68, -70.89, 75.8

 

CMYK 55 / 0 / 75 / 14

HEX #63DB37

RGB 99 219 55

HSL 103.9, 0.69%, 0.54%

LAB 78.22, -61.34, 65.73

 

CMYK 46 / 0 / 63 / 22

HEX #6CC84A

RGB 108 200 74

HSL 103.81, 0.53%, 0.54%

LAB 72.89, -50.14, 53.07

 

CMYK 36 / 0 / 49 / 29

HEX #74B55D

RGB 116 181 93

HSL 104.32, 0.37%, 0.54%

LAB 67.69, -37.4, 38.21

 

CMYK 23 / 0 / 31 / 36

HEX #7DA270

RGB 125 162 112

HSL 104.4, 0.21%, 0.54%

LAB 62.82, -22.39, 22.01

 

CMYK 6 / 0 / 8 / 44

HEX #868F83

RGB 134 143 131

HSL 105, 0.05%, 0.54%

LAB 58.37, -5.63, 5.26

 

CMYK 15 / 0 / 75 / 14

HEX #BADB37

RGB 186 219 55

HSL 72.07, 0.69%, 0.54%

LAB 82.58, -31.59, 71.43

 

CMYK 35 / 0 / 75 / 14

HEX #8FDB37

RGB 143 219 55

HSL 87.8, 0.69%, 0.54%

LAB 80.05, -47.8, 68.14

 

CMYK 55 / 0 / 75 / 14

HEX #63DB37

RGB 99 219 55

HSL 103.9, 0.69%, 0.54%

LAB 78.22, -61.34, 65.73

 

CMYK 75 / 0 / 75 / 14

HEX #37DB37

RGB 55 219 55

HSL 120, 0.69%, 0.54%

LAB 77.13, -70.34, 64.29

 

CMYK 75 / 0 / 55 / 14

HEX #37DB63

RGB 55 219 99

HSL 136.1, 0.69%, 0.54%

LAB 77.51, -65.82, 46.82

 

CMYK 61 / 0 / 83 / 36

HEX #40A31C

RGB 64 163 28

HSL 104, 0.71%, 0.37%

LAB 59.31, -51.92, 55.61

 

CMYK 61 / 0 / 82 / 22

HEX #4EC723

RGB 78 199 35

HSL 104.27, 0.7%, 0.46%

LAB 71.27, -60.73, 64.82

 

CMYK 55 / 0 / 75 / 14

HEX #63DB37

RGB 99 219 55

HSL 103.9, 0.69%, 0.54%

LAB 78.22, -61.34, 65.73

 

CMYK 44 / 0 / 60 / 12

HEX #7EE15A

RGB 126 225 90

HSL 104, 0.69%, 0.62%

LAB 81.3, -53.11, 55.82

 

CMYK 34 / 0 / 46 / 9

HEX #99E87D

RGB 153 232 125

HSL 104.3, 0.7%, 0.7%

LAB 84.98, -43.56, 44.36

 

CMYK 55 / 0 / 75 / 14

HEX #62DC36

RGB 98 220 54

HSL 104.1, 0.7%, 0.54%

LAB 78.49, -62.02, 66.3

 

CMYK 75 / 0 / 5 / 14

HEX #37DBD0

RGB 55 219 208

HSL 175.98, 0.69%, 0.54%

LAB 79.63, -42.92, -6.47

 

CMYK 0 / 75 / 25 / 14

HEX #DB37A5

RGB 219 55 165

HSL 319.76, 0.69%, 0.54%

LAB 52.41, 71.44, -22.35

 

CMYK 55 / 0 / 75 / 14

HEX #62DC36

RGB 98 220 54

HSL 104.1, 0.7%, 0.54%

LAB 78.49, -62.02, 66.3

 

CMYK 75 / 55 / 0 / 14

HEX #3763DB

RGB 55 99 219

HSL 223.9, 0.69%, 0.54%

LAB 45.43, 26.67, -65.79

 

CMYK 0 / 75 / 55 / 14

HEX #DB3763

RGB 219 55 99

HSL 343.9, 0.69%, 0.54%

LAB 50.33, 64.93, 14.18

 

CMYK 55 / 0 / 75 / 14

HEX #62DC36

RGB 98 220 54

HSL 104.1, 0.7%, 0.54%

LAB 78.49, -62.02, 66.3

 

CMYK 75 / 0 / 5 / 14

HEX #37DBD0

RGB 55 219 208

HSL 175.98, 0.69%, 0.54%

LAB 79.63, -42.92, -6.47

 

CMYK 20 / 75 / 0 / 14

HEX #B037DB

RGB 176 55 219

HSL 284.27, 0.69%, 0.54%

LAB 48.36, 70.64, -60.52

 

CMYK 0 / 75 / 70 / 14

HEX #DB3742

RGB 219 55 66

HSL 355.98, 0.69%, 0.54%

LAB 49.72, 62.97, 33.19

 

CMYK 55 / 0 / 75 / 14

HEX #62DC36

RGB 98 220 54

HSL 104.1, 0.7%, 0.54%

LAB 78.49, -62.02, 66.3

 

CMYK 75 / 17 / 0 / 14

HEX #37B5DB

RGB 55 181 219

HSL 193.9, 0.69%, 0.54%

LAB 68.73, -21.48, -28.88

 

CMYK 20 / 75 / 0 / 14

HEX #B037DB

RGB 176 55 219

HSL 284.27, 0.69%, 0.54%

LAB 48.36, 70.64, -60.52

 

CMYK 0 / 58 / 75 / 14

HEX #DB5D37

RGB 219 93 55

HSL 13.9, 0.69%, 0.54%

LAB 55.24, 47.22, 45.46

 

Description

Color code: HEX #62DC36 | qconv.com Color code: HEX #62DC36 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 220 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 220 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 75 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 75% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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