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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #62F768 it is the complementary color #9D0897. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #62F768. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #62F768 shade: #67F763, #78FF76, #89FF89, #9AFF9C and #ABFFAF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #62F768. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #62F768 shade: #62F768, #51E555, #40D342, #2FC12F and #1EAF1C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #62F768 shade: #63F669, #85F663, #ADF663, #D4F663 and #F6F163

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #62F768 shade: #63F669, #63F691, #63F6B9, #63F6E0 and #63E5F6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #62F768 shade matches the following richer shades: #63F669

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #62F768 shade: #63F669, #71E976, #7EDC82, #8BCF8E and #98C29A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #62F768 shade: #ADF663, #86F663, #63F668, #63F690 and #63F6B7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #62F768 shade: #15F21E, #3CF444, #63F669, #8BF88F and #B2FAB5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #62F768 shade: #62F768, #63D4F6 and #F66399

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #62F768 shade: #62F768, #6863F6 and #F66863

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #62F768 shade: #62F768, #63D4F6, #F663F1 and #F68663

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #62F768 shade: #62F768, #63A8F6, #F663F1 and #F6B263

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 58 / 3

HEX #62F768

RGB 98 247 104

HSL 122.42, 0.9%, 0.68%

LAB 87.05, -67.04, 56.07

 

Complementary color

CMYK 0 / 95 / 4 / 38

HEX #9D0897

RGB 157 8 151

HSL 302.42, 0.9%, 0.32%

LAB 37.07, 66.53, -38.78

 

CMYK 58 / 0 / 60 / 3

HEX #67F763

RGB 103 247 99

HSL 118.38, 0.9%, 0.68%

LAB 87.15, -66.48, 58.37

 

CMYK 53 / 0 / 54 / 0

HEX #78FF76

RGB 120 255 118

HSL 119.12, 1%, 0.73%

LAB 90.24, -63.17, 53.75

 

CMYK 46 / 0 / 46 / 0

HEX #89FF89

RGB 137 255 137

HSL 120, 1%, 0.77%

LAB 91.07, -56.31, 46.08

 

CMYK 40 / 0 / 39 / 0

HEX #9AFF9C

RGB 154 255 156

HSL 121.19, 1%, 0.8%

LAB 92.04, -48.81, 38.25

 

CMYK 33 / 0 / 31 / 0

HEX #ABFFAF

RGB 171 255 175

HSL 122.86, 1%, 0.84%

LAB 93.13, -40.79, 30.39

 

CMYK 60 / 0 / 58 / 3

HEX #62F768

RGB 98 247 104

HSL 122.42, 0.9%, 0.68%

LAB 87.05, -67.04, 56.07

 

CMYK 65 / 0 / 63 / 10

HEX #51E555

RGB 81 229 85

HSL 121.62, 0.74%, 0.61%

LAB 80.98, -66.43, 57.18

 

CMYK 70 / 0 / 69 / 17

HEX #40D342

RGB 64 211 66

HSL 120.82, 0.63%, 0.54%

LAB 74.87, -65.48, 58.08

 

CMYK 76 / 0 / 76 / 24

HEX #2FC12F

RGB 47 193 47

HSL 120, 0.61%, 0.47%

LAB 68.71, -64.06, 58.57

 

CMYK 83 / 0 / 84 / 31

HEX #1EAF1C

RGB 30 175 28

HSL 119.18, 0.72%, 0.4%

LAB 62.52, -61.96, 58.28

 

CMYK 60 / 0 / 57 / 4

HEX #63F669

RGB 99 246 105

HSL 122.45, 0.89%, 0.68%

LAB 86.79, -66.35, 55.33

 

CMYK 46 / 0 / 60 / 4

HEX #85F663

RGB 133 246 99

HSL 106.12, 0.89%, 0.68%

LAB 87.87, -58.37, 59.47

 

CMYK 30 / 0 / 60 / 4

HEX #ADF663

RGB 173 246 99

HSL 89.8, 0.89%, 0.68%

LAB 89.72, -45.59, 62.05

 

CMYK 14 / 0 / 60 / 4

HEX #D4F663

RGB 212 246 99

HSL 73.88, 0.89%, 0.68%

LAB 92.05, -31.25, 65.28

 

CMYK 0 / 2 / 60 / 4

HEX #F6F163

RGB 246 241 99

HSL 57.96, 0.89%, 0.68%

LAB 93.19, -15.46, 67.24

 

CMYK 60 / 0 / 57 / 4

HEX #63F669

RGB 99 246 105

HSL 122.45, 0.89%, 0.68%

LAB 86.79, -66.35, 55.33

 

CMYK 60 / 0 / 41 / 4

HEX #63F691

RGB 99 246 145

HSL 138.78, 0.89%, 0.68%

LAB 87.29, -60.77, 37.11

 

CMYK 60 / 0 / 25 / 4

HEX #63F6B9

RGB 99 246 185

HSL 155.1, 0.89%, 0.68%

LAB 88, -53.29, 17.8

 

CMYK 60 / 0 / 9 / 4

HEX #63F6E0

RGB 99 246 224

HSL 171.02, 0.89%, 0.68%

LAB 88.9, -44.37, -1.16

 

CMYK 60 / 7 / 0 / 4

HEX #63E5F6

RGB 99 229 246

HSL 186.94, 0.89%, 0.68%

LAB 84.66, -30.8, -19.01

 

CMYK 60 / 0 / 57 / 4

HEX #63F669

RGB 99 246 105

HSL 122.45, 0.89%, 0.68%

LAB 86.79, -66.35, 55.33

 

CMYK 60 / 0 / 57 / 4

HEX #63F669

RGB 99 246 105

HSL 122.45, 0.89%, 0.68%

LAB 86.79, -66.35, 55.33

 

CMYK 52 / 0 / 49 / 9

HEX #71E976

RGB 113 233 118

HSL 122.5, 0.73%, 0.68%

LAB 83.49, -56.61, 45.5

 

CMYK 43 / 0 / 41 / 14

HEX #7EDC82

RGB 126 220 130

HSL 122.55, 0.57%, 0.68%

LAB 80.31, -46.06, 35.69

 

CMYK 33 / 0 / 31 / 19

HEX #8BCF8E

RGB 139 207 142

HSL 122.65, 0.41%, 0.68%

LAB 77.32, -34.41, 25.68

 

CMYK 22 / 0 / 21 / 24

HEX #98C29A

RGB 152 194 154

HSL 122.86, 0.26%, 0.68%

LAB 74.57, -21.8, 15.65

 

CMYK 30 / 0 / 60 / 4

HEX #ADF663

RGB 173 246 99

HSL 89.8, 0.89%, 0.68%

LAB 89.72, -45.59, 62.05

 

CMYK 46 / 0 / 60 / 4

HEX #86F663

RGB 134 246 99

HSL 105.71, 0.89%, 0.68%

LAB 87.91, -58.08, 59.52

 

CMYK 60 / 0 / 58 / 4

HEX #63F668

RGB 99 246 104

HSL 122.04, 0.89%, 0.68%

LAB 86.78, -66.47, 55.76

 

CMYK 60 / 0 / 41 / 4

HEX #63F690

RGB 99 246 144

HSL 138.37, 0.89%, 0.68%

LAB 87.28, -60.93, 37.58

 

CMYK 60 / 0 / 26 / 4

HEX #63F6B7

RGB 99 246 183

HSL 154.29, 0.89%, 0.68%

LAB 87.96, -53.71, 18.78

 

CMYK 91 / 0 / 88 / 5

HEX #15F21E

RGB 21 242 30

HSL 122.44, 0.89%, 0.52%

LAB 83.84, -81.44, 76.7

 

CMYK 75 / 0 / 72 / 4

HEX #3CF444

RGB 60 244 68

HSL 122.61, 0.89%, 0.6%

LAB 85.04, -76.24, 67.86

 

CMYK 60 / 0 / 57 / 4

HEX #63F669

RGB 99 246 105

HSL 122.45, 0.89%, 0.68%

LAB 86.79, -66.35, 55.33

 

CMYK 44 / 0 / 42 / 3

HEX #8BF88F

RGB 139 248 143

HSL 122.2, 0.89%, 0.76%

LAB 89.21, -52.1, 40.84

 

CMYK 29 / 0 / 28 / 2

HEX #B2FAB5

RGB 178 250 181

HSL 122.5, 0.88%, 0.84%

LAB 92.21, -35.4, 26.16

 

CMYK 60 / 0 / 58 / 3

HEX #62F768

RGB 98 247 104

HSL 122.42, 0.9%, 0.68%

LAB 87.05, -67.04, 56.07

 

CMYK 60 / 14 / 0 / 4

HEX #63D4F6

RGB 99 212 246

HSL 193.88, 0.89%, 0.68%

LAB 79.84, -22.46, -26.33

 

CMYK 0 / 60 / 38 / 4

HEX #F66399

RGB 246 99 153

HSL 337.96, 0.89%, 0.68%

LAB 62.35, 61.05, 0.01

 

CMYK 60 / 0 / 58 / 3

HEX #62F768

RGB 98 247 104

HSL 122.42, 0.9%, 0.68%

LAB 87.05, -67.04, 56.07

 

CMYK 58 / 60 / 0 / 4

HEX #6863F6

RGB 104 99 246

HSL 242.04, 0.89%, 0.68%

LAB 50.12, 42.89, -73.24

 

CMYK 0 / 58 / 60 / 4

HEX #F66863

RGB 246 104 99

HSL 2.04, 0.89%, 0.68%

LAB 61.99, 54.12, 30.52

 

CMYK 60 / 0 / 58 / 3

HEX #62F768

RGB 98 247 104

HSL 122.42, 0.9%, 0.68%

LAB 87.05, -67.04, 56.07

 

CMYK 60 / 14 / 0 / 4

HEX #63D4F6

RGB 99 212 246

HSL 193.88, 0.89%, 0.68%

LAB 79.84, -22.46, -26.33

 

CMYK 0 / 60 / 2 / 4

HEX #F663F1

RGB 246 99 241

HSL 302.04, 0.89%, 0.68%

LAB 65.65, 73.02, -44.73

 

CMYK 0 / 46 / 60 / 4

HEX #F68663

RGB 246 134 99

HSL 14.29, 0.89%, 0.68%

LAB 67.68, 39.62, 37.7

 

CMYK 60 / 0 / 58 / 3

HEX #62F768

RGB 98 247 104

HSL 122.42, 0.9%, 0.68%

LAB 87.05, -67.04, 56.07

 

CMYK 60 / 32 / 0 / 4

HEX #63A8F6

RGB 99 168 246

HSL 211.84, 0.89%, 0.68%

LAB 67.51, 1.08, -45.44

 

CMYK 0 / 60 / 2 / 4

HEX #F663F1

RGB 246 99 241

HSL 302.04, 0.89%, 0.68%

LAB 65.65, 73.02, -44.73

 

CMYK 0 / 28 / 60 / 4

HEX #F6B263

RGB 246 178 99

HSL 32.24, 0.89%, 0.68%

LAB 77.48, 16.68, 49.52

 

Description

Color code: HEX #62F768 | qconv.com Color code: HEX #62F768 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 247 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 247 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 58 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 58% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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