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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6358CA it is the complementary color #9CA735. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6358CA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6358CA shade: #6858C5, #796AD8, #8A7CEB, #9B8EFE and #ACA0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6358CA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6358CA shade: #6358CA, #5246B7, #4134A4, #302291 and #1F107E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6358CA shade: #6358CA, #8258CA, #A058CA, #BF58CA and #CA58B6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6358CA shade: #6358CA and #5858CA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6358CA shade matches the following richer shades: #6358CA, #5546DC and #4634ED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6358CA shade: #6358CA, #716AB8, #7F7BA6, #8E8D95 and #9C9F83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6358CA shade: #588BCA, #586DCA, #6158CA, #8058CA and #9E58CA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6358CA shade: #3C319E, #483BBD, #6358CA, #8077D4 and #9D97DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6358CA shade: #6358CA, #CA58AA and #7CCA58

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6358CA shade: #6358CA, #CA6158 and #58CA61

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6358CA shade: #6358CA, #CA58AA, #C0CA58 and #58CA78

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6358CA shade: #6358CA, #CA5887, #C0CA58 and #58CA9A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 56 / 0 / 21

HEX #6358CA

RGB 99 88 202

HSL 245.79, 0.52%, 0.57%

LAB 44.08, 34.88, -58.11

 

Complementary color

CMYK 7 / 0 / 68 / 35

HEX #9CA735

RGB 156 167 53

HSL 65.79, 0.52%, 0.43%

LAB 65.72, -18.87, 54.98

 

CMYK 47 / 55 / 0 / 23

HEX #6858C5

RGB 104 88 197

HSL 248.81, 0.48%, 0.56%

LAB 44.17, 34.43, -55.06

 

CMYK 44 / 51 / 0 / 15

HEX #796AD8

RGB 121 106 216

HSL 248.18, 0.59%, 0.63%

LAB 51.07, 33.1, -54.77

 

CMYK 41 / 47 / 0 / 8

HEX #8A7CEB

RGB 138 124 235

HSL 247.57, 0.74%, 0.7%

LAB 57.86, 31.92, -54.51

 

CMYK 39 / 44 / 0 / 0

HEX #9B8EFE

RGB 155 142 254

HSL 246.96, 0.98%, 0.78%

LAB 64.54, 30.88, -54.28

 

CMYK 33 / 37 / 0 / 0

HEX #ACA0FF

RGB 172 160 255

HSL 247.58, 1%, 0.81%

LAB 70.27, 25.31, -45.69

 

CMYK 51 / 56 / 0 / 21

HEX #6358CA

RGB 99 88 202

HSL 245.79, 0.52%, 0.57%

LAB 44.08, 34.88, -58.11

 

CMYK 55 / 62 / 0 / 28

HEX #5246B7

RGB 82 70 183

HSL 246.37, 0.45%, 0.5%

LAB 37.1, 36.53, -58.41

 

CMYK 60 / 68 / 0 / 36

HEX #4134A4

RGB 65 52 164

HSL 246.96, 0.52%, 0.42%

LAB 30.06, 38.36, -58.62

 

CMYK 67 / 77 / 0 / 43

HEX #302291

RGB 48 34 145

HSL 247.57, 0.62%, 0.35%

LAB 23.06, 40.25, -58.56

 

CMYK 75 / 87 / 0 / 51

HEX #1F107E

RGB 31 16 126

HSL 248.18, 0.77%, 0.28%

LAB 16.35, 41.67, -57.77

 

CMYK 51 / 56 / 0 / 21

HEX #6358CA

RGB 99 88 202

HSL 245.79, 0.52%, 0.57%

LAB 44.08, 34.88, -58.11

 

CMYK 36 / 56 / 0 / 21

HEX #8258CA

RGB 130 88 202

HSL 262.11, 0.52%, 0.57%

LAB 46.96, 41.8, -53.32

 

CMYK 21 / 56 / 0 / 21

HEX #A058CA

RGB 160 88 202

HSL 277.89, 0.52%, 0.57%

LAB 50.35, 49.23, -47.7

 

CMYK 5 / 56 / 0 / 21

HEX #BF58CA

RGB 191 88 202

HSL 294.21, 0.52%, 0.57%

LAB 54.36, 57.24, -41.09

 

CMYK 0 / 56 / 10 / 21

HEX #CA58B6

RGB 202 88 182

HSL 310.53, 0.52%, 0.57%

LAB 54.98, 56.77, -28.51

 

CMYK 51 / 56 / 0 / 21

HEX #6358CA

RGB 99 88 202

HSL 245.79, 0.52%, 0.57%

LAB 44.08, 34.88, -58.11

 

CMYK 56 / 56 / 0 / 21

HEX #5858CA

RGB 88 88 202

HSL 240, 0.52%, 0.57%

LAB 43.24, 32.72, -59.51

 

CMYK 51 / 56 / 0 / 21

HEX #6358CA

RGB 99 88 202

HSL 245.79, 0.52%, 0.57%

LAB 44.08, 34.88, -58.11

 

CMYK 61 / 68 / 0 / 14

HEX #5546DC

RGB 85 70 220

HSL 246, 0.68%, 0.57%

LAB 40.38, 48.61, -74.53

 

CMYK 70 / 78 / 0 / 7

HEX #4634ED

RGB 70 52 237

HSL 245.84, 0.84%, 0.57%

LAB 37.61, 61.47, -88.8

 

CMYK 51 / 56 / 0 / 21

HEX #6358CA

RGB 99 88 202

HSL 245.79, 0.52%, 0.57%

LAB 44.08, 34.88, -58.11

 

CMYK 39 / 42 / 0 / 28

HEX #716AB8

RGB 113 106 184

HSL 245.38, 0.35%, 0.57%

LAB 48.61, 21.92, -40.39

 

CMYK 23 / 26 / 0 / 35

HEX #7F7BA6

RGB 127 123 166

HSL 245.58, 0.19%, 0.57%

LAB 53.42, 11.08, -22.37

 

CMYK 5 / 5 / 0 / 42

HEX #8E8D95

RGB 142 141 149

HSL 247.5, 0.04%, 0.57%

LAB 58.95, 1.96, -4.12

 

CMYK 2 / 0 / 18 / 38

HEX #9C9F83

RGB 156 159 131

HSL 66.43, 0.13%, 0.57%

LAB 64.57, -6.06, 14.28

 

CMYK 56 / 31 / 0 / 21

HEX #588BCA

RGB 88 139 202

HSL 213.16, 0.52%, 0.57%

LAB 56.88, 1.51, -37.76

 

CMYK 56 / 46 / 0 / 21

HEX #586DCA

RGB 88 109 202

HSL 228.95, 0.52%, 0.57%

LAB 48.61, 19.68, -50.88

 

CMYK 52 / 56 / 0 / 21

HEX #6158CA

RGB 97 88 202

HSL 244.74, 0.52%, 0.57%

LAB 43.92, 34.47, -58.37

 

CMYK 37 / 56 / 0 / 21

HEX #8058CA

RGB 128 88 202

HSL 261.05, 0.52%, 0.57%

LAB 46.75, 41.32, -53.67

 

CMYK 22 / 56 / 0 / 21

HEX #9E58CA

RGB 158 88 202

HSL 276.84, 0.52%, 0.57%

LAB 50.11, 48.72, -48.1

 

CMYK 62 / 69 / 0 / 38

HEX #3C319E

RGB 60 49 158

HSL 246.06, 0.53%, 0.41%

LAB 28.45, 37.43, -57.64

 

CMYK 62 / 69 / 0 / 26

HEX #483BBD

RGB 72 59 189

HSL 246, 0.52%, 0.49%

LAB 34.35, 43.33, -66.46

 

CMYK 51 / 56 / 0 / 21

HEX #6358CA

RGB 99 88 202

HSL 245.79, 0.52%, 0.57%

LAB 44.08, 34.88, -58.11

 

CMYK 40 / 44 / 0 / 17

HEX #8077D4

RGB 128 119 212

HSL 245.81, 0.52%, 0.65%

LAB 54.59, 25.96, -46.86

 

CMYK 29 / 32 / 0 / 13

HEX #9D97DE

RGB 157 151 222

HSL 245.07, 0.52%, 0.73%

LAB 65.42, 17.91, -35.29

 

CMYK 51 / 56 / 0 / 21

HEX #6358CA

RGB 99 88 202

HSL 245.79, 0.52%, 0.57%

LAB 44.08, 34.88, -58.11

 

CMYK 0 / 56 / 16 / 21

HEX #CA58AA

RGB 202 88 170

HSL 316.84, 0.52%, 0.57%

LAB 54.49, 54.9, -22.31

 

CMYK 39 / 0 / 56 / 21

HEX #7CCA58

RGB 124 202 88

HSL 101.05, 0.52%, 0.57%

LAB 74.34, -44.49, 48.69

 

CMYK 51 / 56 / 0 / 21

HEX #6358CA

RGB 99 88 202

HSL 245.79, 0.52%, 0.57%

LAB 44.08, 34.88, -58.11

 

CMYK 0 / 52 / 56 / 21

HEX #CA6158

RGB 202 97 88

HSL 4.74, 0.52%, 0.57%

LAB 53.83, 40.94, 24.93

 

CMYK 56 / 0 / 52 / 21

HEX #58CA61

RGB 88 202 97

HSL 124.74, 0.52%, 0.57%

LAB 73.01, -53.75, 42.51

 

CMYK 51 / 56 / 0 / 21

HEX #6358CA

RGB 99 88 202

HSL 245.79, 0.52%, 0.57%

LAB 44.08, 34.88, -58.11

 

CMYK 0 / 56 / 16 / 21

HEX #CA58AA

RGB 202 88 170

HSL 316.84, 0.52%, 0.57%

LAB 54.49, 54.9, -22.31

 

CMYK 5 / 0 / 56 / 21

HEX #C0CA58

RGB 192 202 88

HSL 65.26, 0.52%, 0.57%

LAB 78.55, -18.95, 54.62

 

CMYK 56 / 0 / 41 / 21

HEX #58CA78

RGB 88 202 120

HSL 136.84, 0.52%, 0.57%

LAB 73.33, -50.25, 31.42

 

CMYK 51 / 56 / 0 / 21

HEX #6358CA

RGB 99 88 202

HSL 245.79, 0.52%, 0.57%

LAB 44.08, 34.88, -58.11

 

CMYK 0 / 56 / 33 / 21

HEX #CA5887

RGB 202 88 135

HSL 335.26, 0.52%, 0.57%

LAB 53.26, 50.1, -3.59

 

CMYK 5 / 0 / 56 / 21

HEX #C0CA58

RGB 192 202 88

HSL 65.26, 0.52%, 0.57%

LAB 78.55, -18.95, 54.62

 

CMYK 56 / 0 / 24 / 21

HEX #58CA9A

RGB 88 202 154

HSL 154.74, 0.52%, 0.57%

LAB 73.96, -43.69, 14.37

 

Description

Color code: HEX #6358CA | qconv.com Color code: HEX #6358CA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 88 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 88 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, 56 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 56% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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