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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #62EEC6 it is the complementary color #9D1139. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #62EEC6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #62EEC6 shade: #67EEC1, #78FFD4, #89FFE7, #9AFFFA and #ABFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #62EEC6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #62EEC6 shade: #62EEC6, #51DCB3, #40CAA0, #2FB88D and #1EA67A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #62EEC6 shade: #62EDC6, #62EDA0, #62ED7B, #70ED62 and #95ED62

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #62EEC6 shade: #62EDC6, #62EDEB, #62CAED, #62A5ED and #627FED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #62EEC6 shade matches the following richer shades: #62EDC6 and #54FBCC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #62EEC6 shade: #62EDC6, #70DFC0, #7ED1BA, #8DC3B3 and #9BB5AD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #62EEC6 shade: #62ED7A, #62ED9F, #62EDC4, #62EDE9 and #62CDED

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #62EEC6 shade: #19E4AA, #3DE9B8, #62EDC6, #88F1D3 and #ADF5E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #62EEC6 shade: #62EEC6, #6270ED and #ED8C62

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #62EEC6 shade: #62EEC6, #C462ED and #EDC462

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #62EEC6 shade: #62EEC6, #6270ED, #ED628C and #EDDF62

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #62EEC6 shade: #62EEC6, #7E62ED, #ED628C and #D1ED62

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 17 / 7

HEX #62EEC6

RGB 98 238 198

HSL 162.86, 0.8%, 0.66%

LAB 85.92, -47.29, 8.1

 

Complementary color

CMYK 0 / 89 / 64 / 38

HEX #9D1139

RGB 157 17 57

HSL 342.86, 0.8%, 0.34%

LAB 33.7, 55.04, 16

 

CMYK 57 / 0 / 19 / 7

HEX #67EEC1

RGB 103 238 193

HSL 160, 0.8%, 0.67%

LAB 85.95, -47.45, 10.77

 

CMYK 53 / 0 / 17 / 0

HEX #78FFD4

RGB 120 255 212

HSL 160.89, 1%, 0.74%

LAB 91.8, -47.04, 9.35

 

CMYK 46 / 0 / 9 / 0

HEX #89FFE7

RGB 137 255 231

HSL 167.8, 1%, 0.77%

LAB 92.84, -39.04, 1.11

 

CMYK 40 / 0 / 2 / 0

HEX #9AFFFA

RGB 154 255 250

HSL 177.03, 1%, 0.8%

LAB 94.01, -30.65, -6.92

 

CMYK 33 / 0 / 0 / 0

HEX #ABFFFF

RGB 171 255 255

HSL 180, 1%, 0.84%

LAB 94.91, -25.22, -8.09

 

CMYK 59 / 0 / 17 / 7

HEX #62EEC6

RGB 98 238 198

HSL 162.86, 0.8%, 0.66%

LAB 85.92, -47.29, 8.1

 

CMYK 63 / 0 / 19 / 14

HEX #51DCB3

RGB 81 220 179

HSL 162.3, 0.67%, 0.59%

LAB 79.72, -47.11, 9.17

 

CMYK 68 / 0 / 21 / 21

HEX #40CAA0

RGB 64 202 160

HSL 161.74, 0.57%, 0.52%

LAB 73.46, -46.77, 10.35

 

CMYK 74 / 0 / 23 / 28

HEX #2FB88D

RGB 47 184 141

HSL 161.17, 0.59%, 0.45%

LAB 67.13, -46.21, 11.64

 

CMYK 82 / 0 / 27 / 35

HEX #1EA67A

RGB 30 166 122

HSL 160.59, 0.69%, 0.38%

LAB 60.74, -45.33, 13.08

 

CMYK 59 / 0 / 16 / 7

HEX #62EDC6

RGB 98 237 198

HSL 163.17, 0.79%, 0.66%

LAB 85.63, -46.87, 7.68

 

CMYK 59 / 0 / 32 / 7

HEX #62EDA0

RGB 98 237 160

HSL 146.76, 0.79%, 0.66%

LAB 84.84, -54.85, 26.29

 

CMYK 59 / 0 / 48 / 7

HEX #62ED7B

RGB 98 237 123

HSL 130.79, 0.79%, 0.66%

LAB 84.27, -61, 43.98

 

CMYK 53 / 0 / 59 / 7

HEX #70ED62

RGB 112 237 98

HSL 113.96, 0.79%, 0.66%

LAB 84.43, -60.8, 55.77

 

CMYK 37 / 0 / 59 / 7

HEX #95ED62

RGB 149 237 98

HSL 97.99, 0.79%, 0.66%

LAB 85.93, -49.98, 57.87

 

CMYK 59 / 0 / 16 / 7

HEX #62EDC6

RGB 98 237 198

HSL 163.17, 0.79%, 0.66%

LAB 85.63, -46.87, 7.68

 

CMYK 59 / 0 / 1 / 7

HEX #62EDEB

RGB 98 237 235

HSL 179.14, 0.79%, 0.66%

LAB 86.58, -37.7, -10.34

 

CMYK 59 / 15 / 0 / 7

HEX #62CAED

RGB 98 202 237

HSL 195.11, 0.79%, 0.66%

LAB 76.65, -20.2, -26.39

 

CMYK 59 / 30 / 0 / 7

HEX #62A5ED

RGB 98 165 237

HSL 211.08, 0.79%, 0.66%

LAB 66.23, -0.28, -42.54

 

CMYK 59 / 46 / 0 / 7

HEX #627FED

RGB 98 127 237

HSL 227.48, 0.79%, 0.66%

LAB 55.98, 22.1, -58.79

 

CMYK 59 / 0 / 16 / 7

HEX #62EDC6

RGB 98 237 198

HSL 163.17, 0.79%, 0.66%

LAB 85.63, -46.87, 7.68

 

CMYK 67 / 0 / 19 / 2

HEX #54FBCC

RGB 84 251 204

HSL 163.11, 0.95%, 0.66%

LAB 89.5, -53.7, 10.06

 

CMYK 59 / 0 / 16 / 7

HEX #62EDC6

RGB 98 237 198

HSL 163.17, 0.79%, 0.66%

LAB 85.63, -46.87, 7.68

 

CMYK 50 / 0 / 14 / 13

HEX #70DFC0

RGB 112 223 192

HSL 163.24, 0.63%, 0.66%

LAB 81.85, -39.18, 5.46

 

CMYK 40 / 0 / 11 / 18

HEX #7ED1BA

RGB 126 209 186

HSL 163.37, 0.47%, 0.66%

LAB 78.22, -30.58, 3.48

 

CMYK 28 / 0 / 8 / 24

HEX #8DC3B3

RGB 141 195 179

HSL 162.22, 0.31%, 0.66%

LAB 74.79, -20.96, 2.38

 

CMYK 14 / 0 / 4 / 29

HEX #9BB5AD

RGB 155 181 173

HSL 161.54, 0.15%, 0.66%

LAB 71.58, -10.5, 1.08

 

CMYK 59 / 0 / 49 / 7

HEX #62ED7A

RGB 98 237 122

HSL 130.36, 0.79%, 0.66%

LAB 84.26, -61.14, 44.44

 

CMYK 59 / 0 / 33 / 7

HEX #62ED9F

RGB 98 237 159

HSL 146.33, 0.79%, 0.66%

LAB 84.83, -55.04, 26.78

 

CMYK 59 / 0 / 17 / 7

HEX #62EDC4

RGB 98 237 196

HSL 162.3, 0.79%, 0.66%

LAB 85.58, -47.33, 8.66

 

CMYK 59 / 0 / 2 / 7

HEX #62EDE9

RGB 98 237 233

HSL 178.27, 0.79%, 0.66%

LAB 86.53, -38.22, -9.37

 

CMYK 59 / 14 / 0 / 7

HEX #62CDED

RGB 98 205 237

HSL 193.81, 0.79%, 0.66%

LAB 77.5, -21.73, -25.09

 

CMYK 89 / 0 / 25 / 11

HEX #19E4AA

RGB 25 228 170

HSL 162.86, 0.8%, 0.5%

LAB 81.07, -58.66, 15.7

 

CMYK 74 / 0 / 21 / 9

HEX #3DE9B8

RGB 61 233 184

HSL 162.91, 0.8%, 0.58%

LAB 83.3, -54.22, 11.58

 

CMYK 59 / 0 / 16 / 7

HEX #62EDC6

RGB 98 237 198

HSL 163.17, 0.79%, 0.66%

LAB 85.63, -46.87, 7.68

 

CMYK 44 / 0 / 12 / 5

HEX #88F1D3

RGB 136 241 211

HSL 162.86, 0.79%, 0.74%

LAB 88.38, -37.4, 5.01

 

CMYK 29 / 0 / 8 / 4

HEX #ADF5E1

RGB 173 245 225

HSL 163.33, 0.78%, 0.82%

LAB 91.52, -26.39, 2.49

 

CMYK 59 / 0 / 17 / 7

HEX #62EEC6

RGB 98 238 198

HSL 162.86, 0.8%, 0.66%

LAB 85.92, -47.29, 8.1

 

CMYK 59 / 53 / 0 / 7

HEX #6270ED

RGB 98 112 237

HSL 233.96, 0.79%, 0.66%

LAB 52.17, 31.21, -64.91

 

CMYK 0 / 41 / 59 / 7

HEX #ED8C62

RGB 237 140 98

HSL 18.13, 0.79%, 0.66%

LAB 67.76, 32.98, 38.06

 

CMYK 59 / 0 / 17 / 7

HEX #62EEC6

RGB 98 238 198

HSL 162.86, 0.8%, 0.66%

LAB 85.92, -47.29, 8.1

 

CMYK 17 / 59 / 0 / 7

HEX #C462ED

RGB 196 98 237

HSL 282.3, 0.79%, 0.66%

LAB 58.59, 60.6, -54.11

 

CMYK 0 / 17 / 59 / 7

HEX #EDC462

RGB 237 196 98

HSL 42.3, 0.79%, 0.66%

LAB 80.94, 3.47, 53.79

 

CMYK 59 / 0 / 17 / 7

HEX #62EEC6

RGB 98 238 198

HSL 162.86, 0.8%, 0.66%

LAB 85.92, -47.29, 8.1

 

CMYK 59 / 53 / 0 / 7

HEX #6270ED

RGB 98 112 237

HSL 233.96, 0.79%, 0.66%

LAB 52.17, 31.21, -64.91

 

CMYK 0 / 59 / 41 / 7

HEX #ED628C

RGB 237 98 140

HSL 341.87, 0.79%, 0.66%

LAB 60.46, 57.31, 4.61

 

CMYK 0 / 6 / 59 / 7

HEX #EDDF62

RGB 237 223 98

HSL 53.96, 0.79%, 0.66%

LAB 87.81, -10.3, 61.55

 

CMYK 59 / 0 / 17 / 7

HEX #62EEC6

RGB 98 238 198

HSL 162.86, 0.8%, 0.66%

LAB 85.92, -47.29, 8.1

 

CMYK 47 / 59 / 0 / 7

HEX #7E62ED

RGB 126 98 237

HSL 252.09, 0.79%, 0.66%

LAB 51.02, 44.83, -66.67

 

CMYK 0 / 59 / 41 / 7

HEX #ED628C

RGB 237 98 140

HSL 341.87, 0.79%, 0.66%

LAB 60.46, 57.31, 4.61

 

CMYK 12 / 0 / 59 / 7

HEX #D1ED62

RGB 209 237 98

HSL 72.09, 0.79%, 0.66%

LAB 89.4, -28.29, 62.72

 

Description

Color code: HEX #62EEC6 | qconv.com Color code: HEX #62EEC6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 238 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 238 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 17 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 17% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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