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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #62EED4 it is the complementary color #9D112B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #62EED4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #62EED4 shade: #67EECF, #78FFE2, #89FFF5, #9AFFFF and #ABFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #62EED4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #62EED4 shade: #62EED4, #51DCC1, #40CAAE, #2FB89B and #1EA688

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #62EED4 shade: #62EDD3, #62EDAE, #62ED89, #62ED63 and #87ED62

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #62EED4 shade: #62EDD3, #62E2ED, #62BCED, #6297ED and #6271ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #62EED4 shade matches the following richer shades: #62EDD3 and #54FBDC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #62EED4 shade: #62EDD3, #70DFCB, #7ED1C2, #8DC3B9 and #9BB5B0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #62EED4 shade: #62ED87, #62EDAC, #62EDD1, #62E4ED and #62BFED

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #62EED4 shade: #19E4BE, #3DE9C9, #62EDD3, #88F1DE and #ADF5E8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #62EED4 shade: #62EED4, #6262ED and #ED9A62

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #62EED4 shade: #62EED4, #D162ED and #EDD162

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #62EED4 shade: #62EED4, #6262ED, #ED627E and #EDED62

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #62EED4 shade: #62EED4, #8C62ED, #ED627E and #C4ED62

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 11 / 7

HEX #62EED4

RGB 98 238 212

HSL 168.86, 0.8%, 0.66%

LAB 86.26, -43.98, 1.25

 

Complementary color

CMYK 0 / 89 / 73 / 38

HEX #9D112B

RGB 157 17 43

HSL 348.86, 0.8%, 0.34%

LAB 33.44, 54.3, 24.75

 

CMYK 57 / 0 / 13 / 7

HEX #67EECF

RGB 103 238 207

HSL 166.22, 0.8%, 0.67%

LAB 86.27, -44.25, 3.92

 

CMYK 53 / 0 / 11 / 0

HEX #78FFE2

RGB 120 255 226

HSL 167.11, 1%, 0.74%

LAB 92.13, -43.87, 2.59

 

CMYK 46 / 0 / 4 / 0

HEX #89FFF5

RGB 137 255 245

HSL 174.92, 1%, 0.77%

LAB 93.2, -35.77, -5.6

 

CMYK 40 / 0 / 0 / 0

HEX #9AFFFF

RGB 154 255 255

HSL 180, 1%, 0.8%

LAB 94.15, -29.47, -9.3

 

CMYK 33 / 0 / 0 / 0

HEX #ABFFFF

RGB 171 255 255

HSL 180, 1%, 0.84%

LAB 94.91, -25.22, -8.09

 

CMYK 59 / 0 / 11 / 7

HEX #62EED4

RGB 98 238 212

HSL 168.86, 0.8%, 0.66%

LAB 86.26, -43.98, 1.25

 

CMYK 63 / 0 / 12 / 14

HEX #51DCC1

RGB 81 220 193

HSL 168.35, 0.67%, 0.59%

LAB 80.06, -43.74, 2.22

 

CMYK 68 / 0 / 14 / 21

HEX #40CAAE

RGB 64 202 174

HSL 167.83, 0.57%, 0.52%

LAB 73.8, -43.34, 3.27

 

CMYK 74 / 0 / 16 / 28

HEX #2FB89B

RGB 47 184 155

HSL 167.3, 0.59%, 0.45%

LAB 67.47, -42.73, 4.44

 

CMYK 82 / 0 / 18 / 35

HEX #1EA688

RGB 30 166 136

HSL 166.76, 0.69%, 0.38%

LAB 61.07, -41.82, 5.74

 

CMYK 59 / 0 / 11 / 7

HEX #62EDD3

RGB 98 237 211

HSL 168.78, 0.79%, 0.66%

LAB 85.94, -43.79, 1.32

 

CMYK 59 / 0 / 27 / 7

HEX #62EDAE

RGB 98 237 174

HSL 152.81, 0.79%, 0.66%

LAB 85.11, -52.09, 19.45

 

CMYK 59 / 0 / 42 / 7

HEX #62ED89

RGB 98 237 137

HSL 136.83, 0.79%, 0.66%

LAB 84.47, -58.87, 37.39

 

CMYK 59 / 0 / 58 / 7

HEX #62ED63

RGB 98 237 99

HSL 120.43, 0.79%, 0.66%

LAB 84, -64.08, 54.72

 

CMYK 43 / 0 / 59 / 7

HEX #87ED62

RGB 135 237 98

HSL 104.03, 0.79%, 0.66%

LAB 85.3, -54.36, 57

 

CMYK 59 / 0 / 11 / 7

HEX #62EDD3

RGB 98 237 211

HSL 168.78, 0.79%, 0.66%

LAB 85.94, -43.79, 1.32

 

CMYK 59 / 5 / 0 / 7

HEX #62E2ED

RGB 98 226 237

HSL 184.75, 0.79%, 0.66%

LAB 83.5, -32.03, -16.01

 

CMYK 59 / 21 / 0 / 7

HEX #62BCED

RGB 98 188 237

HSL 201.15, 0.79%, 0.66%

LAB 72.68, -12.91, -32.5

 

CMYK 59 / 36 / 0 / 7

HEX #6297ED

RGB 98 151 237

HSL 217.12, 0.79%, 0.66%

LAB 62.38, 7.78, -48.6

 

CMYK 59 / 52 / 0 / 7

HEX #6271ED

RGB 98 113 237

HSL 233.53, 0.79%, 0.66%

LAB 52.42, 30.6, -64.51

 

CMYK 59 / 0 / 11 / 7

HEX #62EDD3

RGB 98 237 211

HSL 168.78, 0.79%, 0.66%

LAB 85.94, -43.79, 1.32

 

CMYK 67 / 0 / 12 / 2

HEX #54FBDC

RGB 84 251 220

HSL 168.86, 0.95%, 0.66%

LAB 89.88, -49.89, 2.31

 

CMYK 59 / 0 / 11 / 7

HEX #62EDD3

RGB 98 237 211

HSL 168.78, 0.79%, 0.66%

LAB 85.94, -43.79, 1.32

 

CMYK 50 / 0 / 9 / 13

HEX #70DFCB

RGB 112 223 203

HSL 169.19, 0.63%, 0.66%

LAB 82.13, -36.61, 0.03

 

CMYK 40 / 0 / 7 / 18

HEX #7ED1C2

RGB 126 209 194

HSL 169.16, 0.47%, 0.66%

LAB 78.42, -28.76, -0.51

 

CMYK 28 / 0 / 5 / 24

HEX #8DC3B9

RGB 141 195 185

HSL 168.89, 0.31%, 0.66%

LAB 74.95, -19.66, -0.65

 

CMYK 14 / 0 / 3 / 29

HEX #9BB5B0

RGB 155 181 176

HSL 168.46, 0.15%, 0.66%

LAB 71.66, -9.89, -0.45

 

CMYK 59 / 0 / 43 / 7

HEX #62ED87

RGB 98 237 135

HSL 135.97, 0.79%, 0.66%

LAB 84.44, -59.19, 38.34

 

CMYK 59 / 0 / 27 / 7

HEX #62EDAC

RGB 98 237 172

HSL 151.94, 0.79%, 0.66%

LAB 85.07, -52.5, 20.43

 

CMYK 59 / 0 / 12 / 7

HEX #62EDD1

RGB 98 237 209

HSL 167.91, 0.79%, 0.66%

LAB 85.89, -44.27, 2.3

 

CMYK 59 / 4 / 0 / 7

HEX #62E4ED

RGB 98 228 237

HSL 183.88, 0.79%, 0.66%

LAB 84.07, -32.97, -15.15

 

CMYK 59 / 19 / 0 / 7

HEX #62BFED

RGB 98 191 237

HSL 199.86, 0.79%, 0.66%

LAB 73.53, -14.5, -31.19

 

CMYK 89 / 0 / 17 / 11

HEX #19E4BE

RGB 25 228 190

HSL 168.77, 0.8%, 0.5%

LAB 81.52, -53.81, 5.81

 

CMYK 74 / 0 / 14 / 9

HEX #3DE9C9

RGB 61 233 201

HSL 168.84, 0.8%, 0.58%

LAB 83.7, -50.09, 3.22

 

CMYK 59 / 0 / 11 / 7

HEX #62EDD3

RGB 98 237 211

HSL 168.78, 0.79%, 0.66%

LAB 85.94, -43.79, 1.32

 

CMYK 44 / 0 / 8 / 5

HEX #88F1DE

RGB 136 241 222

HSL 169.14, 0.79%, 0.74%

LAB 88.65, -34.93, -0.34

 

CMYK 29 / 0 / 5 / 4

HEX #ADF5E8

RGB 173 245 232

HSL 169.17, 0.78%, 0.82%

LAB 91.69, -24.92, -0.9

 

CMYK 59 / 0 / 11 / 7

HEX #62EED4

RGB 98 238 212

HSL 168.86, 0.8%, 0.66%

LAB 86.26, -43.98, 1.25

 

CMYK 59 / 59 / 0 / 7

HEX #6262ED

RGB 98 98 237

HSL 240, 0.79%, 0.66%

LAB 48.82, 39.65, -70.35

 

CMYK 0 / 35 / 59 / 7

HEX #ED9A62

RGB 237 154 98

HSL 24.17, 0.79%, 0.66%

LAB 70.87, 25.62, 41.88

 

CMYK 59 / 0 / 11 / 7

HEX #62EED4

RGB 98 238 212

HSL 168.86, 0.8%, 0.66%

LAB 86.26, -43.98, 1.25

 

CMYK 12 / 59 / 0 / 7

HEX #D162ED

RGB 209 98 237

HSL 287.91, 0.79%, 0.66%

LAB 60.25, 63.74, -51.36

 

CMYK 0 / 12 / 59 / 7

HEX #EDD162

RGB 237 209 98

HSL 47.91, 0.79%, 0.66%

LAB 84.22, -3.23, 57.52

 

CMYK 59 / 0 / 11 / 7

HEX #62EED4

RGB 98 238 212

HSL 168.86, 0.8%, 0.66%

LAB 86.26, -43.98, 1.25

 

CMYK 59 / 59 / 0 / 7

HEX #6262ED

RGB 98 98 237

HSL 240, 0.79%, 0.66%

LAB 48.82, 39.65, -70.35

 

CMYK 0 / 59 / 47 / 7

HEX #ED627E

RGB 237 98 126

HSL 347.91, 0.79%, 0.66%

LAB 60.11, 55.95, 12.25

 

CMYK 0 / 0 / 59 / 7

HEX #EDED62

RGB 237 237 98

HSL 60, 0.79%, 0.66%

LAB 91.44, -17.2, 65.55

 

CMYK 59 / 0 / 11 / 7

HEX #62EED4

RGB 98 238 212

HSL 168.86, 0.8%, 0.66%

LAB 86.26, -43.98, 1.25

 

CMYK 41 / 59 / 0 / 7

HEX #8C62ED

RGB 140 98 237

HSL 258.13, 0.79%, 0.66%

LAB 52.31, 47.74, -64.52

 

CMYK 0 / 59 / 47 / 7

HEX #ED627E

RGB 237 98 126

HSL 347.91, 0.79%, 0.66%

LAB 60.11, 55.95, 12.25

 

CMYK 17 / 0 / 59 / 7

HEX #C4ED62

RGB 196 237 98

HSL 77.7, 0.79%, 0.66%

LAB 88.54, -33.29, 61.52

 

Description

Color code: HEX #62EED4 | qconv.com Color code: HEX #62EED4 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 238 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 238 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 11 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 11% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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