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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #63338A it is the complementary color #9CCC75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #63338A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #63338A shade: #683385, #794598, #8A57AB, #9B69BE and #AC7BD1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #63338A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #63338A shade: #63338A, #522177, #410F64, #300051 and #1F003E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #63338A shade: #623289, #7A3289, #893281, #89326A and #893253

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #63338A shade: #623289, #4B3289, #343289 and #323289

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #63338A shade matches the following richer shades: #623289, #642399, #6514A8 and #6705B7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #63338A shade: #623289, #61427A, #5F516B, #5E605B and #5C704C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #63338A shade: #343289, #4B3289, #623289, #793289 and #893282

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #63338A shade: #371C4D, #4D276B, #623289, #783EA7 and #8D50BE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #63338A shade: #63338A, #893248 and #32893F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #63338A shade: #63338A, #896232 and #328962

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #63338A shade: #63338A, #893248, #5A8932 and #328974

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #63338A shade: #63338A, #893732, #5A8932 and #328589

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 63 / 0 / 46

HEX #63338A

RGB 99 51 138

HSL 273.1, 0.46%, 0.37%

LAB 31.48, 38.41, -40.27

 

Complementary color

CMYK 24 / 0 / 43 / 20

HEX #9CCC75

RGB 156 204 117

HSL 93.1, 0.46%, 0.63%

LAB 77, -30.88, 38.3

 

CMYK 22 / 62 / 0 / 48

HEX #683385

RGB 104 51 133

HSL 278.78, 0.45%, 0.36%

LAB 31.82, 38.49, -36.59

 

CMYK 20 / 55 / 0 / 40

HEX #794598

RGB 121 69 152

HSL 277.59, 0.38%, 0.43%

LAB 38.88, 37.69, -36.85

 

CMYK 19 / 49 / 0 / 33

HEX #8A57AB

RGB 138 87 171

HSL 276.43, 0.33%, 0.51%

LAB 45.85, 36.81, -37

 

CMYK 18 / 45 / 0 / 25

HEX #9B69BE

RGB 155 105 190

HSL 275.29, 0.4%, 0.58%

LAB 52.72, 35.95, -37.11

 

CMYK 18 / 41 / 0 / 18

HEX #AC7BD1

RGB 172 123 209

HSL 274.19, 0.48%, 0.65%

LAB 59.47, 35.13, -37.2

 

CMYK 28 / 63 / 0 / 46

HEX #63338A

RGB 99 51 138

HSL 273.1, 0.46%, 0.37%

LAB 31.48, 38.41, -40.27

 

CMYK 31 / 72 / 0 / 53

HEX #522177

RGB 82 33 119

HSL 274.19, 0.57%, 0.3%

LAB 24.36, 39.06, -39.92

 

CMYK 35 / 85 / 0 / 61

HEX #410F64

RGB 65 15 100

HSL 275.29, 0.74%, 0.23%

LAB 17.39, 38.95, -39.03

 

CMYK 41 / 100 / 0 / 68

HEX #300051

RGB 48 0 81

HSL 275.56, 1%, 0.16%

LAB 10.72, 37.46, -37.27

 

CMYK 50 / 100 / 0 / 76

HEX #1F003E

RGB 31 0 62

HSL 270, 1%, 0.12%

LAB 5.77, 29.72, -32.14

 

CMYK 28 / 64 / 0 / 46

HEX #623289

RGB 98 50 137

HSL 273.1, 0.47%, 0.37%

LAB 31.08, 38.46, -40.3

 

CMYK 11 / 64 / 0 / 46

HEX #7A3289

RGB 122 50 137

HSL 289.66, 0.47%, 0.37%

LAB 34.45, 44.6, -34.72

 

CMYK 0 / 64 / 6 / 46

HEX #893281

RGB 137 50 129

HSL 305.52, 0.47%, 0.37%

LAB 36.34, 47.11, -26.64

 

CMYK 0 / 64 / 23 / 46

HEX #89326A

RGB 137 50 106

HSL 321.38, 0.47%, 0.37%

LAB 35.28, 43.38, -13.86

 

CMYK 0 / 64 / 39 / 46

HEX #893253

RGB 137 50 83

HSL 337.24, 0.47%, 0.37%

LAB 34.45, 40.3, -0.42

 

CMYK 28 / 64 / 0 / 46

HEX #623289

RGB 98 50 137

HSL 273.1, 0.47%, 0.37%

LAB 31.08, 38.46, -40.3

 

CMYK 45 / 64 / 0 / 46

HEX #4B3289

RGB 75 50 137

HSL 257.24, 0.47%, 0.37%

LAB 28.34, 33, -44.86

 

CMYK 62 / 64 / 0 / 46

HEX #343289

RGB 52 50 137

HSL 241.38, 0.47%, 0.37%

LAB 26.21, 28.37, -48.42

 

CMYK 64 / 64 / 0 / 46

HEX #323289

RGB 50 50 137

HSL 240, 0.47%, 0.37%

LAB 26.06, 28.02, -48.67

 

CMYK 28 / 64 / 0 / 46

HEX #623289

RGB 98 50 137

HSL 273.1, 0.47%, 0.37%

LAB 31.08, 38.46, -40.3

 

CMYK 35 / 77 / 0 / 40

HEX #642399

RGB 100 35 153

HSL 273.05, 0.63%, 0.37%

LAB 29.94, 50.04, -51.97

 

CMYK 40 / 88 / 0 / 34

HEX #6514A8

RGB 101 20 168

HSL 272.84, 0.79%, 0.37%

LAB 29.65, 58.75, -61.55

 

CMYK 44 / 97 / 0 / 28

HEX #6705B7

RGB 103 5 183

HSL 273.03, 0.95%, 0.37%

LAB 30.43, 65.16, -69.25

 

CMYK 28 / 64 / 0 / 46

HEX #623289

RGB 98 50 137

HSL 273.1, 0.47%, 0.37%

LAB 31.08, 38.46, -40.3

 

CMYK 20 / 46 / 0 / 52

HEX #61427A

RGB 97 66 122

HSL 273.21, 0.3%, 0.37%

LAB 33.65, 25.05, -26.89

 

CMYK 11 / 24 / 0 / 58

HEX #5F516B

RGB 95 81 107

HSL 272.31, 0.14%, 0.37%

LAB 36.7, 11.33, -12.83

 

CMYK 2 / 0 / 5 / 62

HEX #5E605B

RGB 94 96 91

HSL 84, 0.03%, 0.37%

LAB 40.41, -1.82, 2.57

 

CMYK 18 / 0 / 32 / 56

HEX #5C704C

RGB 92 112 76

HSL 93.33, 0.19%, 0.37%

LAB 44.78, -14.6, 17.65

 

CMYK 62 / 64 / 0 / 46

HEX #343289

RGB 52 50 137

HSL 241.38, 0.47%, 0.37%

LAB 26.21, 28.37, -48.42

 

CMYK 45 / 64 / 0 / 46

HEX #4B3289

RGB 75 50 137

HSL 257.24, 0.47%, 0.37%

LAB 28.34, 33, -44.86

 

CMYK 28 / 64 / 0 / 46

HEX #623289

RGB 98 50 137

HSL 273.1, 0.47%, 0.37%

LAB 31.08, 38.46, -40.3

 

CMYK 12 / 64 / 0 / 46

HEX #793289

RGB 121 50 137

HSL 288.97, 0.47%, 0.37%

LAB 34.3, 44.34, -34.97

 

CMYK 0 / 64 / 5 / 46

HEX #893282

RGB 137 50 130

HSL 304.83, 0.47%, 0.37%

LAB 36.39, 47.28, -27.18

 

CMYK 29 / 64 / 0 / 70

HEX #371C4D

RGB 55 28 77

HSL 273.06, 0.47%, 0.21%

LAB 16.4, 23.97, -25.27

 

CMYK 28 / 64 / 0 / 58

HEX #4D276B

RGB 77 39 107

HSL 273.53, 0.47%, 0.29%

LAB 23.97, 31.56, -32.89

 

CMYK 28 / 64 / 0 / 46

HEX #623289

RGB 98 50 137

HSL 273.1, 0.47%, 0.37%

LAB 31.08, 38.46, -40.3

 

CMYK 28 / 63 / 0 / 35

HEX #783EA7

RGB 120 62 167

HSL 273.14, 0.46%, 0.45%

LAB 38.25, 44.77, -46.87

 

CMYK 26 / 58 / 0 / 25

HEX #8D50BE

RGB 141 80 190

HSL 273.27, 0.46%, 0.53%

LAB 45.8, 45.88, -48.18

 

CMYK 28 / 63 / 0 / 46

HEX #63338A

RGB 99 51 138

HSL 273.1, 0.46%, 0.37%

LAB 31.48, 38.41, -40.27

 

CMYK 0 / 64 / 47 / 46

HEX #893248

RGB 137 50 72

HSL 344.83, 0.47%, 0.37%

LAB 34.12, 39.08, 6.21

 

CMYK 64 / 0 / 54 / 46

HEX #32893F

RGB 50 137 63

HSL 128.97, 0.47%, 0.37%

LAB 50.6, -42.26, 31.88

 

CMYK 28 / 63 / 0 / 46

HEX #63338A

RGB 99 51 138

HSL 273.1, 0.46%, 0.37%

LAB 31.48, 38.41, -40.27

 

CMYK 0 / 28 / 64 / 46

HEX #896232

RGB 137 98 50

HSL 33.1, 0.47%, 0.37%

LAB 44.64, 10.38, 33.07

 

CMYK 64 / 0 / 28 / 46

HEX #328962

RGB 50 137 98

HSL 153.1, 0.47%, 0.37%

LAB 51.21, -35.67, 13.39

 

CMYK 28 / 63 / 0 / 46

HEX #63338A

RGB 99 51 138

HSL 273.1, 0.46%, 0.37%

LAB 31.48, 38.41, -40.27

 

CMYK 0 / 64 / 47 / 46

HEX #893248

RGB 137 50 72

HSL 344.83, 0.47%, 0.37%

LAB 34.12, 39.08, 6.21

 

CMYK 34 / 0 / 64 / 46

HEX #5A8932

RGB 90 137 50

HSL 92.41, 0.47%, 0.37%

LAB 52.17, -31.43, 40.54

 

CMYK 64 / 0 / 15 / 46

HEX #328974

RGB 50 137 116

HSL 165.52, 0.47%, 0.37%

LAB 51.64, -31.26, 3.62

 

CMYK 28 / 63 / 0 / 46

HEX #63338A

RGB 99 51 138

HSL 273.1, 0.46%, 0.37%

LAB 31.48, 38.41, -40.27

 

CMYK 0 / 60 / 64 / 46

HEX #893732

RGB 137 55 50

HSL 3.45, 0.47%, 0.37%

LAB 34.56, 34.68, 20.86

 

CMYK 34 / 0 / 64 / 46

HEX #5A8932

RGB 90 137 50

HSL 92.41, 0.47%, 0.37%

LAB 52.17, -31.43, 40.54

 

CMYK 64 / 3 / 0 / 46

HEX #328589

RGB 50 133 137

HSL 182.76, 0.47%, 0.37%

LAB 50.99, -23.32, -9.58

 

Description

Color code: HEX #63338A | qconv.com Color code: HEX #63338A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 51 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 51 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 63 magenta, none yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 63% 0% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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