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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #62EA23 it is the complementary color #9D15DC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #62EA23. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #62EA23 shade: #67EA1E, #78FC31, #89FF44, #9AFF57 and #ABFF6A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #62EA23. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #62EA23 shade: #62EA23, #51D810, #40C600, #2FB400 and #1EA200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #62EA23 shade: #62EA23, #98EA23, #CDEA23, #EAD123 and #EA9C23

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #62EA23 shade: #62EA23, #2CEA23, #23EA50, #23EA85 and #23EABB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #62EA23 shade matches the following richer shades: #62EA23 and #5BFE10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #62EA23 shade: #62EA23, #69D737, #70C34A, #77B05D and #7F9D71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #62EA23 shade: #CCEA23, #97EA23, #62EA23, #2DEA23 and #23EA4E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #62EA23 shade: #41AB0F, #4FD113, #62EA23, #7DEE49 and #98F16F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #62EA23 shade: #62EA23, #23EAD3 and #EA23B2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #62EA23 shade: #62EA23, #2362EA and #EA2362

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #62EA23 shade: #62EA23, #23EAD3, #AB23EA and #EA233A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #62EA23 shade: #62EA23, #23C6EA, #AB23EA and #EA4823

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 85 / 8

HEX #62EA23

RGB 98 234 35

HSL 101.01, 0.83%, 0.53%

LAB 82.68, -67.78, 75.22

 

Complementary color

CMYK 29 / 90 / 0 / 14

HEX #9D15DC

RGB 157 21 220

HSL 281.01, 0.83%, 0.47%

LAB 42.57, 76.6, -70.61

 

CMYK 56 / 0 / 87 / 8

HEX #67EA1E

RGB 103 234 30

HSL 98.53, 0.83%, 0.52%

LAB 82.82, -66.71, 76.38

 

CMYK 52 / 0 / 81 / 1

HEX #78FC31

RGB 120 252 49

HSL 99.01, 0.97%, 0.59%

LAB 88.84, -67.75, 77.74

 

CMYK 46 / 0 / 73 / 0

HEX #89FF44

RGB 137 255 68

HSL 97.86, 1%, 0.63%

LAB 90.44, -63.07, 73.96

 

CMYK 40 / 0 / 66 / 0

HEX #9AFF57

RGB 154 255 87

HSL 96.07, 1%, 0.67%

LAB 91.27, -56.58, 68.3

 

CMYK 33 / 0 / 58 / 0

HEX #ABFF6A

RGB 171 255 106

HSL 93.83, 1%, 0.71%

LAB 92.23, -49.45, 61.88

 

CMYK 58 / 0 / 85 / 8

HEX #62EA23

RGB 98 234 35

HSL 101.01, 0.83%, 0.53%

LAB 82.68, -67.78, 75.22

 

CMYK 63 / 0 / 93 / 15

HEX #51D810

RGB 81 216 16

HSL 100.5, 0.86%, 0.45%

LAB 76.62, -66.35, 73.09

 

CMYK 68 / 0 / 100 / 22

HEX #40C600

RGB 64 198 0

HSL 100.61, 1%, 0.39%

LAB 70.51, -64.46, 69.69

 

CMYK 74 / 0 / 100 / 29

HEX #2FB400

RGB 47 180 0

HSL 104.33, 1%, 0.35%

LAB 64.36, -61.97, 64.64

 

CMYK 81 / 0 / 100 / 36

HEX #1EA200

RGB 30 162 0

HSL 108.89, 1%, 0.32%

LAB 58.15, -59.01, 59.56

 

CMYK 58 / 0 / 85 / 8

HEX #62EA23

RGB 98 234 35

HSL 101.01, 0.83%, 0.53%

LAB 82.68, -67.78, 75.22

 

CMYK 35 / 0 / 85 / 8

HEX #98EA23

RGB 152 234 35

HSL 84.72, 0.83%, 0.53%

LAB 84.81, -51.67, 77.9

 

CMYK 12 / 0 / 85 / 8

HEX #CDEA23

RGB 205 234 35

HSL 68.74, 0.83%, 0.53%

LAB 87.94, -31.62, 81.79

 

CMYK 0 / 11 / 85 / 8

HEX #EAD123

RGB 234 209 35

HSL 52.46, 0.83%, 0.53%

LAB 83.56, -7.38, 79.11

 

CMYK 0 / 33 / 85 / 8

HEX #EA9C23

RGB 234 156 35

HSL 36.48, 0.83%, 0.53%

LAB 70.45, 20.29, 68.37

 

CMYK 58 / 0 / 85 / 8

HEX #62EA23

RGB 98 234 35

HSL 101.01, 0.83%, 0.53%

LAB 82.68, -67.78, 75.22

 

CMYK 81 / 0 / 85 / 8

HEX #2CEA23

RGB 44 234 35

HSL 117.29, 0.83%, 0.53%

LAB 81.57, -77.25, 73.81

 

CMYK 85 / 0 / 66 / 8

HEX #23EA50

RGB 35 234 80

HSL 133.57, 0.83%, 0.53%

LAB 81.72, -74.96, 59.81

 

CMYK 85 / 0 / 43 / 8

HEX #23EA85

RGB 35 234 133

HSL 149.55, 0.83%, 0.53%

LAB 82.32, -67.66, 36.37

 

CMYK 85 / 0 / 20 / 8

HEX #23EABB

RGB 35 234 187

HSL 165.83, 0.83%, 0.53%

LAB 83.33, -56.34, 10

 

CMYK 58 / 0 / 85 / 8

HEX #62EA23

RGB 98 234 35

HSL 101.01, 0.83%, 0.53%

LAB 82.68, -67.78, 75.22

 

CMYK 64 / 0 / 94 / 0

HEX #5BFE10

RGB 91 254 16

HSL 101.09, 0.99%, 0.53%

LAB 88.52, -76.28, 82.98

 

CMYK 58 / 0 / 85 / 8

HEX #62EA23

RGB 98 234 35

HSL 101.01, 0.83%, 0.53%

LAB 82.68, -67.78, 75.22

 

CMYK 51 / 0 / 74 / 16

HEX #69D737

RGB 105 215 55

HSL 101.25, 0.67%, 0.53%

LAB 77.21, -58.27, 64.8

 

CMYK 43 / 0 / 62 / 24

HEX #70C34A

RGB 112 195 74

HSL 101.16, 0.5%, 0.53%

LAB 71.53, -46.87, 51.62

 

CMYK 32 / 0 / 47 / 31

HEX #77B05D

RGB 119 176 93

HSL 101.2, 0.34%, 0.53%

LAB 66.34, -34.08, 36.56

 

CMYK 19 / 0 / 28 / 38

HEX #7F9D71

RGB 127 157 113

HSL 100.91, 0.18%, 0.53%

LAB 61.5, -18.93, 19.69

 

CMYK 13 / 0 / 85 / 8

HEX #CCEA23

RGB 204 234 35

HSL 69.05, 0.83%, 0.53%

LAB 87.87, -32.02, 81.71

 

CMYK 35 / 0 / 85 / 8

HEX #97EA23

RGB 151 234 35

HSL 85.03, 0.83%, 0.53%

LAB 84.76, -52.02, 77.84

 

CMYK 58 / 0 / 85 / 8

HEX #62EA23

RGB 98 234 35

HSL 101.01, 0.83%, 0.53%

LAB 82.68, -67.78, 75.22

 

CMYK 81 / 0 / 85 / 8

HEX #2DEA23

RGB 45 234 35

HSL 116.98, 0.83%, 0.53%

LAB 81.58, -77.14, 73.82

 

CMYK 85 / 0 / 67 / 8

HEX #23EA4E

RGB 35 234 78

HSL 132.96, 0.83%, 0.53%

LAB 81.7, -75.16, 60.59

 

CMYK 62 / 0 / 91 / 33

HEX #41AB0F

RGB 65 171 15

HSL 100.77, 0.84%, 0.36%

LAB 61.9, -55, 60.78

 

CMYK 62 / 0 / 91 / 18

HEX #4FD113

RGB 79 209 19

HSL 101.05, 0.83%, 0.45%

LAB 74.39, -64.44, 70.8

 

CMYK 58 / 0 / 85 / 8

HEX #62EA23

RGB 98 234 35

HSL 101.01, 0.83%, 0.53%

LAB 82.68, -67.78, 75.22

 

CMYK 47 / 0 / 69 / 7

HEX #7DEE49

RGB 125 238 73

HSL 101.09, 0.83%, 0.61%

LAB 84.99, -59.88, 66.6

 

CMYK 37 / 0 / 54 / 5

HEX #98F16F

RGB 152 241 111

HSL 101.08, 0.82%, 0.69%

LAB 87.36, -49.34, 53.8

 

CMYK 58 / 0 / 85 / 8

HEX #62EA23

RGB 98 234 35

HSL 101.01, 0.83%, 0.53%

LAB 82.68, -67.78, 75.22

 

CMYK 85 / 0 / 10 / 8

HEX #23EAD3

RGB 35 234 211

HSL 173.07, 0.83%, 0.53%

LAB 83.92, -50.22, -1.78

 

CMYK 0 / 85 / 24 / 8

HEX #EA23B2

RGB 234 35 178

HSL 316.88, 0.83%, 0.53%

LAB 53.93, 81.13, -27.41

 

CMYK 58 / 0 / 85 / 8

HEX #62EA23

RGB 98 234 35

HSL 101.01, 0.83%, 0.53%

LAB 82.68, -67.78, 75.22

 

CMYK 85 / 58 / 0 / 8

HEX #2362EA

RGB 35 98 234

HSL 221.01, 0.83%, 0.53%

LAB 45.68, 31.1, -73.9

 

CMYK 0 / 85 / 58 / 8

HEX #EA2362

RGB 234 35 98

HSL 341.01, 0.83%, 0.53%

LAB 51.35, 73.89, 16.65

 

CMYK 58 / 0 / 85 / 8

HEX #62EA23

RGB 98 234 35

HSL 101.01, 0.83%, 0.53%

LAB 82.68, -67.78, 75.22

 

CMYK 85 / 0 / 10 / 8

HEX #23EAD3

RGB 35 234 211

HSL 173.07, 0.83%, 0.53%

LAB 83.92, -50.22, -1.78

 

CMYK 27 / 85 / 0 / 8

HEX #AB23EA

RGB 171 35 234

HSL 281.01, 0.83%, 0.53%

LAB 46.71, 78.42, -71.74

 

CMYK 0 / 85 / 75 / 8

HEX #EA233A

RGB 234 35 58

HSL 353.07, 0.83%, 0.53%

LAB 50.69, 71.95, 39.68

 

CMYK 58 / 0 / 85 / 8

HEX #62EA23

RGB 98 234 35

HSL 101.01, 0.83%, 0.53%

LAB 82.68, -67.78, 75.22

 

CMYK 85 / 15 / 0 / 8

HEX #23C6EA

RGB 35 198 234

HSL 190.85, 0.83%, 0.53%

LAB 73.99, -27, -28.98

 

CMYK 27 / 85 / 0 / 8

HEX #AB23EA

RGB 171 35 234

HSL 281.01, 0.83%, 0.53%

LAB 46.71, 78.42, -71.74

 

CMYK 0 / 69 / 85 / 8

HEX #EA4823

RGB 234 72 35

HSL 11.16, 0.83%, 0.53%

LAB 54.29, 60.63, 54.94

 

Description

Color code: HEX #62EA23 | qconv.com Color code: HEX #62EA23 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 234 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 234 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 85 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 85% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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