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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #635701 it is the complementary color #9CA8FE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #635701. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #635701 shade: #685700, #79690F, #8A7B22, #9B8D35 and #AC9F48

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #635701. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #635701 shade: #635701, #524500, #413300, #302100 and #1F0F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #635701 shade: #645801, #643D01, #642201, #640701 and #640101

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #635701 shade: #645801, #566401, #3B6401, #206401 and #056401

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #635701 shade matches the following richer shades: #645801

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #635701 shade: #645801, #5C5209, #544C11, #4C4619 and #433F22

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #635701 shade: #642201, #643C01, #645701, #576401 and #3C6401

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #635701 shade: #131000, #3C3400, #645801, #8D7C01 and #B6A001

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #635701 shade: #635701, #016407 and #2F0164

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #635701 shade: #635701, #016457 and #570164

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #635701 shade: #635701, #016407, #010E64 and #64015E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #635701 shade: #635701, #016425, #010E64 and #640140

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 99 / 61

HEX #635701

RGB 99 87 1

HSL 52.65, 0.98%, 0.2%

LAB 36.88, -3.8, 44.25

 

Complementary color

CMYK 39 / 34 / 0 / 0

HEX #9CA8FE

RGB 156 168 254

HSL 232.65, 0.98%, 0.8%

LAB 71.03, 16.31, -44.04

 

CMYK 0 / 16 / 100 / 59

HEX #685700

RGB 104 87 0

HSL 50.19, 1%, 0.2%

LAB 37.41, -1.32, 45.19

 

CMYK 0 / 13 / 88 / 53

HEX #79690F

RGB 121 105 15

HSL 50.94, 0.78%, 0.27%

LAB 44.52, -3.1, 47.45

 

CMYK 0 / 11 / 75 / 46

HEX #8A7B22

RGB 138 123 34

HSL 51.35, 0.6%, 0.34%

LAB 51.48, -4.51, 47.86

 

CMYK 0 / 9 / 66 / 39

HEX #9B8D35

RGB 155 141 53

HSL 51.76, 0.49%, 0.41%

LAB 58.3, -5.61, 47.25

 

CMYK 0 / 8 / 58 / 33

HEX #AC9F48

RGB 172 159 72

HSL 52.2, 0.41%, 0.48%

LAB 64.99, -6.48, 46.24

 

CMYK 0 / 12 / 99 / 61

HEX #635701

RGB 99 87 1

HSL 52.65, 0.98%, 0.2%

LAB 36.88, -3.8, 44.25

 

CMYK 0 / 16 / 100 / 68

HEX #524500

RGB 82 69 0

HSL 50.49, 1%, 0.16%

LAB 29.54, -1.64, 38.45

 

CMYK 0 / 22 / 100 / 75

HEX #413300

RGB 65 51 0

HSL 47.08, 1%, 0.13%

LAB 21.91, 0.74, 30.68

 

CMYK 0 / 31 / 100 / 81

HEX #302100

RGB 48 33 0

HSL 41.25, 1%, 0.09%

LAB 13.92, 3.38, 20.59

 

CMYK 0 / 52 / 100 / 88

HEX #1F0F00

RGB 31 15 0

HSL 29.03, 1%, 0.06%

LAB 5.72, 5.5, 8.66

 

CMYK 0 / 12 / 99 / 61

HEX #645801

RGB 100 88 1

HSL 52.73, 0.98%, 0.2%

LAB 37.28, -3.89, 44.59

 

CMYK 0 / 39 / 99 / 61

HEX #643D01

RGB 100 61 1

HSL 36.36, 0.98%, 0.2%

LAB 29.54, 12.6, 39.04

 

CMYK 0 / 66 / 99 / 61

HEX #642201

RGB 100 34 1

HSL 20, 0.98%, 0.2%

LAB 23.19, 28.31, 33.32

 

CMYK 0 / 93 / 99 / 61

HEX #640701

RGB 100 7 1

HSL 3.64, 0.98%, 0.2%

LAB 19.49, 38.5, 29.31

 

CMYK 0 / 99 / 99 / 61

HEX #640101

RGB 100 1 1

HSL 0, 0.98%, 0.2%

LAB 18.94, 40.07, 28.68

 

CMYK 0 / 12 / 99 / 61

HEX #645801

RGB 100 88 1

HSL 52.73, 0.98%, 0.2%

LAB 37.28, -3.89, 44.59

 

CMYK 14 / 0 / 99 / 61

HEX #566401

RGB 86 100 1

HSL 68.48, 0.98%, 0.2%

LAB 39.74, -17.54, 45.85

 

CMYK 41 / 0 / 99 / 61

HEX #3B6401

RGB 59 100 1

HSL 84.85, 0.98%, 0.2%

LAB 37.93, -29.38, 43.66

 

CMYK 68 / 0 / 99 / 61

HEX #206401

RGB 32 100 1

HSL 101.21, 0.98%, 0.2%

LAB 36.79, -38.23, 42.27

 

CMYK 95 / 0 / 99 / 61

HEX #056401

RGB 5 100 1

HSL 117.58, 0.98%, 0.2%

LAB 36.27, -42.75, 41.64

 

CMYK 0 / 12 / 99 / 61

HEX #645801

RGB 100 88 1

HSL 52.73, 0.98%, 0.2%

LAB 37.28, -3.89, 44.59

 

CMYK 0 / 12 / 99 / 61

HEX #645801

RGB 100 88 1

HSL 52.73, 0.98%, 0.2%

LAB 37.28, -3.89, 44.59

 

CMYK 0 / 11 / 90 / 64

HEX #5C5209

RGB 92 82 9

HSL 52.77, 0.82%, 0.2%

LAB 34.66, -4.09, 39.7

 

CMYK 0 / 10 / 80 / 67

HEX #544C11

RGB 84 76 17

HSL 52.84, 0.66%, 0.2%

LAB 32.02, -4.19, 34.16

 

CMYK 0 / 8 / 67 / 70

HEX #4C4619

RGB 76 70 25

HSL 52.94, 0.5%, 0.2%

LAB 29.38, -4.03, 27.35

 

CMYK 0 / 6 / 49 / 74

HEX #433F22

RGB 67 63 34

HSL 52.73, 0.33%, 0.2%

LAB 26.34, -3.24, 18.36

 

CMYK 0 / 66 / 99 / 61

HEX #642201

RGB 100 34 1

HSL 20, 0.98%, 0.2%

LAB 23.19, 28.31, 33.32

 

CMYK 0 / 40 / 99 / 61

HEX #643C01

RGB 100 60 1

HSL 35.76, 0.98%, 0.2%

LAB 29.27, 13.22, 38.83

 

CMYK 0 / 13 / 99 / 61

HEX #645701

RGB 100 87 1

HSL 52.12, 0.98%, 0.2%

LAB 36.98, -3.3, 44.37

 

CMYK 13 / 0 / 99 / 61

HEX #576401

RGB 87 100 1

HSL 67.88, 0.98%, 0.2%

LAB 39.82, -17.07, 45.94

 

CMYK 40 / 0 / 99 / 61

HEX #3C6401

RGB 60 100 1

HSL 84.24, 0.98%, 0.2%

LAB 37.98, -28.98, 43.73

 

CMYK 0 / 16 / 100 / 93

HEX #131000

RGB 19 16 0

HSL 50.53, 1%, 0.04%

LAB 4.6, -1.23, 6.86

 

CMYK 0 / 13 / 100 / 76

HEX #3C3400

RGB 60 52 0

HSL 52, 1%, 0.12%

LAB 21.64, -2.64, 30.21

 

CMYK 0 / 12 / 99 / 61

HEX #645801

RGB 100 88 1

HSL 52.73, 0.98%, 0.2%

LAB 37.28, -3.89, 44.59

 

CMYK 0 / 12 / 99 / 45

HEX #8D7C01

RGB 141 124 1

HSL 52.71, 0.99%, 0.28%

LAB 51.93, -4.61, 57.08

 

CMYK 0 / 12 / 99 / 29

HEX #B6A001

RGB 182 160 1

HSL 52.71, 0.99%, 0.36%

LAB 65.82, -5.31, 68.87

 

CMYK 0 / 12 / 99 / 61

HEX #635701

RGB 99 87 1

HSL 52.65, 0.98%, 0.2%

LAB 36.88, -3.8, 44.25

 

CMYK 99 / 0 / 93 / 61

HEX #016407

RGB 1 100 7

HSL 123.64, 0.98%, 0.2%

LAB 36.25, -42.88, 39.88

 

CMYK 53 / 99 / 0 / 61

HEX #2F0164

RGB 47 1 100

HSL 267.88, 0.98%, 0.2%

LAB 12.9, 41.52, -46.52

 

CMYK 0 / 12 / 99 / 61

HEX #635701

RGB 99 87 1

HSL 52.65, 0.98%, 0.2%

LAB 36.88, -3.8, 44.25

 

CMYK 99 / 0 / 13 / 61

HEX #016457

RGB 1 100 87

HSL 172.12, 0.98%, 0.2%

LAB 37.5, -28.35, 0.29

 

CMYK 13 / 99 / 0 / 61

HEX #570164

RGB 87 1 100

HSL 292.12, 0.98%, 0.2%

LAB 19.92, 46.91, -34.76

 

CMYK 0 / 12 / 99 / 61

HEX #635701

RGB 99 87 1

HSL 52.65, 0.98%, 0.2%

LAB 36.88, -3.8, 44.25

 

CMYK 99 / 0 / 93 / 61

HEX #016407

RGB 1 100 7

HSL 123.64, 0.98%, 0.2%

LAB 36.25, -42.88, 39.88

 

CMYK 99 / 86 / 0 / 61

HEX #010E64

RGB 1 14 100

HSL 232.12, 0.98%, 0.2%

LAB 10.85, 32.35, -50.03

 

CMYK 0 / 99 / 6 / 61

HEX #64015E

RGB 100 1 94

HSL 303.64, 0.98%, 0.2%

LAB 22.09, 48.25, -27.17

 

CMYK 0 / 12 / 99 / 61

HEX #635701

RGB 99 87 1

HSL 52.65, 0.98%, 0.2%

LAB 36.88, -3.8, 44.25

 

CMYK 99 / 0 / 63 / 61

HEX #016425

RGB 1 100 37

HSL 141.82, 0.98%, 0.2%

LAB 36.47, -40.03, 28.25

 

CMYK 99 / 86 / 0 / 61

HEX #010E64

RGB 1 14 100

HSL 232.12, 0.98%, 0.2%

LAB 10.85, 32.35, -50.03

 

CMYK 0 / 99 / 36 / 61

HEX #640140

RGB 100 1 64

HSL 321.82, 0.98%, 0.2%

LAB 20.44, 44.1, -9.37

 

Description

Color code: HEX #635701 | qconv.com Color code: HEX #635701 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 87 green and 1 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 87 1 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 99 yellow and 61 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 99% 61% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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