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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6358A1 it is the complementary color #9CA75E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6358A1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6358A1 shade: #68589C, #796AAF, #8A7CC2, #9B8ED5 and #ACA0E8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6358A1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6358A1 shade: #6358A1, #52468E, #41347B, #302268 and #1F1055

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6358A1 shade: #6358A1, #7758A1, #8A58A1, #9E58A1 and #A15890

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6358A1 shade: #6358A1 and #5858A1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6358A1 shade matches the following richer shades: #6358A1, #5544B5, #4730C9, #391CDD and #2B07F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6358A1 shade: #6358A1, #716C8C, #7F8178, #8E9564 and #9CA950

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6358A1 shade: #5874A1, #5861A1, #6358A1, #7658A1 and #8A58A1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6358A1 shade: #423B6B, #534A86, #6358A1, #7B71B1 and #948CBF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6358A1 shade: #6358A1, #A15887 and #6AA158

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6358A1 shade: #6358A1, #A16358 and #58A163

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6358A1 shade: #6358A1, #A15887, #96A158 and #58A172

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6358A1 shade: #6358A1, #A15872, #96A158 and #58A187

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 45 / 0 / 37

HEX #6358A1

RGB 99 88 161

HSL 249.04, 0.29%, 0.49%

LAB 41.54, 22.59, -38.16

 

Complementary color

CMYK 7 / 0 / 44 / 35

HEX #9CA75E

RGB 156 167 94

HSL 69.04, 0.29%, 0.51%

LAB 66.15, -15.36, 36.34

 

CMYK 33 / 44 / 0 / 39

HEX #68589C

RGB 104 88 156

HSL 254.12, 0.28%, 0.48%

LAB 41.72, 22.58, -34.86

 

CMYK 31 / 39 / 0 / 31

HEX #796AAF

RGB 121 106 175

HSL 253.04, 0.3%, 0.55%

LAB 48.84, 21.7, -34.74

 

CMYK 29 / 36 / 0 / 24

HEX #8A7CC2

RGB 138 124 194

HSL 252, 0.36%, 0.62%

LAB 55.8, 20.92, -34.68

 

CMYK 27 / 33 / 0 / 16

HEX #9B8ED5

RGB 155 142 213

HSL 250.99, 0.46%, 0.7%

LAB 62.61, 20.24, -34.67

 

CMYK 26 / 31 / 0 / 9

HEX #ACA0E8

RGB 172 160 232

HSL 250, 0.61%, 0.77%

LAB 69.28, 19.63, -34.69

 

CMYK 39 / 45 / 0 / 37

HEX #6358A1

RGB 99 88 161

HSL 249.04, 0.29%, 0.49%

LAB 41.54, 22.59, -38.16

 

CMYK 42 / 51 / 0 / 44

HEX #52468E

RGB 82 70 142

HSL 250, 0.34%, 0.42%

LAB 34.25, 23.73, -38.4

 

CMYK 47 / 58 / 0 / 52

HEX #41347B

RGB 65 52 123

HSL 250.99, 0.41%, 0.34%

LAB 26.76, 25.09, -38.69

 

CMYK 54 / 67 / 0 / 59

HEX #302268

RGB 48 34 104

HSL 252, 0.51%, 0.27%

LAB 19.11, 26.7, -38.97

 

CMYK 64 / 81 / 0 / 67

HEX #1F1055

RGB 31 16 85

HSL 253.04, 0.68%, 0.2%

LAB 11.4, 28.39, -38.98

 

CMYK 39 / 45 / 0 / 37

HEX #6358A1

RGB 99 88 161

HSL 249.04, 0.29%, 0.49%

LAB 41.54, 22.59, -38.16

 

CMYK 26 / 45 / 0 / 37

HEX #7758A1

RGB 119 88 161

HSL 265.48, 0.29%, 0.49%

LAB 43.47, 28.28, -34.98

 

CMYK 14 / 45 / 0 / 37

HEX #8A58A1

RGB 138 88 161

HSL 281.1, 0.29%, 0.49%

LAB 45.57, 33.98, -31.53

 

CMYK 2 / 45 / 0 / 37

HEX #9E58A1

RGB 158 88 161

HSL 297.53, 0.29%, 0.49%

LAB 48.03, 40.12, -27.51

 

CMYK 0 / 45 / 11 / 37

HEX #A15890

RGB 161 88 144

HSL 313.97, 0.29%, 0.49%

LAB 47.71, 37.95, -17.87

 

CMYK 39 / 45 / 0 / 37

HEX #6358A1

RGB 99 88 161

HSL 249.04, 0.29%, 0.49%

LAB 41.54, 22.59, -38.16

 

CMYK 45 / 45 / 0 / 37

HEX #5858A1

RGB 88 88 161

HSL 240, 0.29%, 0.49%

LAB 40.62, 19.68, -39.68

 

CMYK 39 / 45 / 0 / 37

HEX #6358A1

RGB 99 88 161

HSL 249.04, 0.29%, 0.49%

LAB 41.54, 22.59, -38.16

 

CMYK 53 / 62 / 0 / 29

HEX #5544B5

RGB 85 68 181

HSL 249.03, 0.45%, 0.49%

LAB 36.75, 37.67, -57.8

 

CMYK 65 / 76 / 0 / 21

HEX #4730C9

RGB 71 48 201

HSL 249.02, 0.61%, 0.49%

LAB 33.29, 52.85, -75.25

 

CMYK 74 / 87 / 0 / 13

HEX #391CDD

RGB 57 28 221

HSL 249.02, 0.78%, 0.49%

LAB 31.63, 65.84, -89.63

 

CMYK 82 / 97 / 0 / 5

HEX #2B07F2

RGB 43 7 242

HSL 249.19, 0.94%, 0.49%

LAB 31.98, 75.45, -101.05

 

CMYK 39 / 45 / 0 / 37

HEX #6358A1

RGB 99 88 161

HSL 249.04, 0.29%, 0.49%

LAB 41.54, 22.59, -38.16

 

CMYK 19 / 23 / 0 / 45

HEX #716C8C

RGB 113 108 140

HSL 249.38, 0.13%, 0.49%

LAB 47.14, 9.02, -16.83

 

CMYK 2 / 0 / 7 / 49

HEX #7F8178

RGB 127 129 120

HSL 73.33, 0.04%, 0.49%

LAB 53.57, -2.5, 4.61

 

CMYK 5 / 0 / 33 / 42

HEX #8E9564

RGB 142 149 100

HSL 68.57, 0.2%, 0.49%

LAB 60.04, -10.83, 25.08

 

CMYK 8 / 0 / 53 / 34

HEX #9CA950

RGB 156 169 80

HSL 68.76, 0.36%, 0.49%

LAB 66.54, -17.82, 43.83

 

CMYK 45 / 28 / 0 / 37

HEX #5874A1

RGB 88 116 161

HSL 216.99, 0.29%, 0.49%

LAB 48.43, 2.33, -27.39

 

CMYK 45 / 40 / 0 / 37

HEX #5861A1

RGB 88 97 161

HSL 232.6, 0.29%, 0.49%

LAB 43.06, 14.02, -35.81

 

CMYK 39 / 45 / 0 / 37

HEX #6358A1

RGB 99 88 161

HSL 249.04, 0.29%, 0.49%

LAB 41.54, 22.59, -38.16

 

CMYK 27 / 45 / 0 / 37

HEX #7658A1

RGB 118 88 161

HSL 264.66, 0.29%, 0.49%

LAB 43.37, 27.98, -35.15

 

CMYK 14 / 45 / 0 / 37

HEX #8A58A1

RGB 138 88 161

HSL 281.1, 0.29%, 0.49%

LAB 45.57, 33.98, -31.53

 

CMYK 38 / 45 / 0 / 58

HEX #423B6B

RGB 66 59 107

HSL 248.75, 0.29%, 0.33%

LAB 27.7, 15.72, -27.02

 

CMYK 38 / 45 / 0 / 47

HEX #534A86

RGB 83 74 134

HSL 249, 0.29%, 0.41%

LAB 34.92, 19.05, -32.42

 

CMYK 39 / 45 / 0 / 37

HEX #6358A1

RGB 99 88 161

HSL 249.04, 0.29%, 0.49%

LAB 41.54, 22.59, -38.16

 

CMYK 31 / 36 / 0 / 31

HEX #7B71B1

RGB 123 113 177

HSL 249.38, 0.29%, 0.57%

LAB 50.92, 18.61, -32.65

 

CMYK 23 / 27 / 0 / 25

HEX #948CBF

RGB 148 140 191

HSL 249.41, 0.28%, 0.65%

LAB 60.62, 13.91, -25.44

 

CMYK 39 / 45 / 0 / 37

HEX #6358A1

RGB 99 88 161

HSL 249.04, 0.29%, 0.49%

LAB 41.54, 22.59, -38.16

 

CMYK 0 / 45 / 16 / 37

HEX #A15887

RGB 161 88 135

HSL 321.37, 0.29%, 0.49%

LAB 47.37, 36.42, -13.01

 

CMYK 34 / 0 / 45 / 37

HEX #6AA158

RGB 106 161 88

HSL 105.21, 0.29%, 0.49%

LAB 61.01, -32.33, 32.31

 

CMYK 39 / 45 / 0 / 37

HEX #6358A1

RGB 99 88 161

HSL 249.04, 0.29%, 0.49%

LAB 41.54, 22.59, -38.16

 

CMYK 0 / 39 / 45 / 37

HEX #A16358

RGB 161 99 88

HSL 9.04, 0.29%, 0.49%

LAB 48.52, 23.8, 16.83

 

CMYK 45 / 0 / 39 / 37

HEX #58A163

RGB 88 161 99

HSL 129.04, 0.29%, 0.49%

LAB 60.31, -36.44, 25.38

 

CMYK 39 / 45 / 0 / 37

HEX #6358A1

RGB 99 88 161

HSL 249.04, 0.29%, 0.49%

LAB 41.54, 22.59, -38.16

 

CMYK 0 / 45 / 16 / 37

HEX #A15887

RGB 161 88 135

HSL 321.37, 0.29%, 0.49%

LAB 47.37, 36.42, -13.01

 

CMYK 7 / 0 / 45 / 37

HEX #96A158

RGB 150 161 88

HSL 69.04, 0.29%, 0.49%

LAB 63.9, -15.37, 36.54

 

CMYK 45 / 0 / 29 / 37

HEX #58A172

RGB 88 161 114

HSL 141.37, 0.29%, 0.49%

LAB 60.59, -33.68, 17.55

 

CMYK 39 / 45 / 0 / 37

HEX #6358A1

RGB 99 88 161

HSL 249.04, 0.29%, 0.49%

LAB 41.54, 22.59, -38.16

 

CMYK 0 / 45 / 29 / 37

HEX #A15872

RGB 161 88 114

HSL 338.63, 0.29%, 0.49%

LAB 46.67, 33.2, -1.39

 

CMYK 7 / 0 / 45 / 37

HEX #96A158

RGB 150 161 88

HSL 69.04, 0.29%, 0.49%

LAB 63.9, -15.37, 36.54

 

CMYK 45 / 0 / 16 / 37

HEX #58A187

RGB 88 161 135

HSL 158.63, 0.29%, 0.49%

LAB 61.06, -29.19, 6.49

 

Description

Color code: HEX #6358A1 | qconv.com Color code: HEX #6358A1 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 88 green and 161 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 88 161 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 45 magenta, none yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 45% 0% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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