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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6303B5 it is the complementary color #9CFC4A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6303B5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6303B5 shade: #6803B0, #7915C3, #8A27D6, #9B39E9 and #AC4BFC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6303B5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6303B5 shade: #6303B5, #5200A2, #41008F, #30007C and #1F0069

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6303B5 shade: #6202B4, #9202B4, #B402A6, #B40276 and #B40246

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6303B5 shade: #6202B4, #3202B4 and #0202B4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6303B5 shade matches the following richer shades: #6202B4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6303B5 shade: #6202B4, #6111A5, #602097, #5F2F88 and #5E3E79

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6303B5 shade: #0202B4, #3202B4, #6102B4, #9102B4 and #B402A8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6303B5 shade: #360163, #4C028C, #6202B4, #7903DD and #8E0EFB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6303B5 shade: #6303B5, #B40232 and #02B41A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6303B5 shade: #6303B5, #B46102 and #02B461

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6303B5 shade: #6303B5, #B40232, #55B402 and #02B485

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6303B5 shade: #6303B5, #B40802, #55B402 and #02AEB4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 98 / 0 / 29

HEX #6303B5

RGB 99 3 181

HSL 272.36, 0.97%, 0.36%

LAB 29.55, 64.67, -69.52

 

Complementary color

CMYK 38 / 0 / 71 / 1

HEX #9CFC4A

RGB 156 252 74

HSL 92.36, 0.97%, 0.64%

LAB 90.41, -55.67, 72.18

 

CMYK 41 / 98 / 0 / 31

HEX #6803B0

RGB 104 3 176

HSL 275.03, 0.97%, 0.35%

LAB 29.77, 64.09, -66.15

 

CMYK 38 / 89 / 0 / 24

HEX #7915C3

RGB 121 21 195

HSL 274.48, 0.81%, 0.42%

LAB 35.09, 66.95, -68.58

 

CMYK 36 / 82 / 0 / 16

HEX #8A27D6

RGB 138 39 214

HSL 273.94, 0.69%, 0.5%

LAB 40.75, 68.51, -70.25

 

CMYK 33 / 76 / 0 / 9

HEX #9B39E9

RGB 155 57 233

HSL 273.41, 0.8%, 0.57%

LAB 46.68, 69.07, -71.32

 

CMYK 32 / 70 / 0 / 1

HEX #AC4BFC

RGB 172 75 252

HSL 272.88, 0.97%, 0.64%

LAB 52.76, 69.01, -71.99

 

CMYK 45 / 98 / 0 / 29

HEX #6303B5

RGB 99 3 181

HSL 272.36, 0.97%, 0.36%

LAB 29.55, 64.67, -69.52

 

CMYK 49 / 100 / 0 / 36

HEX #5200A2

RGB 82 0 162

HSL 270.37, 1%, 0.32%

LAB 24.96, 59.5, -65.73

 

CMYK 55 / 100 / 0 / 44

HEX #41008F

RGB 65 0 143

HSL 267.27, 1%, 0.28%

LAB 20.47, 53.76, -61.54

 

CMYK 61 / 100 / 0 / 51

HEX #30007C

RGB 48 0 124

HSL 263.23, 1%, 0.24%

LAB 15.92, 47.96, -57.15

 

CMYK 70 / 100 / 0 / 59

HEX #1F0069

RGB 31 0 105

HSL 257.71, 1%, 0.21%

LAB 11.35, 42.1, -52.45

 

CMYK 46 / 99 / 0 / 29

HEX #6202B4

RGB 98 2 180

HSL 272.36, 0.98%, 0.36%

LAB 29.25, 64.52, -69.43

 

CMYK 19 / 99 / 0 / 29

HEX #9202B4

RGB 146 2 180

HSL 288.54, 0.98%, 0.36%

LAB 36.84, 70.22, -56.7

 

CMYK 0 / 99 / 8 / 29

HEX #B402A6

RGB 180 2 166

HSL 304.72, 0.98%, 0.36%

LAB 42, 73.44, -39.73

 

CMYK 0 / 99 / 34 / 29

HEX #B40276

RGB 180 2 118

HSL 320.9, 0.98%, 0.36%

LAB 39.67, 67.56, -14

 

CMYK 0 / 99 / 61 / 29

HEX #B40246

RGB 180 2 70

HSL 337.08, 0.98%, 0.36%

LAB 38.18, 63.61, 14.42

 

CMYK 46 / 99 / 0 / 29

HEX #6202B4

RGB 98 2 180

HSL 272.36, 0.98%, 0.36%

LAB 29.25, 64.52, -69.43

 

CMYK 72 / 99 / 0 / 29

HEX #3202B4

RGB 50 2 180

HSL 256.18, 0.98%, 0.36%

LAB 23.73, 61.42, -78.75

 

CMYK 99 / 99 / 0 / 29

HEX #0202B4

RGB 2 2 180

HSL 240, 0.98%, 0.36%

LAB 21.4, 60.49, -82.69

 

CMYK 46 / 99 / 0 / 29

HEX #6202B4

RGB 98 2 180

HSL 272.36, 0.98%, 0.36%

LAB 29.25, 64.52, -69.43

 

CMYK 46 / 99 / 0 / 29

HEX #6202B4

RGB 98 2 180

HSL 272.36, 0.98%, 0.36%

LAB 29.25, 64.52, -69.43

 

CMYK 41 / 90 / 0 / 35

HEX #6111A5

RGB 97 17 165

HSL 272.43, 0.81%, 0.36%

LAB 28.54, 58.32, -61.59

 

CMYK 36 / 79 / 0 / 41

HEX #602097

RGB 96 32 151

HSL 272.27, 0.65%, 0.36%

LAB 28.78, 50.08, -52.66

 

CMYK 30 / 65 / 0 / 47

HEX #5F2F88

RGB 95 47 136

HSL 272.36, 0.49%, 0.36%

LAB 30.02, 39.09, -41.41

 

CMYK 22 / 49 / 0 / 53

HEX #5E3E79

RGB 94 62 121

HSL 272.54, 0.32%, 0.36%

LAB 32.27, 26.32, -28.47

 

CMYK 99 / 99 / 0 / 29

HEX #0202B4

RGB 2 2 180

HSL 240, 0.98%, 0.36%

LAB 21.4, 60.49, -82.69

 

CMYK 72 / 99 / 0 / 29

HEX #3202B4

RGB 50 2 180

HSL 256.18, 0.98%, 0.36%

LAB 23.73, 61.42, -78.75

 

CMYK 46 / 99 / 0 / 29

HEX #6102B4

RGB 97 2 180

HSL 272.02, 0.98%, 0.36%

LAB 29.11, 64.43, -69.66

 

CMYK 19 / 99 / 0 / 29

HEX #9102B4

RGB 145 2 180

HSL 288.2, 0.98%, 0.36%

LAB 36.67, 70.08, -56.99

 

CMYK 0 / 99 / 7 / 29

HEX #B402A8

RGB 180 2 168

HSL 304.04, 0.98%, 0.36%

LAB 42.11, 73.72, -40.75

 

CMYK 45 / 99 / 0 / 61

HEX #360163

RGB 54 1 99

HSL 272.45, 0.98%, 0.2%

LAB 13.87, 42, -44.22

 

CMYK 46 / 99 / 0 / 45

HEX #4C028C

RGB 76 2 140

HSL 272.17, 0.97%, 0.28%

LAB 21.85, 53.55, -57.33

 

CMYK 46 / 99 / 0 / 29

HEX #6202B4

RGB 98 2 180

HSL 272.36, 0.98%, 0.36%

LAB 29.25, 64.52, -69.43

 

CMYK 45 / 99 / 0 / 13

HEX #7903DD

RGB 121 3 221

HSL 272.48, 0.97%, 0.44%

LAB 36.65, 75.18, -81.1

 

CMYK 43 / 94 / 0 / 2

HEX #8E0EFB

RGB 142 14 251

HSL 272.41, 0.97%, 0.52%

LAB 42.81, 82.06, -87.87

 

CMYK 45 / 98 / 0 / 29

HEX #6303B5

RGB 99 3 181

HSL 272.36, 0.97%, 0.36%

LAB 29.55, 64.67, -69.52

 

CMYK 0 / 99 / 72 / 29

HEX #B40232

RGB 180 2 50

HSL 343.82, 0.98%, 0.36%

LAB 37.8, 62.59, 26.72

 

CMYK 99 / 0 / 86 / 29

HEX #02B41A

RGB 2 180 26

HSL 128.09, 0.98%, 0.36%

LAB 63.94, -65.47, 59.97

 

CMYK 45 / 98 / 0 / 29

HEX #6303B5

RGB 99 3 181

HSL 272.36, 0.97%, 0.36%

LAB 29.55, 64.67, -69.52

 

CMYK 0 / 46 / 99 / 29

HEX #B46102

RGB 180 97 2

HSL 32.02, 0.98%, 0.36%

LAB 49.81, 28.42, 57.67

 

CMYK 99 / 0 / 46 / 29

HEX #02B461

RGB 2 180 97

HSL 152.02, 0.98%, 0.36%

LAB 64.58, -57.53, 31.65

 

CMYK 45 / 98 / 0 / 29

HEX #6303B5

RGB 99 3 181

HSL 272.36, 0.97%, 0.36%

LAB 29.55, 64.67, -69.52

 

CMYK 0 / 99 / 72 / 29

HEX #B40232

RGB 180 2 50

HSL 343.82, 0.98%, 0.36%

LAB 37.8, 62.59, 26.72

 

CMYK 53 / 0 / 99 / 29

HEX #55B402

RGB 85 180 2

HSL 92.02, 0.98%, 0.36%

LAB 65.42, -53.16, 65.68

 

CMYK 99 / 0 / 26 / 29

HEX #02B485

RGB 2 180 133

HSL 164.16, 0.98%, 0.36%

LAB 65.24, -49.92, 13.28

 

CMYK 45 / 98 / 0 / 29

HEX #6303B5

RGB 99 3 181

HSL 272.36, 0.97%, 0.36%

LAB 29.55, 64.67, -69.52

 

CMYK 0 / 96 / 99 / 29

HEX #B40802

RGB 180 8 2

HSL 2.02, 0.98%, 0.36%

LAB 37.63, 60.79, 51.04

 

CMYK 53 / 0 / 99 / 29

HEX #55B402

RGB 85 180 2

HSL 92.02, 0.98%, 0.36%

LAB 65.42, -53.16, 65.68

 

CMYK 99 / 3 / 0 / 29

HEX #02AEB4

RGB 2 174 180

HSL 182.02, 0.98%, 0.36%

LAB 64.63, -34.16, -13.65

 

Description

Color code: HEX #6303B5 | qconv.com Color code: HEX #6303B5 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 3 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 3 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 98 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 98% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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