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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #62DCB9 it is the complementary color #9D2346. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #62DCB9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #62DCB9 shade: #67DCB4, #78EEC7, #89FFDA, #9AFFED and #ABFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #62DCB9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #62DCB9 shade: #62DCB9, #51CAA6, #40B893, #2FA680 and #1E946D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #62DCB9 shade: #60DCB8, #60DC97, #60DC75, #6BDC60 and #8DDC60

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #62DCB9 shade: #60DCB8, #60DCD9, #60BCDC, #609BDC and #6079DC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #62DCB9 shade matches the following richer shades: #60DCB8, #50EBBF and #40FBC5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #62DCB9 shade: #60DCB8, #6FCCB1, #7FBCAB, #8FADA4 and #9E9D9D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #62DCB9 shade: #60DC74, #60DC95, #60DCB6, #60DCD7 and #60BFDC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #62DCB9 shade: #2ABF94, #3ED4A9, #60DCB8, #81E3C7 and #A3EAD6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #62DCB9 shade: #62DCB9, #606CDC and #DC8560

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #62DCB9 shade: #62DCB9, #B660DC and #DCB660

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #62DCB9 shade: #62DCB9, #606CDC, #DC6085 and #DCCF60

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #62DCB9 shade: #62DCB9, #7860DC, #DC6085 and #C3DC60

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 16 / 14

HEX #62DCB9

RGB 98 220 185

HSL 162.79, 0.64%, 0.62%

LAB 80.34, -42.49, 6.94

 

Complementary color

CMYK 0 / 78 / 55 / 38

HEX #9D2346

RGB 157 35 70

HSL 342.79, 0.64%, 0.38%

LAB 35.62, 51.32, 10.15

 

CMYK 53 / 0 / 18 / 14

HEX #67DCB4

RGB 103 220 180

HSL 159.49, 0.63%, 0.63%

LAB 80.38, -42.56, 9.67

 

CMYK 50 / 0 / 16 / 7

HEX #78EEC7

RGB 120 238 199

HSL 160.17, 0.78%, 0.7%

LAB 86.64, -42.49, 8.69

 

CMYK 46 / 0 / 15 / 0

HEX #89FFDA

RGB 137 255 218

HSL 161.19, 1%, 0.77%

LAB 92.53, -41.93, 7.37

 

CMYK 40 / 0 / 7 / 0

HEX #9AFFED

RGB 154 255 237

HSL 169.31, 1%, 0.8%

LAB 93.67, -33.62, -0.7

 

CMYK 33 / 0 / 0 / 0

HEX #ABFFFF

RGB 171 255 255

HSL 180, 1%, 0.84%

LAB 94.91, -25.22, -8.09

 

CMYK 55 / 0 / 16 / 14

HEX #62DCB9

RGB 98 220 185

HSL 162.79, 0.64%, 0.62%

LAB 80.34, -42.49, 6.94

 

CMYK 60 / 0 / 18 / 21

HEX #51CAA6

RGB 81 202 166

HSL 162.15, 0.53%, 0.55%

LAB 74.03, -42.4, 7.98

 

CMYK 65 / 0 / 20 / 28

HEX #40B893

RGB 64 184 147

HSL 161.5, 0.48%, 0.49%

LAB 67.63, -42.19, 9.12

 

CMYK 72 / 0 / 23 / 35

HEX #2FA680

RGB 47 166 128

HSL 160.84, 0.56%, 0.42%

LAB 61.16, -41.77, 10.38

 

CMYK 80 / 0 / 26 / 42

HEX #1E946D

RGB 30 148 109

HSL 160.17, 0.66%, 0.35%

LAB 54.62, -41.04, 11.8

 

CMYK 56 / 0 / 16 / 14

HEX #60DCB8

RGB 96 220 184

HSL 162.58, 0.64%, 0.62%

LAB 80.25, -43.13, 7.34

 

CMYK 56 / 0 / 31 / 14

HEX #60DC97

RGB 96 220 151

HSL 146.61, 0.64%, 0.62%

LAB 79.56, -50.13, 23.74

 

CMYK 56 / 0 / 47 / 14

HEX #60DC75

RGB 96 220 117

HSL 130.16, 0.64%, 0.62%

LAB 79.02, -55.92, 40.28

 

CMYK 51 / 0 / 56 / 14

HEX #6BDC60

RGB 107 220 96

HSL 114.68, 0.64%, 0.62%

LAB 79.13, -55.92, 50.46

 

CMYK 36 / 0 / 56 / 14

HEX #8DDC60

RGB 141 220 96

HSL 98.23, 0.64%, 0.62%

LAB 80.57, -45.69, 52.5

 

CMYK 56 / 0 / 16 / 14

HEX #60DCB8

RGB 96 220 184

HSL 162.58, 0.64%, 0.62%

LAB 80.25, -43.13, 7.34

 

CMYK 56 / 0 / 1 / 14

HEX #60DCD9

RGB 96 220 217

HSL 178.55, 0.64%, 0.62%

LAB 81.12, -34.95, -8.96

 

CMYK 56 / 15 / 0 / 14

HEX #60BCDC

RGB 96 188 220

HSL 195.48, 0.64%, 0.62%

LAB 71.97, -18.36, -24.36

 

CMYK 56 / 30 / 0 / 14

HEX #609BDC

RGB 96 155 220

HSL 211.45, 0.64%, 0.62%

LAB 62.59, -0.36, -38.87

 

CMYK 56 / 45 / 0 / 14

HEX #6079DC

RGB 96 121 220

HSL 227.9, 0.64%, 0.62%

LAB 53.31, 19.81, -53.55

 

CMYK 56 / 0 / 16 / 14

HEX #60DCB8

RGB 96 220 184

HSL 162.58, 0.64%, 0.62%

LAB 80.25, -43.13, 7.34

 

CMYK 66 / 0 / 19 / 8

HEX #50EBBF

RGB 80 235 191

HSL 162.97, 0.79%, 0.62%

LAB 84.42, -50.76, 9.56

 

CMYK 75 / 0 / 22 / 2

HEX #40FBC5

RGB 64 251 197

HSL 162.67, 0.96%, 0.62%

LAB 88.98, -57.97, 12.88

 

CMYK 56 / 0 / 16 / 14

HEX #60DCB8

RGB 96 220 184

HSL 162.58, 0.64%, 0.62%

LAB 80.25, -43.13, 7.34

 

CMYK 46 / 0 / 13 / 20

HEX #6FCCB1

RGB 111 204 177

HSL 162.58, 0.48%, 0.62%

LAB 75.91, -34.11, 4.89

 

CMYK 32 / 0 / 9 / 26

HEX #7FBCAB

RGB 127 188 171

HSL 163.28, 0.31%, 0.62%

LAB 71.84, -23.38, 2.35

 

CMYK 17 / 0 / 5 / 32

HEX #8FADA4

RGB 143 173 164

HSL 162, 0.15%, 0.62%

LAB 68.32, -12.12, 1.19

 

CMYK 0 / 1 / 1 / 38

HEX #9E9D9D

RGB 158 157 157

HSL 0, 0.01%, 0.62%

LAB 64.82, 0.36, 0.12

 

CMYK 56 / 0 / 47 / 14

HEX #60DC74

RGB 96 220 116

HSL 129.68, 0.64%, 0.62%

LAB 79, -56.07, 40.75

 

CMYK 56 / 0 / 32 / 14

HEX #60DC95

RGB 96 220 149

HSL 145.65, 0.64%, 0.62%

LAB 79.52, -50.51, 24.73

 

CMYK 56 / 0 / 17 / 14

HEX #60DCB6

RGB 96 220 182

HSL 161.61, 0.64%, 0.62%

LAB 80.21, -43.59, 8.33

 

CMYK 56 / 0 / 2 / 14

HEX #60DCD7

RGB 96 220 215

HSL 177.58, 0.64%, 0.62%

LAB 81.06, -35.47, -7.98

 

CMYK 56 / 13 / 0 / 14

HEX #60BFDC

RGB 96 191 220

HSL 194.03, 0.64%, 0.62%

LAB 72.84, -19.91, -23.04

 

CMYK 78 / 0 / 23 / 25

HEX #2ABF94

RGB 42 191 148

HSL 162.68, 0.64%, 0.46%

LAB 69.39, -48.01, 11.01

 

CMYK 71 / 0 / 20 / 17

HEX #3ED4A9

RGB 62 212 169

HSL 162.8, 0.64%, 0.54%

LAB 76.66, -49.09, 10.07

 

CMYK 56 / 0 / 16 / 14

HEX #60DCB8

RGB 96 220 184

HSL 162.58, 0.64%, 0.62%

LAB 80.25, -43.13, 7.34

 

CMYK 43 / 0 / 12 / 11

HEX #81E3C7

RGB 129 227 199

HSL 162.86, 0.64%, 0.7%

LAB 83.82, -35.36, 4.69

 

CMYK 30 / 0 / 9 / 8

HEX #A3EAD6

RGB 163 234 214

HSL 163.1, 0.63%, 0.78%

LAB 87.72, -26.26, 2.65

 

CMYK 55 / 0 / 16 / 14

HEX #62DCB9

RGB 98 220 185

HSL 162.79, 0.64%, 0.62%

LAB 80.34, -42.49, 6.94

 

CMYK 56 / 51 / 0 / 14

HEX #606CDC

RGB 96 108 220

HSL 234.19, 0.64%, 0.62%

LAB 49.95, 27.77, -58.93

 

CMYK 0 / 40 / 56 / 14

HEX #DC8560

RGB 220 133 96

HSL 17.9, 0.64%, 0.62%

LAB 64.03, 29.79, 34.01

 

CMYK 55 / 0 / 16 / 14

HEX #62DCB9

RGB 98 220 185

HSL 162.79, 0.64%, 0.62%

LAB 80.34, -42.49, 6.94

 

CMYK 17 / 56 / 0 / 14

HEX #B660DC

RGB 182 96 220

HSL 281.61, 0.64%, 0.62%

LAB 55.56, 54.62, -49.5

 

CMYK 0 / 17 / 56 / 14

HEX #DCB660

RGB 220 182 96

HSL 41.61, 0.64%, 0.62%

LAB 75.77, 3.58, 48.31

 

CMYK 55 / 0 / 16 / 14

HEX #62DCB9

RGB 98 220 185

HSL 162.79, 0.64%, 0.62%

LAB 80.34, -42.49, 6.94

 

CMYK 56 / 51 / 0 / 14

HEX #606CDC

RGB 96 108 220

HSL 234.19, 0.64%, 0.62%

LAB 49.95, 27.77, -58.93

 

CMYK 0 / 56 / 40 / 14

HEX #DC6085

RGB 220 96 133

HSL 342.1, 0.64%, 0.62%

LAB 57.34, 51.99, 3.87

 

CMYK 0 / 6 / 56 / 14

HEX #DCCF60

RGB 220 207 96

HSL 53.71, 0.64%, 0.62%

LAB 82.21, -9.36, 55.76

 

CMYK 55 / 0 / 16 / 14

HEX #62DCB9

RGB 98 220 185

HSL 162.79, 0.64%, 0.62%

LAB 80.34, -42.49, 6.94

 

CMYK 45 / 56 / 0 / 14

HEX #7860DC

RGB 120 96 220

HSL 251.61, 0.64%, 0.62%

LAB 48.92, 39.89, -60.51

 

CMYK 0 / 56 / 40 / 14

HEX #DC6085

RGB 220 96 133

HSL 342.1, 0.64%, 0.62%

LAB 57.34, 51.99, 3.87

 

CMYK 11 / 0 / 56 / 14

HEX #C3DC60

RGB 195 220 96

HSL 72.1, 0.64%, 0.62%

LAB 83.77, -25.87, 57.02

 

Description

Color code: HEX #62DCB9 | qconv.com Color code: HEX #62DCB9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 220 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 220 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 16 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 16% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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